IONESCO, EugeneBiblio.com
501 resultados
1987ref. 21217151987. Paris: Editions Gallimard.1987. 8vo. White card wrappers with red lettering and wraparound red banner entitled 'Un Clin D'Oeil Aux Hommes Un Regard Vers Dieu'; pp. x 169 9; minimal discolouration to top and bottom edge and minor stain to front cover and to spine; otherwise near fine. First French edition. Presentation copy from the author with an inscription to the title-page addressed to a Swedish novelist snd critic: ""Pour Ingmar Bjorksten- Eugene Ionesco. 3 Mai 1988- StockholmEugene Ionesco wrote his first play The Bald Soprano or La Cantatrice Chauve in 1950 and subsequently ushered in theatrical revolution through bold use of surrealistic techniques on an unsuspecting audience. It is considered a crucial milestone in the movement The Theatre of the Absurd. In 1970 Ionesco was inaugurated in the Academie Francaise securing a position amoungst some of the most revered dramatists of the 20th century.The blurb of La quete intermittente reveals that the story of the novel concerns an artist's existentialism; ""These new diary pages follow the Journal en miettes published twenty years ago. Today the author feels old often ill. The approach of death terrifies him. He is torn by doubt: why this rage for writing Why this universal glory Why this world"". unknown
ref. 14578EVA Porte folio sous coffret cartonné de l’éditeur, 420x305mm, couverture illustrée en couleurs. Préface de Luc SENANQUE, 8 pages, avec illustrations photos en couleurs. Suivie de 12 grandes reproductions photographiques en couleurs, sous chemise, avec signature en fac-similé, de l’artiste en marge inférieure droite. 400x290mm avec marges. Complet. Marseille AGEP 1981. Très bon état. Photos érotiques d’Eva IONESCO, la fille de la photographe Irina IONESCO.
ref. 07-0132St. Gallen Switzerland: Erker Galerie 1974. Original lithograph by Hans Hartung 1904-1989 with two pages of text by Eugène Ionesco on both sides of one sheet in his own lithographically reproduced handwriting. 39 x 57 cm. One of 200 copies signed and numbered by Hartung on BFK Rives. From Erker-Treffen 2. St. Gallen, Switzerland: Erker Galerie, 1974. unknown
ref. 173420Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 405 X 285 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Très belle photographie originale en parfait état reproduite dans l'ouvrage: Irina IONESCO "Cent onze photographies érotiques" Borderies, 1980. Page 95.
ref. 447680Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 405 X 285 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Très belle photographie originale en parfait état reproduite dans l'ouvrage: Irina IONESCO "Cent onze photographies érotiques" Borderies, 1980. Page 84.
ref. 91474Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 400 X 305 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Très belle photographie originale en parfait état reproduite dans l'ouvrage: Irina IONESCO "Cent onze photographies érotiques" Borderies, 1980. Page 98.
ref. 301285Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 395 X 295 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Sous encadrement: baguettes de bois noir, marie-louise et vitre. Très bel état.
1971ref. 396783East Hampton New York 1971. Unbound. Very Good. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning pins holes at the corners and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton New York which was co-owned by photographer Ken Robbins who used the upstairs as his first darkroom. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. unknown
1971ref. 396783East Hampton New York 1971. Unbound. Very Good. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning pins holes at the corners and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton New York which was co-owned by photographer Ken Robbins who used the upstairs as his first darkroom. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. unknown books
ref. 07-0126St. Gallen Switzerland: Erker Galerie 1972. Original lithograph by Asger Jorn 1914-1973 with facing text by Eugène Ionesco in his own lithographically reproduced handwriting. 39 x 57 cm. One of 200 copies signed and numbered by Jorn in pencil on BFK Rives. From Erker-Treffen 1. St. Gallen, Switzerland: Erker Galerie, 1972. unknown
1963ref. 54193Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.50 x 18 cm broché New edition first in part one advance service de presse copy. Handsome autograph inscription from Eugène Ionesco to Tsilla Chelton and Jacques Mauclair : "". Pour Tsilla pour Jacques affectueusement et avec ma sympathie profonde."" Spine slightly sunned. Gallimard unknown
1996ref. 101216Ptyx Tokyo 1996. Limited Edition. Hardcover. Fine Condition. Fine 1996 Limited Edition #116/120 Ptyx set with bonus 4 colour postcards of Irina Ionesco. Text in French and Japanese with some English text to copyright Limitation sheet. Four-point clothbound folio containing 36 loose high-quality duotone reproductions plus six archival sheets with title page text biography and exhibition history in original presentation card box. More Ionesco available. Text is in French Japanese. Quantity Available: 1. Shipped Weight: Under 3kg. Category: Photography; French Japanese Language; 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 101216. Ptyx hardcover
1984ref. 21061Editions Pink-Star / Le Club du Livre Secret 1984. In-4 cartonnage éditeur non paginé au format 24 x 31,8 cm sous jaquette illustrée. Préfaces de Michael Lonsdale et Pierre Bourgeade. Recueil de 69 photographies d'Irina Ionesco. Rare tirage en version " cartonnée ", dite de luxe. On ne trouve en général que le tirage broché. Impression sur couché. Etat superbe de fraicheur. Edition originale. Rare et précieux exemplaire accompagné d'une photographie originale en tirage argentique, signée par l'artiste ( format 22 x 29,5 cm ). Cette dernière reprend la couverture de l'ouvrage.
2000ref. 145132000 P., Chez Higgins, s.d. (ca 2000), 1 portfolio 202 x 155 mm sous chemise de velours noir, photographie en noir et blanc contrecollées au plat supérieur et étui cartonné recouvert de papier noir, de (2) ff. (présentation du contexte de la prise de vue des clichés de lartiste) 15 photographies en n/b (188 x 125 mm chacune), toutes protégées par des serpentes en papier cristal à effet « toile daraignée ».Parfait exemplaire.
1966ref. 48119Paris: Pierre Belfond 1966. Fine. Pierre Belfond Paris 1966 11 x 18 cm broché First edition of which no copies on deluxe paper were issued.Spine slightly faded as usual. Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: ""Pour Raymond Queneau le Satrape avec mon admiration affectueuse et que tant je voudrais revoir plus que de temps à autre. Eugène Ionesco."" Pierre Belfond unknown
1953ref. 237361953 Paris, Berggruen, Mourlot, brochés in-8 allongés, 1953-1990, couvertures illustrées, certaines lithographiées, tirages limités.
1959ref. 61619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. unknown
1958ref. 50917Paris: Gallimard 1958. Fine. Gallimard Paris 1958 12 x 19 cm relié First edition an advance service de presse copy. Elegant half maroon calf over geometric marbled paper boards by Goy & Vilaine date title author and work in anthracite palladium to spine maroon paper endpapers and pastedowns covers and spine slightly faded preserved. Handsome autograph inscription from Eugène Ionesco to Marcel Aymé. A very good copy nicely bound. Gallimard hardcover
ref. 4361Photographie originale, tirage argentique. 1996. Sous cadre. Dim: 205 x 300 mm. Tirées à 20 exemplaires ( 15 tirages + 5 tirages en Épreuve d'artiste - EA).
ref. 4361Photographie originale, tirage argentique. 1996. Sous cadre. Dim: 205 x 300 mm. Tirées à 20 exemplaires ( 15 tirages + 5 tirages en Épreuve d'artiste - EA).
ref. 107744Paris: Gallimard 1975. INSCRIBED COPY WITH TWO TYPED LETTERS SIGNED First edition thus first impression. Out-of-series copy from an edition of 55 inscribed by the author "A H. Gene Blocker avec toute ma sympathie Eugène Ionesco" on the half-title. With two typed letters signed from Ionesco to Blocker who was professor of philosopher at Ohio University; the letters discuss the possibility of a lecture series in the United States. In the first letter dated 18 December 1975 Ionesco politely declines Blocker's invitation: "Unfortunately my command of English doesn't allow me to do a lecture in English. I just read some easy texts and I understand a little English language but I don't speak English at all. So I think that my visit to the States wouldn't be of any interest". The second letter dated 29 December reveals a volte-face. Ionesco having since received a letter dated 12 December and now writing in French thanks Block for his invitation which he is professedly keen to use in order to lecture on the Theatre of the Absurd and issues of intellectual freedom in Europe. He also encloses the present copy. This is the first edition of L'homme aux valises; A Hell of a Mess was the American title of Ce formidable bordel first published in 1973. Octavo. Original cream light card wrappers printed in red and black. Two laid-in foolscap typed letters 300 x 210 mm the first dated on copy paper the second on wove paper. Spine creased as usual a few faint markings to front panel and light crease to upper outer corner of rear. A very good copy. Letters neatly creased where folded the first with a few discreet uses of corrective fluid the second very slightly nicked at upper left corner and negligibly marked with very faint spotting along inner edge recto and verso: very good condition overall. unknown
1959ref. 88000Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition on ordinary paper bearing the correct imprint dated 6 May 1959 with the false statement of second edition. Spine very slightly sunned. Signed and inscribed by Eugène Ionesco to the stage director playwright and writer Simone Benmussa on the half-title. Simone Benmussa was literary advisor to the ""Jean-Louis Barrault- Madeleine Renaud Theater Company"" then in 1957 editor-in-chief of the Cahiers Renaud-Barrault. She also directed from the Odéon theatre the cultural department and the Cahiers of the Renaud-Barrault Company. She adapted for the stage the plays written by her friends Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Our copy is housed under a burgundy half-morocco folder smooth spine with date at foot wood-patterned paper boards slipcase edged with burgundy morocco wood-patterned paper panels probably made by Thomas Boichot. Gallimard hardcover
ref. 07-0163St. Gallen Switzerland: Erker Galerie 1974. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Martin Heidegger Peter Huchel Eugène Ionesco Friedrich Georg Jünger Halldór Laxness Alexander and Margarete Mitscherlich and Wieland Schmied with 8 original lithographs by Anna-Eva Bergman Piero Dorazio Hans Hartung Wifredo Lam George Rickey Giuseppe Santomaso Antoni Tàpies and Fritz Wotruba each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1974. unknown
ref. 07-0164St. Gallen Switzerland: Erker Galerie 1979. Portfolio of 9 texts lithographically reproduced in the authors' own handwriting by Max Bill Jean Cassou Max Frisch Peter Huchel Eugène Ionesco Halldór Laxness Michel Leiris Alexander Mitscherlich Karl Prantl with 9 original lithographs by Max Bill Piero Dorazio Bernhard Heiliger Wifredo Lam Otto Piene Karl Prantl Giuseppe Santomaso Antoni Tàpies and Günther Uecker each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1979. unknown
ref. 07-0162St. Gallen Switzerland: Erker Galerie 1972. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Jean Cassou Max Frisch Martin Heidegger Peter Huchel Eugène Ionesco Friedrich Georg Jünger Halldór Laxness and Ezra Pound with 8 original lithographs by Max Bill Piero Dorazio Bernhard Heiliger Asger Jorn Giuseppe Santomaso Toni Stadler Mark Tobey and Fritz Wotruba each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1972. unknown
