6 853 résultats
1921réf. 18951Paris: Calmann-Levy Editeurs 1921. An elegant copy of the 1921 1st French edition complete unto itself. Professionally bound in a handsome 3/4 morocco over marbled boards with the binder's stamp at the first blank endpaper. Solid and VG with very light offsetting along the top-edges and just a touch of light wear at the spine crown. 5 raised bands fine gilt-tooling within the compartments offsetting dark-leather title label in gilt. 12mo top-edge gilt as well. Lovely matching marbled endpapers lacking the original wrappers. Calmann-Levy, Editeurs unknown books
1923réf. 18815Paris: Les Editions G. Cres 1923. 1/4 leather. Near Fine. Alastair. Sumptuous 1923 edition with Alastair's remarkable illustrations --en coulour-- complementing Oscar Wilde's text. Handsomely bound in a 1/4 dark leather over marbled boards. 5 raised bands decorative gilt devices within the compartments. Solid and VG to Near Fine. Very clean internally as well. 12mo top-edge gilt matching marbled endpapers and pastedowns. Les Editions G. Cres unknown books
1998réf. 43734Cambridge MA: MIT Press 1998. First American edition. Very good in a very good jacket. First US edition with photographs from the "Icons of New Objectivity" series as well as Renger-Patzsch's lesser-known images of landscapes urban scenes and nature studies. 113 full-page black and white plates. Translated from the German edition. Co-edited by Thomas Weski with Ann and Jurgen Wilde with an essay by Thomas Janzen. Hardcover. 4to. Grey cloth boards in black and white photographic dust jacket. Toning to spine and upper edges of jacket; corners and spine ends bumped. 176pp. MIT Press unknown books
1969réf. 50211Amsterdam: Stedelijk Museum 1969. First edition. Near fine. Scarce catalogue of the 1969 exhibition of Arte Povera and Conceptual Art less known but as innovative and groundbreaking as the same year's more-mythologized "When Attitudes Become Form" and similarly an expression of its own curator's personality and vision. "Op Losse Schroeven" and "When Attitudes Become Form" were conceived planned and exhibited more or less concurrently but independently: Stedelijk Museum director de Wilde though supervising one curator and friendly with the other apparently shared no information in either direction despite considerable overlap in vision. If the curators were not well informed on their peer's progress those artists invited to participate in both exhibitions were: one of those artists Ger van Elk "made the curious suggestion that the physical similarity of the two men - each was solidly built bearded and bohemian in style - made it interesting for an artist to work with them both as their quickly staggered studio visits turned into a kind of performance; that of a curator chased by his doppelgänger" Rattemeyer. With work by Carl Andre Giovanni Anselmo Joseph Beuys Bill Bollinger Gerrit Dekker Barry Flanagan Bruce Nauman Richard Serra Robert Smithson Lawrence Weiner and others. 10.75'' x 8''. Original wrappers housing two bound portfolios designed by Wim Crouwel and Jolijn van de Wouw of Total Design Amsterdam. Text in Dutch and English. Illustrated in black and white. Printed on multi-colored paper. Light edgewear and soil to wrappers minor creasing to page edges. Stedelijk Museum unknown books
réf. 06515London: Simpkin Marshall Hamilton Kent & Co Ltd 1913. Dorian Gray on the Stage - A Rare Early Dramatic Adaptation" WILDE Oscar. The Picture of Dorian Gray: A Play in Three Acts and Prologue. Dramatized by G. Constant Lounsbery from the romance of Oscar Wilde. London: Simpkin Marshall Hamilton Kent & Co Ltd. 1913. First edition thus. Printed at the Ballantyne Press. Octavo 8 7/8 x 6 inches; 225 x 152 mm. 1-10 11-94 95 1 blank pp. Publisher's white buckram front cover decoratively stamped and lettered in gilt spine lettered in gilt top edge gilt others uncut. A near fine copy the binding clean and unusually bright for this fragile white buckram issue. An uncommon early stage adaptation of Wilde's The Picture of Dorian Gray prepared by G. Constant Lounsbery for theatrical performance. While Wilde himself had explored dramatization during his lifetime no authorized stage version achieved lasting success leaving later playwrights to reinterpret the novel for the stage. This 1913 adaptation reflects the continued fascination with Wilde's most controversial work in the years following his death translating the novel's themes of aestheticism morality and duplicity into a dramatic format. London: Simpkin Marshall Hamilton Kent & Co Ltd, 1913 unknown books
réf. 06514London: Leonard Smithers and Co. 1899. A Play of Conscience and Corruption - Wilde at His Brilliant Peak" First Edition Limited Issue - From the Library of Esher Place WILDE Oscar. An Ideal Husband. By the Author of Lady Windermere's Fan. London: Leonard Smithers and Co. 1899. First edition limited to 1000 copies. Small quarto 8 1/4 x 6 1/8 inches; 210 x 155 mm. xvi 213 1 pp. Publisher's mauve cloth covers elaborately decorated in gilt spine decoratively stamped and lettered in gilt top edge trimmed others uncut. With the printed Esher Place Library location label dated 1897 on the front paste-down denoting its place within a late Victorian country house library system. Housed in a red cloth chemise within a full maroon calf slipcase spine with five raised bands ruled and lettered in gilt in compartments. Endpapers and half-title with the lightest amount of foxing otherwise a spectacular example the binding fresh and unfaded. One of Wilde's four great society comedies An Ideal Husband premiered in 1895 at the Haymarket Theatre and stands among his most sophisticated explorations of public virtue and private compromise. Written at the height of his fame - and on the eve of his dramatic fall - the play offers a sharply observed critique of political morality reputation and the currency of secrets in late Victorian society. The 1899 Smithers edition issued in a limitation of 1000 copies following Wilde's imprisonment represents the first appearance of the play in book form and remains the preferred edition for collectors. London: Leonard Smithers and Co., 1899 unknown books
réf. 06517London: Methuen & Co. Ltd. 1922. The Infamous Fifteenth Volume - Wilde's 'Lost' Play That Wasn't" WILDE Oscar. For Love of the King. London: Methuen & Co. Ltd. 1922. Limited to 1000 copies. Small quarto 8 3/8 x 5 3/4 inches; 213 x 146 mm. vi blank xiv 1-39 1 blank 4 blank pp. Handsomely bound in three-quarter black morocco over gray marbled boards covers ruled in gilt spine with five raised bands lettered in gilt in compartments gray marbled endpapers top edge gilt others uncut. With the Ex Libris bookplate of Charles Bauman on the front paste-down. Housed in a black morocco edged cloth slipcase. An unusually fine well-preserved copy enhanced by an attractive later morocco binding. The notorious "fifteenth volume" of the Methuen collected works of Wilde. Originally issued in 1908 in fourteen volumes the set was unexpectedly augmented in 1922 by the addition of For Love of the King presented by the publisher as a newly discovered Wilde play. The claim was quickly met with skepticism and the work is now generally regarded as spurious or at best of highly doubtful attribution. Despite this Methuen produced the volume in uniform style with the earlier set encouraging its assimilation into complete runs. The text itself - a "Burmese Masque" - differs markedly in tone and quality from Wilde's authenticated dramatic works further contributing to the controversy surrounding its authorship. Long considered one of the more curious episodes in Wilde bibliography An essential - and somewhat mischievous - addition for collectors of the Methuen Wilde. London: Methuen & Co. Ltd., 1922 unknown books
réf. 06518London: Leonard Smithers and Co. 1899. The Trivial Comedy for Serious People - Wilde's Masterpiece" First Edition One of 1000 Numbered Copies WILDE Oscar. The Importance of Being Earnest. A Trivial Comedy for Serious People. By the Author of Lady Windermere's Fan. London: Leonard Smithers and Co. 1899. First edition. One of 1000 numbered copies this being No. 256. Printed at the Chiswick Press. Small quarto 8 3/4 x 7 inches; 222 x 178 mm. 16 151 1 pp. Publisher's light red-brown linen over boards covers decoratively stamped in gilt spine decoratively stamped and lettered in gilt the design by Charles Shannon. All edges uncut. The bare minimum of rubbing to extremities free endpapers minimally browned from paste-down glue as usual; spine slightly darkened and gilt a little dulled. Still a near fine copy sound and unrestored example. The first book appearance of Wilde's most celebrated play originally performed in 1895 at the St. James's Theatre. Issued four years later by Smithers - Wilde's principal publisher during and after his fall - this edition presents the definitive text of his final and finest comedy. The Importance of Being Earnest represents the culmination of Wilde's dramatic art: a perfectly constructed satire of identity social convention and moral pretense combining epigrammatic brilliance with unmatched theatrical economy. The edition is notable for its elegant production including the Chiswick Press printing and the distinctive gilt cover design by Charles Shannon placing it among the most visually refined of Wilde's first editions. Bibliographical Reference A pleasing and well-preserved example. The slight spine darkening and mellowing of the gilt are typical; copies retaining such integrity are increasingly scarce. Mason 382. London: Leonard Smithers and Co., 1899 unknown books
réf. 06516Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. 1894. Wilde at Oxford - A Lifetime Edition Issued on the Eve of Scandal" Limited to 750 Copies - Published May 1894 WILDE Oscar. Aristophanes at Oxford By Oscar Wilde. O.W. by Y.T.O. all rights reseved. Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. May 1894. One of 750 copies printed. Small quarto 7 5/8 x 5 1/8 inches; 194 x 130 mm. viii 1 2-85 1 blank pp. Publisher's stiff tan/gray wrappers front cover lettered in green. Wrapper edges a little chipped as usual; otherwise an excellent example internally clean and well preserved. Housed in a green cloth clamshell case spine lettered in gilt. A lifetime edition of Wilde's early Oxford satire originally composed in 1879 here issued anonymously "O.W. by Y.T.O." in a limited printing of 750 copies. Published in May 1894 at the height of Wilde's literary success and just one year before his dramatic fall this edition represents the first substantial reappearance of the text in expanded form extending to 85 pages. It offers a rare glimpse of Wilde's formative wit - rooted in classical parody and undergraduate satire - reissued for a contemporary audience during his most celebrated period. Mason 685. Oxford [&] London: J. Vincent [&] Simpkin, Marshall, Hamilton, Kent & Co., 1894 unknown books
réf. 06519London: John Lane. 1894. A Woman of No Importance - Wilde Before the Fall" First Edition One of 500 Copies - The Slocum Copy WILDE Oscar. A Woman of No Importance. London: John Lane 1894. First edition. One of 500 copies. Small quarto 8 1/4 x 5 7/8 inches; 210 x 150 mm. 16 134 1 1 blank 16 publisher's catalogue dated March 1894 pp. Publisher's light red-brown linen over boards covers decoratively stamped in gilt spine decoratively stamped and lettered in gilt the design by Charles Shannon. All edges uncut. Light rubbing to extremities; front inner hinge cracked but holding. Otherwise an excellent entirely unrestored example. The first edition of Wilde's third society comedy published in the same year as Salomé and on the eve of the triumph of An Ideal Husband and The Importance of Being Earnest. The play explores themes of social hypocrisy gender inequality and moral duplicity - subjects that Wilde would refine and perfect in his later dramatic masterpieces. Issued in a limitation of 500 copies by John Lane at The Bodley Head the edition shares the elegant typographic and binding aesthetic of Wilde's 1890s publications with the characteristic gilt design by Charles Shannon. Complete with the publisher's catalogue dated March 1894 as called for. Provenance: The Myles Standish Slocum copy with his pencil note on the front paste-down. Myles Standish Slocum 1887-1956 was a noted American collector of first and rare editions remembered both for the quality of his library and for his encouragement of book collecting through the annual Scripps College prize bearing his name. London: John Lane., 1894 unknown books
réf. 06548Reading Berkshire: The Carpathian Press 1999. Wilde's Greatest Poem in a Modern Private Press Masterpiece One of Only 25 Copies on Velin Arches Blanc WILDE Oscar. The Ballad of Reading Gaol. Engravings by Peter Forster. Introduction by Bryan Forbes. Reading Berkshire: The Carpathian Press 1999. One of 25 copies printed on Velin Arches Blanc from a total edition of 125 signed by Bryan Forbes. Large octavo 9 7/8 x 7 1/4 inches; 251 x 184 mm. 1-16 17-103 1 blank 1 limitation pp. Six engravings by Peter Forster. Elegantly bound by Anthony Wessely in full green morocco. Spine with five raised bands decoratively ruled and lettered in gilt in compartments olive-green endpapers. Housed in the original green cloth slipcase. A fine copy. A finely produced private press edition of Wilde's most powerful and enduring poem written in the aftermath of his imprisonment in Reading Gaol 1895-97. First published in 1898 under the pseudonym "C.3.3." Wilde's prison number the poem stands as a profound meditation on justice punishment and human suffering and remains one of the great poetic responses to incarceration in English literature. This Carpathian Press edition is among the most desirable modern fine press interpretations of the text distinguished by its restrained yet expressive engravings by Peter Forster which echo the stark emotional landscape of Wilde's poem. The use of Velin Arches Blanc paper - reserved here for just 25 copies - provides a luxurious surface that complements both the typography and the engraved plates. A beautifully conceived and executed modern private press book - uniting Wilde's most haunting work with accomplished illustration and binding of the highest order. Reading, Berkshire: The Carpathian Press, 1999 unknown books
1975réf. 55214New York / London: Frederick Warne & Co 1975. Very good plus in very good plus jacket. Inscribed first edition of these spooky gothic and fantastical tales for children - including works by Oscar Wilde Ben Jonson Nancy Gorgorian and the Brothers Grimm. 9'' x 6''. Original olive pictorial paper boards stamped in black. In original unclipped $6.95 color pictorial dust jacket. Illustrated by Arrowood in black and white. 206 pages. Inscribed by Arrowood on front free endpaper in three different color inks: "For Gary & Phipps / With Warmest Wishes / Clinton Arrowood." A bit of wear and toning to edges touch of foxing to top edge. Spine rather sunned. Bright. Frederick Warne & Co unknown books
réf. 06423London: Methuen & Co. 1908. First Collected Edition Handsomely Bound by Birdsall of Northampton WILDE Oscar. Works. London: Methuen & Co. 1908-1922. The Picture of Dorian Gray with imprint: Paris: Charles Carrington 1908. First collected edition including For the Love of the King which was published in 1922. One of 1000 issued on handmade paper out of a total edition of 1080 sets. Fifteen octavo volumes 8 1/4 x 5 3/4 inches; 209 x 146 mm. Handsomely bound ca. 1950 by Birdsall of Northampton and London stamp-signed in full light blue calf covers with triple ruled borders spines with five shallow raised bands decoratively tooled in compartments two red leather labels lettered in gilt gilt decorated boards edges and turn-ins pale blue marbled endpapers top edge gilt other uncut. Spines uniformly faded one volume a little less so otherwise a very fine set including the fifteenth volume For the Love of the King which was published later in 1922. The first collected edition of the works of Wilde is still the most complete and correct. "The text is taken in most instances from the last editions issued under the superintendence of the author. In some cases the volumes contain additional matter which had not previously been reprinted while some of the volumes contain matter here published for the first time" Mason. Oscar Wilde 1854-1900 Irish-born poet dramatist and novelist. "During his undergraduate years at Oxford and as a disciple of Walter Pater Wilde became the leader of an aesthetic movement that advocated art for art's sake. He attracted a great deal of attention with his aestheticism and by wearing long hair dressing eccentrically and carrying flowers in his hands while lecturing.Wilde was accused of homosexual practices was tried and found guilty and was sentenced to imprisonment 1895-97.On his release physically spiritually and financially ruined he went to Paris.where he lived in bitterness and despair until his death. Wilde's works include Poems 1881; two collections of fairy stories The Happy Prince and Other Tales 1888 and The House of Pomegranates 1891; The Picture of Dorian Gray 1891 a novel; and many brilliantly witty plays including Lady Windermere's Fan 1892; A Woman of No Importance 1893; Salomé 1894 written originally in French and used as the basis for Richard Strauss's opera of the same title; An Ideal Husband 1895; and The Importance of Being Earnest 1895 often considered his masterpiece. His poem The Ballad of Reading Gaol 1898 and his impassioned letter to his lover Lord Alfred Douglas De Profundis published post-humously in 1905 were products of his imprisonment" Benét's Reader's Encyclopedia. Mason pp. 459-460. London: Methuen & Co., 1908 unknown books
réf. 06456London: T. Werner Laurie 1916. The first and still foundational bibliography of Oscar Wilde MASON Stuart pseud. of Christopher Sclater Millard. WILDE Oscar. Bibliography of Oscar Wilde. With a note by Robert Ross. Illustrated. London: T. Werner Laurie n.d. ca. 1916. Octavo 8 1/4 x 5 1/4 inches; 210 x 133 mm. xxxii 605 3 pp. Numerous facsimiles throughout the text. Bound ca. 1960 in three quarter purple morocco over purple cloth boards ruled in gilt spine with five raised bands tooled and lettered in gilt in compartments marbled endpapers all edges gilt spine faded. Original pink cloth covers bound in at end. The first and still foundational bibliography of Oscar Wilde compiled by his friend and literary defender Christopher Sclater Millard writing under the pseudonym "Stuart Mason." Produced with the close cooperation of Robert Ross Wilde's literary executor this work remains indispensable for collectors scholars and the trade. Millard's bibliography is far more than a mere listing: it provides detailed descriptions of Wilde's books pamphlets periodical contributions and translations along with valuable notes on variants piracies and publication history. Issued at a time when Wilde's reputation was still in recovery following his death in 1900 the book represents an early and important effort to establish a serious scholarly framework for Wilde's oeuvre. Particularly useful are the numerous facsimiles - title-pages wrappers and documents - which give the work practical bibliographical authority and make it a key reference for identifying first editions and priority issues. A cornerstone Wilde reference here in an attractive mid-twentieth-century morocco binding well suited to the collector's shelf. London: T. Werner Laurie, 1916 unknown books
1921réf. 23766Westminster: Beaumont Press 1921. Limited edition. Hardcover. Near fine. Illustrated by Ethelbert White. Thin 8vo. 60pp. Cloth spine gilt. Patterned paper over boards. Finely printed letterpress on handmade paper. Woodcut cover and decorations by Ethelbert White. One of 400 numbered copies from a totla edition of 475 this is number 455. A near fine copy. "The letters included in this volume were written by Oscar Wilde to his friend Robert Ross during the summer of 1897. Wilde was released on Wednesday May 19th after completing his sentence of two years imprisonment and on that day he crossed with a friend to Dieppe where he was met by Robert Ross to whom he at once handed the manuscript of his prison letter no known as 'De Profundis'. . Beaumont Press hardcover books
1891réf. 7941London: James R. Osgood 1891. First edition. Very Good . One of 1000 copies. A Very Good copy fresh and clean throughout. Publisher's pictorial tan cloth stamped in gilt. Cloth a bit faded and foxed. Gilt very bright and attractive. Dent to edge of lower board at bottom corner. Modern bookplate D. Chisholm Simpson and ink ownership stamp Yew Tree Cottage to upper endpapers. A some toning to upper free endpaper otherwise very fresh and clean internally. Complete with the four plates illustrated by Charles Shannon which have faded but are somewhat clearer than is usually seen. A collection of fairytales from the famed writer wit and aesthete A House of Pomegranates compiles four stories of mermaids hunchbacks kings and princesses. This was actually Wilde's second collection of fairy tales - he had been writing such stories for years - after The Happy Prince and Other Tales published in 1888. A House of Pomegranates was met with some controversy with many reviewers finding the stories too complex and morally ambiguous for children. Wilde clearly had more wide-ranging ambitions than the standard children's tale however and found it absurd that "the extremely limited vocabulary at the disposal of the British child is the standard by which the prose of an artist is to be judged.in building this House of Pomegranates I had about as much intention of pleasing the British child as I had of pleasing the British public." Very Good . James R. Osgood unknown books
1891réf. 69675London: Ward Lock and Co 1891. Full Description: WILDE Oscar. The Picture of Dorian Gray. London: Ward Lock and Co. 1891. First edition in book form this being the Edition de Luxe limited to 250 copies numbered by hand and signed by Oscar Wilde this being number 52. Royal octavo 8 1/2 x 7 inches; 215 x 180 mm. vii 1 334 pp. Printed on Dutch hand-made paper watermarked Van Gelder. Publisher's quarter parchment over rough grey bevelled boards possibly rebacked retaining the original spine. Front cover with gilt lettering atop a pattern of fifty-five gilt butterflies designed by Charles Ricketts spine lettered in gilt at base top edge gilt rest uncut. Newer endpapers. Previous owner's penciled poem in German to half-title. Some dust-soiling to deckle edges. Some rubbing to bevelled edges. A small slit at the bottom of the front hinge. Overall a very good copy in the publisher's binding. The Picture of Dorian Gray is Oscar Wilde's first novel and was first published in Lippincott's Monthly Magazine July 1890. Six new chapters are added to this first appearance in book form with many other additions and variations. On its first appearance this book was violently attacked by the critics and its publication did Wilde a great deal of harm. Mason 329. HBS 69675. $55000. Ward Lock and Co unknown books
1925réf. 607516New York: Farlag "Die Feder 1925. Softcover. Very Good. Presumed first Yiddish-language edition. Translated by Aharon Karlin. Octavo. 32pp. Text in Yiddish bound and paginated in the Yiddish style. Stapled printed wrappers with a bit of tanning and edgewear page edges a trifle foxed and the last few leaves with a small faint stain near the spine base very good. The lower wrap prints a publisher's advertisement for a couple of "Die Feder" titles as well as their monthly art and literary magazine The Pen. Very uncommon. Farlag "Die Feder unknown books
1968réf. 69253London: Petersburg Press 1968. DINE Jim. The Picture of Dorian Gray. London: Petersburg Press 1968. Full Description: WILDE Oscar. DINE Jim artist. The Picture of Dorian Gray. London: Petersburg Press 1968. Limited edition signed and numbered by the artist Jim Dine on the limitation page in green ink. This being number 11 of 200 in Edition B. Folio 17 3/8 x 12 1/4 inches; 440 x 310 mm. Complete with frontispiece and twelve lithographs in color with a set of an additional 4 loose lithographs issued in a portfolio each annotated "Edition B" on the reverse and numbered 11/200 and signed by the artist in pencil on the front lower margin. Original full green velvet boards. Front board lettered in silver. Pictorial patterned endpapers. Housed in a black cloth slipcase. With additional black cloth portfolio. Cloth portfolio with a small split at top of hinge. A fine copy. "A working script for the stage from the novel by Oscar Wilde with original images and notes on the text by Jim Dine" From the title page. "The original colour lithographs etchings and text pages comprising this book were prepared on zinc and aluminum plates by the artist at Bath Academy of Art Corsham ini February 1968; and subsequently printed on Velin Arches at the Atelier Desjobert and Atelier Leblanc in Paris." Colophon HBS 69253. $4500. Petersburg Press unknown books
1973réf. 594846New York: Samuel French 1973. Softcover. Fine. First acting edition. 12mo. 110 2 ads pp. Printed pale blue wrappers. About fine. Adaptation of Wilde's novel. Uncommon. Samuel French unknown books
1893réf. 6451London: Elkin Mathews and John Lane 1893. First edition. One of 50 large-paper copies on hand-made paper. A Fine copy. Quarto 8 5/8 x 6 5/8 inches; 220 x 169 mm. i blank i limitation iii-xvi 132 pp. Handsomely bound by Zaehnsdorf ca. 1897 stamp-signed in gilt on front turn-in and with their exhibition stamp in black on rear paste-down. Full dark green crushed levant morocco covers bordered in gilt enclosing a six-line gilt border. Spine with five raised bands decoratively framed and lettered in gilt in compartments gilt-ruled board edges multi gilt-lined turn-ins top edge gilt others uncut. With the bookplates of the renowned collector C. S. Ascherson dated 1897 and Paul Louis Weiller also a famous book collector and a great friend of J. Paul Getty on front paste-down. Housed in a felt-lined dark green cloth clamshell case spine with leather label lettered in gilt. A couple of tiny and unobtrusive minor stains on blank borders otherwise a clean copy in a wonderful and early if somewhat austere binding by the great firm of Zaehnsdorf. Oscar Wilde's Lady Windermere's Fan A Play About a Good Woman was his "first successful dramatic production" and one of his many masterpieces Mendelssohn. His talent for astute adaptations of traditional comedic tropes like the long-lost child or mistaken motivations are utilized to full effect in this narrative. The four-act comedy was infamously first performed on 20 February 1892. In addition to pulling on popular stars to perform Wilde had the young men of his entourage arrive at the premier wearing green carnations in their buttonholes-something that scandalized attendees when in a metatheatrical moment one of the characters onstage appeared with one as well referencing its cost and symbolism for decadent immorality. Prim attendees were in fact surrounded by a generation of young men devoted to such aesthetic ideals and wearing the same flower. Mason 358. Elkin Mathews and John Lane unknown books
1907réf. 68900London and New York: A. R. Keller & Co 1907. Full Description: WILDE Oscar. The Writings of Oscar Wilde. London and New York: A. R. Keller & Co. 1907. The University Edition of the Uniform Edition. One of 800 numbered copies this being number 15. Complete in fifteen octavo volumes 8 x 5 1/2 inches; 205 x 140 mm. Illustrated with plates in black and white each with a descriptive tissue guard. Title and limitation pages on Japanese vellum printed in black and red with additional engraved title pages in each volume. Half red morocco over green cloth. Spines stamped and lettered in gilt. Top edges gilt. Marbled endpapers. Spines uniformly a bit darkened. Some minor occasional rubbing the worst of it to the top edge of "Lady Windemere's Fan." Still a near fine set. The Uniform Edition comprises the Edition De Luxe of 200 copies. the Oxford edition of 250 copies and the University Edition present copy of 800 copies. This very early edition precedes the 1908 Ross edition of Wilde's works often described as the first collected edition. HBS 68900. $4250. A. R. Keller & Co unknown books
1990réf. 532801Washington: Orchises 1990. Softcover. Near Fine. Offset reprint of the 1899 edition published by Leonard Smithers. Lavender cloth with gilt-stamped spine. Octavo. 152pp. Spine cocked near fine without dust jacket presumably as issued. Inscribed by "The re-publisher" to poet Daniel Hoffman on the front fly. Orchises unknown books
1961réf. 537525New York: Berkeley Publishing 1961. Softcover. Fine. First edition thus. Introduction by Granville Hicks. Discoloration at the corner of the top right edge not affecting the interior pages else fine in wrappers. A collection of excerpts from various notorious works such as Juliette by Marquis de Sade The Memoirs of Casanova "Salome by Oscar Wilde "The Taylor Shop" by Henry Miller The Naked Lunch by William S. Burroughs among others. Issued as Berkeley Medallion S538. An uncommon book. Berkeley Publishing unknown books
2004réf. 81469bdFt. Pierce FL: Long Wind Publishing LLC. 2004. First Edition stated. Signed and inscribed by the illustrator Philip S. Steel. Square quarto white cloth hardcover 32 pp. Fine As New in a Fine As New dust jacket. From dust jacket: Performed across the entire State of Florida s a unique combination of a one-man monodrama and a traveling art exhibit Net Loss set tongues wagging about its controversial theme: the banning of certain types of net fishing in Florida and the staggering effect the ban had on generations of fishing families. It also broke ground as an innovative partnership between a dramatist and a painter with both disciplines sharing equal billing in the production. Net Loss also focuses on a larger issue the issue of art as social commentator. Although the net ban had taken effect several years prior to writer Evelyn Wilde Mayerson and artist Philip S Steel’s groundbreaking partnership the frustration felt by fishermen fairly roiled just below the surface of their feelings. Net Loss gave a voice to those who had virtually given up on ever having a public forum to express their disjoining sense of loss and helplessness. Although the production did not take an advocate’s position on either side of the question the audience was treated to a sympathetic examination of one fisherman’s take on what had happened to him and many of his friends. Here then is Net Loss reduced to its true essence. Evocative words and interpretive paintings that draw the reader down to the docks the fish houses and boats of a changing breed of people whose lives depend on a natural resource in a world not controlled by nature. Long Wind Publishing, LLC., (2004). First Edition, stated. hardcover books