StendhalAntiquariat.de
Stendhal oder Das Leben eines Egoisten. Von Rudolf Kayser.
1928réf. 1124473S. Fischer; Berlin, 1928. 327 S.; Illustr.; 21 cm. Originalleinen.
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2002réf. 2080502106913295Not Available 2002. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2002réf. 2091502135301737Keio University Press 2002. Soft Cover. Fine. Volume: 1 Keio University Press paperback
2002réf. 2110502150308007Keio University Press 2002. Soft Cover. Fine. Volume: 1 Keio University Press paperback
2002réf. 2080502106403199Keio University Press 2002. Soft Cover. Fine. Number of pages: 456p Keio University Press paperback
1949réf. 2092902140303951Kawaideshobo 1949. Soft Cover. Fine. Number of books: 1 Kawaideshobo paperback
1928réf. 18527ABBerlin, S. Fischer 1928. 1.-4. Tsd. 327, (5) S. u. 8 Tafeln, OLwd. EA. OLwd. EA.
1928réf. 1124473S. Fischer; Berlin, 1928. 327 S.; Illustr.; 21 cm. Originalleinen.
1955réf. WRCLIT32151Paris: Amiot-Dumont 1955. Pictorial wrappers. First edition trade issue after thirty copies on Chiffon d'Annonay. Pencil price on lower cover wraps lightly soiled else a very good or better unopened copy. Amiot-Dumont paperback books
2002réf. 2092902137503220Keio University Press 2002. Soft Cover. Fine. Size: A5 size Number of books: 1 book Keio University Press paperback
1983réf. 21172AB1983. Frankfurt am Main/Bern/New York Lang 1983. 8°. 258 Seiten. Softcover / Kartoniert. Sehr guter Zustand mit nur ganz minimalen Gebrauchsspuren. Papier produktionsbedingt etwas fleckig. KEINE Anstreichungen. Signiert / Mit handschriftlicher Widmung des Verfassers an die Romanistin Maria Moog-Grünewald. Bonner romanistische Arbeiten ; Bd. 17 Stendhals musikalische Kompetenz / Manuel de musique / Die "Vies de Haydn de Mozart et de Metastase" / Die Plagiate / Die Plagiatpolemik Carpani-Bombet / Die Bewertung der Plagiate und die Frage nach der Originalitaet Stendhals / etc. Stendhals intensives und erstaunlich vielschichtiges Verhältnis zur Musik findet in fast allen Schriften des Autors seinen Ausdruck. Seine Persönlichkeit sowie Theorie und Praxis seines literarischen Oeuvres sind wesentlich von ihm geprägt. Im «Forschungsbericht» werden grundsätzliche Problemstellungen des Themas erörtert und verschiedene Positionen der Forschung vorgestellt. In der «Kritischen Bibliographie» werden für den Zeitraum von 1900 bis 1980 diejenigen Untersuchungen in denen im weitesten Sinne Stendhals Verhältnis zur Musik thematisiert wird vollständig erfasst in den Hauptinhalten referiert auf Stichhaltigkeit und sachliche Richtigkeit ihres Inhalts kritisch überprüft und durch Querverweise miteinander verbunden. Ein nach Namen und Sachen gegliedertes Register ermöglicht dem Benutzer Teilaspekte des Themenbereichs aufzufinden und zugehörige Detailprobleme zumindest bibliographisch zu lösen. paperback
2002réf. 2111902154602829Keio University Press 2002. Soft Cover. Fine. The book is in fine condition. Keio University Press paperback
réf. 0306801949.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1990cm. 15,5 x 21,5, iv-124 pp. Quaderni di ?Francofonia? Tre maestri di finzione e una lettura localizzata e a tratti empirica, intesaa rintracciare il percorso della memoria scritturale nei tre autori,osservati secondo prospettive temporali tra loro diverse: lo Stendhalromanziere esordiente, (Armance), il Flaubert dell'ultima opera (Bouvardet P?cuchet) e Maupassant. 220 gr. iv-124 p.
1985In-8° gr. pp. 607 con 14 tav. f.t. Bross. edit.
réf. 2329255942.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1902In 8° pp. 548 bella leg. in m/pergamena con tass. e tit. in oro al dorso, br. originale mantenuta.
1935réf. 172425-1Paris, Les Éditions Rieder 1935. 106 S. Mit 40 Abb. Original-Kartonband
1949Milano, Mondadori, 1949, 16mo brossura editoriale con copertina illustrata a colori (piccolo strappo al dorso) pp. 270 (Biblioteca Moderna Mondadori, 57) .
1949Milano, Mondadori, 1949, 16mo brossura editoriale con copertina illustrata a colori, pp. 270 (Biblioteca Moderna Mondadori, 57) .
1970pp. 127, cm 18x11, bross., II° edizione revue et augmentee, Classique du XX siecle
1923réf. 25634ABMchn., Georg Müller 1923. 1. Aufl. 8°. 325 S. 1 Bl. m. einem Bildnis. OLn. m. Goldaufschr. a. Deckel u. Rü., Kopfschnitt etwas stockfleckig, geringe Gebrauchsspuren, gut erhalten. 1
1923réf. 805547München, G. Müller, 1923. 326 S. Wildldrbd. (Gesamm. Werke).
1972réf. FB4152 (1 to 10) /L11Red cloth binding with black title plate gilt decoration and title on the spine. Embossed floral pattern on both boards. Dimensions are for one volume. There may be extra carriage cost on this item due to weight. A lovely and well produced set of Stendhal's work. Marie-Henri Beyle; 23 January 1783 – 23 March 1842 better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir The Red and the Black 1830 and La Chartreuse de Parme The Charterhouse of Parma 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist he coined the same characteristic in his characters' 'Beylism'. Stendhal syndrome Stendhal's syndrome or Florence syndrome is a psychosomatic condition involving rapid heartbeat fainting confusion and even hallucinations allegedly occurring when individuals become exposed to objects artworks or phenomena of great beauty and antiquity. The affliction is named after the 19th-century French author Stendhal pseudonym of Marie-Henri Beyle who described his experience with the phenomenon during his 1817 visit to Florence in his book Naples and Florence: A Journey from Milan to Reggio. When he visited the Basilica of Santa Croce where Niccolò Michelangelo and Galileo Galilei are buried he was overcome with profound emotion. Stendhal wrote: 'I was in a sort of ecstasy from the idea of being in Florence close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty . . . I reached the point where one encounters celestial sensations . . . Everything spoke so vividly to my soul. Ah if I could only forget. I had palpitations of the heart what in Berlin they call 'nerves'. Life was drained from me. I walked with the fear of falling.' Although psychologists have long debated whether Stendhal syndrome exists the apparent effects on some individuals are severe enough to warrant medical attention. The staff at Florence's Santa Maria Nuova hospital are accustomed to tourists suffering from dizzy spells or disorientation after viewing the statue of David the artworks of the Uffizi Gallery and other historic treasures of the Tuscan city. Though there are numerous accounts of people fainting while taking in Florentine art dating from the early 19th century the syndrome was only named in 1979 when it was described by Italian psychiatrist Graziella Magherini who observed over a hundred similar cases among tourists in Florence. There exists no scientific evidence to define Stendhal syndrome as a specific psychiatric disorder; however there is evidence that the same cerebral areas involved in emotional responses are activated during exposure to art. The syndrome is not listed as a recognised condition in the Diagnostic and Statistical Manual of Mental Disorders. A more recent account of the Stendhal syndrome was in 2018 where a visitor to the Uffizi Gallery in Florence suffered a heart attack while admiring Sandro Botticelli's The Birth of Venus. Chez Jean De Bonnot. hardcover
1981réf. 2-2070109445Editions Gallimard 1981. Leather Bound. New. 1680 pages. French language. 7.56x4.57x1.65 inches. Editions Gallimard hardcover
Roma-Milano, C.E.I., 1967, in-16, br. edit., pp. 80, (2), 78. Con ill. in b.n. e note bibliografiche. Collezione di tascabili doppi "Giano", n. 26.
