1 023 résultats
réf. 0160450 En feuilles
réf. 16472Neither translation dated but both 'Copyright by DONALD WATSON 13 Oakley St. Chelsea London.'. Watson's translation of 'La Cantatrice Chauve' 1950 was first published in London by Calder in 1958 and his version of 'Le Salon de l'Automobile' 1951 by the same publisher in the fifth volume of Ionesco's plays in 1963. The two scripts typed in uniform style on rectos of leaves and stapled together. ONE: 'The Bald Prima Donna'. 19pp. 8vo. In good condition on aged paper with somewhat-appropriate child's markings in black ink on blank parts of first page. Introductory note by Watson: 'First acted in Paris by the Company of Nicolas Bataille at the Theatre des Noctambules and the Theatre de la Huchette. Nicolas Bataille made several alterations in this the original text for his production. One or two of these alterations have been noted. Several other small changes were made by the author in the text published by Gallimard.' Includes 'Translator's note' regarding the phrase 'Il s'emmerde.' TWO: 'The Motor Show'. 5pp. 8vo. In good condition on aged paper. Translator's note: 'THE MOTOR SHOW called in French "Le Salon de l'Automobile" was broadcast in March 1952 by the Club d'Essai de la Radiodiffusion Francaise.' Neither translation dated, but both 'Copyright by DONALD WATSON, | 13 Oakley St., Chelsea, London.' unknown
1969réf. 140450Paris: Arche - Zürich 1969. Relié. Etat satisfaisant. In-12. 158 pp. Cartonnage toilé noir lettrage or. Sous jaquette éditeur jaunie. Arche - Zürich unknown
réf. 103637Lugano Edizioni d' Arte Dabbeni 1982. Quer-Gr.8° 51 S. zahlr. Photographien OLwd. m. OU. Tadellos. Im Impressum num. und von Ionesoc signiert. Nr.134/140. Vorzugausgabe von 140 Ex. leider ohne die Lithographie. 010 Lugano, Edizioni d' Arte Dabbeni, 1982 unknown
1971réf. JJ18820London: Calder and Boyars 1971. First Edition. Hardcover. Very Good/Good. 8vo. Original cloth in dw. Stain to bottom edge of jacket. Briefly inscribed in French and signed by Ionesco. Calder and Boyars hardcover books
1984réf. 21743Hannover : Kestner-Ges., 1984. 58 S. : überwiegend Ill. (z.T. farb.) ; 21 cm Okart.
réf. 91474Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 400 X 305 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Très belle photographie originale en parfait état reproduite dans l'ouvrage: Irina IONESCO "Cent onze photographies érotiques" Borderies, 1980. Page 98.
réf. 447680Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 405 X 285 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Très belle photographie originale en parfait état reproduite dans l'ouvrage: Irina IONESCO "Cent onze photographies érotiques" Borderies, 1980. Page 84.
réf. 173420Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 405 X 285 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Très belle photographie originale en parfait état reproduite dans l'ouvrage: Irina IONESCO "Cent onze photographies érotiques" Borderies, 1980. Page 95.
réf. 301285Ionesco Paris S.D. (1970) Photographie en tirage argentique dépoque de format 395 X 295 mm, de Irina IONESCO, signée à lencre en bas à gauche sur limage au recto, signée à lencre et( numéroté 1/5 au verso.( Sous encadrement: baguettes de bois noir, marie-louise et vitre. Très bel état.
1988réf. 1163Tokyo 1988. Very Good/very good. Dust jacket with obi. Oblong 4to. All illus. mostly in color. Controversial - known for photos of his daughter at age 13. One of his better books. unknown books
1988réf. 1163Tokyo 1988. Very Good/very good. Dust jacket with obi. Oblong 4to. All illus. mostly in color. Controversial - known for photos of his daughter at age 13. One of his better books. unknown
réf. 07-0163St. Gallen Switzerland: Erker Galerie 1974. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Martin Heidegger Peter Huchel Eugène Ionesco Friedrich Georg Jünger Halldór Laxness Alexander and Margarete Mitscherlich and Wieland Schmied with 8 original lithographs by Anna-Eva Bergman Piero Dorazio Hans Hartung Wifredo Lam George Rickey Giuseppe Santomaso Antoni Tàpies and Fritz Wotruba each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1974. unknown
réf. 07-0164St. Gallen Switzerland: Erker Galerie 1979. Portfolio of 9 texts lithographically reproduced in the authors' own handwriting by Max Bill Jean Cassou Max Frisch Peter Huchel Eugène Ionesco Halldór Laxness Michel Leiris Alexander Mitscherlich Karl Prantl with 9 original lithographs by Max Bill Piero Dorazio Bernhard Heiliger Wifredo Lam Otto Piene Karl Prantl Giuseppe Santomaso Antoni Tàpies and Günther Uecker each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1979. unknown
réf. 07-0162St. Gallen Switzerland: Erker Galerie 1972. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Jean Cassou Max Frisch Martin Heidegger Peter Huchel Eugène Ionesco Friedrich Georg Jünger Halldór Laxness and Ezra Pound with 8 original lithographs by Max Bill Piero Dorazio Bernhard Heiliger Asger Jorn Giuseppe Santomaso Toni Stadler Mark Tobey and Fritz Wotruba each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1972. unknown
réf. 19877P., Belfond, 1966, in-12, br., 220 p. Edition originale. Pas de grand papier. Bel ex., enrichi d’un double envoi a.s. à Maurice Nadeau.
1966réf. 48119Pierre Belfond | Paris 1966 | 11 x 18 cm | broché
1966réf. 014361Paris Pierre Belfond 1966 In-12 Broché, couverture à rabats Dédicacé par l'auteur
1966réf. 48119Paris: Pierre Belfond 1966. Fine. Pierre Belfond Paris 1966 11 x 18 cm broché First edition of which no copies on deluxe paper were issued.Spine slightly faded as usual. Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: ""Pour Raymond Queneau le Satrape avec mon admiration affectueuse et que tant je voudrais revoir plus que de temps à autre. Eugène Ionesco."" Pierre Belfond unknown
2021réf. BN545375Société de Belles-Lettres 2021. 2021. Enfantines 20212 Enfantines 20212 Eugéne Ionesco Société de Belles-Lettres unknown
réf. 66-0410London: Encounter Ltd. 1964. 8vo. 95 pp. illus. Very good in wraps. Pen scrawl on front cover above title. Includes contributions from Anne Sexton Eugene Ionesco Christopher Isherwood Josef Brodsky; most notably includes the original transcript of Brodsky's Soviet show trial for parasitism "Trial of a Young Poet" smuggled from the Soviet Union in the preceding months. London: Encounter Ltd., 1964. paperback
2004réf. 106069Alice Press 2004 2 Los Angeles, Alice Press, 2004, 312x235mm, 152p., reliure satin noir, gardes roses, lettrage argent au dos, jaquette illustrée. Edition originale, imprimé au Japon par Toppan. Textes anglais et français. (A106069)
1961réf. ABE-1236824107212 PAGES-CES AUTEURS "MAUDITS" DEVIENNENT DES AUTEURS CLASSIQUES AU THÉÂTRE DE FRANCE/IONESCO/KNAPP-ROBERT HOSSEIN: UNE SORTE DE CONFESSION-BRIGITTE CHOISIT SES TENUES D'ÉTÉ/4P-
réf. 19036Craïova, Editura “Cercul analelor romane”, 1931, in-8, br., 32 p. Edition originale rarissime du premier livre de Ionesco, une plaquette de vers. Long envoi a.s. de l’époque en roumain à une comédienne.
1966réf. 53504Gallimard | Paris 1966 | 21 x 18 cm | broché
