4 518 résultats
1966réf. 867051966 Paris, NRF, Gallimard (Album de la Pléiade n°5), 1966, in 12 relié plein cuir marron de l'éditeur, jaquette papier illustrée, jaquette rhodoïd, étui, 352 pages ; 463 illustrations.
1814réf. 91120Paris: Chez H. NicolleDe l'Imprimerie de C.-F. Patris 1814. Fine. Anonymous work attributed to Anna Maria Porter which inspired Stendhal's masterpiece ""La Chartreuse de Parme"" Chez H. Nicolle De l'Imprimerie de C.-F. Patris Paris 1814 10.2 x 17.4 cm Relié First edition of the French translation by Élisabeth de Bon gathering in 2 volumes the 4 parts of this anonymous English novel originally printed in 1809 which according to André Marc in his Dictionnaire des romans anciens et modernes of 1819 is the work of Anna Maria Porter younger sister of the novelist Jane Porter. The Porter sisters contemporaries of Jane Austen and famous before the Brontës were close to the Scottish poet Walter Scott. Contemporary full brown tree sheep smooth spines divided into compartments richly gilt in decorative rolls of laurels annulets and lozenges two compartments with a lozenge network formed by interlacing fillets with fleurons at the corners red and green morocco lettering-piece and numbering-piece blind-tooled fillet border to boards gilt fillet to turn-ins edges sprinkled red marbled endpapers in pebbled pattern. Some light surface wear and minor offsetting to boards corners slightly worn. On volume 1 a charming error in the decorative roll at foot of spine corrected by the binder. On volume 2 small piece of leather at the edge of the numbering-piece slightly detaching. Scattered foxing and faint marginal damp-staining to upper margins. In volume 3 two minor marginal repairs to half-title and p. 8. Several period textual corrections in brown ink and pencil: volume 1 p. 131 volume 2 p. 90 and volume 3 p. 21. In the early nineteenth century English novels were widely translated into French. According to the critic signing as ""E."" in the Journal de l'Empire Les Frères Anglais is a success and according to another reviewer writing for the Gazette de France the French translation as much as the original text deserves praise: ""We have already had the opportunity in this Gazette to praise the translator. English novels are much vaunted but the choice is vast; some prove mediocre and even detestable. This one does honour to the good sense of Madame Elisabeth de B. The situations are lively and varied the characters well drawn; the work pleases and holds one's attention from beginning to end."" Gazette de France December 4 1814 ""What astonishes readers who cannot transport themselves into the society whose customs are depicted and who insist on judging everything by the habits of their own circle is the liberty of young English ladies. If their novels offer a faithful picture of their manners and habits these young women converse familiarly in tête-à-tête with their suitors; they write to them even give them their portraits; they tell their parents without ceremony that their heart is engaged. Never would a French demoiselle make such a frank avowal; at most she allows her secret to be guessed."" Journal de l'Empire May 10 1815 our own translation Two women of letters were behind this literary success: Élisabeth de Bon a translator renowned in her lifetime also a novelist short-story writer and co-proprietor of the periodical the Mercure de France and a mysterious authoress. The name of Anna Maria Porter absent from the title-page would be revealed by the bookseller André Marc as that of the author in 1819. Precocious and prolific Anna Maria began writing and publishing books during adolescence nearly a decade before her elder sister Jane. In 1807 she published The Hungarian Brothers and in 1809 she is thought to have written The English Brothers. These two works with their near-identical titles like false twins are the starting point according to Richard Bolster for the attribution of the latter novel to Anna Maria Porter. It was precisely the same translator Élisabeth de Bon who undertook the translation of the third edition of The Hungarian Brothers in 1818 and in 1815 that of another of the author's works The Recluse of Norway. The En Chez H. NicolleDe l'Imprimerie de C.-F. Patris hardcover
1966réf. LFA-126738137Revue culturelle, économique et sociale des activités dauphinoises, savoyardes, provençales et vivaroises : 60 pages, format 210 x 270 mm, illustrée, brochée, bon état
1968réf. LFA-126738144Revue culturelle, économique et sociale des activités dauphinoises, savoyardes, provençales et vivaroises : 60 pages, format 210 x 270 mm, illustrée, brochée, bon état
1972réf. LFA-126738191Revue culturelle, économique et sociale des activités dauphinoises, savoyardes, provençales et vivaroises : 116 pages, format 210 x 270 mm, illustrée, brochée, bon état
2022réf. LFA-126748754N° 84 (Décembre 2022) : 78 pages, format 210 x 295 mm, illustré, broché couverture couleurs, bon état
2018réf. LFA-126730128Revue d'histoire en Dauphiné : 48 pages, format 210 x 295 mm, illustrée, brochée couverture couleurs, bon état
1846réf. 783941846 Paris, Michel Lévy, 1868, in 12 broché, XXIII-371 pages.
1846réf. 783971846 Paris, Calmann-Lévy, 1892, in 12 broché, 450 pages ; couverture verte imprimée.
1846réf. 783921846 Paris, Hetzel, 1846, in 12 b roché, 531 pages ; cachets-ex-libris ; piqûres ; mouillures marginales ; couverture fanée, large manque en queue du dos. (Vicaire, I, 458-59).
1894réf. 783891894 Paris, Editions de la Revue Blanche, 1901, in 12 broché, XVIII-503 pages ; couverture imprimée (fanée, petit accident au dos).
réf. 201605390Geneve, La bibliotheque d'une ame sensible aux editions de la cité , 1948 ; in-8, 385 pp., br. Numeroté 4179/5000 exemplaire, sous emboitage.
réf. 201102603Paris, Émile-Paul frères, 1929 ; in-8, 28 pp., demi-toile bleue marine. Bon état - exemplaire N°50/925 sur papier pur fil lafuma - publiées et précédées d'une introduction par Henri Malo.
réf. 200915692Paris, Editions Bordas, 1946 ; in-4, 489 pp., broché (un vol un peu bruni sur qlq cm au dos . Les 2 volumes. Tirage 3000 exemplaires sur vélin blanc a la forme des papeteires de rives. exemplaire n°2212.
réf. 200912032Paris, Le cercle des bibliophiles - Portal Charles, 1946 ; in-8, 350 pp., SOUS BOITAGE - en feuillet. Exemplaire n° 449 /700 sur vélin du marais à la forme - 7e vol de la collection les grandes oeuvres.
réf. 202402614Grenoble, Glénat , 1988 ; in-4, 393+50 portrait , cartonnage de l'éditeur.
réf. 35734P., Crès (Collection "La Tradition du Livre"), 1947, in 8° broché, 303 pages ; notes et ébauches in fine ; couverture rempliée.
1947réf. 821071947 Paris, Jean Crès (Collection "La Tradition du Livre"), 1947, petit in 8° broché, 303 pages, non coupé ; couverture rempliée
1943réf. 644401943 Grenoble, Bordas, 1943, in 4° relié demi-cuir chagriné marron, dos lisse avec titre doré, tête dorée, couverture et dos conservés, 118 pages ; petit manque angulaire marginal de papier en pied de la page 5 ; petits frottis et quelques épidermures.
réf. 69203P., Bordas, 1946, 2 volumes in 4° brochés, 489 pages en pagination continue, non coupés ; couvertures rempliées.
1943réf. 18413Bordas 1943 In-4, pleine reliure mosaïqué de listels verticaux et horizontaux de cuir beige sur fond marron formant un damier, aux cases alternativement striée et dorée, couvertures et dos cons., doublure, étui Mast, relieur ; A. Jeanne doreur, 119 pp. Belle impression en 2 couleurs à grandes marges, 16 lithographies originales hors-texte. Bel exemplaire num. sur vélin de Rives.
2006réf. LFA-126719621N° 127 (Septembre 2006) : 68 pages, format 210 x 295 mm, illustré, broché couverture couleurs, CEGRA, bon état
réf. 83709Paris, La Belle Edition, sans date, in 8° broché, 253 pages ; couverture rempliée illustrée, étui.
réf. 8477Paris, Au cercle du livre précieux, 1959. 5 plaquettes, in-8, en feuilles, chemise, étui.
réf. 20459Le Revest-Saint-Martin, Editions Le Jas, 1983 1 volume 18 x 22,7cm Encollé sous couverture au 1er plat illustré. 88p., 1 feuillet; fac-similés. Très bon état.