Joyce CatlettBiblio.com
23 652 résultats
réf. 37566778like new. unknown
réf. A9780367106096Hardback. New. Author artist and clinical psychologist Robert W. Firestone and collaborator Joyce Cattlet dig deep into the psychology of destructive behaviorboth its source and how it manifests itself in personal relationships between men women couples and families and in the social arena. hardcover
réf. A9781855756052Paperback / softback. New. Intends to explain the source of destructive behaviour and how it manifests itself in personal relationships between men women couples and families and in the social arena. This work presents a position that offers a hope of altering the destiny of humankind's unethical behavior through better psychological understanding and education. paperback
réf. 61312318Papeback. New. unknown
1948réf. 307503London: Jonathan Cape 1948. Hardcover. Very Good/Good. Reprint. Very good in a good dustwrapper with wear along the spine and edges light soiling. Jonathan Cape hardcover books
1967Good+ Paperback. Cover has edgewear. Front cover creased to bottom corner. Some sunning and creasing to spine. A few creased page corners. Pages slightly yellowed but unmarked. 550p. Used
1996réf. 574129Hopewell New Jersey: The Ecco Press 1996. Softcover. Very Good. First paperback edition. 16mo. 94pp. Spotting on topedge small stain on spine tail into page gutters else a very good copy. The Ecco Press unknown books
réf. 643004572The McGraw-Hill Company . Hardback. New. pp. x 326 1st Edition The McGraw-Hill Company hardcover
2012réf. x-0071790225McGraw-Hill 2012. Hardcover. New. 1st edition. 352 pages. 9.00x6.25x1.25 inches. McGraw-Hill hardcover
1952réf. mon0000186969Jonathan Cape 1952-01-01. Hardcover. Good. in x in x in. Ex-library book Hardback/Hardcover usual stamps and marking. Clean text sound binding. Jonathan Cape hardcover
1977réf. Q-0586044744HarperCollins Publishers 1977-04-14. Paperback. New. In shrink wrap. Looks like an interesting title! HarperCollins Publishers paperback
2004réf. G0830734171I3N00Gospel Light Publications 2004. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Gospel Light Publications paperback
1999réf. Q-1569550719Vine Books 1999-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Vine Books paperback
2008réf. 32369Friedrich Petzel Gallery 2008. A fine copy in illustrated wrappers in fine poster-jacket. First Edition. Slim quarto. Published on the occasion of Joyce Pensato's exhibition at Petzel Gallery New York Dec. 19 2007 - Feb. 2 2008. Thoroughly illustrated with color reproductions of Pensato's works; many full-bleed. The jacket impressively unfolds to form a large poster. Friedrich Petzel Gallery unknown
réf. 68-7994Murphys CA: Philter Press ca. 1965. Broadside. 26 cm. x 17.5 cm. Very Good. [Murphys, CA: Philter Press, ca. 1965.] unknown
réf. ST21186New York: Vincent FitzGerald & Company 1987. No. 15 OF 50 COPIES for sale and 15 Artists' Proofs. 385 x 325 mm. 15 1/8 x 12 3/4". 2 p.l. 40 pp. 5 leaves. Unbound as issued in original wraps with a portrait of Joyce on front cover his round glasses cut out to reveal part of a collage on the opening leaf. Housed in a clamshell box by David Bourbeau of Thistle Bindery this covered in burgundy-flecked taupe Japanese handmade silk woven for this box upper cover with incised vertical line showing the profile of Joyce this with silver Japanese tea paper peeking through spine with silver "JJ." With a total of 62 etchings employing more than 150 plates original watercolors collage and hand cutting some of the pieces folded into multiple sections the artwork divided into four sections: "Dreams" "Games" "Planes" and "Death" each preceded by a title page also printed with the page numbers of the texts that inspired the art. Printed on Moulin du Gue paper; section title leaves for illustrations wrapped with Japanese paper. SIGNED in the colophon by Weil and Van Dyke. See: E. Brunazzi "Susan Weil's Art of Joycean Illumination" in James Joyce Quarterly Vol. 34 No. 1/2 Joyce's Women Fall 1996 - Winter 1997 pp. 121-34. In pristine condition. With a very strictly limited press run this collection of carefully crafted sketches by Joyce is offered here as an important artist's book honored as one of the best illustrated productions of its time. Compiled after Joyce's death and first published in 1956 the text here consists of 40 short but polished fragments in prose and poetry the author put together between 1901-04 and then drew on in the composition of his major works "Dubliners" "A Portrait of the Artist as a Young Man" "Ulysses" and Finnegans Wake." "Epiphanies" was an appropriate choice for the present striking production since our publisher Vincent FitzGerald aimed to produce deluxe publications in the mode of the French livres d'artiste by facilitating an artistic environment like that of Paris in 1920s. And so when he asked his friends Susan Weil and Marjorie Van Dyke what writer's work they would like to illustrate they immediately chose Joyce one of brightest lights of 1920s Paris. Weil was a longtime Joyce devotee and suggested his little-known "Epiphanies" for their first project since these notes and ideas provided material for some of his greatest books. As Weil said "'The Epiphanies' seemed so perfect. Words were released like a flock of birds to roost in Joyce's future works." Elizabeth Brunazzi tells us that "FitzGerald challenged Weil and Van Dyke to create an innovative relationship among the visual images responding to the verbal texts; to make them 'flow' one into the other rather than present them frame by frame as in an illustrated work; and thus to create a novel organic form for the visual text and a different interpretation of the 'artist's book' altogether." The result is a work where the "illustrations" are not static but are intended to be manipulated by the reader in order to fully reveal themselves. Weil and Van Dyke independently produced images for each of the 40 "Epiphanies" then began dividing the contributions into four themes: "Dreams" "Planes" "Games" and "Death." Both employed a variety of techniques including watercolor etching collage and paper cut-outs and worked with other artists to refine and produce their final works. Brunazzi says that the present production results in the reader beginning "to rediscover and explore the frontiers of textuality much as a child first encounters a book as a beloved physical object incorporating physical images both tactile and visual." The resulting book was chosen by the Independent Curators for the Franklin Furnace exhibition "Contemporary Illustrated Books" as one of the 50 best illustrated books from 1966-88 and was featured in the Boston Athenaeum exhibition "Artists of the Book 1988 A Facet of Modernism.". Vincent FitzGerald & Company unknown books
réf. ST21186New York: Vincent FitzGerald & Company 1987. No. 15 OF 50 COPIES for sale and 15 Artists' Proofs. 385 x 325 mm. 15 1/8 x 12 3/4". 2 p.l. 40 pp. 5 leaves. Unbound as issued in original wraps with a portrait of Joyce on front cover his round glasses cut out to reveal part of a collage on the opening leaf. Housed in a clamshell box by David Bourbeau of Thistle Bindery this covered in burgundy-flecked taupe Japanese handmade silk woven for this box upper cover with incised vertical line showing the profile of Joyce this with silver Japanese tea paper peeking through spine with silver "JJ." With a total of 62 etchings employing more than 150 plates original watercolors collage and hand cutting some of the pieces folded into multiple sections the artwork divided into four sections: "Dreams" "Games" "Planes" and "Death" each preceded by a title page also printed with the page numbers of the texts that inspired the art. Printed on Moulin du Gue paper; section title leaves for illustrations wrapped with Japanese paper. SIGNED in the colophon by Weil and Van Dyke. See: E. Brunazzi "Susan Weil's Art of Joycean Illumination" in James Joyce Quarterly Vol. 34 No. 1/2 Joyce's Women Fall 1996 - Winter 1997 pp. 121-34. In pristine condition. With a very strictly limited press run this collection of carefully crafted sketches by Joyce is offered here as an important artist's book honored as one of the best illustrated productions of its time. Compiled after Joyce's death and first published in 1956 the text here consists of 40 short but polished fragments in prose and poetry the author put together between 1901-04 and then drew on in the composition of his major works "Dubliners" "A Portrait of the Artist as a Young Man" "Ulysses" and Finnegans Wake." "Epiphanies" was an appropriate choice for the present striking production since our publisher Vincent FitzGerald aimed to produce deluxe publications in the mode of the French livres d'artiste by facilitating an artistic environment like that of Paris in 1920s. And so when he asked his friends Susan Weil and Marjorie Van Dyke what writer's work they would like to illustrate they immediately chose Joyce one of brightest lights of 1920s Paris. Weil was a longtime Joyce devotee and suggested his little-known "Epiphanies" for their first project since these notes and ideas provided material for some of his greatest books. As Weil said "'The Epiphanies' seemed so perfect. Words were released like a flock of birds to roost in Joyce's future works." Elizabeth Brunazzi tells us that "FitzGerald challenged Weil and Van Dyke to create an innovative relationship among the visual images responding to the verbal texts; to make them 'flow' one into the other rather than present them frame by frame as in an illustrated work; and thus to create a novel organic form for the visual text and a different interpretation of the 'artist's book' altogether." The result is a work where the "illustrations" are not static but are intended to be manipulated by the reader in order to fully reveal themselves. Weil and Van Dyke independently produced images for each of the 40 "Epiphanies" then began dividing the contributions into four themes: "Dreams" "Planes" "Games" and "Death." Both employed a variety of techniques including watercolor etching collage and paper cut-outs and worked with other artists to refine and produce their final works. Brunazzi says that the present production results in the reader beginning "to rediscover and explore the frontiers of textuality much as a child first encounters a book as a beloved physical object incorporating physical images both tactile and visual." The resulting book was chosen by the Independent Curators for the Franklin Furnace exhibition "Contemporary Illustrated Books" as one of the 50 best illustrated books from 1966-88 and was featured in the Boston Athenaeum exhibition "Artists of the Book 1988 A Facet of Modernism.". Vincent FitzGerald & Company unknown
réf. 20110909San Francisco: The Press in Tuscany Alley 1994. First and Limited Edition. Hardcover. Fine. One of 75 copies unnumbered elephant folio size 156 pp. with numerous specimens in a custom box with prospectus and "El Paso keepsake" signed by James Linden. A tour de force of the ephemeral printing of the inimitable Adrian Wilson who with his wife Joyce Lancaster Wilson produced some of the finest and interesting private press work in San Francisco during the second half of the 20th century. The Press in Tuscany Alley was one of San Francisco's small private press jewels. Adrian Wilson 1924-1988 was both a book designer and a scholar authoring "The Design of Books" which is regarded as a classic text on book design. As the New York Times stated in his obituary: "Mr. Wilson designed and printed scores of books and became a mentor to younger men and women eager to learn the printer's craft. His many volumes while little-known to the general public are famous among print connoisseurs and many are collector's items." This spectacular work pays homage to the ephemeral work of Adrian Wilson in which both his perfection of technique and whimsicality shine through. Housed in a custom slipcase are first a volume which contains the bibliographical information on Wilson's ephemera; not only does it present tipped-in specimens but almost every page has either a printed and coloured cut or an illustration which has been hand-coloured. Second is a folding box which is stuffed with samples of the ephemera over forty pieces by our count. For any aficionado of private press printing this work is a bounty of both information and visual delight. ___DESCRIPTION: The volume is bound in natural linen boards Adrian Wilson's signature debossed in blind on the front board paper label on the spine fore-edge uncut bottom edge rough-cut a single piece of ephemera loosely laid in at the front half-title in red with a green cut frontis a black-and-white photograph of Wilson examining a sheet in his printing studio title page in red and black sectional headings and page numbers in red throughout a mulitiplicity of specimens and illustrations throughout signed and dated in pencil by James Linden at the colophon; designed and hand-coloured by James Linden text in Janson on Rives Heavyweight with end-papers of a special J. Barcham Green Handmade Tovil with Adrian Wilson's type-juggler logo as the watermark elephant folio size 15 3/4" by 10 1/2" 156 pp.; this copy one of 75 standard copies there were also ten special deluxe copies. The folding box entirely covered and lined with natural linen with Adrian Wilson's signature debossed in blind on the front paper spine label containing approximately 40 pieces of ephemera. Both items contained within a custom slipcase also covered with the natural linen with a paper spine label measuring 16 1/8" high by 10 3/4" wide by 3" deep. ___CONDITION: The entire work is fine and as new; we acquired this directly from the printer; clean and crisp throughout with absolutely no wear or markings. ___POSTAGE: Please note that this is an extremely large and heavy work and therefore additional postage may apply; please inquire for details; International customers please also note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Press in Tuscany Alley hardcover books
réf. 20110909San Francisco: The Press in Tuscany Alley 1994. First and Limited Edition. Hardcover. Fine. One of 75 copies unnumbered elephant folio size 156 pp. with numerous specimens in a custom box with prospectus and "El Paso keepsake" signed by James Linden. A tour de force of the ephemeral printing of the inimitable Adrian Wilson who with his wife Joyce Lancaster Wilson produced some of the finest and interesting private press work in San Francisco during the second half of the 20th century. The Press in Tuscany Alley was one of San Francisco's small private press jewels. Adrian Wilson 1924-1988 was both a book designer and a scholar authoring "The Design of Books" which is regarded as a classic text on book design. As the New York Times stated in his obituary: "Mr. Wilson designed and printed scores of books and became a mentor to younger men and women eager to learn the printer's craft. His many volumes while little-known to the general public are famous among print connoisseurs and many are collector's items." This spectacular work pays homage to the ephemeral work of Adrian Wilson in which both his perfection of technique and whimsicality shine through. Housed in a custom slipcase are first a volume which contains the bibliographical information on Wilson's ephemera; not only does it present tipped-in specimens but almost every page has either a printed and coloured cut or an illustration which has been hand-coloured. Second is a folding box which is stuffed with samples of the ephemera over forty pieces by our count. For any aficionado of private press printing this work is a bounty of both information and visual delight. ___DESCRIPTION: The volume is bound in natural linen boards Adrian Wilson's signature debossed in blind on the front board paper label on the spine fore-edge uncut bottom edge rough-cut a single piece of ephemera loosely laid in at the front half-title in red with a green cut frontis a black-and-white photograph of Wilson examining a sheet in his printing studio title page in red and black sectional headings and page numbers in red throughout a mulitiplicity of specimens and illustrations throughout signed and dated in pencil by James Linden at the colophon; designed and hand-coloured by James Linden text in Janson on Rives Heavyweight with end-papers of a special J. Barcham Green Handmade Tovil with Adrian Wilson's type-juggler logo as the watermark elephant folio size 15 3/4" by 10 1/2" 156 pp.; this copy one of 75 standard copies there were also ten special deluxe copies. The folding box entirely covered and lined with natural linen with Adrian Wilson's signature debossed in blind on the front paper spine label containing approximately 40 pieces of ephemera. Both items contained within a custom slipcase also covered with the natural linen with a paper spine label measuring 16 1/8" high by 10 3/4" wide by 3" deep. ___CONDITION: The entire work is fine and as new; we acquired this directly from the printer; clean and crisp throughout with absolutely no wear or markings. ___POSTAGE: Please note that this is an extremely large and heavy work and therefore additional postage may apply; please inquire for details; International customers please also note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Press in Tuscany Alley hardcover
1994réf. 34073San Francisco: Tuscany Alley 1994. Fine. Tuscany Alley San Francisco 1994 27 x 39 cm 2 volumes reliures en de l'éditeur sous étui First edition one of 75 numbered copies on Rives paper the only printing with 10 others also on Rives signed by Adrian Wilson and 3 hors commerce copies. Cream-colored cloth complete with slipcase. With numerous original woodcuts by Adrian Wilson. This copy retains its chemise which holds 50 or so characteristic examples of the work of the printer Adrian Wilson. A fine and rare copy. Tuscany Alley hardcover
1980réf. Q-0150040342HBJ Press 1980-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! HBJ Press hardcover
1987réf. 20581ABLondon, Century, 1987. 29 x 20,5 cm. 160 S. miz zahlr. farb. Abb. Original Leinen (Hardcover), Fadenheftung. Gutes Exemplar. Schutzumschlag am Rücken geblichen und am Kopf etwas angerändert. Name im Vorsatz.
réf. 1945875607.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0972347704.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 44464613like new. unknown
