6 058 résultats
réf. 12691 Album personnel de Willy Godenne, imprimeur à Malines et membre du Studio Novio avec le graphiste Jos Léonard. Il compte 83 travaux d'imprimerie et/ou publicitaire du Studio Novio, documents internes comme travaux réalisés pour d'autres comme le photographe René Malevez ou le sculpteur (!!) Willy Kessels, bientôt photographe également. Album oblong, 25,1 x 33,9 cm, couverture à motifs répétés imprimés + un ensemble de 15 feuillets. Malines, Godenne, [c. 1928] pour l'album.
réf. 328855London: George G. Harrap. hardcover. fine. Pogany Willy. Beautifully illustrated by Willy Pogany with 16 tipped-in color plates and ornate marginal designs and initials printed in turquoise. Unpaginated. 8vo magnificently bound by Riviere & Son in full black crushed morocco with a large multi-color oval inset on the front cover depicting Eve in front of the apple tree with lurking snake the whole surrounded by an elaborate grape vine with leaves & fruit. The back cover has an identical oval enclosing a snake entwined around a gilt wine glass. The spine with raised bands is elaborately gilt as are the dentelles; all edges gilt. London: George G. Harrap no date circa 1935. An immaculate copy preserved in a cloth slipcase. George G. Harrap unknown
1930réf. 163830N.p.: N.p. 1930. Vintage caricature drawing of silent film actress dancer and Jazz Age icon Louise Brooks smiling in a short pink dress executed in graphite charcoal and pastel by noted Hungarian artist Willy Pogány circa 1930s. Drawing comes with a letter of provenance from the Louise Brooks estate. A contemporary of Edmund Dulac Harry Rountree Sarah Stilwell Weber and others artist Willy Pogány is perhaps best remembered today for his versatile illustrations for children's books. He also worked prolifically as a sculptor painter portraitist and muralist and even briefly as a designer of stage sets and costumes. During the 1930s Pogány moved to Los Angeles where he found employment as an art director in Hollywood-likely the time period in which this drawing was created. Drawing approximately 14 x 19 inches unexamined out of frame. Near Fine lightly age toned along the edges. N.p. unknown
1908réf. 69956N.p. ca. 1908. in a gilt-lined silk mat framed to an overall size of approx. 20 x 16 inches. Very fine original condition. Image 8-1/2 x 5-1/2 inches. unknown
réf. 04915London: George G. Harrap & Co. Ltd. 1916. An Exceptionally Fine Riviére Rubáiyát Illustrated by Willy Pogany RIVIÉRE & Son binders. Rubáiyát of Omar Khayyám. Presented by Willy Pogany. The illustrations and decorations in this edition of Fitzgerald's translation of the "Rubáiyát" are by Willy Pogany. London: George G. Harrap & Co. Ltd. ca. 1916. Octavo 8 1/8 x 5 1/2 inches; 207 x 140 mm. Text printed in blue and black. 112 unnumbered pp. With sixteen tipped-in color plates within decorative borders by Willy Pogany and numerous text illustrations printed in blue. Bound ca. 1916 by Riviére & Son stamp-signed in gilt on front turn-in. Full vermillion crushed levant morocco. Front cover with a central oval panel of green morocco with Eve the serpent and the tree of life inlaid in various color morocco's. This central panel is surrounded by a gilt floral border of flowers and bunches of grapes which in turn is surrounded by a border lettered "Oh Thou Who Man of Baser Earth Didst Make / And Who With Eden Didst Devise The Snake / For All The Sin Wherewith The Face Of Man / is Blacken'd. Man's Forgiveness Give - And Take". Rear cover with an oval panel featuring the snake twined around a large chalice also surrounded by a gilt floral border of flowers and bunches of grapes which in turn is surrounded by a border lettered "Oh Thou Who Man of Baser Earth Didst Make / And Who With Eden Didst Devise The Snake / For All The Sin Wherewith The Face Of Man / is Blacken'd. Man's Forgiveness Give - And Take". Spine with five raised bands decoratively paneled tooled and lettered in gilt in compartments gilt board edges decorative gilt turn-ins decorative floral endpapers all edges gilt. Housed in the original felt-lined red cloth over boards slipcase. A very fine example. Willy Pogany had previously illustrated the Rubaiyat in 1909 but these later illustrations are quite a different interpretation more westernized and modernized than the earlier ones. "Had Omar Khayyam the old tentmaker visioned the beauty of his verses centuries later in Western dress as embroidered by a Hungarian artist he might have had a new conception of the meaning of immortality. For Pogany the Hungarian had made Omar the Persian live again." Willy Pogany and his Work. eight-page leaflet. Willy Pogány born in Szeged Hungary in 1882 studied at Budapest Technical University and in Munich and Paris. His reputation as a muralist painter and illustrator was well established in Paris London and Munich before arriving in the United States in 1915 at the age of thirty-three. Skilled in an unusually wide range of media he had won gold medals at exhibitions in Budapest Leipzig and at the Panama Pacific International Exhibition. "Among Pogány's many murals are those for the Heckscher Children's Theatre in New York City and the Niagara Falls Power Station. As a painter he did portraits of famous people in all walks of life. An expert on scenery design and lighting effects Pogány also designed sets for ballets and operas including "Le Coq d'Or" and for many films such as Modern Times for Charlie Chaplin as well as animated cartoons based on his children's books. "Among his other artistic endeavors Pogány was an accomplished book illustrator. It was this phase of his career especially as an illustrator of children's books which gives this collection special relevance for Special Collections & University Archives at the University of Oregon Libraries. Pogány designed and illustrated more than 150 books. His illustrations include those for the Rubaiyat and the Sonnets from the Portuguese The Song Celestial The Adventures of Odysseus Gulliver's Travels and many others both classic and original. "Working tirelessly right up until the end Willy Pogány died in 1955" University of Oregon Guide to the Willy A. Pogány Papers 1910-1967. London: George G. Harrap & Co., Ltd., [1916] unknown books
1910réf. 184938London: George Harrap & Co. 1910. The rarest issue of Pogány's masterpiece First Pogány edition signed extra limited issue number 23 of 25 copies signed by the artist. Pogány's illustrated edition of Coleridge's famous long poem is one of the artist's most lavish undertakings and was clearly inspired by the grand medieval tradition of book illustration. This extra limited issue was "for sale in England and America". A further 525 signed copies were issued on paper and there was also a standard trade issue. As noted by Richard Dalby "Willy Pogány was Dulac's most successful European contemporary during the highest peak of the Golden Age of book illustration. The Rime of the Ancient Mariner was his most ornate and impressive production with hand-scripted text full-page black and white drawings and colour plates tipped-in on grey matte paper. This combination of illustration and calligraphic text by the artist was rarely repeated" p. 87. Quarto. With title page 20 tipped-in colour plates other full-page illustrations each page of text within decorative borders all by Pogány. Original vellum by Morrell spine and front cover lettered in gilt and with illustrations in gilt blue green and red illustrated endpapers top edge gilt others untrimmed. Housed in a custom blue morocco entry slipcase. Vellum moderately soiled boards bowed as usual contents bright. A very good copy. Richard Dalby The Golden Age of Children's Book Illustration 1991. hardcover
1990réf. 94211Birkhauser Architecture. New. 1990. Hardcover. 3764355158 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- EIGHT 8 VOLUME SET. 1708 pages; 1720 color illustrations and 3500 in black and white. Description: "This exceptional Complete Works edition documents the enormous spectrum in the uvre of one of the most influential architects of the 20th Century. Published between 1929 and 1970 in close collaboration with Le Corbusier himself and frequently reprinted ever since the eight volumes comprise an exhaustive and singular survey of his work." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Birkhauser Architecture hardcover
1965réf. 918Germany - Israel 1965. Original half-cloth binding with marbled paper panels and ornamented printed endpapers. Pages are handmade Zanders paper. Binding slightly rubbed corners bumped some pages loose. Rear endpaper restored at the joint. Inside clean. Overall in very good condition. The guestbook contains 17 full-page artworks paintings and drawings in ink crayon and pencil many signed and dated 1920–1921 in Berlin some with short dedications. Additionally there are 12 pages of handwritten greetings dated 1955&n. The guestbook contains 17 full-page artworks paintings and drawings in ink crayon and pencil many signed and dated 1920–1921 in Berlin some with short dedications. Additionally there are 12 pages of handwritten greetings dated 1955&n. Original half-cloth binding with marbled paper panels and ornamented printed endpapers. Pages are handmade Zanders paper. . 38 leaves including 17 with full-page artworks graphics and paintings and 12 pages of handwritten greetings. Page size: 22 × 28 cm. Illustrated guestbook of Hugo Graetz art dealer and managing director of the Novembergruppe a collective of German Expressionist artists. This guestbook belonged to Hugo Graetz an art dealer and the managing director of the Novembergruppe a prominent collective of German Expressionist artists. The volume includes: Two drawings by Friedrich Feigl 1884–1965 Czech Expressionist painter. An ink drawing by Jakob Steinhardt 1887–1968 a German-born Israeli painter member of the Berlin Secession founder of the Pathetiker Group and later associated with the Bezalel school group. Three images by Willy Robert Huth 1890–1977 a founding member of the “Jung-Erfurt” artist group and two collaborative works with Martel Schwichtenberg 1896–1945 who also contributed an individual pencil drawing. Schwichtenberg was a member of the Deutschen Werkbund and the Novembergruppe. A portrait of Hugo Graetz playing the cello by Wilhelm Schmid 1892–1971 a founding member of the Novembergruppe. A gouache by Otto Beyer 1885–1962 member of the Berlin Secession. A signed crayon drawing and an unsigned painting by Franz Winninger 1893–1960. Four works by unidentified artists. The greetings written during the Graetz family’s later years in Israel provide a personal and historical complement to the artworks. The Novembergruppe was founded in 1918 by Max Pechstein and César Klein to promote Expressionist art and its connection to social and cultural transformation. Hugo Graetz became its managing director in 1919 a position he held until Hitler’s rise to power in 1933. After emigrating to Palestine with his wife Trude Graetz left the art business settling in Safed and working as a meteorologist and weatherman on Mount Canaan where he lived for the rest of his life. . unknown