563 résultats
1966réf. 54180Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché New edition but first for many parts Le roi se meurt was published 3 years earlier one of 50 numbered copies on pur fil paper the only large paper copies. A very good copy. Gallimard unknown
1963réf. 54193Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.50 x 18 cm broché New edition first in part one advance service de presse copy. Handsome autograph inscription from Eugène Ionesco to Tsilla Chelton and Jacques Mauclair : "". Pour Tsilla pour Jacques affectueusement et avec ma sympathie profonde."" Spine slightly sunned. Gallimard unknown
1967réf. 50141La Nouvelle Revue Française 1967. Fine. La Nouvelle Revue Française 1er Octobre 1967 14.50 x 24.50 cm broché First edition one of the few numbered copies on pure thread paper the only deluxe copies. Other contributions by Maurice Blanchot Philippe Jaccottet Jacques Reda Georges Poulet. A small crease mark at the head of the first cover handsome copy. La Nouvelle Revue Française unknown
1958réf. 50917Paris: Gallimard 1958. Fine. Gallimard Paris 1958 12 x 19 cm relié First edition an advance service de presse copy. Elegant half maroon calf over geometric marbled paper boards by Goy & Vilaine date title author and work in anthracite palladium to spine maroon paper endpapers and pastedowns covers and spine slightly faded preserved. Handsome autograph inscription from Eugène Ionesco to Marcel Aymé. A very good copy nicely bound. Gallimard hardcover
1979réf. 48181Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only large paper copies. Spine and lower cover slightly and marginally sunned not serious a very good copy. Gallimard unknown
1966réf. 48119Paris: Pierre Belfond 1966. Fine. Pierre Belfond Paris 1966 11 x 18 cm broché First edition of which no copies on deluxe paper were issued.Spine slightly faded as usual. Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: ""Pour Raymond Queneau le Satrape avec mon admiration affectueuse et que tant je voudrais revoir plus que de temps à autre. Eugène Ionesco."" Pierre Belfond unknown
1975réf. 48434Paris: Gallimard 1975. Fine. Gallimard Paris 1975 15 x 22 cm broché First edition for ""L'homme aux valises"" one of 20 numbered copies on Hollande tirage de tête. A very attractive copy. Gallimard unknown
1962réf. 38707Paris: Gallimard 1962. Fine. Gallimard Paris 1962 15 x 21.50 cm broché First edition one of 31 numbered copies on pur fil paper the only deluxe copies. Iconography. Boards very lightly and marginally sunned without gravity handsome interior condition. Gallimard hardcover
1959réf. 61619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. unknown
1831réf. 145771831. Dimensions : 237 x 183 mm. Tirage argentique du temps ainsi lgend : ''Les deux vedettes du film Peter Finch et Glenda Jackson ont assist la sortie de leur dernier film dans un grand cinma des Champs-Elyses''. Timbre sec de l'agence port au verso. TrÂs belle condition. b42961 unknown
2004réf. DADAX097270731XBrand: Alice Press 2004-10-01. 1. hardcover. New. 9.50x0.75x12.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Alice Press hardcover
2009réf. H-725-407Gallimard Jeunesse 2009. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Gallimard Jeunesse paperback
1964réf. 620825New York: Evergreen Review 1964. Softcover. Near Fine. First edition. Quarto. 90pp. Illustrated. Pictorial wrappers. Light edgewear near fine. Featuring a ten page portfolio by Emil J. Cadoo. Also "The Killer" by Norman Mailer "The Excluded Words" by Wayland Young "The Funambulists" by Jean Genet "They Just Fade Away" by William Burroughs "The Motor Show" by Eugene Ionesco "Cut-Ups: A Project for Disastrous Success" and more. The scarce suppressed issue. District Attorney William Cahn of Nassau County ordered the confiscation of 21000 copies of the magazine on the grounds that the issue contained obscene pictures Cadoo's portfolio of nude figures and text Young's article. The seizure was later declared illegal and a violation of the 14th Amendment. Evergreen Review unknown
1987réf. 8117New York: The Limited Editions Club 1987. Hardcover. F. Folio 13" - 23" tall; 127 pages. Fine. 973 of 1000 copies signed by Eugene Ionesco. 541st publication of LEC and the 6th of the 48th series. A Fine book with slight browning of the spine internally clean in a fine slipcase. The text set in monotype Romulus and printed at Typostudio Schumacher-Gebler in Munich. The lithographs were printed on Fabriano 'Umbria' by Erker Presse in St Gallen Switzerland. The paper for the text was made at Cartiere Enrico Magnani in Pescia Italy. The design by Benjamin Shiff. Fine book in fine slipcase collectable. This is a large book and extra shipping charges may apply depending on location Print info from 1985 Bibliography and Snyman - Grossman LEC Checklist #541. The Limited Editions Club hardcover
1960réf. 541753London: Strand Theatre 1960. Softcover. Very Good. Program. Octavo. Stapled wrappers. Very good with wear to the spine horizontal crease and miniscule spot on the front wrap. A program from a performance of this second play in Ionesco's "Berenger Cycle" at the Strang Theatre following a month-long stint at the Royal Court Theatre. The production was co-directed by Orson Wells and starred with Maggie Smith Peter Sallis Michael Gough and Laurence Olivier who also co-directed. Strand Theatre unknown
1963réf. 541750London: Royal Court Theatre 1963. Softcover. Near Fine. Program. Octavo. Stapled wrappers with "First Night" sticker on front wrap. Near fine with light wear and handwritten date on front wrap. A program from the opening night performance of this production starring Alec Guiness and Googie Withers the third play in Ionesco's "Berenger Cycle. Royal Court Theatre unknown
1964réf. 8050London: Eyre & Spottiswoode Publishers Ltd 1964. First Edition. First Impression. Octavo 20.5cm; purple paper-covered boards blocked and titled in black and gilt on spine; dustjacket; 78-3591pp. Fine in a Near Fine dustjacket price-clipped showing some very light wear to extremities and no sunning to the spine panel. Collection of short fiction written under the editorship of Alan Ross at The London Magazine. Contents include Bowles's "In the Time of Friendship" "The Harvesting" by Ted Hughes Ionesco's "The Stroller in the Air" "Another Decision" by Gerald Hanley and works by William Trevor Tom Hopkinson Francis Fytton Dan Jacobson and others. Eyre & Spottiswoode (Publishers) Ltd unknown
1969réf. 782R57Geneve: Editions d'Art Albert Skira 1969. First edition. Paperback. Very Good. 8.5" by 7". Eugene Ionesco. A delightful collection of the artwork of Eugene Ionesco in rich colour alongside his musings. A personal exploration on art and life by an important Romanian-French playwright.Eugene Ionesco 1909-1994 wrote mostly in French and was a prominent figure in avant-garde theatre. his works included 'The Killer' 'Rhinoceros' 'The Bald Soprano' 'Double Act' and 'The Lesson'.In the original French language.A first edition.Richly illustrated throughout in colour by the author. In the publisher's original paperback binding. Externally generally smart; boards are a little rubbed and worn in places. Internally firmly bound. Pages are bright and clean. Very Good Editions d'Art Albert Skira paperback
1972réf. 77240London: Calder & Boyars. This is a Near Fine Copy of this Book in Publisher's brown cloth with bright gilt lettering to spine on blocked red to spinein a Near Fine Dust-Jacket which has NO chips or tears to the outer edges of the wrapper.Not price clipped and this copy has NO previous owner's names or inscriptions present.The book has a firm binding with no hinge weakness.Lovely clean bright copy with the text block remaining crisp and clean.Great copy for the collector of this uncommon title8vo 192pp First UK Edition 1st Impression 1972 . Near Fine. Hardcover. First Edition. 1st Printing. 1972. Calder & Boyars hardcover
1968réf. G0825281431I3N00Harlin Quist Books 1968. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Harlin Quist Books hardcover
réf. 698199491Taylor & Francis Group . Papeback. New. pp. 192 Taylor & Francis Group unknown
réf. 2385090260.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. DADAX1138022055Routledge 2016-10-21. 1. hardcover. New. 8.25x0.50x11.50. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
réf. 1936365510.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960réf. 33387New York: Grove Press 1960. Very Good/Very Good. New York: Grove Press 1960. First Grove Press Edition Stated. Octavo; publisher's cloth in white pictorial dust jacket retaining original price $3.95; 159pp. Moderate wear to jacket margins jacket verso quite foxed front flyleaf and half title page unevenly toned from exposure to previously-removed news clipping else Very Good and sound. Grove Press unknown