Stendhal,Biblio.com
4,610 results
ref. 50166500like new. unknown
ref. 50166500-nnew. unknown
1992ref. 76294Norwalk Connecticut: Easton Press 1992. Full Leather. Near Fine. 24 x 16.5 cm. Octavo. 392pp. Bound into full tan leather with gilt design lettering and foredges. 3 raised bands to spine moire endpapers silk ribbon. Translated by Lady Mary Lloyd revised by Robert Cantwell preface by Honore de Balzac illustrated by Rafaello Busoni. Part of "The Collector's Library of Famous Editions" with "Notes from the Archives" laid-in. Small scratch to gilt foredge. Easton Press unknown
ref. 1473306256.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2017ref. 2-8826467749Stendhal 2017. Paperback. New. 714 pages. 8.27x5.83x1.61 inches. Stendhal paperback
1977ref. 707London: The Folio Society 1977. First thus. Hardcover. Near fine/Near fine. Blakely Zelma. First thus first printing - Near fine/near fine "The Charterhouse of Parma" is a French novel set in Italy and is now considered an early example of literary realism written during a time when romanticism ruled the literary roost. It begins in 1798 as Napoleon's troops are sweeping through Milan well before Italy was unified into a single country and over the course of the few decades in which the plot takes place the region in which it is mostly set changes from being the Duchy of Parma in northern Italy to the Département du Taro of the first French Empire and back to the independent Duchy of Parma as revolution and unification are rumbling in the air. We follow the noble del Dongo family particularly its scion Fabrice through all this upheaval through its adventures and misadventures particularly its misadventures in war love and everything in between. Sometimes the biggest risk is that they could lose their place in the local aristocracy but at other times they could literally lose their heads or as religion also figures heavily in the plot both as an institution and as a faith their souls. Despite his Frenchness this is a world Stendahl the penname for Marie-Henri Beyle actually knew well: he served in Napoleon's army and as an administrator but moved to Italy after Napoleon's fall and was even appointed the French consul to Trieste in 1830. This copy is an example of a publication by The Folio Society in its 1970s glory. The text is translated by C.K. Scott Moncrieff who may be best known for his translation of Proust's "Remembrance of Things Past." It contains 18 full-page wood-engravings by Zelma Blakely; they are not captioned but there is a list of them in the front of the book with titles-quotes from the book-and page numbers so you know just what it is that they're showing.which sometimes is quite a bit. This copy is bound in green cloth with a darker green all-over pattern of cannons bird cages and a family crest or coat of arms. No signs of wear; some light but noticeable sun fading-the fading being the sole factor in moving our evaluation to Near Fine. The title and author's name appear on a black leather label that is well attached to the top of the spine. The lettering and a simple frame around the edge of the label are stamped in very bright gold. The binding is tight and square; no issues hinges or joints. As is typical of Folio Society books it does not come with a dust jacket but with a slip case in this case covered in a contrasting burnt orange colored paper. There are a few signs of light soiling on slipcover's paper and a small closed tear on the back bottom corner and very light rubbing along the edges but it is structurally solid. There are no tears or marks or other marring to the text block or olive-colored end papers. The top edge of the text block is stained green which is slightly faded. This is a first printing of the Folio Society's "First Thus" edition which means it came out in 1977. You can tell this is a book that has been read but almost half a century later it remains in scarce excellent condition. Photos are forthcoming or available upon request. The Folio Society hardcover
1992ref. Q-0679417435Everyman's Library 1992-11-03. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Everyman's Library hardcover
1999ref. Q-0192839578Oxford University Press 1999-12-09. Paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
2007ref. Q-0140449663Penguin Classics 2007-01-19. Paperback. New. In shrink wrap. Looks like an interesting title! Penguin Classics paperback
2009ref. Q-0199555346Oxford University Press 2009-06-15. Paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
1999ref. Q-0679602453Modern Library 1999-02-09. Hardcover. New. In shrink wrap. Looks like an interesting title! Modern Library hardcover
1926ref. C37225London 1926. First U.k. Edition. Hardback. Dust Jacket. Very slight fading at lower spine and faint foxing to endpapers otherwise sound very good in slightly used price-clipped near very good dust jacket with slight chipping at spine ends. . 8vo. pp 268. Original publisher's blue cloth lettered white on spine. U.K. edition of this translation. hardcover
1926ref. LPB008641HBNew York: Boni & Liveright 1926. First US Edition Thus/First Printing. Hardcover. Very Good/Good. No. In green cloth with gilt to type and design motif on spine. Light dings or roundig to corners and wear to board edges and spine ends. Pages ends tanned especially at top. Tears to fore-edge of a couple leaves where page ends were once attached and cut by reader. Previous owner's stamp to front pastedwon and ffep otherwise interior clean and binding tight. Unclipped jacket $2.50 has chipping mostly to corners spine ends and adjacent portion of top of front panel. Several tears to flap creases and tops of panels. Small stain to front panel and tanning to spine. Boni & Liveright hardcover
1926ref. LPB006891HBNew York: Boni & Liveright 1926. First US Edition Thus/First Printing. Hardcover. Very Good/Very Good. No. A very nice copy in green cloth with gilt to type and design motif on spine. Bottom rear corner bumped with lesser ding to bottom front. Top corners sharp.Spot of wear to heel of spine and light smudge to bottom of front cover. Pages ends tanned especially at top. Interior clean and binding tight. In remarkable unclipped jacket $2.50 with a little wear to spine ends a couple moisture spots to spine and tanning to same and edges of jacket. Boni & Liveright hardcover
1926ref. 3114650New York: Boni & Liveright. Near Fine in Very Good dust jacket. 1926. First Edition; First Printing. Hardcover. First American edition. About fine in very good dust jacket with corners clipped on jacket. Faint damp-staining on front cover & spine. Evident but not messy. Part of "The Works of Stendhal." Attractive copy.; 5 1/2" X 8 3/4"; 269 pages . Boni & Liveright. hardcover
1937ref. 105876Paris. 37, rue Bonaparte, 37, Le Divan, coll. « Le Livre du Divan » 1937 4 volumes. In-8 Broché 20 cm sur 13,5. Couverture avec auréoles d’humidité. Corps du livre en parfait état. 425, 453, 420, 418 pages. Bon état d’occasion.
1937ref. R240088227LE DIVAN. 1937. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 418 pages - pages non coupées.. . . . Classification Dewey : 17-Catalogues divers
1983ref. LFA-126710645Un ouvrage de 160 pages, format 160 x 240 mm, illustré, broché couverture couleurs, publié en 1983, Editions Elie Bellier, bon état
1954ref. RO40123263Les Belles Lectures. 1954. In-12. Broché. Etat d'usage, Plats abîmés, Dos fané, Intérieur acceptable. Env 200 pages. Couverture non d'origine, annotée.. . . . Classification Dewey : 840.08-XIX ème siècle
1954ref. ql890Les Belles Lectures Les Belles lectures Broché 1954 In-12 (11.5x17.5 cm), brochure sans couverture, un livret, 31 pages, introduction de Jean Texcier ; bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
ref. 41317Paris, André Coq, 1921. In-8°, XXIII-130p. Broché, couverture illustrée rempliée.
1921ref. 60741921 Paris, André Coq, 1921 in-8, relié en pleine toile, couverture conservée, XXIII + 130 pp. Edition originale ornée de 4 bois gravés par Daragnès tirés sur chine et contrecollés. Exemplaire numéroté sur hollande
1921ref. 100485Paris, André Coq, 1921, in-8, XXIII-130-[3] pp.; et 2 suites de 4 planches volantes, Texte broché, couverture bleue imprimée de l'éditeur; planches sous chemises roses imprimées de même. L'ensemble sous chemise demi-chagrin bordeaux, dos fleuronné, et étui, Édition originale du dernier texte de Stendhal, laissé inachevé à sa mort en 1842. L'édition a été établie par Henry Debraye (1878-1948), archiviste, puis secrétaire général de Grenoble, spécialiste de l'oeuvre de Stendhal. Elle est illustrée de quatre vignettes contrecollées, frontispice compris, "gravées sur bois à la manière romantique" par Hoffman, d'après les dessins de Jean-Gabriel Daragnès (1886-1950). L'un des 10 exemplaires de tête sur Chine, numérotés et signés par l'éditeur, accompagnés de deux suites des bois paraphées par l'illustrateur au crayon bleu : l'une sur Chine, l'autre sur vieux Japon. Cette "ultime chronique italienne, [...] accidentellement testamentaire" a été reconstituée à partir de deux manuscrits; celui d'un premier jet, rédigé à partir de 1839, et un état dicté à un copiste, corrigé en mars 1842. Le récit "remet une nouvelle fois sur le métier, après Trop de faveur tue, L'Abbesse de Castro et les Promenades dans Rome, l'histoire du couvent de Baïano, à laquelle Stendhal s'intéresse depuis les années 1820 et qui, de la fin des années 1820 à 1842, constitue une véritable 'fixation thématique'" (Bourdenet). Dos de la chemise insolé. Sinon, très bel exemplaire, tel que paru, non rogné et en grande partie non coupé. Carteret II, p. 369. Xavier Bourdenet, "Topo-esthétique de Suora Scolastica", Revue Stendhal, 5 | 2024 [en ligne]. Couverture rigide
1921ref. 19514André Coq 1921 1 vol. broché in-12, broché, couverture rempliée, non coupé, XXIII + 130 pp. Edition originale ornée de 4 bois gravés par Daragnès tirés sur chine et contrecollés en frontispice, bandeaux et cul-de-lampe. Charmant volume tiré à 881 exemplaires, celui-ci numéroté sur Hollande pur fil. Très bon état, non coupé.
1921ref. 19514André Coq 1921 1 vol. broché in-12, broché, couverture rempliée, non coupé, XXIII + 130 pp. Edition originale ornée de 4 bois gravés par Daragnès tirés sur chine et contrecollés en frontispice, bandeaux et cul-de-lampe. Charmant volume tiré à 881 exemplaires, celui-ci numéroté sur Hollande pur fil. Très bon état, non coupé.
