8587 risultati
1920rif. 147351920 P., Edition à petit nombre réservée aux souscripteurs et non mise dans le commerce [Librairie des Bibliophiles Parisiens, d'après Carteret], 1920, 1 vol. in-4° (285 x 198 mm) broché sous couverture mauve rempliée, étiquette de titre collée au plat supérieur, de 84 pp. - (2) ff. (cul-de-lampe et achevé d'imprimer).Couverture insolée, assez fortement au dos, comme toujours, très bel exemplaire par ailleurs.
1906rif. 62620London: Privately Printed by Leonard Smithers 1906. Tall 8vo. 6 x 9.25 in. 20 4 pp. Title in red & black. Tan printed softcovers minor chipping to foot of spine darkening to fore-edges minor shelfwear still a VG- unopened & uncut copy. First edition one of “400 copies on small quarto paper.” There was also issued one hundred large paper copies on demy octavo paper. This rather acerbic exchange of ideas and concepts of art between Whistler & Wilde was kicked off by Whistler’s famed “Ten O’Clock Lecture” delivered Feb. 10 1885 in London with biting review by Wilde. Privately Printed [by Leonard Smithers], paperback
1996rif. 866511996 Paris, NRF, Gallimard (Album de la Pléiade n°35), 1996, in 12 relié plein cuir de l'éditeur, jaquette rhodoïd, étui illustré, 272 pages ; 267 illustrations dont 18 en couleurs.
1997rif. B13NS1017The Victorian Newsletter Kentucky University No. 91 Spring 1997. 1st Edition. SOFTCOVER. A4 size card covered journal. Noon gives an interesting angle on Wilde's appreciation of social and class distinctions and barriers. Signed by Noon on title page __CONDITION : NEW unread copy. . __To see more of our Literary monographs biographies etc type DbbLBIOG in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS The Victorian Newsletter, Kentucky University, No. 91 paperback
1906rif. 515288New York: Mitchell Kennerley 1906. Hardcover. Very Good. First edition. 16mo. 75pp. Quarter cloth with papercovered boards paper spine label and gilt edges. About very good with ink owner name "Catherine Ten Eyck Ledyard" toned spine and some edgewear. Limited to 1000 copies. Contributors includes W.B. Yeats "Down by the Salley Gardens" and "Ephemera" Oscar Wilde "Requiescat" George Russell Fiona Macleod A. E. Housman Andrew Lang Moira O'Neill Ernest Dowson Robert Bridges et al. Mitchell Kennerley hardcover
rif. B243967-1N.p. Privately Printed 1923. 16pp. Printed on rectos only. Two color illus. Sm. 4to. Boards 1/4 cloth. Spine label. Dec. paper label on front board. Slipcase back panel loose. A piracy of a manuscript parody of Oscar Wilde originally written for inclusion in The Yellow Book. The unsigned introduction is by Ernest Boyd. Edition limited to 300 copies. N.p. (Privately Printed), 1923. hardcover
2000rif. Q-0340767707New York Hyperion 2000 2000-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! New York (Hyperion), 2000 hardcover
1898rif. 11084London: Murdoch & Co 1898. First separate edition. String-bound. Near fine. 12mo 16pp. A clean sound copy in the publisher's printed wrappers near fine. This copy with the staple perished replaced by a professional conservator with archival string and a few very small paper repairs to spine. Tiny stain to the front wrap else a handsome copy indeed of this scarce and fragile Wilde volume a plea for mercy in the case of Warder Martin of Reading Gaol a particularly humane and empathetic prison guard who was dismissed Wilde asserts for his humanity towards prisoners. Wilde had grown to know Martin well during his imprisonment. The text was first published in the Daily Chronicle and this pamphlet represents the first separate edition. Mason 26. Murdoch & Co unknown
1931rif. b35105London: Philip Allan 1931. First Edition . Hardcover. Near Fine/Very Good. Near fine in cloth-covered boards and very good dust jacket. Sunning on the spine of the book and sunning and light edgewear on the dust jacket. Offsetting on the endpapers. Philip Allan hardcover
1920rif. H4312Paris: Eugene Figuière 1920. Paperback. Very Good. Stated troisieme edition no date ca. 1920 large 8vo wraps with color illustration on cover by Kit inscribed to Eugene Silvain or Sylvain doyen of the Comedie-Francaise by Eugene Figuière the publisher who was also a poet and avant-garde collaborator. Light wear tanning to covers tanning to contents pages unopened. Eugene Figuière paperback
1895rif. 215072London: Elkin Mathews. Dublin: Hodges Figgis & Co. Limited 1895. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. Original green cloth. Fine. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. With 4 poems by Oscar Wilde and poems by Douglas Hyde Aubrey de Vere John Todhunter William Wilde. Elkin Mathews. Dublin: Hodges, Figgis & Co., Limited unknown
1922rif. 27887Leipzig: Hesse & Becker 1922. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Mustard cloth stamped in brown. Bookplate of Francis Kettaneh. Minor toning of textblock. Fine in glassine dust wrapper. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Poems by the prolific German-born author George Sylvester Viereck 1884-1962 who first gained renown for The House of the Vampire and Nineveh and other Poems both 1907 which showed the strong influence of Oscar Wilde. Viereck became notorious for his pro-German propaganda during the first world war and later for his pro-Nazi propaganda before and during the second world war for which he was imprisoned. This is a German-language selection of his early verse including Nineveh 1907 with some pieces translated by other hands. Viereck's free German translation "frei verdeutscht" of The Ballad of Reading Gaol appears here at pages 151-175; his English translation of the Deutschlandslied "Deutschland Deutschland Land of All Lands" which appears here on p. 176 remained standard for many years. Signed by the author on the front flyleaf. Hesse & Becker unknown
1916rif. 264948New York: Printed and Published by the Author 1916. First Edition. Frontis. 2 vols. 8vo. Qauarter publisher;'s green calf and boards. Fine in half faded green morocco and chemise. First Edition. Frontis. 2 vols. 8vo. Printed and Published by the Author unknown
1899rif. 70468Ldn. 1899. Høy 8vo. Originalt shirtingbind. Ubeskåret. 31 s. VEDLAGT : André Gide : Oscar Wilde. In memoriam Souvenirs. Le “de profundis”. Paris. 1947. 8vo. Originalt typografisk omslag. Ubeskåret og uoppskåret. 75 s. Leonard Smithers Engelsk. Hilsen på fribladet. Senere enn 7. utgave men før 1907.Svake indre og ytre falser noe løs. unknown
1968rif. 3282060411 gelatin silver prints. 9 ¾ x 7 ½ in. Photographer's stamp and descriptive carbon typescript captions on versos. Very good condition. This West End revival of Oscar Wilde's The Importance of Being Earnestopened on February 8 1968 and ran for 283 performances at the Theatre Royal Haymarket. The production starred Isabel Jeans Daniel Massey Helen Weir and John Standing among others. "Angus McBean's iconic portraits of actors and entertainers are among the most complete visual records of the British stage from the 1930s through the 1960s" Harvard. Angus McBean, photographer
1893rif. 371134Oxford: published for the Proprietor by James Thornton High Street 1893. 100 pp. Squarish 8vo. Blue printed paper wrappers. Some chipping and loss to covers; toning to pages. 100 pp. Squarish 8vo. Featuring "The Disciple" by Oscar Wilde and pieces by Lord Alfred Douglas H. M. Beerbohm and John Addington Symonds. published for the Proprietor by James Thornton, High Street unknown
1906rif. 56412Paris: Privately Printed Charles Carrington 1906. Limited edition. Softcover. Good. # 251 of a limited edition of 500 copies on handmade paper. Royal octavo. 9 1/4 x 6 3/8”. 134pp. plus 14pp. “List of Privately Issued Historical Artistic…works in English. ” Contains two essays by Lord Alfred Douglas regarding Wilde: "His Last Book and His Last Years in Paris" and "De Profundis. a Criticism". Green paper folded wrappers with paper label. Wrappers have split and bump at bottom of spine which is wrinkled and creased. Binding a bit loose. Privately Printed (Charles Carrington) unknown
1902rif. E7173Paris: Privately Printed 1902. First edition thus. vellum. Very Good. One of 500 unnumbered copies "for private circulation only among friends and subscribers". Full vellum line and lettered in black title on spine and large "O.W." on front cover. Top edge stained red and other edges uncut. Title page printed in red and black. Translated into English by Sebastian Melmoth pseudonym of Oscar Wilde. This is now considered to be a spurious Wilde piece; the Paris bookseller who printed it Charles Carrington apparently invented the Wilde connection in order to spur sales. The four page foreword has Wilde who had died two years earlier as its subject. A tight very good or a bit better example spine a bit darkened and some very light soilning to the vellum. Carrington's bookshop label is affixed to the rear free endpaper. Privately Printed unknown
1906rif. 264810London: Privately Printed Leonard Smithers 1906. First edition one of 400 copies. 20 2 pp. 8vo. Printed tan wrappers. Fine in custom red morocco-backed slipcase and chemise. First edition one of 400 copies. 20 2 pp. 8vo. The penultimate Smithers publication our copy with the "Shelley" bookplate of H. Buxton Forman. Mason 626; BAL 21346 Whistler; Nelson 1906.3 Privately Printed [Leonard Smithers] unknown
in-16, 157 p, broche, couv. Bel exemplaire. [P-43]
rif. 99982Paris, Librairie Gallimard, Nrf Bibliothèque de la Pléiade 1996, 175x110mm, 266pages, reliure d'éditeur sous jaquette. Jaquette en rhodoïde. Etui illustré de l’éditeur conservé. Exemplaire à l'état de neuf.
rif. 13049P., G. Crès & Cie, collection “Anglia”, 1920, in-12, br., 196 p. Edition originale.
rif. 10486Dir. : Alfred Vallette. P., 1911, in-8, br. Textes de A. Schintz, P. Lespinasse, O. Wilde "La sainte courtisane ou la femme couverte de bijoux", R. et J. de Gourmont, Rachilde, G. Palante, M. Boissard, etc.
rif. 13199Dir. : Alfred Vallette. P., 1913, in-8, br. Textes de L. Dugas “La timidité de Chateaubriand”, H.-D. Davray “Fragment inédit du De Profundis d’Oscar Wilde”, Saadi ”Le jardin des fruits”, J. Valère “Nostradamus”.
rif. 9169Paris, Mercure de France, 1968. In-8 broché, 211 pp.