10 219 résultats
2003réf. 1-8877541431Cideb 2003. Paperback. New. paperback/cd edition. 203 pages. French language. 7.75x5.00x0.75 inches. Cideb paperback
1901réf. A803981X02F7UNew York: E. R. DuMont 1901. Verite Edition Set #24. Hardcover. Fair. Complete 42 volume set of the Verite Edition set #24 of 700. 3/4 dark leather bindings with marbled paper. Gilt decoration and lettering to covers and spine. Covers have some shelf wear especially to edges and leather. Spines have little to no fading but are worn and some may have cracks. Covers are detached from some volumes. Top edge gilt others rough cut. Endpapers are marbled to match covers. Interiors are clean and completely unmarked with surprisingly little yellowing for the age. Large multi volume set will require extra shipping and ship in multiple boxes. Multivolumes E. R. DuMont hardcover
1756réf. 00290050Paris 1756. Hardcover. Good. Original gilt half leather.; Edges and corners cover worn; top spine damaged; name/place stamp on endpaper. Paris hardcover
1768réf. 00293190Lausanne : Compagnie des Libraires 1768. Hardcover. Good. Contemporary gilt half calf with moroccan letterpiece.; Name on endpaper. Lausanne : Compagnie des Libraires hardcover
1952réf. 021232Paris: Limited Editions Club 1952. Hardcover. Some rubbing to the leather spine label. Near Fine in a Very Good slipcase. Charming book. Sylvain Sauvage. Octavo 6-1/2" x 8-1/2" bound in brown linen on which a psuedo-oriental design is deposited in gold through silk screens the title stamped in gold on a blue leather spine label; the slipcase covered with gold paper lithographed in brown; 174 pages. Copy #322 of 1500 numbered copies printed on handmade paper and illustrated with more than one hundred drawings in the oriental manner by Sylvain Sauvage printed in collotype and hand-colored by Etienne Giradot. A number of the illustrations are of a mildly erotic nature. Issued unsigned after the artist's death. Limited Editions Club hardcover
2021réf. DADAX1684482925Bucknell University Press 2021-06-18. hardcover. New. 6.13x1.60x9.25. Buy with confidence. Excellent Customer Service & Return policy. Bucknell University Press hardcover
1733réf. 60085London C. Davis and A. Lyon 1733. 8vo. Lovely contemporary full Cambridge-style binding with five raised bands to spine and blindstamped ornamental borders to boards. . Double gilt line-borders to boards. All edges of boards with gilt borders. Gilt title to spine. Hinges neatly and professionally re-inforced. Internally very nice clean and fresh. A lovely crisp and large copy with good margins printed on heavy fine paper. 16 -including preface contents advertisements 253 1 18 -Index pp. The important actual first edition of this highly celebrated key work of the Enlightenment in which the anecdote of how Newton discovered gravity the story about Newton and the falling apple appeared for the first time together with the description of the difference between the physical world view of the English and the French the "plenum" and the "vacuum". This seminal work in which Voltaire famously depicts British philosophy science society and culture in comparison to French can be viewed as the Enlightenment equivalent to Tocqueville's "Democracy in America". This series of essays which is based on Voltaire's experiences when living in England was actually written by Voltaire mostly in English which he mastered to perfection. It has often been presumed that the first edition of the work was that published in French in 1734 but actually the present English edition constitutes the actual first appearance of the work as well as the version that is closest to Voltaire's intention as the French language version is the re-written one and the English version the original. Curiously almost all modern English versions are translations into English of the French edition instead of the original English version making this edition of the utmost importance.After the original English edition of 1733 two French editions soon followed the first in 1734. Unlike the British the French resented the book and already in 1734 the French Parliament issued an order for the author's arrest and condemned the work causing the impact of it in France to be delayed. The book was burned for being "dangerous to religion and civil order". At the same time the work became a bestseller in Britain and as much as 14 editions of the work were published in the eighteenth century. "Inspired by Voltaire's two-year stay in England 1726-8 this is one of the key works of the Enlightenment. Exactly contemporary with Gulliver's Travels and The Beggar's Opera Voltaire's controversial pronouncements on politics philosophy religion and literature have placed the Letters among the great Augustan satires. Voltaire wrote most of the book in English in which he was fluent and witty and it fast became a bestseller in Britain. He re-wrote it in French as the Lettres philosophiques and current editions in English translate his French." Nicholas Cronk Introduction to the Oxford's Classics edition from 1999.The great French philosopher Voltaire was greatly impressed by the philosophical and scientific achievements of the English especially those of Newton Locke and Bacon. As a disseminator of scientific knowledge Voltaire came to play a great rôle in the popularization of Newtonian science and its discoveries the present work being a prime example. Although the work was condemned by the French authorities it still came to play a great rôle in the spreading of Newtonian ideas in France. The present work generally came to play a dominant rôle in Enlightenment accounts of the history of science and philosophy. The work focuses on British science and thought and uses the accounts of these to emphasize what is lacking in French society and French thought. The work is generally very critical towards the French "ancient régime" and when Voltaire here discusses the emergence of empiricism it is viewed as an English tradition that stands in opposition to the French rationalist tradition with Descartes as the prime example. This view is taken over by the following Enlightenment historians of science and philosophy e.g. d'Alembert see for instance his "Preliminary Discourse" of 1751. Some of the most influential passages of the work are probably those on Bacon who Voltaire sees as the founder of modern experimental science Newton and Descartes. Letters XIV on Descartes and Newton XV on attraction and XVI on Newton's Optics from 1704 are among the most influential essays of the work. In XVI Voltaire reflects upon Newton's "Optics" and the way that he rejected Descartes' theory and set out his own account of the properties of light. In XV he presents the first account of Newton and the falling apple: "As he was walking one Day in his Garden and saw some Fruits fall from a Tree he fell into profound Meditation on that Gravity the Cause of which had so long been sought but in vain by all the Philosophers whilst the Vulgar think there is nothing mysterious in it. He said to himself that from what height soever in our Hemisphere those Bodies might descend their Fall wou'd certainly be in the Progression discover'd by Galileo; and the Spaces they run thro' would be as the Square of the Times. Why may not this Power which causes heavy Bodies to descend and is the fame without any sensible Diminution at the remotest Distance from the Center of the Earth or on the Summits of the highest Mountains; Why said Sir Isaac may not this Power extend as high as the Moon." pp. 127-28.But perhaps the most famous passage in the volume is the opening of Letter XIV: "A Frenchman who arrives in London will find Philosophy like every Thing else very much chang'd there. He had left the World a "plenum" and he now finds it a "vacuum". At Paris the Universe is seen compos'd of Vortices of subtile Matter; but nothing like it is seen in London. In France 'tis the Pressure of the Moon that causes the Tides; but in England 'tis the Sea that gravitates towards the Moon; so that when you think that the Moon should make it Flood with us those Gentlemen fancy it should be Ebb which very unluckily cannot be prov'd." pp. 109-10. hardcover
réf. 1578633613.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2011réf. 210923VFC2-2-061Louvan: Peeters 2011. 1. Softcover. Good Condition. 23.9 x 16 x 3 cm. "Cover shows minor signs of use including light marks and bumps. Internally clean and bright with unmarked and uncreased pages. Bindings and spine firm and intact. A good used copy with no major defects." Size: 23.9 x 16 x 3 cm. 482 pp. Shipped Weight: Under 1 kilo. Category: Politics & Government; Religious tolerance; Justice; Political and social views; ISBN: 9042922354. Add. Inventory No: 210923VFC2-2-061. . Peeters paperback
2003réf. mon0000220850Voltaire Foundation 2003-10-01. Hardcover. New. 1769 - 1770 III Voltaire Foundation hardcover
1981réf. 149829N.p.: N.p. 1981. Vintage flyer for two screenings of the 1981 concert film at the Artculture Resource Center in Toronto on December 14 and 15 1981. The flyer which doubled as a ticket for the event is stamped on the verso with location the date of the December 15 screening and Record on Wheels the record store where the ticket was purchased. The three hour film featuring a mix of live footage and promotional video was shown at concerts and galleries. The flyer notes that these are the only Canadian showings of the film making it a rare example of Factory Records' popularity and influence outside of the UK and US. 8.5. x 11 inches. Fine. N.p. unknown
1966réf. mon0000117153Garnier-Flammarion Tours Impr. 1966-01-01. Paperback. Good. in x in x in. Mild general wear. Pages clean. Binding sound but creased. Garnier-Flammarion Tours, Impr. paperback
réf. 115135ABParis: Blaizot; 1927. 225 x 27 cm. 6 Bll. 176 S. 3 Bll. Halbfranzband in Maroquin. Pergamentüberzug mit goldener Spiralmusterprägung. Meistereinband von und gestempelt mit "René & Michel Kieffer". Sehr guter Zustand. Kurzroman von Voltaire in dem ein Nordamerikaner an der Küste der Bretagne landet und durch eine Verwechslung bei einem Prior und dessen Schwester aufgenommen wird. Durch seine Ehrlichkeit weil er "ganz naiv stets sagt was er denkt und tut was er will" nennt man ihn den Harmlosen; und da ihm die Kunst der Heuchelei fremd ist stehen ihm viele Enttäuschungen in der Adelsgesellschaft des franz. 18. Jhdts bevor. Voltaire erreicht es so die europäische Kultur in ihrem Zusammenstoß mit der unverbildeten Person des Harmlosen lächerlich und fragwürdig zu machen. siehe auch KLL. Eines von 350 num. Exemplaren auf Vélin-de-Rives-Bütten. Die Zeichungen und der Buchschmuck in diesem Band von Bernard Naudin 1876-1946 zählen zu seinen schönsten Arbeiten. 1927 unknown
1919réf. 6269BB1919. 2 Bände. Berlin Gustav Kiepenheuer 1919. Mit Illustrationen von Moreau Le Jeune nach alten Vorlagen. Orig.-Pergamentbande mit reicher Rücken- und Deckelvergoldung sowie Kopfgoldschnitt. Eines von 150 nummerierten Exemplaren. - Papier gebräunt und wenig stockfleckig. Einband berieben und fleckig. Die Deckel verzogen. unknown
1942réf. 5878BB1942. Zürich Les belles feuilles 1942. 4°. 2 Bl. 115 4 S. 2 Bl. Mit 1 Frontispiz mehreren Textillustr. u. der Suite in 12 losen Tafeln nach Holzschnitten von Imre Reiner. Lose Bogen in illustr. brosch. Orig.-Umschlag sowie Suite in Bütten-Mappe zus. in Halbpergament-Chemise u. Orig.-Pappschuber dieser leicht berieben u. lichtrandig. SIK II 856 für Reiner. - Unnumeriertes nicht signiertes Ex. von 170 GA 232 mit kompletter Suite in dieser Form normalerweise numeriert u. signiert des ersten Druckes der "Belles Feuilles" auf Rives-Bütten. Imre Reiner 1900-1987 geb. in Ungarn war in den 20er Jahren als Graphiker in London Paris New York und ab 1931 in Ruvigliana bei Lugano als Maler Typograph Graphiker u. Illustrator tätig. unknown
1765réf. 4481CB1765. 2 in 1 Band. Genève Cramer 1765. 8°. 292 283 S. Mit 1 gest. Tafel 1 Textholzschn. und einigen Holzschnittvignetten. Lederband der Zeit. Erschien ebenfalls anonym erstmals ebenda 1759-1763 in 2 Bänden. - Nur wenig stockfleckig. Einband berieben und bestossen. unknown
1772réf. 30301AB1772. 8 Bände. Lausanne François Grasset 1772. 8°. Pappbände der Zeit mit verg. Rückensch. Papier vereinzelt stockfleckig. Einbände berieben und bestossen Rücken verblichen. unknown
1946réf. 24076AB1946. Stockholm Jan Förlag 1946. 8°. 167 1 S. Mit 1 farb. Frontispiz u. 7 ganzs. farb. Illustr. von A. Hallman. Farb. illustr. Orig.-Broschur leicht gebräunt. Text in französischer Sprache. unknown
2011réf. 5761London; Folio Society 2011. 2011. Hard Cover. LIMITED EDITION SIGNED BY ARTIST. Number 673 in an edition limited to only 1000 copies for sale to members of the Folio Society. Square quarto pp 205. 18 full page colour plates by Quentin Blake plus numerous line drawings within text. Full deep maroon Nigerian goatskin with gilt titles to spine and upper board top edge gilt; housed in grey paper-covered slipcase with titles blocked in gold. Pristine - appears unread. Signed and numbered by artist Quentin Blake in blue ink to limitation leaf. Minor scuffs to slipcase only- a Fine copy in Near Fine slipcase. Voltaire's satirical classic translated by Tobias Smollett and Introduced by Julian Barnes. Candide was first published in France in 1759 and Smollett's translation formed part of his thirty-five-volume edition of Voltaire's works published between 1761 and 1765; this edition follows the first edition in English with minor emendations. London; Folio Society, 2011. hardcover
1771réf. 56745No place No printer 1771. Contemp. hcalf. Spine gilt. Gilt lettering. A paperlabel pasted on upper part of spine. Stamp on both title-pages. VIII478 pp. A few scattered brownspots. Collection complette des Oeuvres de Mr. de Voltaire. Tome 12. Separately printed unknown
1858réf. 26713New York: Derby & Jackson 1858. Book. VG. Cloth. Reprint. 8vo. Gilt lettered brown pebbled embossed cloth. New edition. inding starting. Edgewear o/w vg copy with clean interiors. Derby & Jackson Hardcover
1803réf. 35599Paris Pierre Didot An XI 1803. Small 8vo. Bound in 2 fine contemporary full mottled calf. Richly gilt backs. 230223 pp. unknown
1755réf. 13554Berlin M. Sansouci 1755. Blank cont. papercovers. Backstrip worn. Engraved portr.XXII404 pp. Apart from a few brownspots in the text internally good. unknown
1744réf. 38273A Londres but Paris no printer 1744. Small 8vo. Contemp. full mottled calf raised bands richly gilt back. Previous owners stamp on tp. Engraved portrait Newton engraved titlevignette VIII5-121-232209-4714 pp. The text is complete and continous despite the odd pagination. Having 8 engraved plates 1 folding and many textengravings. A few leaves with contemporary marginal notes. Internally fine and clean. Second or third edition a contrefacon not printed in London but in Paris. "Voltaires's importence for the history of science lies particularly in his having composed a famous popularization of Newton Élemens de la philosophie de Nrwton 1738 while also collaborating with his companion and mistress Émilie marquise de Chatelet on her translation of the Principia into French and more generally in his having referred with the lightness of touch that made him a serious critic of the human condition his moral philosophy to what he took to be Newtonian and hence a correct account of physical reality." DSB XIV:p.83 The work has been called one of the most beautifull illustrated scientific works at all.- This edition not in Gray's Bibliography. hardcover
1931réf. 45230Paris Librairie de France 1931-32 4to. Bound with all orig. printed wrappers in 2 fine orig. red hcalf. Richly gilt spine covers gilt. 4III3166;43226 pp. 40 plates in blac/white and 24 in colour. Plates by d'Adrien Bagarry. One of 2500 "Sur Papier Vélin d'Alfa Navarre". unknown