StendhalBiblio.com
4 518 résultats
1977réf. 123This copy of the Charterhouse of Parma is in excellent "like-new" condition in its original slipcase. It was published by the Folio Society in 1977. The Charterhouse of Parma French: La Chartreuse de Parme is a novel by French writer Stendhal published in 1839. Telling the story of an Italian nobleman in the Napoleonic era and later it was admired by Balzac Tolstoy André Gide Lampedusa Henry James and Ernest Hemingway. It was inspired by an inauthentic Italian account of the dissolute youth of Alessandro Farnese. The novel has been adapted for opera film and television. This copy is in like-new condition. Folio Society hardcover
1927réf. 92452Paris: Editions de la Pléiade 1927. Fine. Editions de la Pléiade Paris 1927 17.8 x 24.5 cm Broché First edition one of 280 numbered copies on mould-made wove paper this copy one of 30 hors commerce copies in special wrappers reserved for the 30 private subscribers to all of Paul Valéry's works. Fine copy. Decorated with typographical ornaments by René Ben Sussan. Precious signed autograph presentation inscription from Paul Valéry to his friend the bookseller publisher and bibliophile Ronald Davis: ""à Ronald Davis pour sa collection et avec les bons souvenirs de Paul Valéry."" Editions de la Pléiade unknown
1955réf. mon0001615535Vintage Books 1955T. paperback. Good. 2.7919 18.5279 10.9137. Paperback. Scuffing to spine ends binding strong. Vintage Books paperback
1923réf. 15954München Verlag Georg Müller 1921 bis 1923. Erstes bis Drittes Tausend. ill. OHLdr.-bde Leimpapierdeckel 428 / 260 / 317 / 343 / 376 / 358 / 359 / 214 / 247 / 327 /388 / 449 / 218 / 249 / 328 S. Kopfgoldschnitt 8° 15 Bände zus. Fast vollständige Ausgabe in fünfzehn Bänden ! Der Umfang: Über die Liebe / Lucian Leuwen 1 2 / Rot und Schwarz 1 2 / Die Certosa von Parma 1 2 / Leben des Henri Brulard 1 2 / Denkwürdigkeiten über Napoleon mit 1 Faltkarte Eine Geldheirat Die Äbtissin von Castro =Der Novellen 1. 2. Band / Amiele / Armance oder einige Szene aus einem pariser Salon / Wilhelm WEIGAND Stendhal. Band 16 fahlt leider! leicht bestoßen Katnen teils berieben sonst noch sehr gut erhalten. ANY QUESTIONS Please don´t hesitate to ask for details !! unknown
1930réf. 78049Paris: Albin Michel 1930. Fine. Albin Michel Paris 1930 12 x 19 cm relié First edition of which no copies on deluxe paper were issued one of the press service copies. Bradel binding in full green cloth smooth spine gilt date at foot red shagreen title-piece wrappers and spine faded and with small losses preserved two corners slightly rubbed a modest binding. Inscribed by Léon Blum to the politician pacifist activist and Radical Socialist Jean Piot. Albin Michel hardcover
réf. 4938Couverture rigide. Bon/1925. in-12. Paris Le Divan 1925 in-12 319pp reliure demi-chagrin à coins Exemplaire en parfait état de l'édition numérotée sur Vergé Lafuma unknown
réf. 5776Couverture rigide. Bon/1966. in-8. Paris 1966 in-8 321pp reliure pleine peau tabac rodhoid Très bel exemplaire unknown
1929réf. 28008Paris:: Le Divan 1929. First limited edition. Our copy number 880 of 2650 printed. 8vo. 3 vols. Henri Martineau editor. Contemporary quarter calf over marbled boards fine-binding by Flammarion. Minor shelf wear spines with gilt rules and titles. Original paper covers bound-in title pages in red and black text few other leaves with red print. Thin green ribbon bound-in old owenrs bookplate to all 3 volumes on frist endpaper ÔEx Libris De M. & Mme C.A. Deshell ParisÕ. First volume with tiny print at top of blank ÔFlammarionÕ. Last text leaf of vol. 1 with minor tear at inner margin. Overall a nice set of a scarce edition. Stendhal pseudo Henri Beyle 1783-1842 French writer considered one of the earliest and foremost practitioners of realism. Le Divan, hardcover
1846réf. 435822ª. Ed.- Paris: Publie par J. Hetzel Imp. Centrale de Napoleon Chaix et Cie. 1846.- 2 h. 468 p.; 8º 18 x 113 cm; Media Piel época.- Oeuvres de Stendhal. La encuadernación algo rozada pero restaurada quedando en bastante buen estado. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Livre en français Publie par J. Hetzel (Imp. Centrale de Napoleon Chaix et Cie.) hardcover
1929réf. MM002Paris Cité des livres 1929. Hard Cover. Two volumes: iii 320 pges; 2 leaves 400 pages 2 leaves; 21 cm. Copy no. 113 of 1000 examples "sur vergé À la forme des papeterie d'arches." Cité des Livres published limited editions of French literary classics on paper better than the poor stock of most Parisian publishers. Bound in 3/4 red leather over patterned paper; Very Good; a handsome two-volume set. Stock#MM002 / house. À la Cité des Livres. M DCCCC XXIX. hardcover
1928réf. MM003Paris Cité des Livres 1928 18 May. Hard Cover. Two volumes: 2 leaves iii 385 pages; 2 leaves 432 pages 1 leaf; 21 cm. Copy no. 121 of 1000 "sur verge À la forme des papeteries D'Arches." Cité des Livres published classics of French literature on superior paper. Bound in 3/4 red leather over color floral paper spines blindstamped; Very Good. A handsome two-volume set. Stock#MM003 / house. À La Cité des Livres, M DCCCC XXVIII. hardcover
1946réf. 25132Paris: Bordas Editeur a Paris 1946. Paperback. Very Good in Good Slipcase and Good Glassine. Paperback. Limited Edition 1132 of 3000 copies. Includes numerous illustrations by J.A. Carlotti. Bound in original cream wrappers with black titles to spines. Minor browning to spines and a few spots of foxing to covers. A few light smudge marks to several pages and occasional spots of light foxing; otherwise the interiors are very clean. Unopened pages. In original glassine covers with chipping to spine panels and edges. Housed in a cream paper covered slipcase. The slipcase is worn along the edges and the panels are soiled. ln FRENCH. 489 pages. FRE/072511 This set may require an extra shipping fee. Bordas Editeur a Paris paperback
réf. 54143802like new. unknown
réf. 54118571-nnew. unknown
1829réf. 92190Paris: Delaunay 1829. Fine. Delaunay Paris 1829 13.2 x 21.2 cm 2 volumes reliés First edition illustrated with a frontispiece in each volume and a folding plate at the end of the first volume. Bradel-style bindings in brown half cloth with small corners smooth spines very slightly faded and ruled in gilt marbled-paper boards with a few minor scuffs blue-grey endpapers and pastedowns marbled edges bookplates pasted to the front pastedowns. Some foxing as usual. Our copy is complete with all three engravings: a view of St Peter's in Rome and a plan of the remains of ancient Rome in the first volume and Trajan's Column in the second. It also includes a second state of the plan of the remains of ancient Rome with slight variations Cf. Clouzot Delaunay hardcover
1952réf. 25669France: Bibliotheque de la Pleiade 1952. Leatherette. Near Fine/Very Good . A crisp clean copy of the 1945 and 1952 1st thus the 1st appearances of the compact wonderful Pleiade edition of Stendhal's Romans et Nouvelles. Complete in 2 volumes. Both volumes bright and Near Fine in their light-green leatherette. And in crisp VG dustjackets plus sharp examples of the publisher's thick unprinted outer mylar dustjackets with 1" of loss at the foot of Tome I's spine. 12mos over 3000 pgs all told between both volumes exclusively in their native French. Includes "Armance" "Le Rouge et Le Noir" "Lucien Leuwen" "La Chartreuse de Parme" "Chroniques Italiennes" "Lamiel" and "Romans et Mouvelles Bibliotheque de la Pleiade unknown
1996réf. SBBI-mon0000149862Cle International 1996. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Cle International paperback
1999réf. SBBIH-PACBAIRD5ECXSheep Meadow PressU.S. 1999. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Sheep Meadow Press,U.S. hardcover
1967réf. SBBIH-Z5G6IOLR6R4DPENGUIN BOOKS 1967. paperback. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. PENGUIN BOOKS paperback
réf. 35254Sur les presses des trois Audin à Lyon 1948 grand in/8 en feuilles sous étui 67 pages. Cuivres au burin d'Albert Decaris Albert Decaris en a conçu et réalisé l'illustration au burin Didier Baron en a établi la maquette et la présentation typographique. Marcel Boureau a tiré les cuivres au repérage sur ses presses à bras à Lyon. Cent cinquante exemplaires numérotés de 41 à 190 sur vélin pur fil de Johannot notre exemplaire N° 168 unknown
1839réf. 89931Paris: Ambroise Dupont 1839. Fine. Ambroise Dupont Paris 1839 13 x 21.7 cm 2 volumes reliés sous étui First edition printed on thick wove paper. Bound in contemporary half brown shagreen smooth spines decorated with black typographic motifs marbled paper boards hand-marbled endpapers and pastedowns modern slipcase edged in brown morocco with matching marbled paper sides and olive-green felt lining. Some occasional foxing the note ""Henri Beyle"" in black ink at the upper corner of the title page of the first volume without the final catalogue leaf at the end of the second volume small corner restorations to four leaves of the first volume. ""Very rare and extremely sought after. Usually quite simply bound at the time. Often foxed"" Clouzot. ""This work is of great rarity in fine condition"" Carteret. A handsome and very rare copy large-margined and attractively bound at the time of this masterpiece by Stendhalrarer still than Le Rouge et le Noir. Ambroise Dupont hardcover
1814réf. 91120Paris: Chez H. NicolleDe l'Imprimerie de C.-F. Patris 1814. Fine. Anonymous work attributed to Anna Maria Porter which inspired Stendhal's masterpiece ""La Chartreuse de Parme"" Chez H. Nicolle De l'Imprimerie de C.-F. Patris Paris 1814 10.2 x 17.4 cm Relié First edition of the French translation by Élisabeth de Bon gathering in 2 volumes the 4 parts of this anonymous English novel originally printed in 1809 which according to André Marc in his Dictionnaire des romans anciens et modernes of 1819 is the work of Anna Maria Porter younger sister of the novelist Jane Porter. The Porter sisters contemporaries of Jane Austen and famous before the Brontës were close to the Scottish poet Walter Scott. Contemporary full brown tree sheep smooth spines divided into compartments richly gilt in decorative rolls of laurels annulets and lozenges two compartments with a lozenge network formed by interlacing fillets with fleurons at the corners red and green morocco lettering-piece and numbering-piece blind-tooled fillet border to boards gilt fillet to turn-ins edges sprinkled red marbled endpapers in pebbled pattern. Some light surface wear and minor offsetting to boards corners slightly worn. On volume 1 a charming error in the decorative roll at foot of spine corrected by the binder. On volume 2 small piece of leather at the edge of the numbering-piece slightly detaching. Scattered foxing and faint marginal damp-staining to upper margins. In volume 3 two minor marginal repairs to half-title and p. 8. Several period textual corrections in brown ink and pencil: volume 1 p. 131 volume 2 p. 90 and volume 3 p. 21. In the early nineteenth century English novels were widely translated into French. According to the critic signing as ""E."" in the Journal de l'Empire Les Frères Anglais is a success and according to another reviewer writing for the Gazette de France the French translation as much as the original text deserves praise: ""We have already had the opportunity in this Gazette to praise the translator. English novels are much vaunted but the choice is vast; some prove mediocre and even detestable. This one does honour to the good sense of Madame Elisabeth de B. The situations are lively and varied the characters well drawn; the work pleases and holds one's attention from beginning to end."" Gazette de France December 4 1814 ""What astonishes readers who cannot transport themselves into the society whose customs are depicted and who insist on judging everything by the habits of their own circle is the liberty of young English ladies. If their novels offer a faithful picture of their manners and habits these young women converse familiarly in tête-à-tête with their suitors; they write to them even give them their portraits; they tell their parents without ceremony that their heart is engaged. Never would a French demoiselle make such a frank avowal; at most she allows her secret to be guessed."" Journal de l'Empire May 10 1815 our own translation Two women of letters were behind this literary success: Élisabeth de Bon a translator renowned in her lifetime also a novelist short-story writer and co-proprietor of the periodical the Mercure de France and a mysterious authoress. The name of Anna Maria Porter absent from the title-page would be revealed by the bookseller André Marc as that of the author in 1819. Precocious and prolific Anna Maria began writing and publishing books during adolescence nearly a decade before her elder sister Jane. In 1807 she published The Hungarian Brothers and in 1809 she is thought to have written The English Brothers. These two works with their near-identical titles like false twins are the starting point according to Richard Bolster for the attribution of the latter novel to Anna Maria Porter. It was precisely the same translator Élisabeth de Bon who undertook the translation of the third edition of The Hungarian Brothers in 1818 and in 1815 that of another of the author's works The Recluse of Norway. The En Chez H. NicolleDe l'Imprimerie de C.-F. Patris hardcover
1817réf. 88398Paris Paris: DelaunayPelicier 1817. Fine. Delaunay Pelicier Paris Paris 1817 13 x 20 cm Relié Rare first edition as referenced by Clouzot see Guide du bibliophile français XIXe siècle p. 256. A few insignificant spots of foxing a small black ink stain at the bottom of pages 354355. Complete with the errata leaf at the end of the volume. Caramel half calf binding spine with five raised bands ruled with gilt dotted lines and decorated with gilt and black tools gilt fillets at head and foot of spine. Minor rubbing to the spine. Brown morocco title label. Marbled paper-covered boards framed with blind-stamped vertical rolls endpapers and pastedowns in cats-eye paper all edges gilt. Roman booksellers label at the top of a pastedown. Period-style binding signed in blind by Durvand. Rare and important work cf. Carteret notable for being the first to bear Stendhals pseudonym on the title page. DelaunayPelicier hardcover
1890réf. 89586Paris: G. Charpentier & Cie 1890. Fine. G. Charpentier & Cie Paris 1890 11.7 x 18.8 cm Relié First edition of which no copies were printed on deluxe paper.Half black shagreen binding spine with five raised bands decorated with gilt garlands gilt date at foot marbled paper boards combed paper endpapers and pastedowns gilt top edge original wrappers preserved.Scattered foxing some reading marks in red and blue pencil in the margins of certain paragraphs ink stamps of the Etienne Vion bookshop and stationery in Amiens on the title page a library shelfmark at the head of the title page. G. Charpentier & Cie hardcover
1888réf. 89597Paris 1888. Fine. Paris 1888 11.8 x 18.8 cm Relié First edition on ordinary paper.Half black shagreen binding spine with five raised bands decorated with gilt garlands gilt date at foot a small tear at the foot of the spine marbled paper boards comb-marbled endpapers and pastedowns gilt top edge.Scattered foxing. hardcover
