755 résultats
réf. 2572London: Geo. W. Jones 1916. . Large 8vo stiff buff wrappers with laurel wreath motif printed in black and red on front cover; bottom edges of covers chipped and small segment of front lower outer corner missing. slightly soiled A Three other copies located: one holding in OCLC Bibliotheque national Paris COPEC adds British Library and Cambridge University. A tour de force by this master printer. [London: Geo. W. Jones, 1916]. unknown books
1970réf. 2758PARIS. UNION LATINE D'EDITIONS. 1970. IN-4 CAVALIER (26,5 X 33,5 X 5,5 CENTIMETRES ENVIRON) DE (4) + 210 ET (3) PAGES, RELIURE DE L'EDITEUR PLEINE BASANE MAROQUINEE FAUVE, DOS A DEUX NERFS, TITRE ET TETE DORES, SOUS ETUI BORDE (AU POINCOND D’OR, RELIEUR A CACHAN). ILLUSTRE DE 14 BOIS GRAVES DONT 12 A PLEINE PAGE. PREMIER TIRAGE LIMITE A 445 EXEMPLAIRES NUMEROTES, TOUS SUR PUR FIL DAME BLANCHE DE RENAGE, CELUI-CI PORTANT LE NUMERO 190. BEL EXEMPLAIRE.
1939réf. 2055PARIS. UNION LATINE D'EDITIONS. 1939. 5 VOLUMES IN-8 (19 X 23,5 CENTIMETRES ENVIRON), RELIURE DE L'EDITEUR PLEIN CHAGRIN HAVANE, DOS A 4 NERFS, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE DE 242 DESSINS IN ET HORS TEXTE D'EDY LEGRAND. PREMIER TIRAGE LIMITE A 8000 EXEMPLAIRES NUMEROTES, DONT 10 HORS COMMERCE. UN DES 1320 SUR VELIN LAFUMA. BEL EXEMPLAIRE.
2007réf. 148199London : The Folio Society. 2007. 5th or later Printing. Hardcover. Fine/No Jacket Issued. 8vo - over 7¾" - 9¾" tall. first printing with this binding large 8vo original 8 VOLUME SET original red quarter leather hardcover a fine clean set in slightly split and slightly rubbed very good original gilt decorated slipcases. Very heavy so international shipping will be prohibitive. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf HU. The Folio Society. hardcover
1870réf. RO80048043HACHETTE L. et Cie.. 1867 - 1870. In-4. Relié demi-cuir. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Quelques rousseurs. 700 + 574 + 727 pages. Nombreuses gravures en noir et blanc, dans le texte et hors-texte. Texte sur 2 colonnes. Titre, tomaison, caissons et roulettes dorés sur le dos cuir bordeaux. Mouillures en fin de Tome 2, et sur les dernières pages rendant le papier fragile et causant quelques déchirures. 2nd plat du Tome 2 abîmé et humide.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
réf. 9950Macmillan and Co. Limited. London. 1907. Reprint of the revised 1891 edition. 8vo. 7.3 x 5.1 inches. Some foxing to the blank endpapers and to a lesser extent on the first and last couple of pages of text otherwise clean throughout. Fine attractive early twentieth century binding of full dark green morocco by Zaehnsdorf of London. Spine with five raised bands each with gilt piping. Compartments decorated ruled and lettered in gilt. Triple gilt ruled border on boards. Institute of Chartered Accountants in England and Wales arms stamped in gilt to the front board and their prize label dated 1907 signed by the President Vice President and Secretary of the Institute on the front paste down endpaper. Gilt inner dentelles. Dark green endpapers. All edges gilt. Spine faded to a mellow brown but overall a fine attractive binding. Macmillan and Co. Limited. London. 1907 hardcover
1735réf. 33901London: J. Tonson 1735. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.” The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.” Henry VI contains many famous quotations among which are: My thoughts are whirled like a potter's wheel: I know not where I am nor what I do. Talbot Act 1 Scene 5 Here I prophesy: this brawl today Grown to this faction in the Temple garden Shall send between the red rose and the white A thousand souls to death and deadly night. Warwick Act 2 Scene 4 Defer no time delays have dangerous ends. Reignier Act 3 Scene 2 Here on my knee I beg mortality Rather than life preserved with infamy. John Act 4 Scene 5 She’s beautiful and therefore to be wooed; She is a woman therefore to be won. Suffolk Act 5 Scene 3 To be a queen in bondage is more vile Than is a slave in base servility. Margaret Act 5 Scene 3 J. Tonson unknown
1734réf. 33902London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.” The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.” Henry VI Part II contains famous quotations among which are: Could I come near your beauty with my nails I'd set my ten commandments in your face. Eleanor Act 1 Scene 3 The fox barks not when he would steal the lamb. Suffolk Act 3 Scene 1 For where thou art there is the world itself With every several pleasure in the world: And where thou art not desolation. Suffolk Act 3 Scene 2 Small things make base men proud. Suffolk Act 4 Scene 1 True nobility is exempt from fear. Suffolk Act 4 Scene 1 The first thing we do let's kill all the lawyers. Dick the butcher Act 4 Scene 2 J. Tonson unknown
1734réf. 33903London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.” The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.” Henry VI Part III contains famous quotations among which are: How sweet a thing it is to wear a crown Within whose circuit is Elysium And all that poets feign of bliss and joy. Richard Act 1 Scene 2 O tiger's heart wrapt in a woman's hide! York Act 1 Scene 4 My crown is in my heart not on my head. King Henry Act 3 Scene 1 Yet hasty marriage seldom proveth well. Gloucester Act 4 Scene 1 For trust not him that hath once broken faith. Lady Grey Act 4 Scene 4 Fearless minds climb soonest unto crowns. Gloucester Act 4 Scene 7 And live we how we can yet die we must. Warwick Act 5 Scene 2 Suspicion always haunts the guilty mind. Gloucester Act 5 Scene 6 J. Tonson unknown
réf. 14350Librairie Hachette et Cie 1912. Fort in-8 cartonnage éditeur plein bradel bleue orné sur le premier plat d’une illustration doré & du titre. Dos rond avec titre, nom de l’auteur & de l’illustrateur. Bel Ex Libris collé en page de garde. Frontispice & 39 magnifiques illustrations d' Hugh Thomson en hors-textes couleurs, sous serpente. Nombreuses illustrations en noir in-texte. Etat magnifique. Edition originale illustrée. Rare exemplaire dans un tel état de fraicheur.
1969réf. 1464à Nice, Éditions d'Art Sefer, Le Chant des Sphères, 1969-1971.
1785réf. 33894London: John Bell British Library Strand 1785. First in the "literary edition" of Shakespeare's plays by Bell. With two frontispiece engravings in the volume. 12mo the play bound into later blue paper wrappers lettered caligraphically in brown on the upper wrapper. iv 5-103 pp. A fine copy very well preserved and with the wrappers as pristine. FIRST OF THE EDITION. The is from Steevens' and Johnson's Scholarly Edition of Shakespeare 1773. This edition prints Observations prior to each play. The "Literary" Shakespeare was published serially beginning in 1785 and collected in 20 vols. What distinguishes this edition from the others by Bell is the elaborateness of the presentation. This was the culmination of a 15 year effort to publish an edition of the Bard's works which had a high cultural value due to its edition annotation and beauty of its typography and illustration. Indeed this edition proved a social triumph for Bell with his assembled 1800 subscribers including the Royal Family except for the Sovereign along with the Queen of France monsieur the King's brother and a collection of 70 nobles. The edition was printed on smooth wove paper and in this edition Bell first replaced the long s � with the modern small rounded s an innovation which quickly caught on. There are many more portraits in this edition than in the earlier "acting" editions of Shakespeare. The engraved frontispieces feature a prominent actor or actress in the role. In contrast to the engravings of the earlier edition these portraits have oval borders and lush backgrounds. The actors themselves are rendered in a much softer more romantic style. The artists Bell commissioned were all under the age of 25 and relatively unknown. Most notable among them was the young Johan Heinrich Ramberg who had come to England from Hanover under the patronage of George III. It is because of these young artists that these portraits are so different from those in the "acting" edition. Ramberg brought with him a European aesthetic and all the artists brought the burgeoning romantic artistic trends to the drawing boards. John Bell, British Library, Strand hardcover
1957réf. 1934425 Lithographies originales en couleurs de Paul Aïzpiri (1919-2016) dont 1 à double page.Traduction de François Victor-Hugo.Édition tirée à 150 exemplaires sur papier vélin pur fil de Lana. Celui-ci (n°125) imprimé pour madame Colson-Blanche. Comprenant un tirage à part des 4 lithographies en couleurs à l'identique de celles de la chemise et de l'étui.Paris, Les Francs-Bibliophiles 1957 - 147 pages.Pages volantes sous couverture illustrée. Chemise et étui cartonnés illustrés. Pas de rousseur. Très bon état. Format in-folio (39x30).La mégère apprivoisée est une des 3 premières comédies de Shakespeare. Baptista, vieil aristocrate de padoue, a un souci : celui de marier sa fille aînée, Catharina, au caractère épouvantable et qui veut toujours avoir le dernier mot. Ainsi pourra-t-il marier sa seconde fille, la douce Bianca, que convoitent déjà deux prétendants.
1957réf. 1455025 Lithographies originales en couleurs de Paul Aïzpiri (1919-2016) dont 1 à double page.Traduction de François Victor-Hugo.Édition tirée à 150 exemplaires sur papier vélin pur fil de Lana. Celui-ci (n°120) imprimé pour le docteur René Langlois. Comprenant un tirage à part des 4 lithographies en couleurs à l'identique de celles de la chemise et de l'étui.Paris, Les Francs-Bibliophiles 1957 - 147 pages.Pages volantes sous couverture illustrée. Chemise et étui cartonnés illustrés. Pas de rousseur. Très bon état. Format in-folio (39x30).La mégère apprivoisée est une des 3 premières comédies de Shakespeare. Baptista, vieil aristocrate de padoue, a un souci : celui de marier sa fille aînée, Catharina, au caractère épouvantable et qui veut toujours avoir le dernier mot. Ainsi pourra-t-il marier sa seconde fille, la douce Bianca, que convoitent déjà deux prétendants.
1881réf. RO30143397GEORGE ROUTLEDGE & SONS. 1881. In-4. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 431 pages augmentées de nombreuses gravures en noir et blanc dans et hors texte, dont une sous serpente - 3 PHOTOS DISPONIBLES. . . . Classification Dewey : 94.4-Editions numérotées
réf. ORD-20147London. William Heinemann. New York. Doubleday, Page & Co. 1908. In-4 (190 x 258 mm) percaline de l'éditeur, titre et vignette dorés, nombreuses illustrations en noir et blanc dans le texte et 40 en couleur hors texte protégées par des serpentes légendées. Edition originale du tirage courant. Assez nombreuses rousseurs notamment sur la couverture, très bon état des planches en couleurs d'Arthur Rackham.
réf. ORD-9918Edited with a scrupulous revision of the texte by Charles and Mary Cowden Clarke. The Leicester Square Edition with portrait and twenty-one illustrations from de Boydell Gallery in permanent photography. London. Bickers and son. 1875. Gd in-8 (180 x 244mm) plein maroquin violet à grains longs, dos à 5 nerfs richement orné, double filet or encadrant les plats, roulette sur les coupes, gardes jaspées, tranches marbrées, 2ff., LXI, (2), 1002, (1) pages. Texte sur 2 colonnes, illustrations photos collées hors texte. Report du portrait en frontispice sur la page de titre, tout petits défauts mais bel exemplaire superbement relié.
2024réf. 49958Folio Society 2024. 3 vols. 8vo. First Edition thus text in two colours with 43 illustrations; blocked cloth ribbon markers a near fine copy in publisher's printed board slip-case. Folio Society, hardcover
1930réf. 27898London: Allied Newspapers Ltd. 1930. Book. Good. Leather. 64mo - up to 3" tall. The Works of William Shakespeare 40 vols front cover unstuck but attached Julius Caesar King Henry IV Part 1 King Henry IV Part 2 front cover unstuck but attached The Winter's Tale Much Ado About Nothing Titus Andronicus Comedy of Errors Bio and Glossary Missing All's Well That End Well King Henry V King Henry VIII Sonnets and Poems King Henry VI Part 1 King Henry VI Part 2 King Henry VI Part 3 Twelfth Night King Lear Timon of Athens Pericles Prince of Tyre Taming of the Shrew Midsummer Night's Dream Merchant of Venice Two Gentleman of Verona As You Like It Troilus & Cressida Othello The Moor of Venice Hamlet Prince of Denmark King John Merry Wives of Windsor Romeo & Juliet Antony & Cleopatra Macbeth Love's Labour's Lost TheTempest Cymbeline Measure For Measure King Richard II King Richard III Coriolanus Venus and Adronis & The Rape of Lucrece Each book measures just 5cm by 3.5cm . Allied Newspapers Ltd. Hardcover
1925réf. 88833Milano: Treves 1925-1934. Trentanove volumi di cm. 19 pp. 300 circa per ciascun volume. Solida ed elegante legatura coeva in mezza pergamena con punte dorsi lisci con titoli in oro su doppi tasselli. Esemplare genino e ben conservato. Opera completa. Treves unknown
1909réf. 34589London: Hodder and Stoughton 1909. First Edition First Printing with the Thomson Illustrations. With 24 mounted colour plates by Thomson including a frontispiece each with a cptioned tissued guard. Quarto handsomely bound in the publisher's original green cloth with gilt titles to the spine and red titles with dark green pictorial decorations to the upper cover. xxxvi 143 1 pp. A beautiful copy bright and fresh the binding is very attractive and finely preserved internally well preserved with some of the usual spotting occasional to the foredges a bit of mellowing the plates and tissue guards all in excellent condition. SHAKEPEARE'S PLEASANT WORK PRESENTED IN aS PLEASING AN ILLUSTRATED format as one could hope to find. Hugh Thomson’s delightfully detailed and skillful illustrations would be hard to surpass making this a true gem in its pretty binding. Thomson's pen-and-ink drawings are in much the same style as those he did for works by Jane Austen and Charles Dickens. As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain though a performance at Wilton House in 1603 the house having been a focus for literary activity under Mary Sidney for much of the later 16th century has been suggested as a possibility. The play follows its heroine Rosalind as she flees persecution in her uncle's court accompanied by her cousin Celia to find safety and eventually love in the Forest of Arden. In the forest they encounter a variety of memorable characters notably the melancholy traveller Jaques who speaks one of Shakespeare's most famous speeches "All the world's a stage" and provides a sharp contrast to the other characters in the play always observing and disputing the hardships of life in the country. Hodder and Stoughton hardcover
1880réf. 35085New York: George Routledge and Sons no date circa 1880-1890. 13 volumes. The boxed "Handy-Volume" pocket edition of Shakespeare’s works. With provenance of American poet and literary figure Florida Watts Smyth. Small 8vo 4.75 x 3.25 inches in the publisher’s original dark green cloth boards ruled in blind the spines with gilt lettering along with theatrical masks and Swan of Avon devices in gilt the thirteen volumes in the publisher's original box of dark green cloth-covered boards lettered "Shakspeare" on the top in gilt. A lovely little set of the Bards' plays and poems in miniature format; the books are in very fine condition with just a hint of age. The box's flip-up lid is separated from the box at the fold line and is a bit rubbed but is still attractive and continues to serve its purpose well. A PLEASING SET OF THE POCKET HANDY-VOLUME SHAKESPEARE and a lovely little gem of the great bard’s collected works. The set was intended “to form a handy readable series of volumes equally adapted for the pocket the knapsack and the railway" The text is from the most trustworthy editions and contains the thirty-six plays of the First Folio plus Pericles along with the poems and sonnets there is also a glossary in the thirteenth. This set with the provenance of Florida Watts Smyth with her elaborate unicorn's head and mailed arm heraldic bookplates. Smyth was a recurring contributor to Harriet Monroe’s influential avant-garde publication Poetry Magazine. Her poems appeared across multiple eras of the magazine. She was also associated with noted poet and critic Louis Untermeyer and the Poetry Society of America. Smyth published multiple collections of poetry and individual pieces over a career spanning several decades. George Routledge and Sons hardcover
1837réf. 35093London: William Pickering 1837. From the Aldine Poets series the first to include the Memoir by Alexander Dyce. With an engraved portrait frontispiece. 8vo contemporary full stiff vellum with all-over gilt tooling on the spine black lettering label t.e.g. lxxxix 288 pp. A very good and handsome copy the binding strong the text-block clean. A PLEASING EDITION. The edition includes a chronological list of Shakespeare's plays Shakespeare's will and of course Dyce's Memoir. Included in the work are Venus and Adonis The Rape of Lucrece Sonnets A Lover's Complaint The Passionate Pilgrim Verses and Songs from the Plays of Shakespeare. William Pickering hardcover
1983réf. 2607PARIS 17. CLUB DU LIVRE. 1983. FORT IN-4 (27 X 34 X 7,5 CENTIMETRES ENVIRON) DE 159 + (5) PAGES, DANS UNE SPECTACULAIRE RELIURE DE L'EDITEUR PLEINE BASANE MAROQUINEE NOIRE, PLAT SUPERIEUR MOSAIQUE D'UN DECOR GEOMETRIQUE EN NOIR, EN ROUGE ET EN DORE, TITRE DORE SUR DOS LISSE, SOUS CHEMISE PERCALINE NOIRE, DOS BASANE MAROQUINEE NOIRE, DOS A QUATRE FORTS NERFS, TITRE DORE, SOUS ETUI BORDE. (PAUL FIGAROLA RELIEUR, D'APRES LA MAQUETTE DE DOMINIQUE AMAT). ILLUSTRE DE 20 LITHOGRAPHIES EN COULEURS HORS TEXTE, SOUS SERPENTE, TIREES PAR MOURLOT. PREMIER TIRAGE LIMITE A 380 EXEMPLAIRES NUMEROTES, AVEC LA SIGNATURE AUTOGRAPHE DE L'ARTISTE SOUS LA JUSTIFICATION. UN DES 295 SUR ARCHES, CELUI-CI PORTANT LE NUMERO 173. BEL EXEMPLAIRE.
1871réf. SKU-045821Bradbury Evans & Co 1871. Leather Bound. Very Good. 1871 Bradbury Evans and Company London 13 leather bound minatures with gilt edges and raised band spines in red box with gilt decoration. Hasp on box is damaged. Each volume is approximately 340 pages Please email for photos. Bradbury Evans & Co hardcover