Émile VuillermozLivre Rare Book
1394 risultati
1936rif. 3121Poste National Radio-Paris 1936 248 pages in8. 1936. broché. 248 pages.
1933rif. 167512New York: Robbins Music Corporation 1933. 3p. sheet music with cover portrait of a turbanned Novarro and a production still printed violet and green 12x9 inch wraps. The coated cover leaf is somewhat handled with a little soil and an ownership name the musical notation has a different scale pencilled in. Good only. Memento of the Mexican American film star in one of his late talkies. Robbins Music Corporation unknown books
1935rif. 119828New York: Robbins Music Corporation/Metro-Goldwyn-Mayer 1935. 6p. 9x12 inches lightly worn purple- and- red on white wraps. Sheet music with a photo of the Mexican American film star chastely bussing his costar. Robbins Music Corporation/Metro-Goldwyn-Mayer unknown books
1933rif. 310132New York: M. Witmark & Sons 1933. Sheet_music. 4p. this item was first copyrighted in 1914 3 of which are music notation and lyric with the lyric printed on a separate leaf as a stand-alone poem plus samples of other songs in same series printed inside both covers. The Witmark Black and White Series. M. Witmark & Sons unknown books
1934rif. 123087New York: Edward B. Marks Music Corporation 1934. Sheet_music. 4p. 9x12 inches sheet music in slightly worn pictorial blue wraps. The Mexican American composer had a number of hits from the 1920s until her return to Mexico in 1949; most prominently this song. Edward B. Marks Music Corporation unknown books
1954rif. 309717New York: Avas Music Publishing Co. Inc 1954. Sheet_music. Glazed pictorial folio leaf printed and folded to make cover a portrait of Hibbler two pages within of music notation and words and a terminal blank. Very worn; distributor's rubberstamp overprints cover titling the instructional part is covered with penciled cues and there is general dust-soil and crimping. As is. Avas Music Publishing Co. Inc unknown books
2005rif. 236257San Francisco: LYRIC et al. 2005. 21p. 8.5x11 inches event program services and resources schedule vary good in stapled wraps. Conference for queer youth which grew out of the OHMY conference founded in 1997 by LYRIC. LYRIC et al. unknown books
1994A clean, unmarked book with a tight binding. 134 pages.
1995A clean, unmarked book with a tight binding. Previous owner's inscription inside. Slight wear to dust jacket. 9 3/4"w x 11 3/4"h.
1977A clean, unmarked book with a tight binding. Previous owner's name label inside. 700 pages. 5"w x 8 3/8"h.
1975A clean, unmarked bookwith a tight binding. Full blue cloth boards. Edge wear and small tears to dust jacket. 240 pages. Black and white illustrations throughout.
1961A clean, unmarked book with a tight binding. Age-toned paper. 246 pages.
1960Ex-library book with the usual stamps and markings. 188 pages.
1957pp. xvii, 315, xix-xxiv [Appendix]. Numerous text drawings, some in color, by Per Krohg. All edges sprinkled in blue. Includes an insert of the Heritage Club Sandglass, Number X:21. 4to. Original full linen cloth binding. Spine slightly soiled. No slip case. Hardbound. Very Good. THESE HERITAGE PRESS BOOKS MAKE GREAT GIFTS. W83
1993"For most of us classical writing is little more than a narrow circle of legendary figures. The names of Homer, Aeschylus, Plato, Virgil, and Saint Augustine are familiar, but behind their work lies a vast fellowship of writers with a common mythological and artistic heritage. 'The Norton Book of Classical Literature' includes not only the "greats" but also significant though lesser known figures and traditions: archaic lyric poets, Alexandrian Greeks, and Roman satirists, for example. The translations selected for this collection, from classic nineteenth-century versions to as yet unpublished manuscripts, reflect the diversity of the works themselves and bring them to us with eloquence and clarity." Clean crisp and tight , no marks 866p. index.(Large heavy volume - weighs 2.65 pounds) Book
1973These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, direct-the best ever published.' 114p. footnote, notes, index. Price on cover blacked out- else as new Book
1930rif. 12656ÉDITIONS DE LA NOUVELLE REVUE CRITIQUE 1930 247 pages in8. 1930. broché. 247 pages. Cet ouvrage d'André Fontainas publié en 1930 aux Éditions de la Nouvelle Revue Critique explore l'influence de Charles Baudelaire sur la poésie lyrique en particulier avant Mallarmé. Il s'agit d'une réédition numérique d'un livre du XXe siècle initialement paru dans la collection 'Essais critiques'
2009Bologna, Bononia University Press, 2009, 8vo album brossura con copertina illustrata, pp. 137 con numerose tavole fotografiche in nero e a colori nel testo.
1979rif. 1117531979 Editions Arlega, "Les Trésors de l'Opéra" - mai/juin 1979 - In-8, broché, couverture illustrée - 64 p. Reproductions photographiques en N&B in-texte et pleine page
191385, [3] pp.; 19 cm. Bross. edit. Tracce d'uso alla copertina, piccoli strappi al dorso, fioriture alle prime e ultime pagine
1970rif. 8909ABDüsseldorf., Claassen Verlag., 1970. 18 x 18 cm. 20 unpaginierte S. Illustrierter OKarton., 8909AB 1.Aufl. Tadellos frisches Exemplar.
1927rif. RELI0346Tüb., Mohr 1927. 40 S., OKart., abgegriffen, etwas verfärbt, Nrn.-Et. am vord. Innendeckel. (= Sammlung gemeinverständlicher Vorträge und Schriften aus dem Gebiet der Theologie und Religionsgeschichte 123).
Milano, Casa Musicale Sonzogno, 1928, in-16, br. editoriale, pp. 48. Tratto dall'omonimo romanzo di Goethe, il dramma ha la sua 1a alla Wiener Staatsoper nel 1892; la 1a rappresentazione italiana è del 1894 al settecentesco Teatro Lirico di Milano, detto "la Cannnobiana" (in declino a fine '800, è proprio l'editore Edooardo Sonzogno a farlo restaurare e a dargli il nuovo nome di Teatro Lirico Internazionale) l'anno seguente alla Scala.
1918rif. 18397Eugène Fasquelle Éditeur 1918 103 pages in12. 1918. broché. 103 pages. Monna Vanna est une pièce de théâtre en trois actes de Maurice Maeterlinck publiée en 1902 par Eugène Fasquelle. Elle a été représentée pour la première fois à Paris en mai 1902 puis adaptée en drame lyrique avec une musique de Henry Février en 1909. L'œuvre est un exemple du théâtre symboliste de Maeterlinck avec des thèmes de sacrifice et de devoir
1946rif. 19047Tübingen und Stuttgart : Wunderlich, 1946. S. 85, 98 8° , 2 Pappbände im Schuber , Schöne Exemplare, Schuber und Rücken leicht gedunkelt
