StendhalBiblio.com
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réf. 480200Chatto & Windus. Hardcover. Good. This is volume 1 translated by C. K. Scott Moncrieff. Pages have tanning and foxing; two of the corners are bumped; the spine and parts of the boards are faded; the spine has mild crushing at top and bottom. Chatto & Windus hardcover
1973réf. BTR-0014375Gallimard 1973. Good. Condition not individually assessed. Graded conservatively; from a bulk return. Photographs available on request. Gallimard unknown
1989réf. BN51070Frankfurt am Main: Insel-Verl. 1989. Vollständige Taschenbuchausgabe. Belletristik Frankfurt am Main: Insel-Verl. unknown
réf. BN76424detebe. Werke Materialien in 11 Bänden. detebe. unknown
1989réf. BN100499Frankfurt am Main : Insel-Verl. 1989. 1989. Rot und Schwarz : Zeitbild von 1830. Leder-Ausgabe - Insel-Bibliothek Stendhal. Aus d. Franz. von Arthur Schurig. Bearb. von Hugo Beyer. Mit e. Nachw. von Uwe Japp Rot und Schwarz : Zeitbild von 1830. Leder-Ausgabe - Insel-Bibliothek Stendhal. Aus d. Franz. von Arthur Schurig. Bearb. von Hugo Beyer. Mit e. Nachw. von Uwe Japp Frankfurt am Main : Insel-Verl. unknown
1955réf. mon0001615535Vintage Books 1955T. paperback. Good. 2.7919 18.5279 10.9137. Paperback. Scuffing to spine ends binding strong. Vintage Books paperback
1818réf. 1242E001London: Henry Colburn 1818. 1st Edition . Hardback. Printed pages: 8vo. xi 1 339. Very Good. 5.25 x 8.5 inches 14 x 21.5 cm. Later half calf leather binding with marbled boards. Spine with five raise bands and leather title label. Marbled page edges. Excellent solid binding. Offsetting to corners of endpapers title page and final page of text. Scattered foxing to text staining to a few pages. Two bookplates to front pastedown endpaper: Sir John Hollams and Panof Grafsos Skinos. The rare first English language edition. This was the first of Beyle's works to use the pen name Stendhal. Includes the preface that was omitted in all later French editions. Overall condition is Very Good. Size: 5.25 x 8.5 inches 14 x 21.5 cm. Henry Colburn hardcover
1884réf. 977Q20Paris : Librairie L. Conquet 1884 . Leather. Very Good Indeed. 10" by 7". H. Dubochet . A beautiful Ramage-bound limited edition copy of Stendhal's popular psychological novel Le Rouge et le Noir with illustrations from H. Dubouchet. Limited edition of 500 copies. One of the first 150 copies to be printed on Japanese paper. This is No. 73. Elegantly bound by Ramage in full turquoise morocco with gilt tooling and dentelles. With the original wraps bound in. Complete in three volumes. First published in 1830 'Le Rouge et le Noir' or 'The Red and the Black' tells the story of a provincial young man attempting to rise socially escaping his modest upbringing through hard work talent and deception. Written in the original French by Marie-Henri Beyle a French author best known under his pseudonym Stendhal. Beyle received wide acclaim for this novel alongside 'La Chartreuse de Parme' and is particularly praised for his pioneering use of realism in his writings. With a preface by Leon Chapron.Illustrated with eighty engravings by H. Dubouchet containing a portrait 76 vignettes and 3 page adornments. Vignettes are duplicated with each in-text illustration having a corresponding full-page plate with a tissue guard. Bound in full morocco by Ramage. Externally lovely with light rubbing to the extremities slight fading to the spines and the odd light mark. Internally firmly bound. Pages are bright and clean. Bookseller label to front paste down. Very Good Indeed Librairie L. Conquet hardcover
1883réf. 977Q30Paris: Librairie L. Conquet 1883 . Leather. Very Good Indeed. 10.5" by 7". V. Foulquier . A stunning Ramage-bound limited edition copy of Stendhal's popular historical novel La Chartreuse de Parme signed by the publisher. Limited edition.Number 73 out of 500 copies the first 150 of which were printed on Japanese paper as this one.Bound by Ramage in a lovely full crushed morocco with gilt tooling and dentelles.With the original wraps bound in. Signed by the publisher to the small paper prospectus "L. C. to Monsieur Henry Bretherton" with Bretherton's pencil inscription to the title page. With a specimen prospectus to the front of Volume I containing an example of one of Foulquier's vignettes and other material for subscribers. In the original French. Written by Marie-Henri Beyle a French author best known under his pseudonym Stendhal. Beyle received wide acclaim for this novel alongside 'Le Rouge et Le Noir' and is particularly praised for his pioneering use of realism in his writings. This novel is cited as an early example of realism a stark contrast to the Romantic style popular while Stendhal was writing. It is considered by many authors to be a truly seminal work; Honore de Balzac considered it the most significant novel of his time while Tolstoy was heavily influenced by Stendhal's treatment of the Battle of Waterloo. Wonderfully illustrated with a frontispiece 29 vignettes and 1 page adornment - also included are proofs of each illustration each of which is protected with a tissue guard. Collated complete. Bound by Ramage in full crushed morocco. With the original wraps bound in and silk moire to the endpapers and paste downs. Externally lovely with light rubbing to the extremities and a few marks to boards. Spine has darkened slightly. Internally pages 327-330 to volume I are disbound but present. Otherwise firmly bound. Pages are bright with light scattered spotting. Pencil note to title page. Very Good Indeed Librairie L. Conquet hardcover
réf. 5b4101Editalia-Edizioni d'Italia Roma 1973. 144 S. mit vielen Abbildungen Grobschnitt goldgeprägter Ganzleder-Einband auf sechs Schmuckbünden im Leder-Schuber mit aufgezogener Deckel-Illustration folio Einband- und Schuberkanten leicht berieben/unteres Kapital gering ausgebrochen. - sonst gutes Exemplar / buon conditione / Text italienisch / Presentazione di Carlo Laurenzi / Esemplare N. 1356 1999 Esemplari - unknown
réf. 2h11291Insel Verlag Lpz. 587 S. Handeinband-Halbleder auf fünf Schmuckbünden mit goldgeprägtem Rückentitel und Faserbüttenvorsätzen Namensstempel auf Titelseite/Name auf Vorsatz. - Übertragen von Arthur Schurig/hübsche bibliophile Ausgabe in guter Erhaltung - unknown
1933réf. 932T3Paris: Le Divan 1933-1934. Hardback. Very Good Indeed. 6.5" by 4". None. A complete ten volume set of this limited edition collection of the correspondence of the French writer known as Stendhal in the original French. French. Complete in ten volumes. Limited to one-thousand eight-hundred and twenty-five copies of which this is number five hundred and twenty-five. The correspondence of Marie-Henri Beyle better known by his pen name Stendhal a French writer. Best known for the novels Le Rouge et le Noir 1830 and La Chartreuse de Parme 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the foremost practitioners of realism. Stendhal used many aliases in his autobiographical writings and correspondence and often assigned pseudonyms to friends. It is believed that he used more than one-hundred pseudonyms which were astonishingly diverse and usually comic to appear even more bourgeois than he truly was. One of his correspondents Prosper Merimee said "He never wrote a letter without signing a false name." Volume one contains letters from 1800-1805. Volume two contains letters from 1805-1808. Volume three contains letters from 1808-1811. Volume four contains letters from 1812-1816. Volume five contains letters from 1816-1820. Volume six contains letters from 1821-1830. Volume seven contains letters from 1830-1832. Volume eight contains letters from 1832-1834. Volume nine contains letters from 1834-1836. Volume ten contains letters from 1836-1842. Edited with a preface by Henri Martineau a French literary critic and journalist. Bound in half calf with marbled boards with the original paper wraps bound in. Externally smart with light rubbing and minor wear to the extremities. Fading to the spine with the odd small mark to the boards. Internally firmly bound. Pages are very bright with the odd small spot or handling mark. Minor age toning to the endpapers. Bookseller's label to the front pastedown. Very Good Indeed Le Divan hardcover
2007réf. SKU0601440W. W. Norton & Company 2007-12-20. paperback. Good. 5x1x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking W. W. Norton & Company paperback
2007réf. SKU0648947W. W. Norton & Company 2007-12-20. paperback. New. 5x1x8. New Textbook Ships with Tracking W. W. Norton & Company paperback
2013réf. DADAX1108063799Cambridge University Press 2013-08-22. Reissue. paperback. New. 5.50x0.84x8.50. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press paperback
2013réf. DADAX2070118010GALLIMARD 2013-05-08. First Edition. leather_bound. New. 6.69x1.54x4.13. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD hardcover
1980réf. 82366Norwalk CT: Easton Press 1980. Limited Edition. Tall octavo 27cm; full burgundy leather with titling and decorations stamped in gilt on spine and covers; all edges gilt; silk endpapers. A Fine copy still in shrink wrap. Handsome edition of Stendhal's classic novel originally published as Le Rouge et le Noir. 82366. Easton Press unknown
1949réf. 041776Paris: Le Divan 1949. New Limited Edition. Hardcover. Near Fine/No Dust Jacket. Octavo. pp XX 522. 1st printing impression No. 1697 of an edition limited to 3300 copies. Half bound black Morocco with raised bands to spine blue cloth boards. The upper board marked. TEG. Slight foxing to title page. Le Divan hardcover
1829réf. 879M12Paris; Lugano: Alphonse Levavasseur; Presso G. Ruggia e Comp 1829-1831. Leather. Very Good. 8.5" by 5.5". Not Stated. A vellum-bound work concerning the lives of the important composers Haydn and Mozart and the librettist Pietro Metastasio with a history of the economy of Italy. The second edition of this work in a half vellum binding with marbled boards. Loosely inserted is a catalogue of the Mozart Museum in Salzburg published in 1937. Two volumes bound in one consisting of 'Vies de Haydn de Mozard et de Metastase' by M. de Stendhal Alphonse Levavasseur Paris 1831 and 'Storia della Economia Pubblica in Italia ossia Epilogo Critico Degli Economisti Italiani' by Giuseppe Pecchio Presso G. Ruggia e Comp Lugano 1829. The first is a history of the lives of the important composers Joseph Haydn and Wolfgang Amadeus Mozart and the poet and librettist Pietro Metastasio written in French. This work includes letters about Haydn and the life of Mozart translated from German by M. Schlichtegroll. The second work is a first edition copy of Pecchio's study of the Italian economy including a critical study of Italian economists. It was written in Italian by Giuseppe Pecchio who distinguished himself as a modern and original economist in both Italy and England. This work was influential for developments in political economy. In a half vellum binding. Externally smart though a little rubbed to the joints and extremities. Internally firmly bound. Pages are bright with the odd spot. Very Good Alphonse Levavasseur; Presso G. Ruggia e Comp hardcover
2015réf. 1-3955636135Leseklassiker 2015. Paperback. New. 80 pages. German language. 7.09x4.53x0.19 inches. Leseklassiker paperback
réf. 248051EASTON PRESS. Hardcover. GOOD. NOEAN 0 9789900225515 C1955 1992 FINE LEATHERBOUND HARDCOVER WITH GILDED EDGES STAMPED GILDED COVER WITH SILK ENDPAPERS & RIBBON BOOKMARK PREFACE BY HONORE DE BALZAC & ILLUSTRATIONS BY RAFAELLO BUSONI NOEAN EASTON PRESS hardcover
2015réf. x-1473306264Moran Press 2015. Paperback. New. 750 pages. 8.50x5.50x1.88 inches. Moran Press paperback
1911réf. 862F61Paris: A. Ferroud - F. Ferroud 1911 . Leather. Very Good Indeed/Very Good. 8" by 5". Not Stated. A beautifully bound four volume limited edition of Stendhal's seminal novel about a Napoleonic era Italian nobleman. In the original French.Limited to 1000 copies on vellum of which this set is number 966.With the publisher's original wraps bound in. With a colour vignette title page to each front wrap a frontispiece to each volume five plates to volume I five to volume II five to volume III and five to volume IV. Collated complete.The novel is cited as an early example of realism a stark contrast to the Romantic style popular while Stendhal was writing. It is considered by many authors to be a truly seminal work; Honor de Balzac considered it the most significant novel of his time while Tolstoy was heavily influenced by Stendhal's treatment of the Battle of Waterloo. In half morocco bindings with marbled paper covered boards and housed in a corresponding marbled paper covered slip case with cloth lining. Fading to back strips with boards exceptionally bright. Rubbing to joints of slip case with some joints a little tender. Internally firmly bound. Publisher's original paper wraps and back strips bound in to each volume. Pages clean and bright. Very Good Indeed A. Ferroud - F. Ferroud hardcover
réf. 14064Amsterdam A.A. Balkema 1944 édition limitée 300 192p broché légèrement usé bon etat - unknown
1924réf. 145085Paris: René Kieffer Éditeur et Relieur d'Art 1924. Stendhal's great study of love crystallized in a superb art deco Kieffer binding First Kieffer edition in a striking Kieffer binding number 50 of 50 copies on japon from an edition limited to 1050 copies only of this art deco edition of Stendhal's great study of love which was originally published in 1822. In De l'Amour known in English as On Love Stendhal shared his concept of "crystallization" as "the process whereby the lover discovers new perfections in the beloved. This first crystallization is most often reinforced by a second one" Schehr. An argument however can be made that "Stendhal's crystallization has mainly been read from the masculine subject position however sympathetically. In the formula for crystallization Stendhal counts five steps to the completeness of it the fifth culminating in 'proof of love'. That is when the beloved loaded with all the imaginary perfections with which he can endow her grants him sexual access le don de merci in courtly terms. This moment marks of course precisely when a negative crystallization begins - for her. Having 'given herself' as 'proof' of love to him she finds that his final step is her first one into the state of the cruellest doubt did he just use me. Masculine and feminine positions within crystallization thus overlap only at this step and take opposing attitudes toward the same central experience" MacCannell. René Kieffer 1875-1964 worked for ten years at the famed Chambolle-Duru bindery in Paris before establishing his own workshop in 1903 and going on to become one of the leading binders in Paris. In 1909 he launched himself in the edition of illustrated luxury books. He learned the trade from Georges Crès and from Auguste Blaizot who joined his name to the first editions of René Kieffer; even the Mercure de France entrusted him with the direction of some volumes for their own editions. From 1919 to 1923 he executed bindings designed by Pierre Legrain for Jacques Doucet and his workshop quickly became important producing up to 2000 volumes a year with bindings of all kinds from the most luxurious to the more modest one. His bookshop opened in 1923 and his three activities were then combined in one place. Kieffer's consistent endeavour was to retain large poorly published texts have them illustrated by the great names of the time and when possible offer them in luxury or publisher's bindings. 2 vols octavo 196 x 138 mm. Printed in black and blue. Finely bound by René Kieffer with his ticket to versos of front free endpapers in green morocco preserving the original pink wrappers art déco decorative motifs blocked in blind to boards and spine end compartments titles in gilt direct to spine marbled endpapers white silk page markers top edges gilt others untrimmed. Occasional light pencil marks. Joints sometime expertly and discreetly repaired and refurbished spines and edges sunned the bindings otherwise sound and clean internally fresh; an attractive set. Juliet Flower MacCannell "The Hysteric's Guide to the Future Female Subject" 2000 p. 310; Lawrence Schehr "Rendering French Realism" 1997 p. 38. hardcover
