Ionesco, EugeneABAA
662 resultados
1987ref. 259022New York: Limited Editions Club 1987. Number 168 of 1000 copies signed by Ionesco. Four color lithographs by Ionesco. xiv 127 3 pp. 1 vols. 4to. White paper wrappers. Fine in fine slipcase of white paper and red leather. Ionesco Eugene. Number 168 of 1000 copies signed by Ionesco. Four color lithographs by Ionesco. xiv 127 3 pp. 1 vols. 4to. Introduced by a conversation with Verena Heyden-Rynsch in which Ionesco describes this work as an autobiographical dream. Limited Editions Club unknown books
1983ref. 515131London: John Calder 1983. Softcover. Near Fine. Reprint. Translated from the French by Richard Seaver. Small octavo. Glossy pictorial wrappers. Slightly sunned spine else near fine. Signed twice by the author once on the half-title and again on the title page. The playwright's only novel about an unnamed clerk who receives a large inheritance which allows him to quit his job and meditate on the human condition. John Calder unknown books
1987ref. 000800New York: The Limited Editions Club 1987. First Thus 1st Printing. Soft cover. As New/Publishers Slipcase. Folio - over 12 - 15" tall. This edition consists of one thousand copied of which this is #539. The four wonderful surreal lithographs were drawn by the author Ionesco and were printed on Fabriano 'Unbria' by Erker Presse Franz larese and Jurg Janett in St. Gallen Switzerland. The paper was made at Cartiere Enrico Magnani in Pescia Italy. The book is unread and unmarked and except to photograph it's contents unopened. The Book is bound in fine creme parchment as is the printed jacket. The velvet lined slip case is bound in the same parchment except for the top and bottom edge which is fine red Morocco leather. The book starts with a conversation between Eugene Ionesco and Verena Heyden-Rumsch in paris in 1987 which has been translated by Barbara Wright. Ionesco has been quoted as saying about this and other plays and writings " My sole concern is the constant attempt to split apart the veil of appearances." In this play which is a journey to the extremities of death has the veil of appearances not been completely split have we not arrived on the other side- the side of truth asks Heyden-Rumsch." No we are caught up in that split." states Ionesco. A wonderful and fascinating look at a modern almost abstract master of modern literature. A Rare and collectible copy signed by Ionesco. The Limited Editions Club paperback
1966ref. 75800Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition one of 50 numbered copies on pure laid paper the only deluxe copies. Handsome copy. Gallimard unknown
1966ref. 69497Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition one of 50 numbered copies on pur fil the only deluxe copies. A fine copy. Gallimard unknown
1966ref. 66937Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition Le roi se meurt had appeared three years earlier one of 50 numbered copies on pur fil paper the only deluxe copies. Fine copy. Gallimard unknown
1966ref. 54180Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché New edition but first for many parts Le roi se meurt was published 3 years earlier one of 50 numbered copies on pur fil paper the only large paper copies. A very good copy. Gallimard unknown
1977ref. 88043Gallimard | Paris 1977 | 14 x 21 cm | broché
1973ref. 88042Gallimard | Paris 1973 | 11 x 16.50 cm | broché
1960ref. 380044New York: Grove Press 1960. Hardcover. Near Fine/Very Good. First American edition hardcover trade issue. Translated from the French by Donald Watson. Corners a little bumped else near fine in lightly chipped very good dustwrapper. Handwritten note on front fly: "Grove Press File Copy". Scarce. Grove Press hardcover
1960ref. 380044New York: Grove Press 1960. Hardcover. Near Fine/Very Good. First American edition hardcover trade issue. Translated from the French by Donald Watson. Corners a little bumped else near fine in lightly chipped very good dustwrapper. Handwritten note on front fly: "Grove Press File Copy". Scarce. Grove Press hardcover books
1988ref. 1163Tokyo 1988. Very Good/very good. Dust jacket with obi. Oblong 4to. All illus. mostly in color. Controversial - known for photos of his daughter at age 13. One of his better books. unknown
1988ref. 1163Tokyo 1988. Very Good/very good. Dust jacket with obi. Oblong 4to. All illus. mostly in color. Controversial - known for photos of his daughter at age 13. One of his better books. unknown books
1991ref. 17754First edition first print Very Fine as new in DJ Contrejour hardcover
1976ref. 2956Bruxelles: Cosmos 1976. Good condition illustrated 462 pp Cosmos unknown
1967ref. 66850Mercure de France | Paris 1967 | 14.50 x 21.50 cm | broché
1962ref. 38707Gallimard | Paris 1962 | 15 x 21.50 cm | broché
1962ref. 86344Gallimard | Paris 1962 | 15 x 21.50 cm | broché
1968ref. 70024Mercure de France | Paris 1968 | 14.50 x 21.50 cm | broché
1968ref. 54181Mercure de France | Paris 1968 | 14.50 x 22.50 cm | broché
1968ref. 66849Mercure de France | Paris 1968 | 14.50 x 22.50 cm | broché
1982ref. 29477Paris Gallimard 1982 In-12, broch, couverture imprime.Edition originale. Un des 24 exemplaires numrots sur vlin d'Arches, seul tirage sur grand papier.
1964ref. 35900Paris Les Impnitents 1964 In-4, en feuilles, couverture imprime (embotage de l'diteur).Un frontispice grav au burin par Abram Krol, 16 burins et 2 bois originaux d'Yves Jobert. Tirage limit 150 exemplaires numrots sur vlin de Rives. Un des 70 exemplaires. Exemplaire enrichi dune carte de vSux illustre d'une estampe originale justifie et signe par Yves Jobert.
1977ref. 55181977 seghers 1977 In4 reliure éditeur couverture rempliée titre en noir sur argent non paginé photographie à toutes pages
1977ref. 88043Paris: Gallimard 1977. Fine. Gallimard Paris 1977 14 x 21 cm broché First edition a Service de Presse advance copy. Handsome copy complete with its illustrated dust jacket. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa whom he erroneously called Suzanne and her companion the actress Erika Kralik: ""Pour Suzanne Ben-Mussa et Erika avec toute ma tendresse. Eugène Ionesco."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
