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1992rif. DADAX0679417435Brand: Everyman's Library 1992-11-03. Reprint. hardcover. New. 5.50x1.25x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Everyman's Library hardcover
1992rif. 044877Easton Press 1992. Hardcover. Near Fine/No Jacket as Issued. Rafaello Busoni. The quality Easton Press edition in tan leather with tooled gilt designs ribbed spine gilting on all page ends moire endpapers and ribbon marker. Includes Easton Press insert. Preface by Honore de Balzac and illustrations by Rafaelo Busoni. Gilting with a few slight abrasions not too visible. Benefits the Friends of the Albany CA Library. Easton Press hardcover
1992rif. 102154Norwalk:: Easton Press. Fine. 1992. Hardcover. Translated from the French by Lady Mary Loyd. Revised by Robert Cantwell. Preface by Honore de Balzac. Collector's edition. Publisher's "Notes from the Archives" laid in. Octavo fully bound in light brown leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon bookmark. Fine.; 392 pages . Easton Press, hardcover
1992rif. 58908Norwalk Connecticut: The Heritage Press. Fine. 1992. Hardcover. Fine maroon cloth with silver decorative design on front cover and silver spine title. Includes The Heritage Club Sandglass book review pamphlet. In Near Fine grey slipcase with light age toning. Introduction by Honore de Balzac. Translation by Lady Mary Loyd revised by Robert Cantwell. Balzac says: " Stendhal is in my opinion one of the most distinguished masters of the literature of ideas. This school.recommends itself for its abundance of facts for the sobriety of its imagery for its conciseness for its clarity for its Voltairian phrases for its sense of the comic throughout." Ships same or next business day. ; Large 8vo 9" - 10" tall . The Heritage Press hardcover
1962rif. 2iEh0045fNew York: A Signet Classic/ Signet Books/ Published by The New American Library 1962. Book. Very Good. Mass Market Paperback. 1st Printing September 1962. 12mo or 12° Duodecimo: 6¾" x 7¾" tall. 501 pp. Solidly bound copy with minimal external wear crisp pages and clean text. Lightly creased spine. Some dog-eared pages. A Signet Classic/ Signet Books/ Published by The New American Library Paperback
rif. nosku150the only stated hardcover SLIPCASED Heritage Edition from 1955. Both the GORGEOUS cover and the book are in positively excellent condition. There are no rips tears markings etc.---and the pages and binding are tight as a drumVery Good hardcover
1955rif. 021470NY: Limited Editions 1955. 1st . Hardcover. Very Good/No Jacket as Issued. 4 Vo; 3.5 Pounds. Rafaello Busoni. Limited Numbered edition; #1098 or 1500 SIGNED & numbered by artist; decorative c in VG slipcase lite foxing along the outside spine; 392 clean unmarked pages Limited Editions hardcover
rif. 50166492like new. unknown
rif. 50166500like new. unknown
1992rif. 76294Norwalk Connecticut: Easton Press 1992. Full Leather. Near Fine. 24 x 16.5 cm. Octavo. 392pp. Bound into full tan leather with gilt design lettering and foredges. 3 raised bands to spine moire endpapers silk ribbon. Translated by Lady Mary Lloyd revised by Robert Cantwell preface by Honore de Balzac illustrated by Rafaello Busoni. Part of "The Collector's Library of Famous Editions" with "Notes from the Archives" laid-in. Small scratch to gilt foredge. Easton Press unknown
2017rif. 2-8826467749Stendhal 2017. Paperback. New. 714 pages. 8.27x5.83x1.61 inches. Stendhal paperback
1977rif. 707London: The Folio Society 1977. First thus. Hardcover. Near fine/Near fine. Blakely Zelma. First thus first printing - Near fine/near fine "The Charterhouse of Parma" is a French novel set in Italy and is now considered an early example of literary realism written during a time when romanticism ruled the literary roost. It begins in 1798 as Napoleon's troops are sweeping through Milan well before Italy was unified into a single country and over the course of the few decades in which the plot takes place the region in which it is mostly set changes from being the Duchy of Parma in northern Italy to the Département du Taro of the first French Empire and back to the independent Duchy of Parma as revolution and unification are rumbling in the air. We follow the noble del Dongo family particularly its scion Fabrice through all this upheaval through its adventures and misadventures particularly its misadventures in war love and everything in between. Sometimes the biggest risk is that they could lose their place in the local aristocracy but at other times they could literally lose their heads or as religion also figures heavily in the plot both as an institution and as a faith their souls. Despite his Frenchness this is a world Stendahl the penname for Marie-Henri Beyle actually knew well: he served in Napoleon's army and as an administrator but moved to Italy after Napoleon's fall and was even appointed the French consul to Trieste in 1830. This copy is an example of a publication by The Folio Society in its 1970s glory. The text is translated by C.K. Scott Moncrieff who may be best known for his translation of Proust's "Remembrance of Things Past." It contains 18 full-page wood-engravings by Zelma Blakely; they are not captioned but there is a list of them in the front of the book with titles-quotes from the book-and page numbers so you know just what it is that they're showing.which sometimes is quite a bit. This copy is bound in green cloth with a darker green all-over pattern of cannons bird cages and a family crest or coat of arms. No signs of wear; some light but noticeable sun fading-the fading being the sole factor in moving our evaluation to Near Fine. The title and author's name appear on a black leather label that is well attached to the top of the spine. The lettering and a simple frame around the edge of the label are stamped in very bright gold. The binding is tight and square; no issues hinges or joints. As is typical of Folio Society books it does not come with a dust jacket but with a slip case in this case covered in a contrasting burnt orange colored paper. There are a few signs of light soiling on slipcover's paper and a small closed tear on the back bottom corner and very light rubbing along the edges but it is structurally solid. There are no tears or marks or other marring to the text block or olive-colored end papers. The top edge of the text block is stained green which is slightly faded. This is a first printing of the Folio Society's "First Thus" edition which means it came out in 1977. You can tell this is a book that has been read but almost half a century later it remains in scarce excellent condition. Photos are forthcoming or available upon request. The Folio Society hardcover
1999rif. Q-0192839578Oxford University Press 1999-12-09. Paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
1926rif. C37225London 1926. First U.k. Edition. Hardback. Dust Jacket. Very slight fading at lower spine and faint foxing to endpapers otherwise sound very good in slightly used price-clipped near very good dust jacket with slight chipping at spine ends. . 8vo. pp 268. Original publisher's blue cloth lettered white on spine. U.K. edition of this translation. hardcover
1926rif. LPB008641HBNew York: Boni & Liveright 1926. First US Edition Thus/First Printing. Hardcover. Very Good/Good. No. In green cloth with gilt to type and design motif on spine. Light dings or roundig to corners and wear to board edges and spine ends. Pages ends tanned especially at top. Tears to fore-edge of a couple leaves where page ends were once attached and cut by reader. Previous owner's stamp to front pastedwon and ffep otherwise interior clean and binding tight. Unclipped jacket $2.50 has chipping mostly to corners spine ends and adjacent portion of top of front panel. Several tears to flap creases and tops of panels. Small stain to front panel and tanning to spine. Boni & Liveright hardcover
1926rif. 3114650New York: Boni & Liveright. Near Fine in Very Good dust jacket. 1926. First Edition; First Printing. Hardcover. First American edition. About fine in very good dust jacket with corners clipped on jacket. Faint damp-staining on front cover & spine. Evident but not messy. Part of "The Works of Stendhal." Attractive copy.; 5 1/2" X 8 3/4"; 269 pages . Boni & Liveright. hardcover
1937rif. 105876Paris. 37, rue Bonaparte, 37, Le Divan, coll. « Le Livre du Divan » 1937 4 volumes. In-8 Broché 20 cm sur 13,5. Couverture avec auréoles d’humidité. Corps du livre en parfait état. 425, 453, 420, 418 pages. Bon état d’occasion.
1937rif. R240088227LE DIVAN. 1937. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 418 pages - pages non coupées.. . . . Classification Dewey : 17-Catalogues divers
1983rif. LFA-126710645Un ouvrage de 160 pages, format 160 x 240 mm, illustré, broché couverture couleurs, publié en 1983, Editions Elie Bellier, bon état
1954rif. RO40123263Les Belles Lectures. 1954. In-12. Broché. Etat d'usage, Plats abîmés, Dos fané, Intérieur acceptable. Env 200 pages. Couverture non d'origine, annotée.. . . . Classification Dewey : 840.08-XIX ème siècle
1954rif. ql890Les Belles Lectures Les Belles lectures Broché 1954 In-12 (11.5x17.5 cm), brochure sans couverture, un livret, 31 pages, introduction de Jean Texcier ; bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
rif. 41317Paris, André Coq, 1921. In-8°, XXIII-130p. Broché, couverture illustrée rempliée.
1921rif. 60741921 Paris, André Coq, 1921 in-8, relié en pleine toile, couverture conservée, XXIII + 130 pp. Edition originale ornée de 4 bois gravés par Daragnès tirés sur chine et contrecollés. Exemplaire numéroté sur hollande
1921rif. 100485Paris, André Coq, 1921, in-8, XXIII-130-[3] pp.; et 2 suites de 4 planches volantes, Texte broché, couverture bleue imprimée de l'éditeur; planches sous chemises roses imprimées de même. L'ensemble sous chemise demi-chagrin bordeaux, dos fleuronné, et étui, Édition originale du dernier texte de Stendhal, laissé inachevé à sa mort en 1842. L'édition a été établie par Henry Debraye (1878-1948), archiviste, puis secrétaire général de Grenoble, spécialiste de l'oeuvre de Stendhal. Elle est illustrée de quatre vignettes contrecollées, frontispice compris, "gravées sur bois à la manière romantique" par Hoffman, d'après les dessins de Jean-Gabriel Daragnès (1886-1950). L'un des 10 exemplaires de tête sur Chine, numérotés et signés par l'éditeur, accompagnés de deux suites des bois paraphées par l'illustrateur au crayon bleu : l'une sur Chine, l'autre sur vieux Japon. Cette "ultime chronique italienne, [...] accidentellement testamentaire" a été reconstituée à partir de deux manuscrits; celui d'un premier jet, rédigé à partir de 1839, et un état dicté à un copiste, corrigé en mars 1842. Le récit "remet une nouvelle fois sur le métier, après Trop de faveur tue, L'Abbesse de Castro et les Promenades dans Rome, l'histoire du couvent de Baïano, à laquelle Stendhal s'intéresse depuis les années 1820 et qui, de la fin des années 1820 à 1842, constitue une véritable 'fixation thématique'" (Bourdenet). Dos de la chemise insolé. Sinon, très bel exemplaire, tel que paru, non rogné et en grande partie non coupé. Carteret II, p. 369. Xavier Bourdenet, "Topo-esthétique de Suora Scolastica", Revue Stendhal, 5 | 2024 [en ligne]. Couverture rigide
1921rif. 19514André Coq 1921 1 vol. broché in-12, broché, couverture rempliée, non coupé, XXIII + 130 pp. Edition originale ornée de 4 bois gravés par Daragnès tirés sur chine et contrecollés en frontispice, bandeaux et cul-de-lampe. Charmant volume tiré à 881 exemplaires, celui-ci numéroté sur Hollande pur fil. Très bon état, non coupé.
