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réf. 0484404687.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0243048807.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Paris, Les Arts et Le Livre, 1928. In-12, broché, non coupé, 338 pp. Edition originale, un des 50 exemplaires sur papier de Rives (parfait état intérieur mais petites rousseurs sur les tranches). Envoi autographe de l'auteur.
Paris, Le Club français du Livre, N° 53 de la Collection "Les Portiques", 1957. In-8 ; XXVIII (introduction)-533 pp plus table. Pleine reliure bordeaux de l'éditeur. Bel exemplaire. Edition hors-commerce numérotée, portrait en frontispice et fac-similé sur double-page du contrat d'édition des Liaisons dangereuses.
1910531 pagine. Brossura editoriale, un'etichetta al dorso. Buonissimo esemplare.
réf. 1722920718.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2366595182.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1814réf. 91120Paris: Chez H. NicolleDe l'Imprimerie de C.-F. Patris 1814. Fine. Anonymous work attributed to Anna Maria Porter which inspired Stendhal's masterpiece ""La Chartreuse de Parme"" Chez H. Nicolle De l'Imprimerie de C.-F. Patris Paris 1814 10.2 x 17.4 cm Relié First edition of the French translation by Élisabeth de Bon gathering in 2 volumes the 4 parts of this anonymous English novel originally printed in 1809 which according to André Marc in his Dictionnaire des romans anciens et modernes of 1819 is the work of Anna Maria Porter younger sister of the novelist Jane Porter. The Porter sisters contemporaries of Jane Austen and famous before the Brontës were close to the Scottish poet Walter Scott. Contemporary full brown tree sheep smooth spines divided into compartments richly gilt in decorative rolls of laurels annulets and lozenges two compartments with a lozenge network formed by interlacing fillets with fleurons at the corners red and green morocco lettering-piece and numbering-piece blind-tooled fillet border to boards gilt fillet to turn-ins edges sprinkled red marbled endpapers in pebbled pattern. Some light surface wear and minor offsetting to boards corners slightly worn. On volume 1 a charming error in the decorative roll at foot of spine corrected by the binder. On volume 2 small piece of leather at the edge of the numbering-piece slightly detaching. Scattered foxing and faint marginal damp-staining to upper margins. In volume 3 two minor marginal repairs to half-title and p. 8. Several period textual corrections in brown ink and pencil: volume 1 p. 131 volume 2 p. 90 and volume 3 p. 21. In the early nineteenth century English novels were widely translated into French. According to the critic signing as ""E."" in the Journal de l'Empire Les Frères Anglais is a success and according to another reviewer writing for the Gazette de France the French translation as much as the original text deserves praise: ""We have already had the opportunity in this Gazette to praise the translator. English novels are much vaunted but the choice is vast; some prove mediocre and even detestable. This one does honour to the good sense of Madame Elisabeth de B. The situations are lively and varied the characters well drawn; the work pleases and holds one's attention from beginning to end."" Gazette de France December 4 1814 ""What astonishes readers who cannot transport themselves into the society whose customs are depicted and who insist on judging everything by the habits of their own circle is the liberty of young English ladies. If their novels offer a faithful picture of their manners and habits these young women converse familiarly in tête-à-tête with their suitors; they write to them even give them their portraits; they tell their parents without ceremony that their heart is engaged. Never would a French demoiselle make such a frank avowal; at most she allows her secret to be guessed."" Journal de l'Empire May 10 1815 our own translation Two women of letters were behind this literary success: Élisabeth de Bon a translator renowned in her lifetime also a novelist short-story writer and co-proprietor of the periodical the Mercure de France and a mysterious authoress. The name of Anna Maria Porter absent from the title-page would be revealed by the bookseller André Marc as that of the author in 1819. Precocious and prolific Anna Maria began writing and publishing books during adolescence nearly a decade before her elder sister Jane. In 1807 she published The Hungarian Brothers and in 1809 she is thought to have written The English Brothers. These two works with their near-identical titles like false twins are the starting point according to Richard Bolster for the attribution of the latter novel to Anna Maria Porter. It was precisely the same translator Élisabeth de Bon who undertook the translation of the third edition of The Hungarian Brothers in 1818 and in 1815 that of another of the author's works The Recluse of Norway. The En Chez H. NicolleDe l'Imprimerie de C.-F. Patris hardcover
réf. ria9783563263426_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction de l'original. La maison d'édition Antigonos est spécialisée dans la publication de réimpressions de livres historiques. Nous veillons à ce que ces ouvrages soient mis à la disposition du public dans de bonnes conditions af hardcover
réf. 3388044074.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3563263426.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. ria9783368302290_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction de l'original. hardcover
réf. 3368302280.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3368302299.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1946réf. 300022294EDITIONS DU MOUSTIE 1946. 1946. EDITIONS DU MOUSTIE unknown
Paris, Emile-Paul Frères, 1924. In-12, broché, couverture parme ilustrée d'une vignette et encadrement, 117 pp. Planche en frontispice Edition originale numérotée sur vélin pur fil Lafuma.
19241 Vol. In-16 pag. 117 antip. inciso Tiratura di 50 es in papier de Hollande (44). Mende al dorso PROG 22214 CATT_ATT 45
in-12, 242 pages, illustrations h.t. n&b, broche, couverture illustree. Bel exemplaire, DEDICACE par l'auteur. [CL-1]
réf. 4413Chaumont, Imprimerie de l'est, broché, 15,5x24 cm, 48 pages, illustrations.
1968réf. ABE-112752149114 PAGES FORMAT 42X58-CUBA SI!,PAR MAX POL FOUCHET,SUITE P10-QU'EST CE QUE LA VIE?,PAR ALBERT DELAUNAY,SUITE P6-EN UNE PHOTO PIERRE FRESNAY ET YVONNE CLECH DANS "TRUFFATOR" DE JEAN CANOLLE 21X20-CRITIQUE DE FRANCOIS NOURISSIER POUR "IL ETAIT DEUX FOIS.",ROMAN DE BENOITE ET FLORA GROULT,PHOTO-L'AFFAIRE STENDHAL-L'APPETIT DE VIVRE,JEAN CAYROL,PAR CAMILLE BOURNIQUEL,PHOTO-NOS ANCETRES LES GYMNASTES,PAR A T'SERSTEVENS-LES BANDERILLES DE GOYA,1P PAR CLAUDE POPELIN,2 ILL-BRAYER,PEINTRE DE COUR,PAR JEAN DALEVEZE,PHOTO BRAYER ET LE PRINCE REZA-QUAND BUFFET ECHOUE SUR LES PLAGES,PAR JEAN DALEVEZE-LES GALERIES,PHOTO MAX ERNST-L'AUTRE MARIE LAURENCIN-UN DOCUMENT INEDIT,LETTRE A MON BON ANGE,DEMI PAGE PAR GEORGE SAND,PORTRAIT PIERRE LEROUX-AVANT PREMIERE,UNE TRAGEDIE EN PROVINCE,"LA BONIFAS DE JACQUES DE LACRETELLE-DEMI PAGE PAR GINETTE GUITARD AUVISTE,PHOTO ALICE SAPRITCH SUR CHEVAL-THEATRE,"BIEDERMANN ET LES INCENDIAIRES" DE MAX FRISCH,PHOTO CHRISTIAN BARBIER,ETIENNE BIERRY ET JEAN PARADES-LA TELEVISION,PHOTO EMMANUELLE RIVA DANS "LA FORET NOIRE" DE FRANCOIS REGIS BASTIDE-CINEMA,"ALEXANDRE ET LE BIENHEUREUX",PAR YVES ROBERT,UNE PINTE DE BON SANG,"LE BAL DES VAMPIRES" DE ROMAN POLANSKI
1965réf. ABE-835033811814 PAGES-EN UNE LOUIS ARMSTRONG/PHOTO JEAN PIERRE LELOIR-RICHARD COEUR DE MUSIQUE/WAGNER-ESTEVE EN PLEIN JOUR, ESTEVE EN PLEINE NUIT/PAR JEAN ALBERT CARTIER-MAC ORLAN PAR VARTA PAR MAC ORLAN/PHOTO-MONSIEUR BEYLE STENDHAL/PAR HUBERT JUIN-UN DIRECTEUR EN CHOMAGE/DECORS DE BERNARD BUFFET POUR CARMEN A L'OPERA DE MARSEILLE/2 PHOTOS-L'AUTRE CECILE SOREL/PAR ROGER GAILLARD/DEMI-PAGE/2 PHOTOS-LA LOUVE MONTRE LES DENTS ANNA MAGNANI/+ D'1 DEMI PAGE/PHOTO-ROUSSEURS EN UNE
2018réf. LFA-126730128Revue d'histoire en Dauphiné : 48 pages, format 210 x 295 mm, illustrée, brochée couverture couleurs, bon état
réf. 33310P., Emile-Paul, 1924, in 12 relié demi-chagrin rouge, dos à faux nerfs orné, couverture et dos conservés, 117 pages ; frontispice ; qq. rares rouseurs.
réf. 65879Grenoble, Xavier Drevet, 1933, in 8° relié demi-basane racinée, dos lisse orné à chaud et à froid, couverture conservée (avec rousseurs), 208 pages ; quelques rousseurs.
