Wilde, OscarABAA
6 853 résultats
1904réf. 429030Portland Maine: Thomas B. Mosher 1904. Softcover. Fine/Near Fine. Reprint. 79 2pp. Measuring 3.75" x 5.5". Fine in a near fine dustwrapper with age-toning and creases on the spine in a very good slipcase lacing the top edge with tears. One of 425 copies on Japan Vellum some pages uncut. Thomas B. Mosher unknown books
1987réf. 385830New York: McGraw-Hill 1987. Hardcover. Near Fine/Near Fine. First edition. Light bumping and fading of the extremities light foxing else near fine in a nearly fine dust jacket with some light fading on front panel. McGraw-Hill hardcover books
1997réf. 320072New York: Marlowe & Company 1997. Softcover. Fine. Uncorrected proof. Blue printed wrappers. Light sticker offsetting on front wrapper else fine. Marlowe & Company unknown books
1991réf. 60236New York: Dell Books 1991. Softcover. Fine. First edition. Uncorrected proof. Light circular market on front wrap else fine in wrappers. Dell Books unknown books
1952réf. 172539Culver City CA: RKO Radio Pictures 1952. Eight vintage hand-tinted color British front-of-house cards from the 1952 film here under the alternate title "Sons of the Musketeers." in 1648 Queen Anne of France calls on the Four Musketeers for help but they send their children instead. Set in France. 8 x 10 inches. Near Fine. RKO Radio Pictures unknown books
réf. 144208Lynd Ward. New York: Macy-Masius: The Vanguard Press 1928. Illustrated with mezzotints by Lynd Ward. 4to 10 x 7 inches. 106 pp. Decorative title page printed in green and black. Twenty-five full-page mezzotints by Ward with historiated headpieces and side-pieces bordering the text throughout. Illustrated green pictorial endpapers. Original imitation wood-grain paper over boards brown leather spine lettered in blind. FIRST EDITION. First impression of 2000 copies. Set in Blado Italic on Aurelian Rag paper; composition and presswork by The Marchbanks Press. Signed by Lynd Ward on the front free endpaper. No dust jacket. Boards lightly toned and rubbed at the extremities; rear board with some additional wear. Spine intact and secure. Page block tanning at edges else the mezzotint plates and text quite clean. Very good. Horodisch p. 106. The Ballad of Reading Gaol was written during Wilde's exile in France following his release from Reading Prison where he had served two years for gross indecency. Ward's mezzotints - his first work for a fine press book predating Gods' Man 1929 - match Wilde's poem in their atmospheric darkness rendering the prison's figures in dense velvety shadow. . unknown books
1937réf. 1251331937. New York: Printed for members of the Limited Editions Club at the Harbor Press 1937. Large 8vo 42 pp. Illustrated with lithographs. Printed in red and black. Original gray leatherette with embossed brick design on upper board. Backstrip and tips worn pastedowns with a couple spots otherwise very good internally; in the red card slipcase lightly shelf worn. § Limited edition of 1500 copies signed by the illustrator Zhenya Gay. Introduction by Burton Rascoe. unknown books
1893réf. 371134Oxford: published for the Proprietor by James Thornton High Street 1893. 100 pp. Squarish 8vo. Blue printed paper wrappers. Some chipping and loss to covers; toning to pages. 100 pp. Squarish 8vo. Featuring "The Disciple" by Oscar Wilde and pieces by Lord Alfred Douglas H. M. Beerbohm and John Addington Symonds. published for the Proprietor by James Thornton, High Street unknown books
1968réf. 305092London: Petersburg Press 1968. Edition C with six loose lithographs signed duplicates of those bound in the book and four signed etchings this copy 100 of 100 lacking two of the prints. Illustrated by Jim Dine. 2 vols. Folio 18.1 x 13 inches. Snakeskin print leather binding near fine on text volume and portfolio volume matching box and heart cover with some fading otherwise near fine. Dine Jim. Edition C with six loose lithographs signed duplicates of those bound in the book and four signed etchings this copy 100 of 100 lacking two of the prints. Illustrated by Jim Dine. 2 vols. Folio 18.1 x 13 inches. Three editions of this work were published with an extra suite of prints: A Edition of 200 plus 25 artists' proofs bound in red velvet with the title in silver with six signed lithographs duplicates of the plates in the text signed by Dine B Edition of 200 plus 25 artists' proofs bound in green velvet with the title in silver with four etchings signed by Dine C Edition of 100 plus 15 artists' proofs in a snakeskin-patterned leather binding stamped in black with a matching box with "heart built up on the cover" also signed by Dine containing all of the prints of the two other editions 10 total signed by Dine. THIS COPY LACKING TWO PRINTS: "Sybil in her Dressing Room" and "Basil in Black Leather Suit" Jim Dine worked on a stage version of Wilde's novel with English director Robert Kidd for the Bath Academie of Art at Corsham moving the setting to London during the 1967 Summer of Love. The play was never finished as the scheduled lead actor James Fox objected to Dine's "obscene" costumes derailing the whole production. Petersburg Press stepped in and offered to print Dine's drafts for the adapation. Mikro 47 Petersburg Press unknown books
1922réf. 27887Leipzig: Hesse & Becker 1922. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Mustard cloth stamped in brown. Bookplate of Francis Kettaneh. Minor toning of textblock. Fine in glassine dust wrapper. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Poems by the prolific German-born author George Sylvester Viereck 1884-1962 who first gained renown for The House of the Vampire and Nineveh and other Poems both 1907 which showed the strong influence of Oscar Wilde. Viereck became notorious for his pro-German propaganda during the first world war and later for his pro-Nazi propaganda before and during the second world war for which he was imprisoned. This is a German-language selection of his early verse including Nineveh 1907 with some pieces translated by other hands. Viereck's free German translation "frei verdeutscht" of The Ballad of Reading Gaol appears here at pages 151-175; his English translation of the Deutschlandslied "Deutschland Deutschland Land of All Lands" which appears here on p. 176 remained standard for many years. Signed by the author on the front flyleaf. Hesse & Becker unknown books
1906réf. 264810London: Privately Printed Leonard Smithers 1906. First edition one of 400 copies. 20 2 pp. 8vo. Printed tan wrappers. Fine in custom red morocco-backed slipcase and chemise. First edition one of 400 copies. 20 2 pp. 8vo. The penultimate Smithers publication our copy with the "Shelley" bookplate of H. Buxton Forman. Mason 626; BAL 21346 Whistler; Nelson 1906.3 Privately Printed [Leonard Smithers] unknown books
1916réf. 264948New York: Printed and Published by the Author 1916. First Edition. Frontis. 2 vols. 8vo. Qauarter publisher;'s green calf and boards. Fine in half faded green morocco and chemise. First Edition. Frontis. 2 vols. 8vo. Printed and Published by the Author unknown books
1898réf. 259158London 1898. First edition ONE OF 30 COPIES on Japanese vellum. 1 vols. 8vo. Cinnamon-colored cloth vellum spine. Covers show slight insect damage and minor soiling spine a bit soiled otherwise a very good copy in a quarter blue morocco slipcase with chemise and with the bookplate and signature of actress LENA ASHWELL 1872-1957 on the front pastedown. First edition ONE OF 30 COPIES on Japanese vellum. 1 vols. 8vo. First edition of Wilde's legendary poem written while he was imprisoned in its rarest state - being one of only 30 copies printed on Japanese vellum. This copy comes from the distinguished library of the actress Lena Ashwell 1872-1957 who as a young actress toured in Wilde's Lady Windermere's Fan in 1891 later becoming actor-manager of the Savoy Theatre. Ashwell was particularly troubled by the news of Wilde's arrest and wrote later: ". the atmosphere of London was horrible and cruel. His plays were so very brilliant and I had seen this when I was in Lady Windermere's so I felt that he was a friend and in desperate trouble." Later during WWI she is known to have pioneered the organization of entertainments on a large scale for the British troops in France Leask Margaret Lena Ashwell: Actress Patriot Pioneer 2012. An excellent association copy of an essential Wilde rarity. Mason 372 unknown books
1879réf. 259339Oxford: Thos. Shrimpton and Son 1879. First appearance of Wilde's poem. P. 2 in WAIFS AND STRAYS. A TERMINAL MAGAZINE OF OXFORD POETRY Vol. I No. 1 June 1879. 1 vols. Original wrappers. Fine. First appearance of Wilde's poem. P. 2 in WAIFS AND STRAYS. A TERMINAL MAGAZINE OF OXFORD POETRY Vol. I No. 1 June 1879. 1 vols. Mason 275 Thos. Shrimpton and Son unknown books
1894réf. 256986London: John Lane at the Sign of the Bodley Head in Vigo Street 1894. First edition one of 50 Large Paper copies. 154 1 pp. Printed by T. and A. Constable Edinburgh. 1 vols. 4to. Original buckram gilt. Spine and extremities darkened endleaves with some paste darkening else fine in a custom purple half-morocco slipcase and chemise. First edition one of 50 Large Paper copies. 154 1 pp. Printed by T. and A. Constable Edinburgh. 1 vols. 4to. An attractive large paper copy. Wilde's witty and urbane satire of the English upper class. This was written and produced in 1893 near the height of Wilde's career between Salome 1891 and his masterpiece The Importance of Being Ernest 1895. Mason 365. Provenance: Arthur Chester Rhodes John Lane at the Sign of the Bodley Head in Vigo Street unknown books
1904réf. 259337London: Printed for Private Circulation 1904. First separate edition one of 200 copies printed. 30 pp. Title-page in red green and black. 1 vols. 8vo. Original gray wrappers lightly browned and splitting along spine; slight offset to half-title. Very good copy of a fragile book. First separate edition one of 200 copies printed. 30 pp. Title-page in red green and black. 1 vols. 8vo. Mason 614 Printed for Private Circulation unknown books
1912réf. 259334London: Arthur L. Humphreys 1912. First edition with Ross's Preface. x 99 pp. 1 vols. 12mo. Original blue boards with red label printed in black on upper cover. Exceptionally fine copy IN THE ORIGINAL PRINTED DUST JACKET with slight wear. First edition with Ross's Preface. x 99 pp. 1 vols. 12mo. Mason 370 Arthur L. Humphreys unknown books
1907réf. 629171907. Etching on paper; paper 11-3/4 x 9 inches plate 5-3/4 x 4 inches. 1 vols. Matted and Framed signed in pencil. Etching on paper; paper 11-3/4 x 9 inches plate 5-3/4 x 4 inches. 1 vols. Hermann Struck 1876-1944is recognized for his extensive landscapes and portraits of noted personalities in early 20th century Europe including Herzl Ibsen Nietzsche Freud Einstein Rutenberg et al. He was born into an Orthodox Berlin family and subsequently studied at the Berlin Academy under Max Koner and Hans Meyer. He joined the Zionist movement at an early age and in 1903 after several study trips throughout Europe he visited Palestine and on his way back to Germany stopped in Vienna where he was introduced to Herzl. It was this meeting that inspired the famous portrait etching of the Zionist leader. During World War I Struck served with the German Army in Lithuania where he came in contact with Eastern European Jews and embraced their way of life. In 1923 he returned to Palestine and settled in Haifa. By now a master of the craft of etching Struck taught graphic techniques to such fellow artists as Chagall Liebermann Israels Corinth Ury and Budko. His book Die Kunst des Radierens 1923 a popular guide book for artists and connoisseurs provides both technical explanations and practical instruction. Struck excelled as a portraitist. He also recorded landscapes Jewish and Arab types and scenes from the Jewish diaspora. He spent time in England and became a member of the London Society of Painters Etchers and Engravers. unknown books
1895réf. 215072London: Elkin Mathews. Dublin: Hodges Figgis & Co. Limited 1895. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. Original green cloth. Fine. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. With 4 poems by Oscar Wilde and poems by Douglas Hyde Aubrey de Vere John Todhunter William Wilde. Elkin Mathews. Dublin: Hodges, Figgis & Co., Limited unknown books
1906réf. 212404Sunderland: Keystone Press 1906. First edition. Number 92 of 50 copies printed on hand-made paper. 1 vols. 8vo. Original blue printed wrappers stitched. Faded some chipping of corners and edges light browning of leaves else a good copy. First edition. Number 92 of 50 copies printed on hand-made paper. 1 vols. 8vo. The lecture Wilde presented in 1883 shortly after his two American trips of 1882 and 1883. Ransom p. 261 Keystone Press unknown books
1920réf. 171352N.p.: N.p. 1920. Two vintage reference photographs from the 1920 short film. One with a "No Smoking Please" pencil annotation to the verso. Based on the popular "Toonerville Folks" newspaper comic created by Fontaine Fox which ran from 1913 through 1955. 17 "Toonerville Trolley" two-reel comedies were made at the Betzwood Motion Picture Studio in Pennsylvania only seven of which survive today. 10 x 8 inches. Very Good or better moderately toned and edgeworn. N.p. unknown books
1927réf. 171334N.p.: N.p. 1927. Two vintage reference photographs from the 1927 silent film one showing actor Harold Lloyd fearfully holding a stick like a machine gun the other showing a medicine show caravan. A sheriff's shy son is given the chance to prove his worth when a traveling medicine show run by shysters rolls into town. A remake of the 1924 Hal Roach film "The White Sheep." Widely considered one of Lloyd's finest films and the last of Lloyd's films to star Jobyna Ralston. Shot on location in rural California. 10 x 8 inches. Very Good plus. N.p. unknown books
1976réf. 2353650Norwalk Connecticut: The Heritage Press 1976. Reissue. Large Hardcover. Very Good/Very Good. 18x13x2. Hill James. Includes publisher's slipcase and Sandglass insert. Spine a bit faded and lightly soiled edges foxed. Binding tight and square text clean bright and unmarked. 1976 Large Hardcover. xii 313 pp. Red cloth gilt titles color illustrations from paintings by James Hill introduction by Robert Gorham Davis. A collection of short stories by the poet playwright and humorist best known for The Picture of Dorian Gray and The Importance of Being Earnest. Includes: Introduction; The Portrait of Mr. W.H.; Lord Arthur Savile's Crime; The Sphinx Without a Secret; The Canterville Ghost; The Model Millionaire; A House of Pomegranates: The Young King The Birthday of the Infanta The Fisherman and His Soul The Star-Child; The Happy Prince and Other Tales: The Happy Prince The Nightingale and the Rose The Devoted Friend The Selfish Giant The Remarkable Rocket. The Heritage Press hardcover books
1973réf. 2353963Norwalk Connecticut: The Heritage Press 1973. Reissue. Hard Cover. Near Fine/Near Fine. Walton Tony. Includes publisher's slipcase and Sandglass insert. Slipcase edges a bit faded otherwise an excellent copy. Binding tight and square pages clean bright and unmarked. 1973 Hard Cover. 125; 114 pp. Bound in imitation of the dos-a-dos style binding the reader can flip the book over to read the second of the two books included in the volume though there is no middle board present as would be the case in an actual dos-a-dos. Introduction by Sir John Gielgud color plates and woodcut illustrations by Tony Walton. Oscar Wilde was already one of the best-known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s and retain their power today. This collection offers newly edited texts of Lady Windermere's Fan A Woman of No Importance Salome An Ideal Husband and arguably the greatest farcical comedy in English The Importance of Being Earnest. The Heritage Press hardcover books
1971réf. 162620N.p.: N.p. 1971. Vintage studio still photograph from the 1971 film here under the alternate release title "The Young Divorcess." Provenance stamp on the verso. Loosely based on the 1897 Oscar Wilde poem "The Ballad of Reading Gaol." Featuring early performances by George Takei and eventual director of "Fright Night" Tom Holland. In a 2006 interview with Howard Stern Takei revealed that the sex scenes were shot with body doubles and added only after the film was unable to secure distribution. Takei added that he was "impressed" with the body double used for his character. Three recently divorced twenty somethings abandon their suffocating lives and shack up as free-sprited free-love hippies. Today a cult favorite. Shot on location in San Diego and Piru California. 8 x 10 inches. Near Fine. N.p. unknown books
