1,082 results
1966ref. 69497Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition one of 50 numbered copies on pur fil the only deluxe copies. A fine copy. Gallimard unknown
1968ref. 70024Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 21.50 cm broché First edition one of 60 numbered copies on ""pur-fil"" paper only large papers. Very nice copy. Mercure de France unknown
1966ref. 66937Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition Le roi se meurt had appeared three years earlier one of 50 numbered copies on pur fil paper the only deluxe copies. Fine copy. Gallimard unknown
1971ref. 66938Paris: Gallimard 1971. Fine. Gallimard Paris 1971 12.50 x 19.50 cm broché First edition one of 16 numbered copies on Hollande the deluxe issue. A fine copy. Gallimard unknown
1967ref. 66850Paris: Mercure de France 1967. Fine. Mercure de France Paris 1967 14.50 x 21.50 cm broché First edition one of 50 numbered copies on pur fil the only deluxe copies. Handsome copy. Mercure de France unknown
1968ref. 66849Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 22.50 cm broché First edition one of 60 numbered copies on pur fil the only deluxe copies. Photographic cover handsome copy. Mercure de France unknown
1979ref. 62117Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only deluxe copies. Handsome copy. Gallimard unknown
1987ref. 62118Paris: Gallimard 1987. Fine. Gallimard Paris 1987 14.50 x 21.50 cm broché First edition one of 30 numbered copies on pure rag vellum the only deluxe copies. Handsome copy. Gallimard hardcover
1977ref. 58908Paris: Gallimard 1977. Fine. Gallimard Paris 1977 14 x 21.50 cm broché First edition review copy. Signed autograph of Eugene Ionesco Claude Bonnefoy and his wife Nicole. Little sunshine Length back and boards otherwise pleasant complete copy of his illustrated jacket. Gallimard hardcover
1966ref. 53504Paris: Gallimard 1966. Fine. Gallimard Paris 1966 21 x 18 cm broché First edition one of 150 copies hors commerce numbered. Clear stain in the margins of upper cover. Gallimard unknown
1968ref. 54181Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 22.50 cm broché First edition one of 60 numbered copies on pur fil paper the only large paper copies. Cover illustrated with a photograph a good copy. Mercure de France unknown
1966ref. 54180Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché New edition but first for many parts Le roi se meurt was published 3 years earlier one of 50 numbered copies on pur fil paper the only large paper copies. A very good copy. Gallimard unknown
1963ref. 54193Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.50 x 18 cm broché New edition first in part one advance service de presse copy. Handsome autograph inscription from Eugène Ionesco to Tsilla Chelton and Jacques Mauclair : "". Pour Tsilla pour Jacques affectueusement et avec ma sympathie profonde."" Spine slightly sunned. Gallimard unknown
1967ref. 50141La Nouvelle Revue Française 1967. Fine. La Nouvelle Revue Française 1er Octobre 1967 14.50 x 24.50 cm broché First edition one of the few numbered copies on pure thread paper the only deluxe copies. Other contributions by Maurice Blanchot Philippe Jaccottet Jacques Reda Georges Poulet. A small crease mark at the head of the first cover handsome copy. La Nouvelle Revue Française unknown
1958ref. 50917Paris: Gallimard 1958. Fine. Gallimard Paris 1958 12 x 19 cm relié First edition an advance service de presse copy. Elegant half maroon calf over geometric marbled paper boards by Goy & Vilaine date title author and work in anthracite palladium to spine maroon paper endpapers and pastedowns covers and spine slightly faded preserved. Handsome autograph inscription from Eugène Ionesco to Marcel Aymé. A very good copy nicely bound. Gallimard hardcover
1979ref. 48181Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only large paper copies. Spine and lower cover slightly and marginally sunned not serious a very good copy. Gallimard unknown
1966ref. 48119Paris: Pierre Belfond 1966. Fine. Pierre Belfond Paris 1966 11 x 18 cm broché First edition of which no copies on deluxe paper were issued.Spine slightly faded as usual. Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: ""Pour Raymond Queneau le Satrape avec mon admiration affectueuse et que tant je voudrais revoir plus que de temps à autre. Eugène Ionesco."" Pierre Belfond unknown
1975ref. 48434Paris: Gallimard 1975. Fine. Gallimard Paris 1975 15 x 22 cm broché First edition for ""L'homme aux valises"" one of 20 numbered copies on Hollande tirage de tête. A very attractive copy. Gallimard unknown
1972ref. DADAX2070362361Folio 1972-10-01. mass_market. New. 4.33x0.47x6.89. Buy with confidence. Excellent Customer Service & Return policy. Folio unknown
1962ref. 38707Paris: Gallimard 1962. Fine. Gallimard Paris 1962 15 x 21.50 cm broché First edition one of 31 numbered copies on pur fil paper the only deluxe copies. Iconography. Boards very lightly and marginally sunned without gravity handsome interior condition. Gallimard hardcover
1959ref. 61619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. unknown
ref. 105559Zürich Ex Libris ca 1960. 8° 283 345 221 181 S. OLwd. m. OU. Tadell. Lizenausgabe. 010 Zürich, Ex Libris, ca 1960 unknown
ref. 103637Lugano Edizioni d' Arte Dabbeni 1982. Quer-Gr.8° 51 S. zahlr. Photographien OLwd. m. OU. Tadellos. Im Impressum num. und von Ionesoc signiert. Nr.134/140. Vorzugausgabe von 140 Ex. leider ohne die Lithographie. 010 Lugano, Edizioni d' Arte Dabbeni, 1982 unknown
ref. 74840St. Gallen Erker-Galerie . 31 x 42 cm gefalzt Tadell. Als Jahresgabe herausgegeben: «Ein gutes neues Jahr wünschen Franz Larese und Jürg Janett Erker-Galerie St.Gallen.» In ungenannter Auflage gedruckt. 010 St. Gallen, Erker-Galerie, unknown
ref. THUK0179Neuwied Luchterhand 1969. 237 S. 1 Bl. OLn. mit OUmschl. u. Bauchbinde. Umschl. rissig Buch sehr gut erhalten. Der Tiroler Volkmar Parschalk 1934-2016 war von 1968-1995 Leiter der Kulturredaktion des öst. Radiosenders Ö1. Neuwied, Luchterhand 1969. unknown