Eugene IonescoBiblio.com
369 resultados
1993ref. Q-2070386538Editions Gallimard 1993-03-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Editions Gallimard paperback
ref. 53550Eds Gallimard 1964 In-4 191pp illustr. reliure cart. de l'editeur couverture insolee exemplaire numerote Nb-0236 unknown
ref. Q-2070107779GALLIMARD 2064-10-16. hardcover. New. In shrink wrap. Looks like an interesting title! GALLIMARD hardcover
1964ref. 110051Paris : Editions Gallimard 1964. reliure d'éditeur. IONESCO Eugène.La cantatrice chauve. Anti-pièce suivi d une scène inédite. Interprétations typographique de Massin et photo-graphique d ’Henry Cohen d après la mise en scène de Nicolas Bataille et avec le concours des comédiens du Théâtre de la Huchette. Paris Editions Gallimard1964 280x220mm non paginé photos n/b reliure d'éditeur. Cartonage illustré. Bel exemplaire numéroté n° 1576 / 5750. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions Gallimard unknown
2002ref. Q-2070405788Gallimard 2002-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Gallimard paperback
ref. 2070107779.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972ref. Q-2070362361Schoenhofs Foreign Books 1972-10-26. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Schoenhofs Foreign Books paperback
ref. 2-2070107779GALLIMARD 1964. Paperback. New. 192 pages. French language. 10.55x8.43x0.79 inches. GALLIMARD paperback
1972ref. DADAX2070362361Folio 1972-10-01. mass_market. New. 4.33x0.47x6.89. Buy with confidence. Excellent Customer Service & Return policy. Folio unknown
ref. 9500363208.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1970ref. 1222Paris: Gallimard 1970. Later printing. INSCRIBED dated 1980 and signed by Eugène Ionesco on the half title. Collection of short stories from the writer most associated with the theatre of the absurd. 8vo 238 pages in wrappers. Mild toning rubbing and some faint soiling. Otherwise clean and sound. A Very Good copy. SCARCE SIGNED. Gallimard unknown
ref. 368441Helsinki: Eurographica 1962. Softcover. Fine. First edition. Self wrappers. Fine. Copy 9 of 350 copies Signed by the author. Eurographica unknown
1987ref. 21217151987. Paris: Editions Gallimard.1987. 8vo. White card wrappers with red lettering and wraparound red banner entitled 'Un Clin D'Oeil Aux Hommes Un Regard Vers Dieu'; pp. x 169 9; minimal discolouration to top and bottom edge and minor stain to front cover and to spine; otherwise near fine. First French edition. Presentation copy from the author with an inscription to the title-page addressed to a Swedish novelist snd critic: ""Pour Ingmar Bjorksten- Eugene Ionesco. 3 Mai 1988- StockholmEugene Ionesco wrote his first play The Bald Soprano or La Cantatrice Chauve in 1950 and subsequently ushered in theatrical revolution through bold use of surrealistic techniques on an unsuspecting audience. It is considered a crucial milestone in the movement The Theatre of the Absurd. In 1970 Ionesco was inaugurated in the Academie Francaise securing a position amoungst some of the most revered dramatists of the 20th century.The blurb of La quete intermittente reveals that the story of the novel concerns an artist's existentialism; ""These new diary pages follow the Journal en miettes published twenty years ago. Today the author feels old often ill. The approach of death terrifies him. He is torn by doubt: why this rage for writing Why this universal glory Why this world"". unknown
1987ref. 62118Paris: Gallimard 1987. Fine. Gallimard Paris 1987 14.50 x 21.50 cm broché First edition one of 30 numbered copies on pure rag vellum the only deluxe copies. Handsome copy. Gallimard hardcover
ref. 07-0152St. Gallen Switzerland: Erker Galerie 1987. Original lithograph measuring 39 x 57 cm. with facing text in the author's own lithographically reproduced handwriting. One of 200 copies signed and numbered in pencil under the image on BFK Rives. From Erker-Treffen 4. St. Gallen, Switzerland: Erker Galerie, 1987. unknown
ref. 2070703320.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 31511Paris Gallimard 17 janvier 1985. 1 vol. 140 x 205 mm de 72 p. 1 et 3 f. Broché. . Nouvelle édition par Gallimard de ces textes et dessins de l'auteur publiés d'abord en 1981 sous la forme d'un l'album de 15 lithographies dans un tirage à 200 exemplaires chez l'éditeur suisse Erker. Envoi signé : « Pour Sylvie Genevoix hommages Eugène Ionesco ». . De la bibliothèque de Maurice Genevoix aux « Vernelles » ex-libris. Paris, Gallimard, (17 janvier) 1985. 1 vol. (140 x 205 mm) de 72 p., 1 et [3] f. Broché. unknown
1981ref. 023571Editions Borderie: Paris 1981. Book. About Fine. No Binding. 1st Edition. Sixteen loose plates in a folder and box. A Very attractive production!. Editions Borderie: Paris unknown
1967ref. 50141La Nouvelle Revue Française 1967. Fine. La Nouvelle Revue Française 1er Octobre 1967 14.50 x 24.50 cm broché First edition one of the few numbered copies on pure thread paper the only deluxe copies. Other contributions by Maurice Blanchot Philippe Jaccottet Jacques Reda Georges Poulet. A small crease mark at the head of the first cover handsome copy. La Nouvelle Revue Française unknown
1959ref. JJ18821Paris: Gallimard 1959. First Edition. Paperback. Fair. Rare inscribed and signed copy of Ionesco's most famous work. Original wrappers worn; spine stained and repaired. Images upon request. Gallimard paperback
1959ref. 88000Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition on ordinary paper bearing the correct imprint dated 6 May 1959 with the false statement of second edition. Spine very slightly sunned. Signed and inscribed by Eugène Ionesco to the stage director playwright and writer Simone Benmussa on the half-title. Simone Benmussa was literary advisor to the ""Jean-Louis Barrault- Madeleine Renaud Theater Company"" then in 1957 editor-in-chief of the Cahiers Renaud-Barrault. She also directed from the Odéon theatre the cultural department and the Cahiers of the Renaud-Barrault Company. She adapted for the stage the plays written by her friends Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Our copy is housed under a burgundy half-morocco folder smooth spine with date at foot wood-patterned paper boards slipcase edged with burgundy morocco wood-patterned paper panels probably made by Thomas Boichot. Gallimard hardcover
1959ref. 61619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. unknown
1963ref. 89591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
1963ref. 81421Paris: Gallimard 1963. Fine. Gallimard Paris 1963 12 x 19 cm broché First edition one of 60 numbered copies on pure thread paper the only deluxe copies after 17 Holland. Handsome copy. Gallimard unknown
ref. 2759314855.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
