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1931ref. 81837New York New York: Paul B. Hoeber Inc 1931. Presumed First Edition First printing. Hardcover. Good. xxxiii 3 427 1 pages. Footnotes Some cover wear. Includes Preface Introduction List of Illustrations and List of Portraits. Part 1 covers the Origin the Development and the Self-Perpetuation of Cancer; Part 2 covers The Therapy of Cancer including the treatment of Operable and Inoperable Cancer in the Light of a Systemic Conception of Malignancy. The book also contains a Summary a Retrospect and an Outlook an Index of Personal Names and an Index of Subjects as well as 5 black and white illustrations of Lymph nodes and 12 black and white portraits of deceased scientists renowned in cancer research. Inscribed by the author on the fep: Inscription reads: To Dr. H. Beaman Douglass with kind regards Willy Meyer Palm Beach February 1931. Thoracic surgery in America owes a great deal to Meyer's pioneer work. In his clear vision of the importance of this specialty he founded in I919 the New York Society for Thoracic Surgery and the American Association for Thoracic Surgery. Dr. Meyer's interest in cancer and his extensive study of the literature on cancer are best evidenced in his last publication a book entitled "Cancer" in which he comes to the conclusion that cancer is a systemic disease. Among his publications those on thoracic surgery are probably the most numerous. He was a Fellow of the American College of Surgeons a member of the American Medical Association American Surgical Association American Thoracic Gastro-Enterological and Urological Associations American Association for Cancer Research New York Academy of Medicine Pathological Society. Dr. Beaman Douglass was an eye ear nose and throat specialist. He invented the Douglass tonsillotome among other instruments. He was a former consulting surgeon at the New York Post-Graduate Hospital. This book deals with the tumor cancer as an ordinary lawful reaction of the tissue to certain systemic and local morbid conditions of the human organism. The book denies the autonomy of cancer. Halsted and Meyer were the first to achieve successful results with the radical mastectomy thus ushering in the modern era of surgical treatment for breast cancer. In 1894 William Halsted published his work with radical mastectomy from the 50 cases operated at Johns Hopkins between 1889 and 1894. Willy Meyer also published research on radical mastectomy from his interactions with New York patients in December 1894. The en bloc removal of the breast tissue became known as the Halsted mastectomy before adopting the title "the complete operation" and eventually "the radical mastectomy" as it is known today. Radical mastectomy was based on the medical belief at the time that breast cancer spread locally at first invading nearby tissue and then spreading to surrounding lymph ducts where the cells were "trapped". It was thought that hematic spread of tumor cells occurred at a much later stage. Halsted himself believed that cancer spread in a "centrifugal spiral" solidifying this opinion in the medical community at the time. Paul B. Hoeber, Inc hardcover
ref. 51-3887Paris: Circa 1898. . Original drawing from a French Collection. 32 x 23.5 cm.titled : Mais c'est ignoob. .Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
ref. 51-3864Paris: Circa 1898. . Original drawing from a Collection. 28.5 x 22 cm. Signed and annotated William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
ref. 51-3863Paris: Circa 1898. . Original watercolor from a French Collection. 32 x 33.5 cm. Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
ref. 51-3862Paris: Circa 1898. . Original drawing from a French Collection. 32 x 33.5 cm.titled : Oh Femme adorable .Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
1911ref. 70440New York:: Thomas Y. Crowell & Co 1911. publisher's cloth decorated in gold and colors in glassine wrapper and publisher's two-part decorated box. Ink gift inscription on the illustrated front free endpaper; otherwise a lovely copy in slightly used glassine. The box shows the lightest of use. . Large 8vo. Illustrated throughout by Willy Pogany. Thomas Y. Crowell & Co,, hardcover
1928ref. 19621New York: Thomas Nelsonand Sons 1928. Boards. Very Good. Willy Pogany. THE 1928 SIGNED/LIMITED #89 OF 500 COPIES SIGNED BY WILLY POGANY at the limitation. Solid and VG in its 1/4 navy-blue cloth over light-blue boards with a clean bright title-label to the front panel. Light scuffing to the panels light wear along the tips and the spine ends --and a partially-torn spine label. Internally beautifully-designed endpapers and magnificent Pogany color illustrations as well as silhouettes and marginalia at virtually every page. Very light soiling and several minor chips not affecting the plates at a few of the lower-edges tender but still perfectly sturdy inner hinges half-title/frontispiece page loose. Octavo beautiful late '20s illustrations in a number of cases with a strong Deco feel. Thomas Nelsonand Sons unknown
1928ref. 19621New York: Thomas Nelsonand Sons 1928. Boards. Very Good. Willy Pogany. THE 1928 SIGNED/LIMITED #89 OF 500 COPIES SIGNED BY WILLY POGANY at the limitation. Solid and VG in its 1/4 navy-blue cloth over light-blue boards with a clean bright title-label to the front panel. Light scuffing to the panels light wear along the tips and the spine ends --and a partially-torn spine label. Internally beautifully-designed endpapers and magnificent Pogany color illustrations as well as silhouettes and marginalia at virtually every page. Very light soiling and several minor chips not affecting the plates at a few of the lower-edges tender but still perfectly sturdy inner hinges half-title/frontispiece page loose. Octavo beautiful late '20s illustrations in a number of cases with a strong Deco feel. Thomas Nelsonand Sons unknown books
1935ref. 14211Los Angeles: Suttonhouse 1935. Very Good. Los Angeles: Suttonhouse 1935. First American Edition. Quarto; publisher's blue gilt-lettered cloth housed in custom cloth slipcase; xiii3180pp.; seven leaves of color plates text illus. throughout two-toned pictorial endpapers. Light shelf wear spine gilt rather dulled evidence of erased ownership signature to front flyleaf light finger soil else a Very Good and sound copy overall. Signed and dated in the year of publication by the illustrator on half title page. Charming collection of fairy tales for children each recounted by a different author. Suttonhouse unknown books
1910ref. 13118Paris: Ollendorff 1910. First Edition. Printed wraps. Very Good. 12mo. Pp. 329. Stiff paper wraps red titles in gray decorative frame edges untrimmed. French text. Colette signed on the half title. Copyright 1910 stated no printing date: list of available works ends with L'Ingénue Libertine 1909. Spine minimally creased and toned head edges lightly soiled endpapers toned. The last novel Colette published with her pseudonym Willy. The character Renée Néré was based on her marriage with Henri Gauthier-Villars Willy and subsequent work in the Music-Hall. A well-preserved first edition signed by the author: scarce either way. Preserved in a removable clear archival sleeve. Ollendorff unknown
1912ref. 54914NY: Thomas Y. Crowell. Very Good. 1912. First Edition. Hardcover. Original gilt-stamped burgundy cloth. First American trade edition. Illustrated by Pogany including tipped-in color plates. Spine gilt darkened wear to spine ends/edges with small loss to spine heel. Long closed tear along gutter of one of the preliminary pages. ; quarto . Thomas Y. Crowell hardcover
1964ref. 049422New York: Viking Press. Fine in Very Good dust jacket. 1964. 1st Edition; 1st Printing. Hardcover. Hardcover first printing with dustjacket this unique copy is signed by author Willy Ley on the title page book has moderate soiling to the outer page-edge and very mild foxing to the blank end-papers the binding is clean and tight and the contents are fine the jacket has some surface-scuffing and a few short edge-tears it is clean and bright the original price 6.50 is present and a professional removable mylar cover is included features full-color paintings by Chesley Bonestell photos and diagrams and a Foreword by Wernher von Braun "In this book the famous collaborators Chesley Bonestell and Willy Ley invite you to accompany them on a voyage to the strange stellar systems in the nearby regions of the galaxy"; Signed by Author . Viking Press hardcover
2006ref. x-0521839335Cambridge University Press 2006. 2 Hardback books. New. 1st edition. 1056 pages. 10.25x7.50x3.00 inches. Cambridge University Press hardcover
1905ref. 16643Paris: Garnier frères 1905. Fine. Garnier frères Paris s. d. circa1905 13 x 19 cm broché First edition one of 15 numbered copies on Japon the only large paper copies. Colored cover ilustrated by Mirande. Garnier frères unknown
ref. 41417[Neuchâtel, chez l'auteur], 1924. Gr. in-8°, 453p. Broché.
1993ref. 48988BASTEI-LÜBBE 05/1993. 1. softcover. BASTEI-LÜBBE paperback
2005ref. Q-1402033184Springer 2005-04-19. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Springer hardcover
1991ref. BN822281991. 1991. Das grosse Buch der Witze unknown
2006ref. DADAX0521839335Cambridge University Press 2006-09-18. hardcover. New. 7.50x3.00x10.25. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
ref. a107939Leipzig 1896 first edition Barth. In German. Hardcover. Octavo. Wien article pp . 662-229. Entire volume as 776p. 6 foldout charts xvi. Wilhelm Wien's paper was base for his Nobel Prize. This volume also includes Boltzmann Zur Energetik. at pp. 595-598 and papers by Kolrausch and Rydberg. Blue and black marbled boards with spine and tips dark grey cloth. Two mounted paper spine labels. Small old oval bibliothek stamp. Text clean; binding secure. Hinges not crakced. LIght cover rubbing and wear. VG. Pictures available on request. . hardcover
ref. 71614London: George G. Harrap and Co. 1909. Metaphysical Poetry FINELY-BOUND FIRST POGANY ILLUSTRATED EDITION. Quarto 28 x 20cm unpaginated. Highly calligraphic and decorated dichromatic text with 24 chromolithographic plates by Pogany interspersed after every two or three leaves. Recently re-bound in red full morocco with raised bands and gilt decoration to spine gilt titles to a black label to upper and further gilt decoration to upper. All edges gilt and marbled endpapers. Black ink ownership of Aida Foster to half-title dated December 1910 and some light spotting to first few leaves otherwise internally clean. A crease to plates facing 'Here with a loaf of bread' and 'For in and out'. Presented in an attractive new leather binding. Very good. 'Ah make the most of what we yet may spend / Before we too into Dust descend'. Polymath poet philosopher and scientist Khayyam was one of the greatest minds of the Islamic Golden Age whose enduring presence in the Anglophone world was cemented by the translations of FitzGerald. London: George G. Harrap and Co., 1909 unknown
1942ref. 033505David McKay Co 1942-01-01. First Edition. Hardcover. Very Good. 10x6x0. Signed by Illustrator. Hardcover bound book. Very Good- 6 of 10 in Good 4 of 10 box. This copy is AUTOGRAPHED/SIGNED by Willy Pogany on the half title page. Simply Signed & dated 1948. Maroon boards with gold gilt cover design & title & spine title. Top edge red. Minor rubbing to corners. Black box top/white bottom with gold paste on cover title & design and edge title. Wear to corners of box with one outer corner broken. Heavily illustrated by Willy Pogany. There were several Mckay editions and the printings are not indicated but this edition with Maroon boards has the best reproduction of the illustrations and would appear to be the 1st. Bagged for protection. FREE Media Mail Shipping! Images available for any item just ask. Any images shown next to the listing that have our www.aCastleofBooks.com watermark on them are the exact item you will receive all other images are for reference only. Free delivery confirmation for domestic orders. Books with Author signatures are guaranteed authentic. We understand collectors needs in terms of accurate grading and proper packaging. We stand behind our descriptions 100%. All items will be shipped securely to insure that they arrive in exactly the same condition in which they left. May have small easily erasable pencil markings on first page. Our Packing Slips do not contain any pricing information so you may order items as Gifts or for Dropship without concern. We ship every Monday Wednesday & Friday morning. All items subject to prior sale. Why the odd prices We run a percent discount for our Biblio listings which insures Biblio has our lowest prices online but does give odd change. David McKay Co hardcover
ref. 00JT12BELGIUM BELGE On offer is an original undated 12 x 8 inch photograph perhaps used as a poster wherein Belgium's greatest flying ace Willy Coppens de Houthulst writes a short note and autograph signature. The Belgian flyer was awarded 37 official air victories between April and October of 1918. He was injured in the last sortie losing his left leg but he continued to fly until 1940. Super Belgian relic of the 'Great War'. VG. Autograph. Very Good. 4to - over 9¾" - 12" tall. unknown
ref. 30645290-nnew. unknown
1913ref. 52088George G. Harrap. 1913. Hardcover. Good. First edition published ca. 1913. Light grey decorative cloth covers. Some wear to the spine edges and corners. The bottom of the spine and the corners are slightly bumped. The binding is tight. Illustrated by Willy Pogany with 16 color illustrations mounted on stiff paper. A beautifully-produced book.; 363 pages . George G. Harrap hardcover