8611 risultati
rif. 201509141Paris, Editions atlas collection club mediterranée , 1993 ; in-folio, 136 pp., cartonnage d'éditeur avec jaquette. Très bon état.
rif. 201106240Paris, Editions atlas collection club mediterranée , 1993 ; in-folio, 136 pp., cartonnage d'éditeur avec jaquette.
rif. 201108256Paris, France empire, 1959 ; in-8, 318 pp., cartonnage d'éditeur avec jaquette. Très bon état.
1931rif. 5469Seattle: Dogwood Press 1931. First edition thus. 26x18cm 24pp. Mounted color frontis title and initial in color. Pictorial rainbow paper boards stamped in gilt in original burnished gold paper slipcase. Spine toning some smudging to front cover clean internally. Slipcase rubbed and scuffed as typically seen. Beautiful production from preeminent Seattle fine printer Frank McCaffrey being the titular story from Oscar Wilde's 1888 collection of children's stories. McCaffrey notes in his preface "Putting this book into type has been a most satisfying pleasure to me" which is evident in the work being one of the most striking examples of fine Northwest printing. This copy with fragile slipcase prone to wear is better than often seen. Dogwood Press unknown
rif. 55367P., Gallimard, NRF, 1979, in 8° broché, 275 pages ; couverture illustrée.
1999rif. 44179Wommelgem Belgium: Blondé Artprinting International 1999. First Edition. Quarto 31cm x 25cm. Gray cloth boards hardcover with titling blind-stamped on cover and spine; pictorial dustjacket; 344pp; illus. Fine copy; appears new. Very Good dustwrapper; small tear to upper cover panel; shelf wear to extremities else clean and sound. Published on the occasion of the retrospective exhibition 'James Ensor' commemorating the 50th anniversary of the Belgian artist's death held at the Musées royaux des Beaux-Arts de Belgique in Brussels September 24 1999-February 13 2000. Scholarly texts by art historians and curators coupled with a catalogue of 370 color reproductions of Ensor's paintings drawings watercolours prints engravings posters and memorabilia. Blondé Artprinting International unknown books
Paris, Librairie Marceau, 1942. Grand in-8, broché, couverture imprimée et rempliée, 69 pp. Tirage à 1200 exemplaires numérotés sur Vélin d'Arches. Un des 1000. 7 hors-texte en couleurs, et nombreux dessins en couleurs dans le texte.
rif. 6630Paris, Librairie Marceau, 1942. Grand in-8, broché, couverture imprimée et rempliée, 69 pp.
1968rif. 29200New York:: Random House 1968. First Printing of the First US Edition. A fine copy in maroon cloth binding in a Near Fine unclipped dust jacket with a closed edge tear to the spine fold. Although known primarily as the irreverent but dazzlingly witty playwright Oscar Wilde was also an able and farsighted critic. He was an early advocate of criticism as an independent branch of literature and stressed its vital role in the creative process. Included in Richard Ellmann's impressive collection of Wilde's criticism The Artist as Critic is a wide selection of Wilde's book reviews as well as such famous longer works as "The Portrait of Mr. W.H." "The Soul Man under Socialism" and the four essays which make up Intentions. The Artist as Critic will satisfy any Wilde fan's yearning for an essential reading of his critical work. Random House, hardcover
1957rif. 73202AB1957. Fifth Impression. London Faber and Faber 1957. 13 cm x 19 cm. 360 Pages. Original clothbound hardcover. Very good condition with only very minor signs of external wear. Includes for example the following essays: Narrative of the Ghost of a Hand J. Sheridan Le Fanu / The Dream Woman Wilkie Collins / Who Knows Guy de Maupassant / The Canterville Ghost Oscar Wilde / The Open Window Saki / The Apple Tree Wlizabeth Bowen / etc. hardcover
1952rif. 54030Paris Editions Falaize 1952 In-12, broch, couverture imprime.Edition originale du texte d'Albert Camus servant de prface cette nouvelle traduction par Jacques Bour de la Ballade de la gele de Reading d'Oscar Wilde. Un des 50 premiers exemplaires numrots sur vlin de Madagascar, bien complet du feuillet volant d'erratum. Neuf, non coup.
Paris, Robert Laffont, 1946. In-4, 82 pp., en feuilles, sous couverture imprimée et rempliée, chemise et étui bleu de l'éditeur. Ouvrage illustré de 10 fines gravures sur cuivre. Un des 465 exemplaires numérotés sur vélin blanc, n° 190. Bel exemplaire.
rif. 22574Paris, Robert Laffont, 1946. In-4, 82 pp., en feuilles, sous couverture imprimée et rempliée, chemise et étui bleu de l'éditeur.
1906rif. 1843Düsseldorf: Schmitz & Olbertz 1906. First German edition. Numbered one of 600 copies. In unique custom made hand-painted vellum binding by Lajos Kozma. Title on spine in gilt lettering. Upper edge gilt. Paste paper endpapers. Kozma’s signet on front flyleaf’s verso and another signet supposedly of the owner: “CHW” on the additional flyleaf drawn by Kozma in black ink. Binding with slight discolorations and light stains. Inside some light and scattered foxing. Overall in fine condition. First German edition. Numbered one of 600 copies. In unique custom made hand-painted vellum binding by Lajos Kozma. Title on spine in gilt lettering. Upper edge gilt. Paste paper endpapers. Kozma’s signet on front flyleaf’s verso and another signet supposedly of the owner: “CHW” on the additional flyleaf drawn by Kozma in black ink. 44 4 p. The first German edition of The Priest and the Acolyte in Lajos Kozma’s Unique Hand-Painted Art Nouveau binding. Lajos Ludwig Kozma 1884–1948 was one of the chief Hungarian architects and interior designers of the first half of the 20th century he is also known for his graphic designs and book illustrations and binding designs. His early works were created in Art Nouveau style but later through Art Deco he found his way to International Modernism. The scandalous story of The Priest and the Acolyte here in A. W. Hiller’s translation is attributed to Oscar Wilde however its real author was John Francis Bloxam 1873–1928 an English Uranian author and churchman. The novel appeared first in The Chameleon Vol. I No. 1 December 1894. . Schmitz & Olbertz unknown
rif. 201214102Paris, Gallimard, 1979 ; in-8, 274 pp., broché, couverture illustr. Traduit de l'anglais par Georges Magnane.
rif. 201602268Paris, Les Editions G. Grès et cie, 1922 ; in-8, 89 pp., br. Broché très bon état -Broché, couverture illustrée rempliée. Premier tirage. Illustré de 9 dessins hors texte en 2 tons d"Alastair.
rif. 201008372Monaco, Anatolia - editions du rocher, 2000 ; in-8, 310 pp., broché, couverture illustr. Très bon état.
1942rif. 012873Saint-Maurice d'Etelan Pierre Bettencourt 1942 In-8 broché, couverture illutrée
1946rif. 755611946 Paris, Hazan, 1946, petit in 8° broché, 59 pages ; couverture rempliée imprimée.
1920rif. 147351920 P., Edition à petit nombre réservée aux souscripteurs et non mise dans le commerce [Librairie des Bibliophiles Parisiens, d'après Carteret], 1920, 1 vol. in-4° (285 x 198 mm) broché sous couverture mauve rempliée, étiquette de titre collée au plat supérieur, de 84 pp. - (2) ff. (cul-de-lampe et achevé d'imprimer).Couverture insolée, assez fortement au dos, comme toujours, très bel exemplaire par ailleurs.
1906rif. 62620London: Privately Printed by Leonard Smithers 1906. Tall 8vo. 6 x 9.25 in. 20 4 pp. Title in red & black. Tan printed softcovers minor chipping to foot of spine darkening to fore-edges minor shelfwear still a VG- unopened & uncut copy. First edition one of “400 copies on small quarto paper.” There was also issued one hundred large paper copies on demy octavo paper. This rather acerbic exchange of ideas and concepts of art between Whistler & Wilde was kicked off by Whistler’s famed “Ten O’Clock Lecture” delivered Feb. 10 1885 in London with biting review by Wilde. Privately Printed [by Leonard Smithers], paperback
1996rif. 866511996 Paris, NRF, Gallimard (Album de la Pléiade n°35), 1996, in 12 relié plein cuir de l'éditeur, jaquette rhodoïd, étui illustré, 272 pages ; 267 illustrations dont 18 en couleurs.
1997rif. B13NS1017The Victorian Newsletter Kentucky University No. 91 Spring 1997. 1st Edition. SOFTCOVER. A4 size card covered journal. Noon gives an interesting angle on Wilde's appreciation of social and class distinctions and barriers. Signed by Noon on title page __CONDITION : NEW unread copy. . __To see more of our Literary monographs biographies etc type DbbLBIOG in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS The Victorian Newsletter, Kentucky University, No. 91 paperback
1906rif. 515288New York: Mitchell Kennerley 1906. Hardcover. Very Good. First edition. 16mo. 75pp. Quarter cloth with papercovered boards paper spine label and gilt edges. About very good with ink owner name "Catherine Ten Eyck Ledyard" toned spine and some edgewear. Limited to 1000 copies. Contributors includes W.B. Yeats "Down by the Salley Gardens" and "Ephemera" Oscar Wilde "Requiescat" George Russell Fiona Macleod A. E. Housman Andrew Lang Moira O'Neill Ernest Dowson Robert Bridges et al. Mitchell Kennerley hardcover books
1906rif. 515288New York: Mitchell Kennerley 1906. Hardcover. Very Good. First edition. 16mo. 75pp. Quarter cloth with papercovered boards paper spine label and gilt edges. About very good with ink owner name "Catherine Ten Eyck Ledyard" toned spine and some edgewear. Limited to 1000 copies. Contributors includes W.B. Yeats "Down by the Salley Gardens" and "Ephemera" Oscar Wilde "Requiescat" George Russell Fiona Macleod A. E. Housman Andrew Lang Moira O'Neill Ernest Dowson Robert Bridges et al. Mitchell Kennerley hardcover