IONESCO IRINA. (NEE EN 1930).Livre Rare Book
664 résultats
1974réf. 2648PARIS. CHENE. 1974. IN-FOLIO EN FEUILLES (32,5 X 42 X 2 CENTIMETRES ENVIRON) DE 6 PAGES ET 25 PLANCHES DE PHOTOGRAPHIES EROTIQUES, SOUS PORTEFEUILLE DE L’EDITEUR PERCALINE HAVANE FONCE, AVEC FERMETURE A LACETS, PLAT SUPERIEUR ILLUSTRE D’UNE GRANDE VIGNETTE OVALE, TITRE EN NOIR. EDITION ORIGINALE. INFIMES TRACES D’USURE SANS AUCUNE GRAVITE SUR LE PORTEFEUILLE, SINON BEL EXEMPLAIRE.
1957réf. 45092Dossiers du Collège de 'Pataphysique, n° 1-2 à 28 1957 18 vol. broché 22 numéros en 18 vol. in-8, brochés. Collection bien avancée des Dossiers (17 novembre 1957 - 8 juin 1965) comprenant les n° suivants : 1-2, 3, 4, 5, 6, 7, 8, 9, 10-11, 13, 14, 15, 16, 21, 22-24, 26, 27, 28. Manquent les n° 12, 17, 18-19, 20 et 25 pour que la série soit complète. Textes de Ionesco, François Le Lionnais, Leiris, Torma, etc. Petit manque à la coiffe inférieure du premier numéro, sinon bon exemplaire de cette série.
1957réf. 45092Dossiers du Collège de 'Pataphysique, n° 1-2 à 28 1957 18 vol. broché 22 numéros en 18 vol. in-8, brochés. Collection bien avancée des Dossiers (17 novembre 1957 - 8 juin 1965) comprenant les n° suivants : 1-2, 3, 4, 5, 6, 7, 8, 9, 10-11, 13, 14, 15, 16, 21, 22-24, 26, 27, 28. Manquent les n° 12, 17, 18-19, 20 et 25 pour que la série soit complète. Textes de Ionesco, François Le Lionnais, Leiris, Torma, etc. Petit manque à la coiffe inférieure du premier numéro, sinon bon exemplaire de cette série.
1963réf. 20922ed. Gallimard 1963 in-12 br., coll. «Le manteau d’Arlequin», edition originale, ex. numerote sur velin pur fil Lafuma-Navarre (2e papier), non coupe
1971réf. 66938Paris: Gallimard 1971. Fine. Gallimard Paris 1971 12.50 x 19.50 cm broché First edition one of 16 numbered copies on Hollande the deluxe issue. A fine copy. Gallimard unknown
1959réf. 1108Paris: Gallimard 1959. Presentation copy inscribed by Ionesco to Madame Armand Carlier. In publisher’s printed wrappers. With bookplate on half title. In fine condition. Presentation copy inscribed by Ionesco to Madame Armand Carlier. In publisher’s printed wrappers. 256 8 p. Inscribed copy of Ionesco’s absurd dramas. Beside other pieces it contains “L'Impromptu de l’Alma” “Tueur sans gages” The Killer the first of Ionesco's Berenger play “Le nouveau locataire” The New Tenant. . Gallimard unknown
1987réf. 21217151987. Paris: Editions Gallimard.1987. 8vo. White card wrappers with red lettering and wraparound red banner entitled 'Un Clin D'Oeil Aux Hommes Un Regard Vers Dieu'; pp. x 169 9; minimal discolouration to top and bottom edge and minor stain to front cover and to spine; otherwise near fine. First French edition. Presentation copy from the author with an inscription to the title-page addressed to a Swedish novelist snd critic: ""Pour Ingmar Bjorksten- Eugene Ionesco. 3 Mai 1988- StockholmEugene Ionesco wrote his first play The Bald Soprano or La Cantatrice Chauve in 1950 and subsequently ushered in theatrical revolution through bold use of surrealistic techniques on an unsuspecting audience. It is considered a crucial milestone in the movement The Theatre of the Absurd. In 1970 Ionesco was inaugurated in the Academie Francaise securing a position amoungst some of the most revered dramatists of the 20th century.The blurb of La quete intermittente reveals that the story of the novel concerns an artist's existentialism; ""These new diary pages follow the Journal en miettes published twenty years ago. Today the author feels old often ill. The approach of death terrifies him. He is torn by doubt: why this rage for writing Why this universal glory Why this world"". unknown
1959réf. 83960Couverture souple imprimée. Non coupé.
1973réf. 84772Sous étui et chemise en demi-chagrin noir signé Devauchelle. Couverture blanche rempliée. Non coupé.
1974réf. 74507Paris: Editions du Chene 1974. First edition. Inscribed and with original signed print. Folio. Printed title and plate list and 25 loose vivid duotone Ionesco images. All housed in the original brown moire silk portfolio with flaps and ties and another Ioneco image laid down to the front. Excellent copy.This copy was inscribed by Irina Ionesco to a friend "Tonny" on the top margin of the title page. He/she must have been a good friend as there is an additional plate laid in and it is an actual silver gelatin Ionesco photograph same dimensions as the plates in the book. This original photograph is inscribed to the same person in colloquial French and bears a pencil number of 107. Editions du Chene unknown
1974réf. 222660Parigi: Chene 1974. Fogli sciolti in cartelletta loose as issued in original portfolio. Molto buono Very Good. 25 photographies de Irina Ionesco et texte d'introduction d'André Pieyres de Mandiargues. Folio cm 42x32. pp. 8 tavole. Molto buono Very Good. Prima edizione First Edition. Chene, unknown
1959réf. JJ18821Paris: Gallimard 1959. First Edition. Paperback. Fair. Rare inscribed and signed copy of Ionesco's most famous work. Original wrappers worn; spine stained and repaired. Images upon request. Gallimard paperback
1963réf. 54193Gallimard | Paris 1963 | 11.50 x 18 cm | broché
1971réf. 396783East Hampton New York 1971. Unbound. Very Good. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning pins holes at the corners and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton New York which was co-owned by photographer Ken Robbins who used the upstairs as his first darkroom. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. unknown
1971réf. 396783East Hampton New York 1971. Unbound. Very Good. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning pins holes at the corners and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton New York which was co-owned by photographer Ken Robbins who used the upstairs as his first darkroom. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. unknown books
1963réf. 54193Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.50 x 18 cm broché New edition first in part one advance service de presse copy. Handsome autograph inscription from Eugène Ionesco to Tsilla Chelton and Jacques Mauclair : "". Pour Tsilla pour Jacques affectueusement et avec ma sympathie profonde."" Spine slightly sunned. Gallimard unknown
1996réf. 101216Ptyx Tokyo 1996. Limited Edition. Hardcover. Fine Condition. Fine 1996 Limited Edition #116/120 Ptyx set with bonus 4 colour postcards of Irina Ionesco. Text in French and Japanese with some English text to copyright Limitation sheet. Four-point clothbound folio containing 36 loose high-quality duotone reproductions plus six archival sheets with title page text biography and exhibition history in original presentation card box. More Ionesco available. Text is in French Japanese. Quantity Available: 1. Shipped Weight: Under 3kg. Category: Photography; French Japanese Language; 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 101216. Ptyx hardcover
1984réf. 21061Editions Pink-Star / Le Club du Livre Secret 1984. In-4 cartonnage éditeur non paginé au format 24 x 31,8 cm sous jaquette illustrée. Préfaces de Michael Lonsdale et Pierre Bourgeade. Recueil de 69 photographies d'Irina Ionesco. Rare tirage en version " cartonnée ", dite de luxe. On ne trouve en général que le tirage broché. Impression sur couché. Etat superbe de fraicheur. Edition originale. Rare et précieux exemplaire accompagné d'une photographie originale en tirage argentique, signée par l'artiste ( format 22 x 29,5 cm ). Cette dernière reprend la couverture de l'ouvrage.
1966réf. 48119Pierre Belfond | Paris 1966 | 11 x 18 cm | broché
2000réf. 145132000 P., Chez Higgins, s.d. (ca 2000), 1 portfolio 202 x 155 mm sous chemise de velours noir, photographie en noir et blanc contrecollées au plat supérieur et étui cartonné recouvert de papier noir, de (2) ff. (présentation du contexte de la prise de vue des clichés de lartiste) 15 photographies en n/b (188 x 125 mm chacune), toutes protégées par des serpentes en papier cristal à effet « toile daraignée ».Parfait exemplaire.
1966réf. 48119Paris: Pierre Belfond 1966. Fine. Pierre Belfond Paris 1966 11 x 18 cm broché First edition of which no copies on deluxe paper were issued.Spine slightly faded as usual. Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: ""Pour Raymond Queneau le Satrape avec mon admiration affectueuse et que tant je voudrais revoir plus que de temps à autre. Eugène Ionesco."" Pierre Belfond unknown
1963réf. 80543Couverture souple imprimée. Non coupé.
1958réf. 50917Gallimard | Paris 1958 | 12 x 19 cm | relié
1953réf. 237361953 Paris, Berggruen, Mourlot, brochés in-8 allongés, 1953-1990, couvertures illustrées, certaines lithographiées, tirages limités.
1959réf. 61619Paris, Galliard, 1959. 8vo. Uncut in the original wrappers. Minor wear, with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved, clean and bright.
