StendhalBiblio.com
4605 resultados
2015ref. x-1473306256Moran Press 2015. Paperback. New. 738 pages. 8.50x5.50x1.85 inches. Moran Press paperback
ref. 99950Paris Gallimard 1970. 8° 1597 1484 S: OLdr. m. goldgepr. Rücken OU Farbkopfschnitt. Tadellos. = Bibliothèque de la pléiade Nr. 40 13. 010 Paris, Gallimard, 1970, unknown
1969ref. 309840New York: W. W. Norton & Company 1969. First Edition; First Printing. Hardcover. Very Good in a Very Good clipped dust jacket. Top and bottom corners of front flap clipped. Small closed tears on spine crown and heel. W. W. Norton & Company hardcover
1992ref. 310587Connecticut: Easton Press 1992. First Edition; First Printing. Hardcover. Fine Leather Bound. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines. Notes from publisher neatly laid in.; First Easton Press Edition. Easton Press hardcover
ref. 100777Paris Le Divan 1933. Kl.8° X 225; 320 S. Privat HLdr. goldgeprägt. Kopfgoldschnitt. Min beschienen tadell. Etablissement du Texte et Preface par Henri Martineau. Text: franz. 010 Paris, Le Divan, 1933 unknown
1992ref. 172099New York: Everyman's Library 1992. First Edition Thus; First Printing. Hardcover. Fine in boards. Everyman's Library hardcover
ref. B9783368304508Paperback / softback. New. paperback
1943ref. 155280New York: Liveright Publishing Corp 1943. Black and Gold Edition. Hardcover. Very Good in boards. Light stain on bottom text block edge. Liveright Publishing Corp hardcover
1955ref. mon0000142841Vintage Books 1955-01-01. Paperback. Good. 2.7919 in x 18.5279 in x 10.9137 in. NOT ex-library. Clean copy in good condition. Vintage Books paperback
ref. 93704Paris Charles Bosse 1908. Gr.8° je 1 Fronti XVIII 448 S; VIII 560 S; VIII 378 S. Privat-HLdr. Rücken min. beschienen min. gebrauchspurig tadell. Préface de Maurice Barrès. Text. franz. 010 Paris, Charles Bosse, 1908 unknown
2006ref. 146374New York: Barnes & Noble Books 2006. Barnes and Noble; First Printing. Softcover. Very Good in wraps. Crease on front flap.; The Barnes & Noble Library Of Essential Reading; 8.1 X 5.4 X 1.4 inches; 527 pages. Barnes & Noble Books unknown
1970ref. 140504New York: International Collectors Library 1970. First Edition Thus; First Printing. Hardcover. Very Good in boards. Foxing on top text block edge. International Collectors Library hardcover
1999ref. 134154New York: Modern Library 1999. Hardcover. Additional copy Fine in a Fine dust jacket.; 7.7 X 5.5 X 1.4 inches; 528 pages. Modern Library hardcover
1999ref. 134152New York: Modern Library 1999. Hardcover. Near Fine in a Near Fine dust jacket.; 7.7 X 5.5 X 1.4 inches; 528 pages. Modern Library hardcover
1962ref. 43938AB1962. Evanston Northwester University Press 1962. 16 cm x 23.5 cm. XIII 305 pages. With many illustrations. Original hardcover with protective Mylar. Excellent condition with only very minor signs of wear. Considerable underlining by preowner. Otherwise clean inside with solid binding. "Allan Seager 19061968 was a novelist and short-story writer. Seager published more than 80 short stories in publications including Esquire The New Yorker The Atlantic and Sports Illustrated. E.J. O'Brien editor of the yearly Best American Short Stories series once stated that the "apostolic succession of the American short story" ran from Sherwood Anderson to Ernest Hemingway to Seager. Poet and novelist James Dickey credited Seager's novel Amos Berry as a principal reason that he chose to pursue poetry. As an undergraduate at the University of Michigan Seager was a member of two national championship swimming teams. He subsequently earned a Rhodes Scholarship to Oxford University but his studies were interrupted by a bout of tuberculosis. He spent a year "curing" at the Adirondack Cottage Sanitarium in Saranac Lake New York; his experiences there and in Ann Arbor and Oxford led to the semi-autobiographical short stories published in the collection A Frieze of Girls. Subsequent to his Rhodes Scholarship Seager worked for Vanity Fair magazine as an assistant editor. He returned to Ann Arbor in 1935 where he taught creative writing at the University of Michigan until 1968." Wikipedia "This is the first English translation of Stendhal's fictional account of a tour through France in the reign of Louis-Philippe. This is not only a guide book but more importantly it is a theater of opinion for one of the most brilliant and original minds of the nineteenth century. Since Stendhal always had to pretend to be someone else this book purports to be the memoirs of an ironworks salesman who having made his fortune is about to leave France forever and settle in the colonies. The disguise is thin however and on every page the freshness and vigor of Stendhal's mind bursts through. Stendhal makes observations on the people the local customs the social life the charm of women; he makes what would now be called psychological and sociological observations remarks on the cuisine and regional wines the state of the drama good fishing sites; in fact as nearly as you can visit a place verbally you do so with the author of The Red and the Black and The Charterhouse of Parma" for Stendhal is the ideal traveling companion: urbane witty and stimulating." Publisher hardcover
1969ref. 60074AB1969. New York W. W. Norton & Company inc 1969. 8°. XII 572 pages including Bibliography. Original Soft Cover. Excellent condition with only minor signs of external wear. Norton Critical Edition. Includes Content such as: The Text of Red and Black // Robert M. Adams - Stendhal's Use of Names // G. Tomasi di Lampedusa - Notes on Stendhal: Red and Black // Robert M. Adams - Liking Julien Sorel // Alain - Love in Stendhal: Love in Voltaire // Angles of vision: Paul Valéry Jean-paul Sartre André Gide Marcel Proust Paul Bourget Friedrich Nietzsche José Ortega y Gasset Hippolyte Taine // etc. paperback
1983ref. 21172AB1983. Frankfurt am Main/Bern/New York Lang 1983. 8°. 258 Seiten. Softcover / Kartoniert. Sehr guter Zustand mit nur ganz minimalen Gebrauchsspuren. Papier produktionsbedingt etwas fleckig. KEINE Anstreichungen. Signiert / Mit handschriftlicher Widmung des Verfassers an die Romanistin Maria Moog-Grünewald. Bonner romanistische Arbeiten ; Bd. 17 Stendhals musikalische Kompetenz / Manuel de musique / Die "Vies de Haydn de Mozart et de Metastase" / Die Plagiate / Die Plagiatpolemik Carpani-Bombet / Die Bewertung der Plagiate und die Frage nach der Originalitaet Stendhals / etc. Stendhals intensives und erstaunlich vielschichtiges Verhältnis zur Musik findet in fast allen Schriften des Autors seinen Ausdruck. Seine Persönlichkeit sowie Theorie und Praxis seines literarischen Oeuvres sind wesentlich von ihm geprägt. Im «Forschungsbericht» werden grundsätzliche Problemstellungen des Themas erörtert und verschiedene Positionen der Forschung vorgestellt. In der «Kritischen Bibliographie» werden für den Zeitraum von 1900 bis 1980 diejenigen Untersuchungen in denen im weitesten Sinne Stendhals Verhältnis zur Musik thematisiert wird vollständig erfasst in den Hauptinhalten referiert auf Stichhaltigkeit und sachliche Richtigkeit ihres Inhalts kritisch überprüft und durch Querverweise miteinander verbunden. Ein nach Namen und Sachen gegliedertes Register ermöglicht dem Benutzer Teilaspekte des Themenbereichs aufzufinden und zugehörige Detailprobleme zumindest bibliographisch zu lösen. paperback
ref. 61586André et Pierre Rémon 1973. 2° 98 S. 26 Orig-Zeichnungen. HPrgt-Mappe darin Broschur mit losen Bogen in HPrgt-Schmuckschuber. Vom Künstler und vom Verleger im Impressum signiert. Nummeriertes Exemplar Nr. 28/38. Text frz. «La texte composé à la main en caractère Garamond a été tiré par le maître imprimeur André Kundig à Genève. Les papiers ont été fournis par la maison Jean Rochat l’emboîtage du livre par la reliure Veihl. Sur vélin 010 André et Pierre Rémon, 1973 unknown
ref. 55267Paris Gallimard 1984. 8° XXXIX 1873 S. OLdr. m. goldgepr. Rücken OU Farbkopfschnitt. Tadellos. = Bibliothèque de la pléiade Nr. 249. 010 Paris, Gallimard, 1984 unknown
ref. 73363Brüssel Louis Hauman 1830. Kl.8° lithogr. Frontispiz «Colonne Trajane» 468 S. 1 lithogr. Faltplan Brosch. Umschlag fleckig u. m. Kl. Verlusten am Fuss Rückenkanten tlw. durchgerieben Blätter tlw. staubrandig u. selten etw. stockfl. tlw. unaufgeschnittenes breitrandiges Ex. Erstausgabe. 010 Brüssel, Louis Hauman, 1830 unknown
ref. 61624Lausanne André et Philippe Gonin 1973. 4° 88 S. 2 Bl. 26. farb. Abb. Lose Bogen in Umschlag in HPerg.-Mappe in Schmuckschuber. Schuber etwas gebräunt min. fleckig sonst tadell. Nr. 28 von 38 Exemplaren Insgesamt 50 Ex. sur vélin de Rives. Vom Verleger und dem Künstler im Impressum signiert. Les 26 compositions de l’ouvrage ont été dessinées et peinets à la main dans chaque exemplaire par Jean-Pierre Remon à Paris. - Die EA des Textes erschien 1838.- Jean-Pierre Rémon est né le 9 novembre 1928 à Paris dans le XIVe arrondissement troisième d’une famille de 7. C’est en écoutant sa Mère jouer au piano Bach et Mozart que l’envie de peindre est née chez le petit Jean-Pierre alors âgé de treize ans. Son entourage familial le sensibilise d’autre part à la littérature et au théâtre. Les origines d’une vocation artistique sont mystérieuses. Elles sont à rechercher dans les joies les chagrins les plus anciens et les plus enfouis. Chez Jean-Pierre Rémon la conscience aiguë d’être différent du fait d’une sensibilité hors du commun l’ont dès la sortie de l’enfance poussé à dessiner. A quinze ans il entre à l’École des Beaux Arts de Paris pour y dessiner des plâtres. Il travaille ensuite avec Gilbert Dupuis directeur de l’Académie Jullian qui lui transmet les bases du métier de peintre. Cette Académie qui fut fermée pendant la guerre ; davantage libre et créative que l’Ecole des Beaux Arts elle accueillait les peintres étrangers et les femmes ainsi que les amateurs talentueux ; l’avaient fréquentée : Edouard Vuillard Henri Matisse ou encore Jacques Henri Lartigue. 010 Lausanne, André et Philippe Gonin, 1973 unknown
1953ref. 122426New York: Modern Library Edition 1953. Modern Library Edition. Hardcover. Very Good in a Good dust jacket. Owner name on FEP. Spine slightly cocked at crown. 1/2 inch open tear at top/bottom of rear gutter. Light shelf wear on front/rear panel. Light bumping at spine crown/heel. Modern Library Edition hardcover
1926ref. 92135New York: Modern Library / Random House 1926. Modern Library Edition. Hardcover. Good in a Poor dust jacket. Scuffing and soiling to front and rear boards. Peeling as well closed tears along lower portion of front panel. Open tear on crown and heel. Open tear on rear panel. Corner clipped on upper rear panel. Discoloration to dust jacket.; 16mo 6" - 7" tall. Modern Library / Random House hardcover
1926ref. 45422New York: Modern Library / Random House 1926. Modern Library Edition. Hardcover. Good in a Good dust jacket. A few chips and tears to jacket. Partially removed owner stamp to FEP.; 16mo 6" - 7" tall. Modern Library / Random House hardcover
1929ref. 121421Paris : Editions Orion 1929. broché. STENDHAL. - LABOUREUR J.-E. illustrations de.Le Chasseur vert. Gravures de J.-E. Laboureur. Paris Editions Orion1929 250x195mm frontispiceV - 248 pages 7 eaux fortes broché. Couverture rempliée. Papier cristal d’origine conservée. Exemplaire sur papier vélin blanc à la cuve B. F. K. numéroté n° 284 / 336. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions Orion unknown
