Markovics, Joyce LBiblio.com
23 615 résultats
réf. 1597167339.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 2110502150504141New World Publishing Company N.A. Soft Cover. Fine. Volume: 1 New World Publishing Company paperback
1992réf. Q-0880795441U.S. Games Systems 1992. cards. New. In shrink wrap. Looks like an interesting title! U.S. Games Systems unknown
réf. 0671621122.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009réf. Q-0811862984Chronicle Books 2009-05-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! Chronicle Books paperback
réf. 1668946955.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 6131689070Booklocker.com Incorporated . Papeback. New. pp. 244 Booklocker.com, Incorporated unknown
réf. 1848686374.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977réf. Q-0877472904Deseret Book Company 1977-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Deseret Book Company hardcover
1979réf. 38933San Francisco: Union WAGE 1979. Pamphlet. 27p. very good staplebound booklet illus. 8.25x11 inches. Union WAGE unknown books
1998réf. Q-0874518423Brandeis University Press 1998-01-15. Paperback. New. In shrink wrap. Looks like an interesting title! Brandeis University Press paperback
1929réf. 299582Paris: Black Sun 1929. Limited. paperback. fine/fine. Three Fragments from a Work in Progress. With a "Portrait" by Brancusi. Sq. 8vo printed wrappers with original glassine. Paris: The Black Sun Press 1929. First Edition. Contains work that was later to appear in Finnegans Wake. Number 66 of 500 copies. Fine in the original gilt slipcase. Slocum & Cahoon A-36. Black Sun unknown books
1929réf. 208857Paris: The Black Sun Press 1929. Softcover. VG-. Glassine has some thumbnail sized chips along the spine and is a little toned. Otherwise clean. Etched abstract Brancusi portrait of Joyce. #291 of 500 on Holland Van Gelder Zonen. Large Octavo. Softcover. Cream wraps with red and black titles with glassine jacket. 4 preliminary leaves XV 1 55 pages 2 unnumbered leaves 1 unnumbered leaf of plates : illustration ; 22 cm. The Black Sun Press paperback books
réf. 22066Préface de C. K. Ogden et portrait de l’auteur par C. BRANCUSI. P., The Black Sun Press, 1929, in-8, broché, couv. rempl., 58 p., sous chemise étui de l’éditeur papier vert et argent. Edition originale. Cette édition est due à Harry et Caresse Crosby qui dirigeaient une maison d'édition, The Black Sun Press, installée à Paris rue Cardinale. Elle comporte trois importants fragments de " Work in Progress " : The Mookse and the Gripes, The Muddest Thick that was Ever Heard Dump et The Ondt and the Gracehoper. En outre le recueil est illustré en frontispice du célèbre portrait " abstract " de Joyce par Brancusi constitué d'une spirale et de trois lignes verticales, dans lequel on reconnaît sans peine l'auteur d'Ulysses. Tirage à 650 exemplaires, celui-ci 1/100 de tête num sur Japon (thirty-four), signé à l'encre par Joyce page de faux-titre. Excellent état. Slocum & Cahoon, A 36.
1929réf. 2064Paris: Black Sun Press 1929. First edition. xvi 64 pp. Original printed wrappers in publisher's slipcase. One of 500 copies on Holland Van Gelder Zonen paper of a total edition of 650 copies. Frontispiece portrait of Joyce by Brancusi. A fine copy with supplied later acetate wrapper in the original slipcase which is rubbed with tape repair at the corners splitting at the top edge and lacking a three-inch piece of the lower edge. Brancusi's frontispiece portrait commissioned by the publishers Harry and Caresse Crosby was a "Symbol of Joyce" intended to convey the sense of "enigmatic involution." When the sketch was shown to Joyce's father in Dublin he remarked gravely "The boy seems to have changed a good deal." Ellmann p. 614. Slocum & Cahoon A36. Minkoff Black Sun A-21. Black Sun Press unknown books
1929réf. 22621Paris: Black Sun Press 1929. First edition. Hardcover. Orig. printed stiff wrappers. Fine in original glassine nicked with some minor loss. Brancusi Constantin. 55 pages. 21 x 17 cm. Limited edition copy 325 of 500 on Holland Van Gelder Zonen. Preface by C.K. Ogden. Portrait of the author by C. Brancusi. Title printed in red and black: The three fragments are entitled; "The Mookse and the Gripes. The Muddest Thick That Was Ever Heard Dump. The Ondt and the Gracehoper." Binding by Andrea Kohler. The three fragments comprise pp. 152-159 282-304 and 414-419 respectively of "Finnegans Wake." The image by Brancusi is a graphic work. THE ARTIST & THE BOOK 1860-1960" notes: "A portrait as abstract as the author's text." This was one of the last books printed at the Black Sun Press. Crosby committed suicide in December 1929. Slocum and Cahoon A36. Kohler binding in fine red velvet and gold framed slipcase housed in fine black leather spine folding box lettered in red and black. Black Sun Press hardcover books
1929réf. 43637Paris.: The Black Sun Press. 1929. Original publisher's cream wrappers with printing in red and black to upper cover and spine monochrome 'black sun' vignette to rear wrapper original glassine wrapper. 4to. 212 x 168 mm. Half-title title printed in red and black contents leaf leaf with monochrome etched abstract portrait frontispiece by Constanin Brancusi signed in the plate preface by C. K. Ogden pp. xv The Mookse and the Gripes pp. 1 - 16 The Muddest Thick that was Ever Heard Dump with mathematical diagram on pg. 32 pp. 17 - 43 The Ondt and the Gracehoper pp. 45 - 55 justification leaf with achevé d'imprimer June 1929. Printed 21 lines per page in hand-set Caslon headlines and initials printed in red throughout. Harry Marks' nominatif copy on Japon - conforming to the édition de tête - signed by Joyce.From the edition limited to 650 copies with this nominatif copy conforming to the edition de tête of 50 hors commerce on Japanese Vellum signed by Joyce in black ink to the half-title; this copy was printed for Harry F. Marks: 'This copy is for / Harry F. Marks' see the justification.'The entire edition is for sale at the / Bookshop of Harry F. Marks / 31 West 47 Street New York'. From the justification.Printed in Paris by Harry and Caresse Crosby's Black Sun Press and with an introduction by C. K. Ogden 'Tales Told of Shem and Shaun' was offered for sale in New York at the 'Bookshop of Harry F. Marks 31 West 47 Street New York'. This was the second separately published fragment of Joyce's fabled 'Work in Progress' after 'Anna Livia Plurabelle' in 1928 although sections had been printed in periodicals as early as 1924 a work which would eventually coalesce - on May 4th 1939 after 17 years of work - into Finnegans Wake.Picasso had been the first choice to provide a frontispiece but refused on the grounds that he did not produce portraits 'sur commande' and Joyce suggested Constantin Brancusi as an alternative. Brancusi's final 'portrait' the abstract 'Symbol of James Joyce' prompted Joyce's father to remark on seeing it: 'the boy seems to have changed a good deal'.'A portrait as abstract as the author's text . '. The Artist and the Book.The Artist and the Book 32; Slocum & Cahoon A36; see Joyce by Richard Ellmann pg. 614. The Black Sun Press. unknown
1929réf. 003849OOParis France: Black Sun Press 1929. First Edition. Very Fine. A very fine clean and tight copy in original glassine wrapper and slipcase. Copy is very clean and bright. Original glassine has no tears no chips. Copy number 161/500 copies comes in a custom clam shell box. Slip case is tight with rubbing to the edges. A very nice copy. Tossed in a worn copy at no cost Haveth Childers Every-Where. First Printing. Black Sun Press unknown
1929réf. 000098Black Sun Press 1929. Book. Very Good. Soft cover. 1st Edition. 8vo - over 7¾ - 9¾" tall. 55pp. Heavy paper wraps black and red titles on spine with date 1929. Beautiful unmarked copy in glassine wrapper. A couple of small tears to the wrapper but the book shows no damage. Red and gold slipcase is sturdy and square. Preface by CK Ogden. Portrait of Joyce by Brancusi. Number 206 from the edition of 500 from Harry Crosby's Black Sun Press. Black Sun Press Paperback
1929réf. 208857Paris: The Black Sun Press 1929. Softcover. VG-. Glassine has some thumbnail sized chips along the spine and is a little toned. Otherwise clean. Etched abstract Brancusi portrait of Joyce. #291 of 500 on Holland Van Gelder Zonen. Large Octavo. Softcover. Cream wraps with red and black titles with glassine jacket. 4 preliminary leaves XV 1 55 pages 2 unnumbered leaves 1 unnumbered leaf of plates : illustration ; 22 cm. The Black Sun Press paperback
1929réf. 835121929. JOYCE James. Tales Told of Shem and Shaun. Three Fragments from Work in Progress. Orig. paper covers with orig. glassine wrapper and publisher's slipcase. Paris: The Black Sun Press 1929. Slocum and Cahoon A36. One of 100 signed copies on Japanese vellum this being no. 79. The second separately printed portion of fragments of "a work in progress" which would ultimately become Finnegans Wake. Engraved portrait of Joyce by Constantin Brancusi. Although identified in the colophon as a portrait this appears as a spiral design. According to the Morgan Library "Brancusi later explained the cryptic image to the painter Jacques Herold noting 'Joyce is like that: he departs from one point and you'll never meet him again.'" Glassine wrapper is torn at the spine slipcase toned else very good. unknown
1929réf. 4072Paris: The Black Sun Press 1929. First edition. Number 38 of 100 copies on Japanese Vellum signed by the author. 4to. 212x168mm. 8 XV 1 55 3. Original cream paper wrappers lettered in black and red to upper cover and spine and with 'black sun' motif on the lower cover. Original glassine wrapper. Slight chipping to head of spine and there are some tears to the glassine wrapper at the spine and to the front wrapper but overall in very good condition. Internally excellent with only very minor marking in a few places. Housed in the cardboard slipcase covered with green paper and edged in silver paper to which there is some slight marking and wear to the edges. Signed on the half title by James Joyce in black ink and illustrated with Constantin Brancusi's etching Symbole de Joyce intended by the artist to capture Joyce's "sens du pousser" and described as "a portrait as abstract as the author's text". With a preface by C.K.Ogden who in the same year as the publication of Shem and Shaun arranged a recording of Joyce reading from Anna Livia Plurabelle the first published section of Work in Progress. In an interview of 1936 Joyce said "I haven't lived a normal life since 1922 when I began Work in Progress. It requires an enormous amount of concentration.Since 1922 my book has become more real to me than reality and everything has led to it". "My book" is Finnegans Wake to which during its seventeen year gestation Joyce gave the name Work in Progress. In the late 1920s Joyce published three sections of Work in Progress: Tales Told of Shem and Shaun is the second. Reviews concentrated on the Joyce's verbal brilliance while noting its limited appeal. To H.G.Wells Work in Progress was "an extraordinary experiment" but also "a dead end". Joyce was undeterred. In 1937 two years before the publication of Finnegans Wake Joyce said of "the few fragments which I have published" that they "have been enough to convince many critics that I have finally lost my mind.And perhaps it is madness to grind up words in order to extract their substance or to graft them one onto another to create crossbreeds and unknown variants to open up unsuspected possibilities for these words to marry sounds which were not usually joined together before although they were meant for one another to allow water to speak like water birds to chirp in the words of birds to liberate all sounds of rustling breaking arguing shouting cracking whistling creaking gurgling - from their servile contemptible role and to attach them to the feelers of expressions which grope for definitions of the undefined". Paris: The Black Sun Press 1929 hardcover
1929réf. 031079Paris: Black Sun Press 1929. Book. Illus. by Brancusi Constantin. Fine. Original Wraps. 1st Edition. 8vo - over 7¾ - 9¾" tall. Original white wraps printed in red and black. New glassine. Housed in original slipcase with On laid gilt. Edition limited to 500 numbered copies. This is #233. Frontis by Brancusi. 53 pp. A fine copy of a now scarce item. Black Sun Press Paperback
1929réf. TT_1929_494Tales Told of Shem and Shaun by James Joyce. Black Sun Press Paris: 1929. Copy No. 494 of 500 numbered copies. A fine volume in a Very Good original slipcase. Printed in letterpress in red and black on cream-white Holland Van Gelder Zonen laid paper. Text hand-set in the Caslon typeface. Foolscap quarto 21 x 16.5 cm. top edge trimmed. White paper covers with folding top and side flaps. Presented in the original gold foil-covered slipcase alternate slipcases incorporating green and red suede paper were also used. With a Preface by C.K. Ogden and a portrait of the author by Constantin Brâncuși printed in photogravure with tissue overlay. A Fine clean and tight volume in a later protective wrapper housed in a very good original gold foil-covered slipcase. Minor discoloration to extreme head and tail of cover as shown in photos. Slipcase base is slightly unhinged at fore-edge; top edge shows a 2cm cello tape repair as shown in photos. Tales Told of Shem and Shaun was the second finepress book to be published containing fragments of Joyce's 'Work in Progress' toward 'Finnegans Wake'. The Black Sun Press edition contains three fables entitled "The Mookse and the Gripes" "The Muddest Thick That Was Ever Heard Dump" and "The Ondt and the Gracehoper" which would appear in revised form ten years later in three distinct 'books' of 'Finnegans Wake'. This first edition was issued in three limitations: 100 copies on Japanese Vellum signed by the author; 500 copies on Holland Van Gelder Zonen and 50 copies Hors Commerce. Slocum and Cahoon A36. Pagination: pp. 1–2 blank; p. 3 copyright; p. 4 blank; pp. 5–6 blank; p. 7 half-title; p. 8 blank; p. 9 title-page; p. 10 blank; p. 11 Contents; pp. 12–13 blank; p. 14 portrait with tissue guard; pp. I–XV Preface; p. 16 blank; pp. 1–16 text of THE MOOKSE AND THE GRIPES; pp. 17–43 text of THE MUDDEST THICK THAT WAS EVER HEARD DUMP; p. 44 blank; pp. 45–55 text of THE ONDT AND THE GRACEHOPER; p. 56 blank; p. 57 colophon number of copy stamped; pp. 58–64 blank pp. 61–64 folded under rear wrapper. Harry and Caresse Crosby's Black Sun Press was an exemplary Parisian fine press publishing house which brought together a community of diverse artists to produce deluxe editions capturing the modernist scene in the late twenties and thirties. Originally founded as Éditions Narcisse and a vehicle to print their own works by mid-1928 The Black Sun Press had become a vital channel between artists and writers and a select group of readers and collectors who appreciated finely bound hand-set books. Working in Rue Cardinale with Master Printer Roger Lescaret the press issued limited editions of the first unexpurgated editions of D.H. Lawrence's 'Sun' and 'The Escaped Cock' Kay Boyle's 'Short Stories' Archibald MacLeish's 'Einstein' Eugene Jolas's 'Secession in Astropolis' a volume of 'Les Liaisons Dangereuses' and Hart Crane's 'The Bridge' among other works. After Harry Crosby's death in 1929 Caresse continued the work of Black Sun Press issuing editions of Joyce's 'Collected Poems' 1936 and works by Proust Faulkner Hemingway Crevel Eluard and Ernst Bukowski and Olson. The Black Sun Press paperback
1929réf. 2064Paris: Black Sun Press 1929. First edition. xvi 64 pp. Original printed wrappers in publisher's slipcase. One of 500 copies on Holland Van Gelder Zonen paper of a total edition of 650 copies. Frontispiece portrait of Joyce by Brancusi. A fine copy with supplied later acetate wrapper in the original slipcase which is rubbed with tape repair at the corners splitting at the top edge and lacking a three-inch piece of the lower edge. Brancusi's frontispiece portrait commissioned by the publishers Harry and Caresse Crosby was a "Symbol of Joyce" intended to convey the sense of "enigmatic involution." When the sketch was shown to Joyce's father in Dublin he remarked gravely "The boy seems to have changed a good deal." Ellmann p. 614. Slocum & Cahoon A36. Minkoff Black Sun A-21. Black Sun Press unknown
