1,110 results
ref. 9782070327447Gallimard
1977ref. ABE-158008128634340 PAGES-LE DURCISSEMENT DE LA REPRESSION EN AFRIQUE DU SUD-LE MEURTRE DU PRESIDENT DU PATRONAT ALLEMAND, 2P-LE MONDE DES LIVRES: UNE MEDITATION D'ANNE PHILIPE, DESSIN D'ORLIC-GABRIEL MATZNEFF L'OUTSIDER, CRITIQUE POUR "LES PASSIONS SCHISMATIQUES", PAR FRANCOIS BOTT, ANTIDOTES" D'EUGENE IONESCO, L'ARROSEUR ARROSE, PAR BERTRAND POIROT DELPECH, TIERS DE PAGE-VARIETES, PAR CLAUDE FLEOUTER: NANA MOUSKOURI, OLYMPIA-COMPLET
1979ref. ABE-1605484417342QUATRE NOUVEAUX FILMS DE MARGUERITE DURAS ELLE S'APPELLE AURELIA STEINER, PAR CLAIRE DEVARRIEUX-VIVRE ENSEMBLE ADRESSE AUX HOMMES (ET AUX FEMMES) ENCORE JEUNES, PAR EUGENE IONESCO, TIERS DE PAGE-LA VIE INIMITABLE, PAR GABRIEL MATZNEFF-VARIETES, PAR CLAUDE FLEOUTER: DIANE DUFRESNE, OLYMPIA
1962ref. ABE-177083839464420 PAGES-35 CM X 50 CM-COMPLET
1968ref. ABE-1694200944032 PAGES 35 CM X 50 CM-LA CRISE ENTRE PRAGUE ET MOSCOU ET SES PROLONGEMENTS-TRISTESSE DES CLOWNS "PRESENT PASSE, PASSE PRESENT" D'EUGENE IONESCO-L'ITINERAIRE DE LOUIS CALAFERTE, PAR ALAIN BOSQUET-ETUDE: JEAN GUITTON ET LA CRITIQUE RELIGIEUSE UNE METHODE APOLOGETIQUE, 2P-LES POETES MEXICAINS, 1P
1968ref. ABE-157841944159432 PAGES-TRISTESSE DES CLOWNS "PRESENT PASSE, PASSE PRESENT" D'EUGENE IONESCO, PAR FRANCOIS BOTT, QUART DE PAGE-ETUDE: JEAN GUITTON ET LA CRITIQUE RELIGIEUSE, 2 PAGES-LES POETES MEXICAINS, 1 PAGE, SERGIO MONDRAGON, THELMA NAVA, GABRIEL Z'AID, TOMAS SEGOVIA
1972ref. ABE-156731984500224 PAGES-35 CM X 50 CM-L'UNESCO OU LA CULTURE CONTRE LA CULTURE, PAR EUGENE IONESCO-L'AFFAIRE DES FAUSSES FACTURES DE LYON, MOITIE DE PAGE-L'AFFAIRE DE BRUAY EN ARTOIS LE JUGE PASCAL S'ELEVE CONTRE "CERTAINES INFORMATIONS ERRONEES"-COMPLET
1974ref. ABE-160370763611636 PAGES-REPRESSION OU REPARATION POUR LES VICTIMES, PAR ROBERT BADINTER-SAMOA ILES BLESSEES II LA LINGUISTIQUE EST ELLE SUBVERSIVE? DEMI PAGE-POINT DE VUE: LE DROIT DE TUER, PAR EUGENE IONESCO, DEMI PAGE-THEATRE, PAR COLETTE GODARD: LA NOSTALGIE CAMARADE." DE FRANCOIS BILLETDOUX JEAN PAUL ROUSSILLON, MICHEL AUMONT, CATHERINE SAMIE, DENISE GENCE-QUELQUES JAUNISSURES EN UNE
1982ref. 7009Paris, Editions Jannink, 1982, Relié, Jaquette jaunie, sinon très bon état.
1967ref. 50141La Nouvelle Revue Française 1967. Fine. La Nouvelle Revue Française 1er Octobre 1967 14.50 x 24.50 cm broché First edition one of the few numbered copies on pure thread paper the only deluxe copies. Other contributions by Maurice Blanchot Philippe Jaccottet Jacques Reda Georges Poulet. A small crease mark at the head of the first cover handsome copy. La Nouvelle Revue Française unknown
1967ref. 50141La Nouvelle Revue Française | 1er Octobre 1967 | 14.50 x 24.50 cm | broché
1959ref. JJ18821Paris: Gallimard 1959. First Edition. Paperback. Fair. Rare inscribed and signed copy of Ionesco's most famous work. Original wrappers worn; spine stained and repaired. Images upon request. Gallimard paperback
1959ref. JJ18821Paris: Gallimard 1959. First Edition. Paperback. Fair. Rare inscribed and signed copy of Ionesco's most famous work. Original wrappers worn; spine stained and repaired. Images upon request. Gallimard paperback books
1959ref. 88000Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition on ordinary paper bearing the correct imprint dated 6 May 1959 with the false statement of second edition. Spine very slightly sunned. Signed and inscribed by Eugène Ionesco to the stage director playwright and writer Simone Benmussa on the half-title. Simone Benmussa was literary advisor to the ""Jean-Louis Barrault- Madeleine Renaud Theater Company"" then in 1957 editor-in-chief of the Cahiers Renaud-Barrault. She also directed from the Odéon theatre the cultural department and the Cahiers of the Renaud-Barrault Company. She adapted for the stage the plays written by her friends Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Our copy is housed under a burgundy half-morocco folder smooth spine with date at foot wood-patterned paper boards slipcase edged with burgundy morocco wood-patterned paper panels probably made by Thomas Boichot. Gallimard hardcover
1959ref. 61619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. unknown
1959ref. 88000Gallimard | Paris 1959 | 12 x 19 cm | broché
1965ref. RO20221085Gallimard. 1965. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 198 pages. Une page annotée au crayon à papier.. . . . Classification Dewey : 792-Théâtre
1959ref. 054551Gallimard Broché Paris 1959 collection " le manteau d' arlequin " - 198 pages en format 12 - 18.5 cm
1966ref. R260262514Gallimard. 14 décembre 1966. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 198 pages.. . . . Classification Dewey : 792-Théâtre
1959ref. 61619Paris, Galliard, 1959. 8vo. Uncut in the original wrappers. Minor wear, with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved, clean and bright.
1959ref. 83960Couverture souple imprimée. Non coupé.
1959ref. 821021959 Paris, NRF, Gallimard (Collection "Le Manteau d'Arlequin"), 1959, in 12 broché, 203 pages
1963ref. 89591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
1963ref. 81421Paris: Gallimard 1963. Fine. Gallimard Paris 1963 12 x 19 cm broché First edition one of 60 numbered copies on pure thread paper the only deluxe copies after 17 Holland. Handsome copy. Gallimard unknown
ref. 2759314855.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback