6 325 résultats
1982réf. 1897304De Gruyter 1982. Hardcover. Used-Very Good. Cloth. Octavo. Two volume set. xv & 399 pp vii & 436 pp. Text in German Greek and Latin. Mild shelf wear to boards. Altogether a complete set in Very Good condition. De Gruyter hardcover
réf. 43168958-nnew. unknown
réf. 43168958like new. unknown
2024réf. x-03239568662024. Paperback. New. 448 pages. 9.21x7.50x10.87 inches. paperback
2004réf. __1840645296Edward Elgar Pub 2004. Hardcover. New. illustrated edition edition. 400 pages. 9.50x6.75x1.25 inches. Edward Elgar Pub hardcover
réf. 19491711like new. unknown
1928réf. 8498New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". Fourth Printing. Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's mother goose has delighted collectors of this genre for many years. Copies of the first edition have grown exceediungly scarce particularly in this condition. A true delight of art deco extravagance. Head and tailpiece a bit rubbed with tailpiece a bit frayed. Short tear to ffep and half title else a Near Fine crisp copy. Thomas Nelson and Sons. hardcover
1928réf. 8498New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". Fourth Printing. Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's mother goose has delighted collectors of this genre for many years. Copies of the first edition have grown exceediungly scarce particularly in this condition. A true delight of art deco extravagance. Head and tailpiece a bit rubbed with tailpiece a bit frayed. Short tear to ffep and half title else a Near Fine crisp copy. Thomas Nelson and Sons. hardcover books
1935réf. 56641New York: Farrar & Rinehart 1935. Hardcover. Fine/Fine. First American edition. Illustrated by J. O'H. Cosgrave II. Tiny stain to the edge of a couple of pages and the delicate green binding very slightly sunned still fine in fine dustwrapper with a tiny tear and very slight soiling. A lovely copy. Farrar & Rinehart hardcover
1935réf. 56641New York: Farrar & Rinehart 1935. Hardcover. Fine/Fine. First American edition. Illustrated by J. O'H. Cosgrave II. Tiny stain to the edge of a couple of pages and the delicate green binding very slightly sunned still fine in fine dustwrapper with a tiny tear and very slight soiling. A lovely copy. Farrar & Rinehart hardcover books
1978réf. 73610London England: Legion Publishing Ltd 1978. Large format magazine. Light shelfwear. Very good. 64 pp. New Wave fashion culture and politics magazine featuring art interviews news photo editorials and essays. In this issue: 24 Hours on 42nd Street by Nik Cohn Royal Male by Michael Roberts Sleepless Nights by Helmut Newton Tinto Brass Interviewed in Rome by James Ruscoe Posh under £5 by Alex Dufort Gambling by John Graham Mid-Atlantic Island by Clare Francis Terry at the Telex Northern Ireland: Why Can't We Broadcast the Truth by David Elstein Volksroller or Royals Royce by Peter Stengel 'Con-Front:' Photos by Terence Donovan Le Rouge et le Noir Legion Publishing, Ltd unknown
1969réf. 173693Wiesbaden: Steiner 1969. First Edition. hardcover. very good. Die Inschriften Die Ikonographischen und Literarischen Beziehungen Das Entstgehungsdsatum. 114 Abbildungen & 2 falttalfeln. 115p.4to blue cloth corners bumped. Wiesbaden: Steiner 1969. Very good. Review copy sent to art historian Meyer Schapiro with his ownership signature. Long letter of presentation to Schapiro 32 lines from the author writing about the genesis of the book and asking for suggestions on getting it reviewed. "You will be among the first to receive it of course." Steiner unknown
1969réf. 173693Wiesbaden: Steiner 1969. First Edition. hardcover. very good. Die Inschriften Die Ikonographischen und Literarischen Beziehungen Das Entstgehungsdsatum. 114 Abbildungen & 2 falttalfeln. 115p.4to blue cloth corners bumped. Wiesbaden: Steiner 1969. Very good. Review copy sent to art historian Meyer Schapiro with his ownership signature. Long letter of presentation to Schapiro 32 lines from the author writing about the genesis of the book and asking for suggestions on getting it reviewed. "You will be among the first to receive it of course." Steiner unknown books
1928réf. 45882Berlin: T.B.-Zeitung 1928. Loose leaf. g. Folio. 4pp. Original newsprint with black lettering protected by modern mylar. Article by Willy Hellpach sixth State President of Baden from 1928 in which he takes a pro-Jewish position pages 55-57 of the T. B. -Zeitung at a time of rising anti-Semitism. The article was published in 1928 the same year of the release of his book "Politische Prognose für Deutschland" and represents the end of the third chapter of the published book his writings on the Jewish Question Judenfrage. The article is published with an explicit disclaimer by the newspaper saying that despite of its disagreement with large parts of the article the sincere attempt of a man of Hellpach's statue to be fair to the Jewish population and culture deserves the publication in order to allow the reader to study Hellpach's position and come to its own conclusion. In view of the miniscule share of Germany's total population 62 million Germans and half a million Jews Hellpach calls it a delusional idea to manufacture a Jewish Question and stoke anti-Semitism with reference to ritual murders and the Protocols of the Elders of Zion. This he claims "is an attempt to make the Jews a people within a people." Though he acknowledges the differences in appearance and social conduct Hellpach claims that these differences would hardly be noticeable if not for the concerted efforts to differentiate between the two groups. He emphasizes that a close look at the "milling masses" of Bavaria where anti-Semitism is cultivated at the Oktoberwiese for example one hardly would experience unfettered aesthetic joy for a noble race. Hellpach states that the physical differentiation is nothing but a tool of non-Jews wielded against the Jews pointing out that this approach has its roots in three facts: the Jew's steadfastness of kin their prosperity and the intellectual curiosity of Jews. Hellpach elaborates and gives examples of cases contributing to the division of the two ethnic groups cites the Russian revolution as a major reason for the unusually high immigration of Jews into Germany and concludes that politically in view of the self-image of Germany as a democracy there is only one way of dealing with the problem: the absolute equality of Jews in public life. A nation like Germany ought to be able to absorb the positive values of Jewish culture. These four pages include an open letter on the subject to Bruno Glaserfeld including the answer a contribution by Professor Grimme on "The Stones of Sinai" and a note on German-Jewish playwright Ernst Lissauer's successful premiere of his play "York" at the Cologne Theater. Includes several illustrated and classified advertisements. Article with wear along edges small chips and closed tears along horizontal fold. Age-toned. T.B.-Zeitung unknown
1928réf. 45882Berlin: T.B.-Zeitung 1928. Loose leaf. g. Folio. 4pp. Original newsprint with black lettering protected by modern mylar. Article by Willy Hellpach sixth State President of Baden from 1928 in which he takes a pro-Jewish position pages 55-57 of the T. B. -Zeitung at a time of rising anti-Semitism. The article was published in 1928 the same year of the release of his book "Politische Prognose für Deutschland" and represents the end of the third chapter of the published book his writings on the Jewish Question Judenfrage. The article is published with an explicit disclaimer by the newspaper saying that despite of its disagreement with large parts of the article the sincere attempt of a man of Hellpach's statue to be fair to the Jewish population and culture deserves the publication in order to allow the reader to study Hellpach's position and come to its own conclusion. In view of the miniscule share of Germany's total population 62 million Germans and half a million Jews Hellpach calls it a delusional idea to manufacture a Jewish Question and stoke anti-Semitism with reference to ritual murders and the Protocols of the Elders of Zion. This he claims "is an attempt to make the Jews a people within a people." Though he acknowledges the differences in appearance and social conduct Hellpach claims that these differences would hardly be noticeable if not for the concerted efforts to differentiate between the two groups. He emphasizes that a close look at the "milling masses" of Bavaria where anti-Semitism is cultivated at the Oktoberwiese for example one hardly would experience unfettered aesthetic joy for a noble race. Hellpach states that the physical differentiation is nothing but a tool of non-Jews wielded against the Jews pointing out that this approach has its roots in three facts: the Jew's steadfastness of kin their prosperity and the intellectual curiosity of Jews. Hellpach elaborates and gives examples of cases contributing to the division of the two ethnic groups cites the Russian revolution as a major reason for the unusually high immigration of Jews into Germany and concludes that politically in view of the self-image of Germany as a democracy there is only one way of dealing with the problem: the absolute equality of Jews in public life. A nation like Germany ought to be able to absorb the positive values of Jewish culture. These four pages include an open letter on the subject to Bruno Glaserfeld including the answer a contribution by Professor Grimme on "The Stones of Sinai" and a note on German-Jewish playwright Ernst Lissauer's successful premiere of his play "York" at the Cologne Theater. Includes several illustrated and classified advertisements. Article with wear along edges small chips and closed tears along horizontal fold. Age-toned. T.B.-Zeitung unknown books
1926réf. 7527New York: Henry Holt and Company 1926. First edition. 4to purple floral patterned cloth with green cloth spine in the original dust jacket 196 pp illustrations by Pogany include 15 tipped in color plates. Scarce in jacket. An attractive copy with toning to pages offsetting to endpapers bit of discoloration to edges of cloth dust jacket with flap corners trimmed toned foxed large chip and long closed tear to head of spine mild damp stain to lower spine. Henry Holt and Company hardcover
1926réf. 67898London:: Humphrey Milford no date ca. 1926 . publisher's cloth-backed decorated boards in slipcase. A bright near fine copy in a dust-soiled slipcase with some rubbing at corners. Small folio. Illustrated from tipped-in color plates by Willy Pogany. Humphrey Milford, hardcover
1930réf. 51503New York:: Thomas Y. Crowell Company 1930. First edition thus. publisher's decorated cloth t.e.g. in dust jacket and publisher's printed two-part box. . A fine bright copy. There is one short closed tear and very slight use to the dust jacket and light dust-soiling and use to the box one corner joint repaired with clear tape. . 8vo. With Illustrations by Willy Pogany. Publisher's leaflet "Willy Pogany and His Work" laid in in which the artist discusses and compares these and his earlier illustrations of the Ruyaiyat London 1909. Thomas Y. Crowell Company, hardcover
1915réf. 46605NY: McBride Nast and Company 1915. Hardcover. Very good. Hardcover. Some offsetting and foxing to prelims else a very good example that shows some light rubbing to the boards small spot to the rear and minor wear to the extremities. McBride Nast and Company hardcover
1915réf. 46605NY: McBride Nast and Company 1915. Hardcover. Very good. Hardcover. Some offsetting and foxing to prelims else a very good example that shows some light rubbing to the boards small spot to the rear and minor wear to the extremities. McBride Nast and Company hardcover books
1911réf. 61781London:: G. G. Harrap & Co. 1911. First trade edition. publisher's gilt full morocco t.e.g. Leather slightly rubbed at corners and joints; tight and sound; contents fine. Large 8vo. Illustrated throughout by Willy Pogany. G. G. Harrap & Co., hardcover
1909réf. 1868913248George G Harrap & Co 1909. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Leather shows moderate scuffing and rubbing; Binding is cracked at second front blank page; Inscription on front free page; 26 tipped-in illustrations with tissue guards intact; This could have light cosmetic flaws but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. George G Harrap & Co hardcover
réf. 68-8852Oslo Norway: Sohol 1960. Autographed postcard & typed signed note inside envelope. 11.5 x 16 cm. Oblong. Very Good. Text in German.Autographs of Politicians assembled by Norwegian collector Trond Sohol. Oslo, Norway: Sohol, 1960. unknown
réf. 0883441535New. paperback. New. Satisfaction Guaranteed or your money back. paperback
2010réf. 53293Hong Kong: Minedition/ Michael Neugebauer. Fine. 2010. First Edition. Softcover. Original red softcover with a cutout "window" to front cover. Signed by Zwerger to the half title page. Text in German and English. Fine condition. ; 227 X 14 X 280 millimeters; 117 pages; Signed by Author . Minedition/ Michael Neugebauer paperback