15.485 resultados
1922ref. 50307Paris: Shakespeare and Company 1922. First Edition. Hardcover in slipcase. One of 750 numbered copies on handmade paper from a total edition of 1000 copies. This being No. 310. Quarto bound in full blue morocco. The original wrapped are bound in. Near Fine in bespoke slipcase with blue morocco spine five raised bands and gilt lettering. Shakespeare and Company hardcover
1939ref. 140948664London: Faber and Faber 1939. Signed Limited Edition. Near Fine. First edition signed limited issue. Number 334 of limited 425 copies signed by James Joyce. 628 pp. Bound in publisher's red cloth with spine lettered in gilt; top edge gilt. In original yellow cloth-covered slipcase. Near Fine with trivial fading to spine. Foxing and soiling to slipcase light edge wear. A handsome copy of Joyce's final linguistically complex novel that took him seventeen years to complete; scarce. Slocum & Cahoon A49. Faber and Faber unknown
1916ref. 69673New York: B. W. Huebsch 1916. Full Description: JOYCE James. A Portrait of the Artist as a Young Man. New York: B. W. Huebsch 1916. First edition. Octavo 7 5/16 x 4 15/16 inches; 182 x 125 mm. 4 299 1 blank pp. Original blue cloth title blind-stamped front board gilt-lettered spine. Gilt still bright. With some very light wear to head and tail of the spine and corners. Some very minor soiling to edges of text block. Small bookseller sticker on rear pastedown. An about fine copy. "James Joyce novelist born at Rathgar a suburb of Dublin and educated at Irish Jesuit colleges. Dissatisfied with the intellectual atmosphere of Dublin he left Ireland in 1902 and spent most of the remainder of his life abroad chiefly in Trieste Zürich and Paris contending for many years with poverty suffering latterly from severe eye trouble and struggling to obtain the publication of his works." The Oxford Companion to English Literature 421-422 "A largely autobiographical novel. it portrays the childhood school days adolescence and early manhood of Stephen Dedalus later one of the leading characters in Ulysses. Stephen's growing self-awareness as an artist forces him to reject the whole narrow world which he has been brought up. rather than following a clear narrative progression the book revolves around experiences that are crucial to Stephen's development as an artist; at the end of each chapter Stephen makes some assertion of identity. Through his use of stream of consciousness technique Joyce reveals actual materials of his hero's world the components of his thought processes." Benét 822. Slocum and Cahoon A11. HBS 69673. $20000. B. W. Huebsch unknown
1939ref. 238469London: Faber & Faber 1939. Limited. hardcover. very good. Tall 8vo original brick red cloth g.t. other edges uncut. London: Faber & Faber 1939. Limited First Edition. Number 356 of only 425 numbered copies signed by Joyce. There is some residue from tape on the front & back fly-leaves otherwise a nearly fine copy in the original yellow cloth box which has very slight wear on the front edges. Faber & Faber unknown books
1935ref. 67248Limited Edition Signed By Henri Matisse and James Joyce JOYCE James. MATISSE Henri illustrator. Ulysses LEC. With an Introduction by Stuart Gilbert and Illustrations by Henri Matisse. New York: The Limited Editions Club 1935. Limited to 250 numbered copies from a total edition of 1500 signed by both James Joyce and Henri Matisse. Quarto 11 11/16 x 9 1/16 inches; 296 x 230 mm. xv 3 363 7 pp. Twenty-six plates by Matisse consisting of six etchings printed by hand and twenty lithographic drawings made as studies for the etchings printed on thin colored papers. Original full brown buckram embossed in gilt on front cover and spine from a design by LeRoy H. Appleton. Top edge speckled brown others uncut. A bit of browning to the inner hinges as usual. An about fine copy. Housed in the publisher's original board slipcase printed on the spine. Some minor wear to the slipcase at corners and edges but better than usually seen. Housed in a custom red half morocco clamshell. "One of the very few American livres de peintres issued before World War II. According to George Macy who undertook this only American publication of Matisse's illustrations he asked the artist how many etchings the latter could provide for five thousand dollars. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings Matisse's only use of this medium record the evolution of the figures from vigorous sketches to closely knit if less spontaneous compositions." The Artist and the Book. The Artist & the Book 197. LEC bibliography 71. Slocum and Cahoon A22. HBS 67248. $20000 The Limited Editions Club hardcover books
1930ref. 24937Paris and New York:: Babou and Kahane / The Fountain Press 1930. First edition; one of 100 copies on Imperial handmade iridescent Japan signed by James Joyce. publisher's printed wrappers in glassine and publisher's slipcase. A near fine copy. The glassine is very slightly worn in spots. The slipcase has had some internao reinforcement but is complete and attractive. . Small folio. Babou and Kahane / The Fountain Press, unknown
1930ref. 1282461930. First Edition. Signed. JOYCE James. Haveth Childers Everywhere. Fragment from Work in Progress. Paris: Henry Babou and Jack Kahane; New York: Fountain Press 1930. Slim folio original printed paper wraps uncut and unopened original glassine original gilt chemise and green cardboard slipcase. Housed in a custom chemise and clamshell box. $17500.First edition number 50 of only 100 signed copies on Imperial Hand-Made Iridescent Japan paper out of a total edition of 685 copies. A stunning copy.This is one of several fragments from Work in Progress published in 1939 as Finnegans Wake that Joyce issued to raise money while working on the mammoth project. One of the publishers Jack Kahane who idolized Joyce had originally asked Sylvia Beach to allow him to take over publication of Ulysses. Instead she introduced Kahane to Joyce who then agreed to let him publish Haveth Childers Everywhere. The effort nearly ruined Kahane and only by selling the American rights to the work were he and co-publisher Henry Babou able to save themselves from bankruptcy. When Faber and Faber was preparing the first London editions of Anna Livia Plurabelle and Haveth Childers Everywhere 1930 and 1931 respectively ""Joyce wrote rhymes for the 'blurb' on the dust jacket. The Haveth Childers verse is quoted in this description headline He was a little annoyed when the publicity department used them only on a mimeographed publicity release to which they prefixed a note: 'The Sales department puzzled as such departments are wont to be have sought some light on the two James Joyce contributions to Criterion Miscellany. Below the explanations offered are passed on that you may be able to derive similar enlightenment"" Ellmann 617n. Slocum and Cahoon A41. A beautiful fine copy in a slightly worn slipcase. paperback
1922ref. 7586Paris: Shakespeare and Company 1922. First edition. Very Good . One of 750 copies on handmade paper from the wider first edition limitation of 1000 copies. Based on Sylvia Beach's records it has been asserted that out of the three issues of the first edition this one was sent out first. This copy marked as number 482. Modern blue half morocco gilt over marbled boards bookplate of Giles Alexander Esme Gordon to front pastedown. Front free endpaper with some marginal restoration a few small unrestored closed tears to preliminary leaves a little occasional foxing a few gatherings a little roughly opened. Housed in a custom morocco-backed clamshell case. A Very Good copy. Arguably the key text of the Modernist movement. "Joyce not to mince words is Ireland's Shakespeare its Goethe its Racine its Tolstoy" John Sutherland. The book also proved to be a major test case for laws of freedom of expression. "Forced underground by censors this was a cryptoclassic already before it was read a subversive colossus" Sherry. Provenance: Giles Gordon was a literary agent and writer working for publishers Secker & Warburg and Gollancz the latter as Editorial Director before representing writers such as Peter Ackroyd and Vikram Seth. Slocum and Cahoon A17. 7586. Very Good . Shakespeare and Company unknown
1939ref. JOYCEJAM002444Faber and Faber London. 1939. First edition limited issue. Royal octavo. 628 pages. Red buckram covers. Top edge gilt.Number 249 of 425 copies signed by the author.Endsheets a bit darkened at gutters. Some spotting to fore-edge. Spine slightly faded and very slightly scratched. Very near fine in the original yellow cloth slipcase which is dusty at the top edge and a bit rubbed. The number of this copy ''249'' is written on the top edge. Few copies turn up nowadays with the original slipcase a fact which often leads to attempts to create a convincing facsimile. Faber and Faber, London. hardcover
1519ref. 183717Dublin: privately printed by Gerrard Bros. 15 October 1901. His first obtainable publication First edition of the author's first obtainable separate publication a plea for the freedom of the theatre published when he was 19. This copy is from the library of the 3rd Viscount Esher Oliver Brett 1881-1963 with his bookplate on the chemise. Joyce was a student at University College Dublin in 1901 when he penned The Day of the Rabblement. The essay and one advocating female equality within the university by Joyce's schoolmate F. J. C. Skeffington A Forgotten Aspect of the University Question were both rejected by the University College newspaper. In the case of Joyce's essay this was because he mentioned D'Annunzio's Il Fuoce which was on the Index librorum prohibitorum while Skeffington's essay was rejected owing to its radical content. Instead the two paid to have the essays published as a pamphlet in a small run which they hand-delivered. The exact number of copies printed is not recorded but was surely small. The figure cited in the 1933 Catalogue of Rare Books by the Ulysses Bookshop is as low as 85 while Skeffington's son estimated a run of around 100 to 200 copies Slocum & Cahoon. Only a small number of these were preserved since Joyce did not reach any degree of literary fame for many years. In the essay Joyce attacks the Irish theatre for catering to popular tastes and promotes free expression. "Joyce was stirred by a group of fellow university students - the 'rabble' of the title - signing a letter of protest on political and religious grounds against the Irish Literary Theatre's first performance of The Countess Cathleen by W B Yeats. Joyce critiques the Irish Literary Theatre for its response to the protest which Joyce claims saw them bow to public pressure and 'prejudice' and become 'shy of presenting Ibsen Tolstoy or Hauptmann'. In Joyce's opinion the work of these three European writers was profound innovative and worthy of attention. Significantly the essay shows Joyce upholding the principle of artistic freedom and condemning censorship in all its forms - an outlook that he would maintain throughout his career" British Library 'The Day of the Rabblement'. Joyce's only previously published works were Et Tu Healy! a pamphlet printed by his father when he was aged nine of which no known copies survive and an article on Ibsen included in the Fortnightly Review April 1900. Octavo 8 pp. Original pink wrappers printed in black. Housed in a custom yellow cloth chemise. Front wrapper slightly toned at edges rear wrapper browned else clean. A very good copy. Slocum & Cahoon B1. hardcover
1930ref. WRCLIT64985Paris: Henry Babou and Jack Kahane 1930. Quarto. Printed wrappers. A fine copy in glassine with some tanning to the spine in edgeworn and slightly marked slipcase with cracks at the front portions of the top and bottom panel joints and with a small poiece of the lower panel detached. First edition deluxe issue. One of one hundred numbered copies on "Imperial hand- made iridescent Japan" signed by the author from a total edition of 685 copies. SLOCUM & CAHOON A41. Henry Babou and Jack Kahane unknown books
1914ref. 751London: Grant Richards LTD 1914. First Edition First Impression. Publisher's Gilt Stamped Maroon Cloth. Good. A Good Book Without its Issued Dust Jacket. Front board has a vertical crease down the entirety of the board affecting exterior and interior. Extremities generally rubbed and bumped. Cloth scuffed and soiled spine darkened. Bump to top right corner has rolled the first few leaves of text block. Text block toned and mildly soiled. Minor paper damage to several various leaves along top edge text unaffected. Evidence of a dog-ear to leaf 129/130. Gutter visible between 144 145 and again at 224 225. Last blank page shows shadows possibly from thin post-it strips. vi 7-278pp. One of 746 Copies Bound for Grant Richards of 1250 copies printed. An exceptionally scarce volume of Joyce's first major published work. Grant Richards LTD unknown
1939ref. 014569London/New York: Faber & Faber/Viking Press 1939. First Edition. Hardcover. Touch of wear to the heel of the spine which is mildly sunned. Lacking the original slipcase but with a custom-made slipcase in its place. Near Fine in a Fine custom slipcase. Original red buckram with gilt lettering on the spine. Copy #222 of 425 numbered copies printed on handmade paper and SIGNED by the author on the limitation page. One of the most important books of modern English fiction if not one of the more readable. "Joyce insisted that each word each sentence had several meanings and that the 'ideal lecteur' should devote his lifetime to it like the Koran" Connolly THE MODERN MOVEMENT 81; "The greatest failure in literature" Burgess 99 NOVELS: THE BEST IN ENGLISH SINCE 1939 page 25. Faber & Faber/Viking Press hardcover
1930ref. 30424Paris: Henry Babou and Jack Kahane 1930. Quarto. 11 x 7 1/2 inches. Title and text printed in black and green. Signed by Joyce on the limitation leaf. Printed wrappers original glassine. Small area of loss at lower spine minor tear and losses to glassine along spine. Publisher's green slipcase split at edges with some losses as usual. First edition deluxe issue: one of 100 signed copies. One of one hundred numbered copies on "Imperial hand- made iridescent Japan" signed by the author from a total edition of 685 copies. Slocum & Cahoon A41. Henry Babou and Jack Kahane unknown books
1928ref. 140948801New York: Crosby Gaige 1928. First Edition. Near Fine. First edition limited issue. #472 of 800 copies signed by James Joyce on the copyright page. A presentation copy with Sylvia Beach's handwritten note "from Mr. James Joyce" on her Shakespeare and Company stationary mounted to front pastedown. xviv 1 61 pp. printed on watermarked wove paper. Bound in publisher's brown cloth with decorative stamping in blind and gilt top edge gilt. Near Fine with light rubbing to extremities and faint staining around tail of spine. Contents lightly toned with occasional foxing more pronounced on endpapers and evidence of bookseller ticket removal to back pastedown. Slocum & Cahoon 32. The first separate publication of this fragment of Finnegans Wake which was published in installments over seventeen years before being issued as a complete book in 1939. Sylvia Beach the owner of the legendary Parisian bookstore Shakespeare & Co. had published Ulysses in 1922 and continued to foster Joyce's career during the following decade. She wrote in her 1959 memoir that Anna Livia Plurabelle gave her some trouble. She and Joyce tried to get the piece published in various literary periodicals with limited success. The Calendar accepted it only to be thwarted by its own printers who refused to set up a passage they found obscene. The printers at Princeton University Press which printed this luxurious limited edition for the New York bon vivant Crosby Gaige apparently had no such qualms. Crosby Gaige unknown
1939ref. 1402430London: Faber & Faber Limited / Viking Press 1939. Limited Edition #122/425. Hardcover. Octavo 628 pages. In Very Good condition. Bound in publisher's brick red buckram spine stamped in gilt. Uncut and unopened as issued. Housed in publisher's yellow cloth slipcase stamped "Made in England" inside of the case. With very light edgewear. A few preliminary leaves and final leaves apparently reinforced with cloth tape a bit over-opened. Slipcase sturdy but with some wear and staining cloth beginning to detach in one corner. MC Consignment. Shelved case 2. References: Slocum & Cahoon A49. A letter from the Viking Press September 9 1947 states: "We also brought out and sold a limited edition of 310 copies the sheets of which were imported from the English publisher Faber & Faber. Our limited edition is identical with that of the British publisher and bears both imprints. The covers for the limited edition were made in England but the actual binding was done in the United States." 310 copies were sent to the United States instead of the 300 noted in the statement of limitation Slocum & Cahoon. 1402430. Shelved Dupont Bookstore. Faber & Faber Limited / Viking Press hardcover
1930ref. 846031930. JOYCE James. Haveth Childers Everywhere. Orig. printed wrappers and publisher's glassine in orig. green slipcase all stored in custom folding box. Paris and New York: Henry Babou and Jack Kahane; The Fountain Press 1930. First ed. Small 4to. One of 100 copies on "imperial hand-made iridescent japan" signed by Joyce this being no. 86. The second book installment of "Work in Progress" which would eventually be much revised and published in full as Finnegans Wake. This section is the introduction to the world of the main character a sleeping giant whose dream is the Wake. The slipcase with some minor wear to the edges else an unusually fine copy. unknown
1939ref. 1403209Faber and Faber London 1939. Limited Edition. Hardcover. Very Good. Faber & Faber UK 1939. Signed Limited Numbered. One of 425 Limited edition copies. Signed by James Joyce. Pages are clean; text is unmarked binding is tight and square. Light wear to cloth boards at spine ends and edges. Text block is clean. Hard cover in original salmon cloth with titles on spine in gilt top edge gilt fore edge and foot of handmade paper untrimmed. Housed in an expertly restored yellow slipcase inside a custom slipcase. Faber and Faber, London hardcover books
1927ref. COLLECTI007490IPARIS: SHAKESPEARE AND COMPANY. NEAR FINE. PUB 1929 1927. FIRST AMERICAN. SLOCUM/CAHOON #19 /This is a pirated edition that used the legitimate 9th Shakespeare printing of May 1927 / . This is the true First American Edition unauthorized of 1929. This pirated edition of the 9th Shakespeare And Company ULYSSES was printed by Adolph & Rudolph Loewinger 230 West 17th St. New York for Samuel and Max Roth. Of the 2000 -3000 copies printed many copies of this piracy were seized by "The Society for the Suppression of Vice" on October 5 1929. One of these pirated copies sent by Joyce to Bennett A. Cerf of Random House was used in setting up the first authorized American Edition of "ULYSSES". Blue cloth covered boards with "ULYSSES / JOYCE" in gilt on spine. The blue printed wrapped sans flaps as called for by Slocum. book was bound into this case binding only loosing the original unprinted spine of the wraps. A beautiful clean and tight copy. . SHAKESPEARE AND COMPANY hardcover
1939ref. 5068London: Faber & Faber 1939. First signed limited edition number 251 of only 425 large-paper copies signed by Joyce. Octavo original red cloth titles to spine in gilt top edge gilt original publisher's yellow cloth slipcase. Signed by James Joyce on the limitation page. In fine condition with the publishers slipcase. Housed in a custom half morocco clamshell box. A superior example. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece" and wrote that "if aesthetic merit were ever again to center the canon Finnegans Wake would be as close as our chaos could come to the heights of Shakespeare and Dante." Listed by Modern Library as one of the 100 greatest novels of the twentieth century. Faber & Faber hardcover books
1930ref. ST15753bParis: Henry Babou and Jack Kahane; New York: Fountain Press 1930. FIRST EDITION LIMITED ISSUE. No. 24 OF 100 COPIES ON IRIDESCENT HANDMADE JAPON SIGNED BY THE AUTHOR plus an additional 500 on paper and 75 writer's copies. 283 x 191 mm. 11 1/8 x 7 1/2". 72 2 pp. Original white paper covers with printed titling on front and spine leaves untrimmed and UNOPENED IN THE ORIGINAL GLASSINE PROTECTIVE WRAPPER. The whole in the original slightly rubbed three-panel stiff card folder covered with gilt paper. Without the original slipcase. Title printed in green and black initials and headlines printed in green. Inside front cover of folder with bookplate of John Kobler see below. Slocum & Cahoon A-41. Corners just slightly bumped one small faint brown spot to tissue cover but AN OUTSTANDING COPY the very fragile and always-torn glassine entirely intact and the text with no signs of use most of it never having seen the light of day. This luxury version of an excerpt from "Finnegans Wake" is printed on especially pleasing handmade paper that glows like a pearl. In his book review for the New York Times 11 January 1931 Herbert Matthews says this fragment is "an attempt to enrich and refashion the English language and as such is highly stimulating and carries the reader through a form of mental gymnastics which is not without its profit and amusement." However he admits "after an honest and patient effort backed by a previous reading of all of Mr. Joyce's work 'Haveth Childers Everywhere' still remained absolutely incomprehensible" and he expresses concern that "Mr. Joyce has gone a little further on the path he is hewing for himself toward what seems to be complete linguistic chaos." Perhap our previous owner found it equally rough going for this copy has obviously never been read. That owner could well have been the prolific biographer John Kobler 1910-2000 who wrote biographies of among others Al Capone John Hunter and John Barrymore and who contributed regularly to the New Yorker Collier's and the Saturday Evening Post. Fountain Press unknown
1939ref. 12362FINNEGANS WAKE Faber & Faber 1939 first edition some faint grey specks along the spine else a tight vg copy. Of 425 specially bound copies this is 1/125 copies of the English issue SIGNED by the author. Among the most controversial and important 20th century works of literature. Faber & Faber unknown
1929ref. 22015Paris: Shakespeare And Company 1929. First edition. One of 96 numbered copies printed on Arches paper. Our Exagmination contains brief quotations from Work In Progress including a passage concerning Swift and blindness which was not later incorporated in Finnegans Wake. The ‘Letters of Protest' are reputed to have been written by Joyce himself. Slocum & Cahoon B10. Also includes Samuel Beckett's first appearance in print his essay on Joyce entitled "Dante Bruno Vico Joyce." The present copy belonged to Mogens Boisen the Danish translator of Ulysses and is inscribed to him by Sylvia Beach. It also includes two letters from him to a former owner explaining the circumstances whereby he was given the book. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. 8vo original printed wrappers. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. Shakespeare And Company unknown
1929ref. 25938Paris: Shakespeare and Company Sylvia Beach 1929. First edition. 3-194 2 p. 191 x 140 mm. 7 1/2 x 5 1/2 in. Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy the Danish translator of Ulysses inscribed to him by Sylvia Beach and with two letters from him to a former owner explaining the circumstances. Small chip from rear wrapper edge light creasing on front wrapper otherwise a fine copy. In a folding box with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print. Shakespeare and Company, Sylvia Beach unknown
1917ref. 463618New York: B.W. Huebsch 1917. Hardcover. Near Fine/Very Good. Second printing April 1917 of the American edition the first edition was published in December 1916 preceding the English edition. Octavo. 299pp. Blue cloth stamped in blind and gilt. Contemporary bookplate of Walter A. Donnelly on the front pastedown and his ownership signature on the front fly else very near fine in attractive very good or better second printing dustjacket with several old internal tape repairs mostly at the folds and not visible on the outside. The text of the second printing jacket appears to be identical to the text of the first printing although laid out slightly differently with "Second printing" overstamped in red on the front panel. Joyce's landmark first novel. Huebsch printed 1250 sets of sheets for the first edition selling 500 sets to England for the Egoist Press edition which was published later thus the true first edition in this case the American edition preceded the English was 750 copies. We are unaware of the number of copies in the second printing but it was likely to have been quite small perhaps as few as 500 copies. Although the first edition is rare in jacket we've at least seen a few jacketed copies. This is the first copy we've seen of the second printing in the appropriate jacket. B.W. Huebsch hardcover