572 risultati
2002rif. 500193091Gallimard 2002 180 pages poche. 2002. Broché. 180 pages.
rif. 500377555Mercure de France Sans date.
1981rif. 1264611981 Edition Borderie - 1981 - In-folio, feuillets non reliés, sous chemise, dans un coffret cartonné illustré - Sans pagination - Bien complet du texte et des 12 photographies hors texte en N&B
1973rif. 24849Le cercle du nouveau livre / Librairie Jules Tallandier, 1973. In-8, pleine toile titrée, rhodoïd. Menus défauts au rhodoïd, pour le reste en belle condition. Quelques illustrations en noir.
1963rif. 6346Paris, NRF Gallimard (Le manteau d'Arlequin), 1963. In-8 couronne br., couv. semi-rigide (dos frotté, défauts d'usage).
1959rif. 821021959 Paris, NRF, Gallimard (Collection "Le Manteau d'Arlequin"), 1959, in 12 broché, 203 pages
1985rif. 31511Envoi signé à Sylvie Genevoix Paris, Gallimard, (17 janvier) 1985. 1 vol. (140 x 205 mm) de 72 p., 1 et [3] f. Broché. Nouvelle édition par Gallimard de ces textes et dessins de l'auteur publiés d'abord en 1981 sous la forme d'un l'album de 15 lithographies dans un tirage à 200 exemplaires chez l'éditeur suisse Erker. Envoi signé : «Pour Sylvie Genevoix, hommages, Eugène Ionesco».
1981rif. 1060701981 Paris, Editions Borderie, 1981, 420x310mm, 8p. et 12 planches photographiques, en feuilles sous chemise imprimée et coffret carton avec une photographie en couverture.
rif. 95093Portfolio Portfolio, planches volantes sous chemise et emboitage, complet des 12 photographies, environ 42x30cm, emboitage frotté, petite salissure sur le bord d'une photo, bon état pour le reste.
rif. 25081Gallimard, Le manteau d'Arlequin, 1970, 85 pp., broché, poche, couverture légèrement défraîchie, dos légèrement écrasé, annotation et ex libris en première page.
1977rif. 55181977 seghers 1977 In4 reliure éditeur couverture rempliée titre en noir sur argent non paginé photographie à toutes pages
rif. 500377662Hatier collection Théâtre et mises en scène. Sans date.
rif. 2070703320.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 31511Paris Gallimard 17 janvier 1985. 1 vol. 140 x 205 mm de 72 p. 1 et 3 f. Broché. . Nouvelle édition par Gallimard de ces textes et dessins de l'auteur publiés d'abord en 1981 sous la forme d'un l'album de 15 lithographies dans un tirage à 200 exemplaires chez l'éditeur suisse Erker. Envoi signé : « Pour Sylvie Genevoix hommages Eugène Ionesco ». . De la bibliothèque de Maurice Genevoix aux « Vernelles » ex-libris. Paris, Gallimard, (17 janvier) 1985. 1 vol. (140 x 205 mm) de 72 p., 1 et [3] f. Broché. unknown
1967rif. 50141La Nouvelle Revue Française 1967. Fine. La Nouvelle Revue Française 1er Octobre 1967 14.50 x 24.50 cm broché First edition one of the few numbered copies on pure thread paper the only deluxe copies. Other contributions by Maurice Blanchot Philippe Jaccottet Jacques Reda Georges Poulet. A small crease mark at the head of the first cover handsome copy. La Nouvelle Revue Française unknown
1959rif. 88000Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition on ordinary paper bearing the correct imprint dated 6 May 1959 with the false statement of second edition. Spine very slightly sunned. Signed and inscribed by Eugène Ionesco to the stage director playwright and writer Simone Benmussa on the half-title. Simone Benmussa was literary advisor to the ""Jean-Louis Barrault- Madeleine Renaud Theater Company"" then in 1957 editor-in-chief of the Cahiers Renaud-Barrault. She also directed from the Odéon theatre the cultural department and the Cahiers of the Renaud-Barrault Company. She adapted for the stage the plays written by her friends Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Our copy is housed under a burgundy half-morocco folder smooth spine with date at foot wood-patterned paper boards slipcase edged with burgundy morocco wood-patterned paper panels probably made by Thomas Boichot. Gallimard hardcover
1959rif. 61619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. unknown
1963rif. 89591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
1963rif. 81421Paris: Gallimard 1963. Fine. Gallimard Paris 1963 12 x 19 cm broché First edition one of 60 numbered copies on pure thread paper the only deluxe copies after 17 Holland. Handsome copy. Gallimard unknown
rif. 2759314855.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
960Manifesto (cm 56 x 40) della rappresentazione, con in alto i nomi degli attori.
1994rif. Q-2070388654Editions Gallimard 1994-03-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Editions Gallimard paperback
1965rif. ABE-782606444614 PAGES-EN UNE: FELLINI MAQUILLE MARY ARDEN/JULIETTE ET LES ESPRITS-AU COEUR DU MYSTERE PROUSTIEN/1P/5 DOCUMENTS-MONTESQUIOU OU L'ART EXQUIS DE VIVRE/ARTICLE DE GERMAINE BEAUMONT SUR 1 PAGE/PHOTO-BOISDEFFRE PREND DES RISQUES/PHOTO-"GARE A LA CORNE!"/RHINOCEROS D'EUGENE IONESCO-LE FESTIVAL UNIVERSITAIRE DE NANCY/PAR BEATRIX DUSSANE/JACK LANG-FELLINI FAIT SON NUMERO-PLIURES DE UNE JAUNIES
1996rif. 500291433Gallimard 1996 140 pages poche. 1996. Broché. 140 pages.
1990rif. RO90025789EDITIONS FOLIO N°400. 17-09-1990. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 178 pages.. . . . Classification Dewey : 840.091-XX ème siècle