Joyce, ErnestBiblio.com
23 652 résultats
1979réf. 317733Sterling Publishing Company 1979 hardback book in near fine conditionunclipped dust jacket $14.95 is very good. Hardcover. Near Fine/Very Good. Sterling Publishing Company hardcover
1999réf. Q-0764307614Schiffer Pub Ltd 1999-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Schiffer Pub Ltd paperback
1999réf. Q-0764307843Schiffer Publishing 1999-03-23. Paperback. New. New. In shrink wrap. Looks like an interesting title! Schiffer Publishing paperback
réf. 51416241-nnew. unknown
réf. A9781469693057Hardback. New. Throughout the twentieth century scholars accepted that there was something called “traditional” poetic meter and that free verse liberated poets from the fetters of old forms. In this version of literary history free verse saved poetry from cultural irrelevance and marked a broadly oppositional politics. This book tells a different story—and offers a radically new account of the rise of free verse poetry in the United States. In the 1910s white academics editors and critics popularized free verse by arguing that it was the formal expression of a white American race. For Black and Indigenous authors free verse did not reliably function as a break or an opening; it was instead a form of enclosure and used to shore up racial hierarchies. The story of the racialization of free verse has been consistently edited out of accounts of modernism—especially those that focus on how free verse was promoted in storied little magazines such as Poetry and Others. In The Enclosures of Free Verse Erin Joyce Kappeler returns to those magazines and their associated anthologies to show that free verse was a racial formation of whiteness and to explore how Black and Indigenous poets navigated this racialization of poetic form. hardcover
2026réf. x-1469693054Univ of North Carolina Pr 2026. Hardcover. New. 216 pages. 9.25x6.12x1.00 inches. Univ of North Carolina Pr hardcover
2026réf. x-1469693062John Wiley & Sons 2026. Paperback. New. 216 pages. 9.25x6.12x1.00 inches. John Wiley & Sons paperback
réf. 51416219like new. unknown
réf. 51416219-nnew. unknown
réf. 1469693062.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1469693054.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0595521711.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1459665139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013réf. Q-1609946367Berrett-Koehler Publishers 2013-06-03. Paperback. New. New. In shrink wrap. Looks like an interesting title! Berrett-Koehler Publishers paperback
réf. X00B-01431Berrett-Koehler Publishers. Collectible - Very Good. Signed Copy Collectible - Very Good. Signed by Roche on title page. Berrett-Koehler Publishers unknown
réf. 0965854019.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1556134797.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. SONG1556134797Brand: Heritage Books 2019-12-30. paperback. Used: Good. 5.50x0.75x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Heritage Books paperback
réf. 0972535330.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1880réf. 206913Philadelphia: Claxton Remsen & Haffelfinger 1880. Hardcover. VG: Wear to the edges and corners. Pencil notations on both end pages and surrounding blank pages- names notes and mathmatical formulas. Majority clean body pages and solid binding. A small black casebound book with gilt text on the spine. 272 pages; illustrated in black-and-white. Claxton, Remsen, & Haffelfinger hardcover books
1880réf. 206913Philadelphia: Claxton Remsen & Haffelfinger 1880. Hardcover. VG: Wear to the edges and corners. Pencil notations on both end pages and surrounding blank pages- names notes and mathmatical formulas. Majority clean body pages and solid binding. A small black casebound book with gilt text on the spine. 272 pages; illustrated in black-and-white. Claxton, Remsen, & Haffelfinger hardcover
réf. 0526059052.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3337275761.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1918réf. 517072London: The Egoist 1918. Softcover. Good. No. 2 Vol. V February 1918. Editor: Harriet Shaw Weaver. Assistant Editor: T.S. Eliot. Quarto. 18-32pp. Stapled wrappers. The wrappers are detached as are most of the pages but the issue is complete edgewear with chips and tears to the brittle paper and toning a good only copy. Features the poem "Apathy" by Richard Aldington "On the Intellectual Plane" by Horace B. Samuel and more including an excerpt from "Il Marzocco" an Italian review of A Portrait of the Artist As a Young Man by James Joyce translated from the Italian into English by Joyce himself Slocum and Cahoon C52. The review is quite positive and enthusiastic one passage reads in part "His book is not alone an admirable work of art and thought; it is also a cry of revolt: it is the desire of a new artist to look upon the world with other eyes to bring to the front his individual theories and to compel a listless public to reflect that there are another literature and another esthetic apprehension beyond those foisted upon us. The Egoist unknown books
1918réf. 517072London: The Egoist 1918. Softcover. Good. No. 2 Vol. V February 1918. Editor: Harriet Shaw Weaver. Assistant Editor: T.S. Eliot. Quarto. 18-32pp. Stapled wrappers. The wrappers are detached as are most of the pages but the issue is complete edgewear with chips and tears to the brittle paper and toning a good only copy. Features the poem "Apathy" by Richard Aldington "On the Intellectual Plane" by Horace B. Samuel and more including an excerpt from "Il Marzocco" an Italian review of A Portrait of the Artist As a Young Man by James Joyce translated from the Italian into English by Joyce himself Slocum and Cahoon C52. The review is quite positive and enthusiastic one passage reads in part "His book is not alone an admirable work of art and thought; it is also a cry of revolt: it is the desire of a new artist to look upon the world with other eyes to bring to the front his individual theories and to compel a listless public to reflect that there are another literature and another esthetic apprehension beyond those foisted upon us. The Egoist unknown
