624 risultati
1979rif. 74115Paris Gallimard 1979 1 vol. broché in-8, broché, non coupé, 216 pp. Première édition collective. Un des 25 exemplaires numérotés sur vélin d'Arches, seul tirage en grand papier. En parfait état.
1979rif. 74115Paris Gallimard 1979 1 vol. broché in-8, broché, non coupé, 216 pp. Première édition collective. Un des 25 exemplaires numérotés sur vélin d'Arches, seul tirage en grand papier. En parfait état.
1975rif. 48434Paris: Gallimard 1975. Fine. Gallimard Paris 1975 15 x 22 cm broché First edition for ""L'homme aux valises"" one of 20 numbered copies on Hollande tirage de tête. A very attractive copy. Gallimard unknown
1987rif. 62118Paris: Gallimard 1987. Fine. Gallimard Paris 1987 14.50 x 21.50 cm broché First edition one of 30 numbered copies on pure rag vellum the only deluxe copies. Handsome copy. Gallimard hardcover
1963rif. 89591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
1968rif. 86328Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 21.50 cm broché First edition one of 60 numbered copies on pur fil paper the only deluxe copies. Very handsome copy. Autograph inscription signed by Eugène Ionesco to Henri Saret. Mercure de France unknown
1979rif. 62117Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only deluxe copies. Handsome copy. Gallimard unknown
1979rif. 48181Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only large paper copies. Spine and lower cover slightly and marginally sunned not serious a very good copy. Gallimard unknown
1971rif. 66938Gallimard | Paris 1971 | 12.50 x 19.50 cm | broché
1974rif. bj1442Chêne Planches sous chemise 1974 In-folio (32 x 42 cm), planches sous chemise cartonnée, médaillon au premier plat, bien complet des XXV planches ; quelques petites rousseurs sur la première feuille (faux-titre), coiffe supérieure de la chemise un peu frotté, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1962rif. 74114Paris Gallimard, coll. "Pratique du théâtre" 1962 1 vol. broché in-8, broché, non coupé, IX + 248 pp., 20 photos hors-texte. Édition originale. Un des 31 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
1962rif. 74114Paris Gallimard, coll. "Pratique du théâtre" 1962 1 vol. broché in-8, broché, non coupé, IX + 248 pp., 20 photos hors-texte. Édition originale. Un des 31 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
1965rif. 67932Paris, 1965, in-8, 101 pp/, broché, couverture imprimée, Rare. Tiré à part (extrait de la N.R.F, numéros 146-147-148), enrichi d'un envoi de Ionesco à Claude Bonnefoy, critique littéraire. Couverture légèrement insolé, ratures dans les dernières pages (par Ionesco ), léger incident au dos. Bel exemplaire, intérieur frais. Couverture rigide
1974rif. 2648PARIS. CHENE. 1974. IN-FOLIO EN FEUILLES (32,5 X 42 X 2 CENTIMETRES ENVIRON) DE 6 PAGES ET 25 PLANCHES DE PHOTOGRAPHIES EROTIQUES, SOUS PORTEFEUILLE DE L’EDITEUR PERCALINE HAVANE FONCE, AVEC FERMETURE A LACETS, PLAT SUPERIEUR ILLUSTRE D’UNE GRANDE VIGNETTE OVALE, TITRE EN NOIR. EDITION ORIGINALE. INFIMES TRACES D’USURE SANS AUCUNE GRAVITE SUR LE PORTEFEUILLE, SINON BEL EXEMPLAIRE.
1957rif. 45092Dossiers du Collège de 'Pataphysique, n° 1-2 à 28 1957 18 vol. broché 22 numéros en 18 vol. in-8, brochés. Collection bien avancée des Dossiers (17 novembre 1957 - 8 juin 1965) comprenant les n° suivants : 1-2, 3, 4, 5, 6, 7, 8, 9, 10-11, 13, 14, 15, 16, 21, 22-24, 26, 27, 28. Manquent les n° 12, 17, 18-19, 20 et 25 pour que la série soit complète. Textes de Ionesco, François Le Lionnais, Leiris, Torma, etc. Petit manque à la coiffe inférieure du premier numéro, sinon bon exemplaire de cette série.
1957rif. 45092Dossiers du Collège de 'Pataphysique, n° 1-2 à 28 1957 18 vol. broché 22 numéros en 18 vol. in-8, brochés. Collection bien avancée des Dossiers (17 novembre 1957 - 8 juin 1965) comprenant les n° suivants : 1-2, 3, 4, 5, 6, 7, 8, 9, 10-11, 13, 14, 15, 16, 21, 22-24, 26, 27, 28. Manquent les n° 12, 17, 18-19, 20 et 25 pour que la série soit complète. Textes de Ionesco, François Le Lionnais, Leiris, Torma, etc. Petit manque à la coiffe inférieure du premier numéro, sinon bon exemplaire de cette série.
1963rif. 20922ed. Gallimard 1963 in-12 br., coll. «Le manteau d’Arlequin», edition originale, ex. numerote sur velin pur fil Lafuma-Navarre (2e papier), non coupe
1971rif. 66938Paris: Gallimard 1971. Fine. Gallimard Paris 1971 12.50 x 19.50 cm broché First edition one of 16 numbered copies on Hollande the deluxe issue. A fine copy. Gallimard unknown
1959rif. 1108Paris: Gallimard 1959. Presentation copy inscribed by Ionesco to Madame Armand Carlier. In publisher’s printed wrappers. With bookplate on half title. In fine condition. Presentation copy inscribed by Ionesco to Madame Armand Carlier. In publisher’s printed wrappers. 256 8 p. Inscribed copy of Ionesco’s absurd dramas. Beside other pieces it contains “L'Impromptu de l’Alma” “Tueur sans gages” The Killer the first of Ionesco's Berenger play “Le nouveau locataire” The New Tenant. . Gallimard unknown
1987rif. 21217151987. Paris: Editions Gallimard.1987. 8vo. White card wrappers with red lettering and wraparound red banner entitled 'Un Clin D'Oeil Aux Hommes Un Regard Vers Dieu'; pp. x 169 9; minimal discolouration to top and bottom edge and minor stain to front cover and to spine; otherwise near fine. First French edition. Presentation copy from the author with an inscription to the title-page addressed to a Swedish novelist snd critic: ""Pour Ingmar Bjorksten- Eugene Ionesco. 3 Mai 1988- StockholmEugene Ionesco wrote his first play The Bald Soprano or La Cantatrice Chauve in 1950 and subsequently ushered in theatrical revolution through bold use of surrealistic techniques on an unsuspecting audience. It is considered a crucial milestone in the movement The Theatre of the Absurd. In 1970 Ionesco was inaugurated in the Academie Francaise securing a position amoungst some of the most revered dramatists of the 20th century.The blurb of La quete intermittente reveals that the story of the novel concerns an artist's existentialism; ""These new diary pages follow the Journal en miettes published twenty years ago. Today the author feels old often ill. The approach of death terrifies him. He is torn by doubt: why this rage for writing Why this universal glory Why this world"". unknown
1959rif. 83960Couverture souple imprimée. Non coupé.
1973rif. 84772Sous étui et chemise en demi-chagrin noir signé Devauchelle. Couverture blanche rempliée. Non coupé.
1963rif. 54193Gallimard | Paris 1963 | 11.50 x 18 cm | broché
1971rif. 396783East Hampton New York 1971. Unbound. Very Good. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning pins holes at the corners and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton New York which was co-owned by photographer Ken Robbins who used the upstairs as his first darkroom. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. unknown
1971rif. 396783East Hampton New York 1971. Unbound. Very Good. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning pins holes at the corners and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton New York which was co-owned by photographer Ken Robbins who used the upstairs as his first darkroom. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. unknown books
