4602 risultati
1855rif. 89588Paris: Michel Lévy frères 1855. Fine. Michel Lévy frères Paris 1855 11.8 x 18.8 cm 2 volumes reliés First edition. Bound in black half shagreen spines with five raised bands decorated with gilt garlands gilt dates at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges. Some foxing mainly at the beginning and end of the volumes. Preface by Prosper Mérimée. Michel Lévy frères hardcover
rif. 93704Paris Charles Bosse 1908. Gr.8° je 1 Fronti XVIII 448 S; VIII 560 S; VIII 378 S. Privat-HLdr. Rücken min. beschienen min. gebrauchspurig tadell. Préface de Maurice Barrès. Text. franz. 010 Paris, Charles Bosse, 1908 unknown
1926rif. 32721Paris: Nrf 1926. Fine. Nrf Paris 1er septembre 1926 14 x 23 cm broché First edition. Numerous contributions including those by G.Duhamel journal de Salavin I F.Ponge la famille du Sage A.Gide journal des faux-monnayeurs fin J.Green le voyageur sur la terre fin Stendhal Edgar ou le Parisien de vingt ans. Some foxing to covers otherwise a handsome copy. Nrf unknown
rif. 62105P.U.F. Cnrs Paris 1955 In-8 22 cm 434pp. illustr. fac-sim. hors-texte Nb-0369 unknown
rif. 53540Eds Calmann Levy 1911 edition originale In-12 xxi-388pp. reliure demi-maroquin de l'epoque dos a nerfs et titre orne la carte de visite de Paul Arbelet est jointe a cet exemplaire avec un hommage autographe a l'auteur Hector Fleischmann mention d'exemplaire offert Nb-0239 unknown
rif. 51776Eds Milieu du Monde In-16 678pp. reliure cart. de l'editeur Nb-0158 unknown
rif. 50416Eds du Trianon - Collection : L'Oeuvre Romanesque In-8 410pp. illustr. Bois originaux de A.-F. Cosyns exemplaire numerote sur velin de fil du Marais Nb-0217 unknown
1929rif. 121421Paris : Editions Orion 1929. broché. STENDHAL. - LABOUREUR J.-E. illustrations de.Le Chasseur vert. Gravures de J.-E. Laboureur. Paris Editions Orion1929 250x195mm frontispiceV - 248 pages 7 eaux fortes broché. Couverture rempliée. Papier cristal d’origine conservée. Exemplaire sur papier vélin blanc à la cuve B. F. K. numéroté n° 284 / 336. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions Orion unknown
rif. 61489Edouard Champion Paris 1923 In-8 23 cm lxxxi- 441pp. illustr. 3 fac-simile hors-texte un des 100 exemplaires sur Arches contenant une double suite des planches tirees sur Japon Imperial Nb-0359 unknown
rif. 61586André et Pierre Rémon 1973. 2° 98 S. 26 Orig-Zeichnungen. HPrgt-Mappe darin Broschur mit losen Bogen in HPrgt-Schmuckschuber. Vom Künstler und vom Verleger im Impressum signiert. Nummeriertes Exemplar Nr. 28/38. Text frz. «La texte composé à la main en caractère Garamond a été tiré par le maître imprimeur André Kundig à Genève. Les papiers ont été fournis par la maison Jean Rochat l’emboîtage du livre par la reliure Veihl. Sur vélin 010 André et Pierre Rémon, 1973 unknown
rif. 61624Lausanne André et Philippe Gonin 1973. 4° 88 S. 2 Bl. 26. farb. Abb. Lose Bogen in Umschlag in HPerg.-Mappe in Schmuckschuber. Schuber etwas gebräunt min. fleckig sonst tadell. Nr. 28 von 38 Exemplaren Insgesamt 50 Ex. sur vélin de Rives. Vom Verleger und dem Künstler im Impressum signiert. Les 26 compositions de l’ouvrage ont été dessinées et peinets à la main dans chaque exemplaire par Jean-Pierre Remon à Paris. - Die EA des Textes erschien 1838.- Jean-Pierre Rémon est né le 9 novembre 1928 à Paris dans le XIVe arrondissement troisième d’une famille de 7. C’est en écoutant sa Mère jouer au piano Bach et Mozart que l’envie de peindre est née chez le petit Jean-Pierre alors âgé de treize ans. Son entourage familial le sensibilise d’autre part à la littérature et au théâtre. Les origines d’une vocation artistique sont mystérieuses. Elles sont à rechercher dans les joies les chagrins les plus anciens et les plus enfouis. Chez Jean-Pierre Rémon la conscience aiguë d’être différent du fait d’une sensibilité hors du commun l’ont dès la sortie de l’enfance poussé à dessiner. A quinze ans il entre à l’École des Beaux Arts de Paris pour y dessiner des plâtres. Il travaille ensuite avec Gilbert Dupuis directeur de l’Académie Jullian qui lui transmet les bases du métier de peintre. Cette Académie qui fut fermée pendant la guerre ; davantage libre et créative que l’Ecole des Beaux Arts elle accueillait les peintres étrangers et les femmes ainsi que les amateurs talentueux ; l’avaient fréquentée : Edouard Vuillard Henri Matisse ou encore Jacques Henri Lartigue. 010 Lausanne, André et Philippe Gonin, 1973 unknown
rif. 3-56963Firenze Parenti 1957 tre volumi in-8vo bel cartonato editoriale con stemmi papali ai piatti anteriori sovraccopertine in acetato cofanetto originale rigido illustrato a colori pp. XLVI-320 252 con 122 tavole in nero e a colori fuori testo di cui le ultime nove di grandi dimensioni e ripiegate sono contenuto nel vol. III. Traduzione di M. Cesarini Sforza; prefazione di Alberto Moravia; introduzione critica di Glauco Natoli. Bella edizione di lusso nella seconda edizione tiratura ordinaria di 2000 copie non numerate. Molto buono. unknown
rif. 3-44448Firenze Parenti 1956 tre volumi in-8vo bel cartonato editoriale con stemmi papali ai piatti anteriori sovraccoperta in acetato cofanetto originale rigido illustrato a colori pp. XLVI-320 252 con 122 tavole in nero e a colori fuori testo di cui le ultime nove di grandi dimensioni e ripiegate sono contenuto nel vol. III. Traduzione di M. Cesarini Sforza; prefazione di Alberto Moravia; introduzione critica di Glauco Natoli. Bella edizione di lusso nella prima tiratura ordinaria di 3000 copie non numerate. Uno strappo e piccole mancanze alle sovraccoperte in acetato; lievi segni del tempo al cofanetto. Molto buono. unknown
1960rif. 2205180132Firenze Parenti 1960-01-01. Hardcover. Very Good. 3 volume set. Hardcovers in slip case. Shelf wear to slip case. Good bindings and covers. Clean unmarked pages. Gift inscription in volume 1 but otherwise pages clean and unmarked. 26 cm. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Firenze, Parenti hardcover
2007formato 20,5X13. Brossura editoriale con alette pagine 237. Bella copia
1962rif. 43938AB1962. Evanston Northwester University Press 1962. 16 cm x 23.5 cm. XIII 305 pages. With many illustrations. Original hardcover with protective Mylar. Excellent condition with only very minor signs of wear. Considerable underlining by preowner. Otherwise clean inside with solid binding. "Allan Seager 19061968 was a novelist and short-story writer. Seager published more than 80 short stories in publications including Esquire The New Yorker The Atlantic and Sports Illustrated. E.J. O'Brien editor of the yearly Best American Short Stories series once stated that the "apostolic succession of the American short story" ran from Sherwood Anderson to Ernest Hemingway to Seager. Poet and novelist James Dickey credited Seager's novel Amos Berry as a principal reason that he chose to pursue poetry. As an undergraduate at the University of Michigan Seager was a member of two national championship swimming teams. He subsequently earned a Rhodes Scholarship to Oxford University but his studies were interrupted by a bout of tuberculosis. He spent a year "curing" at the Adirondack Cottage Sanitarium in Saranac Lake New York; his experiences there and in Ann Arbor and Oxford led to the semi-autobiographical short stories published in the collection A Frieze of Girls. Subsequent to his Rhodes Scholarship Seager worked for Vanity Fair magazine as an assistant editor. He returned to Ann Arbor in 1935 where he taught creative writing at the University of Michigan until 1968." Wikipedia "This is the first English translation of Stendhal's fictional account of a tour through France in the reign of Louis-Philippe. This is not only a guide book but more importantly it is a theater of opinion for one of the most brilliant and original minds of the nineteenth century. Since Stendhal always had to pretend to be someone else this book purports to be the memoirs of an ironworks salesman who having made his fortune is about to leave France forever and settle in the colonies. The disguise is thin however and on every page the freshness and vigor of Stendhal's mind bursts through. Stendhal makes observations on the people the local customs the social life the charm of women; he makes what would now be called psychological and sociological observations remarks on the cuisine and regional wines the state of the drama good fishing sites; in fact as nearly as you can visit a place verbally you do so with the author of The Red and the Black and The Charterhouse of Parma" for Stendhal is the ideal traveling companion: urbane witty and stimulating." Publisher hardcover
1855Edition originale posthume, complète des 2 séries en 2 volumes: correspondance inédite, écrite par STENDHAL / Henry BEYLE (1783-1842) de 1809 à 1842, précédée d'une introduction inédite de Prosper MERIMEE (1803-1870): "Notes et souvenirs" sur Henry Beyle; portrait en frontispice. Exemplaire conforme à la notice de Vicaire. Français
rif. A9781345705690Hardback. New. hardcover
rif. B9781345705690Hardback. New. hardcover
rif. 26687Paris 1933 Belle lettres. Broschiert unaufgeschnittene Seiten die Bücher sind gut erhalten--- Softcover unopened cuted pages the books are in a good condition Paris 1933 Belle lettres paperback
1933rif. 103427Paris: Le Divan 1933. Pocketbook. Paperback. Good. Correspondance 1800-1842 Volumes 1-10 Journal 1801-1823 Volumes 1-5 Roman et Nouvelles Volumes 1 & 2 Pensees Volumes 1 & 2 Melanges Intimes et Marginalia Volumes 1 & 2 Lettres A Stendhal Volumes 1 & 2. text in French wraps covers soiled and worn Standard shipping no tracking or insurance / Priority with tracking / Custom quote for large or heavy orders. Le Divan paperback
rif. 3367STENDHAL BEYLE Marie Henri. The Charterhouse of Parma. The Translation by Lady Mary Loyd Revised by Robert Cantwell the Preface by Honore de Balzac and Illustrations by Rafaello Busoni. 4to. Orig. cloth-backed decorated boards in publisher's slipcase. N.Y.: The Limited Editions Club 1955. Limited to 1500 copies signed by Busoni. A fine copy. unknown
1933rif. 932T3Paris: Le Divan 1933-1934. Hardback. Very Good Indeed. 6.5" by 4". None. A complete ten volume set of this limited edition collection of the correspondence of the French writer known as Stendhal in the original French. French. Complete in ten volumes. Limited to one-thousand eight-hundred and twenty-five copies of which this is number five hundred and twenty-five. The correspondence of Marie-Henri Beyle better known by his pen name Stendhal a French writer. Best known for the novels Le Rouge et le Noir 1830 and La Chartreuse de Parme 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the foremost practitioners of realism. Stendhal used many aliases in his autobiographical writings and correspondence and often assigned pseudonyms to friends. It is believed that he used more than one-hundred pseudonyms which were astonishingly diverse and usually comic to appear even more bourgeois than he truly was. One of his correspondents Prosper Merimee said "He never wrote a letter without signing a false name." Volume one contains letters from 1800-1805. Volume two contains letters from 1805-1808. Volume three contains letters from 1808-1811. Volume four contains letters from 1812-1816. Volume five contains letters from 1816-1820. Volume six contains letters from 1821-1830. Volume seven contains letters from 1830-1832. Volume eight contains letters from 1832-1834. Volume nine contains letters from 1834-1836. Volume ten contains letters from 1836-1842. Edited with a preface by Henri Martineau a French literary critic and journalist. Bound in half calf with marbled boards with the original paper wraps bound in. Externally smart with light rubbing and minor wear to the extremities. Fading to the spine with the odd small mark to the boards. Internally firmly bound. Pages are very bright with the odd small spot or handling mark. Minor age toning to the endpapers. Bookseller's label to the front pastedown. Very Good Indeed Le Divan hardcover
rif. 1174-07Bruxelles Société Belge de Librairie 1840. kl.-8°. 262 pp. HLn. d. Zt. Mit hs. Rückensch. Die erste Buchausgabe erschien im Jahr zuvor 1839 in Paris. Bruxelles, Société Belge de Librairie 1840. unknown