Poe, Edgar AllanAntiquariat.de
1394 risultati
1913rif. 66053CBMünchen, Georg W. Dietrich, [1913]. 4°. 28 x 22 cm. [6] Blatt, 96 Seiten, 28 zwischengebundene Tafeln. Original-Ganzlederband mit goldgeprägtem Deckel- und Rückentitel sowie Deckelillustration, Kopfgoldschnitt und Lesebändchen. [6 Warenabbildungen]
1766rif. 3800BBLondres (d.i. Paris)., o.Vlg., 1766. 8°. (1) Bl., (4) XX, 184 S., (1) Bl. Mit 7 gest. Tafeln u. 6 gest. Textvignetten von De Longueil nach Eisen u. de Wille (fils) sowie 2 gest. Noten-Tafeln. Marmorierter Lederbd. der Zeit auf 5 Bünden mit Stehkanten- u. reicher Rückenvergoldung.
1907rif. 505518New York: Jos. W. Stern & Co 1907. Softcover. Good. Later printing. Folio. Two nested bifoliums making eight pages. Owner name on the front cover outer bifolium separated at the fold offsetting to the back cover and on the verso of the front cover moderate edgewear to the outer bifolium creasing to the top of the inner bifolium still a good complete copy. For voice and piano. Plate number 5151-4. The back cover features a sample of "With You in Eternity" by Arthur J. Lamb and Alfred Solman. Bob Cole was a popular African American songwriter known for his work on A Trip to Coontown which is considered the first musical production created and owned entirely by African Americans. James W. Johnson was an African American writer who eventually moved on from show business to become a leader of the NAACP and served as U.S. consul in Venezuela and Nicaragua under President Theodore Roosevelt. The front cover features a photo of both Cole and Johnson with the caption "Cole & Johnson. Who keep the world a-singing." OCLC locates five holdings of this title. The Shoo-Fly Regiment is an important early African American musical that told the story of African American soldiers during the Spanish-American War. In a review of a book by scholar Paula Marie Seniors which analyzes the work of Cole and Johnson Paige McGinely explains that Seniors' analysis "aims to demonstrate that the spectacles of black patriotism showcased in Shoo Fly Regiment were direct refutations of Theodore Roosevelt's 'Rough Rider' white-supremacist imperialist mentality. By suggesting the possibility of coalitions among people of color the world over Shoo Fly Regiment staged a direct critique of both racist and imperialist projects steered by the United States" an analysis made all the more interesting given that Johnson eventually developed a connection to Roosevelt. Though "Who Do You Love" is merely a love song written in dialect it is nonetheless less a part of this historically and culturally significant musical. Jos. W. Stern & Co unknown
1907rif. 505518New York: Jos. W. Stern & Co 1907. Softcover. Good. Later printing. Folio. Two nested bifoliums making eight pages. Owner name on the front cover outer bifolium separated at the fold offsetting to the back cover and on the verso of the front cover moderate edgewear to the outer bifolium creasing to the top of the inner bifolium still a good complete copy. For voice and piano. Plate number 5151-4. The back cover features a sample of "With You in Eternity" by Arthur J. Lamb and Alfred Solman. Bob Cole was a popular African American songwriter known for his work on A Trip to Coontown which is considered the first musical production created and owned entirely by African Americans. James W. Johnson was an African American writer who eventually moved on from show business to become a leader of the NAACP and served as U.S. consul in Venezuela and Nicaragua under President Theodore Roosevelt. The front cover features a photo of both Cole and Johnson with the caption "Cole & Johnson. Who keep the world a-singing." OCLC locates five holdings of this title. The Shoo-Fly Regiment is an important early African American musical that told the story of African American soldiers during the Spanish-American War. In a review of a book by scholar Paula Marie Seniors which analyzes the work of Cole and Johnson Paige McGinely explains that Seniors' analysis "aims to demonstrate that the spectacles of black patriotism showcased in Shoo Fly Regiment were direct refutations of Theodore Roosevelt's 'Rough Rider' white-supremacist imperialist mentality. By suggesting the possibility of coalitions among people of color the world over Shoo Fly Regiment staged a direct critique of both racist and imperialist projects steered by the United States" an analysis made all the more interesting given that Johnson eventually developed a connection to Roosevelt. Though "Who Do You Love" is merely a love song written in dialect it is nonetheless less a part of this historically and culturally significant musical. Jos. W. Stern & Co unknown books
1913rif. 526712New York: Jos. W. Stern & Co 1913. Softcover. Good. Presumably the first edition. Cover illustration by Dorothy Dulin. Folio. Single bifolium with a single-sheet-insert making six pages. Light dampstaining to the top margin of page two a bit of fading to the top of the front and back covers dampstaining to page five but the contents remain bright and edgewear including some small tears and nicks still a good or better copy with a lovely cover illustration. For voice and piano with a supplement of the score on page five composed for "male or mixed quartet" providing 1st tenor 2nd tenor baritone and bass. Plate number 7580-4. There were multiple front covers with the same illustration but with different photographs this copy has a photograph of William Redmond of "That" Quartet. The back cover features a sample of "Daddy Has A Sweetheart And Mother Is Her Name" by Gene Buck and Dave Stamper. R.W. Lardner better known as Ring Lardner was a celebrated satirical author in his time and admired by the likes of F. Scott Fitzgerald Ernest Hemmingway and Virginia Woolf. OCLC locates five holdings of this piece. Jos. W. Stern & Co unknown
1913rif. 526712New York: Jos. W. Stern & Co 1913. Softcover. Good. Presumably the first edition. Cover illustration by Dorothy Dulin. Folio. Single bifolium with a single-sheet-insert making six pages. Light dampstaining to the top margin of page two a bit of fading to the top of the front and back covers dampstaining to page five but the contents remain bright and edgewear including some small tears and nicks still a good or better copy with a lovely cover illustration. For voice and piano with a supplement of the score on page five composed for "male or mixed quartet" providing 1st tenor 2nd tenor baritone and bass. Plate number 7580-4. There were multiple front covers with the same illustration but with different photographs this copy has a photograph of William Redmond of "That" Quartet. The back cover features a sample of "Daddy Has A Sweetheart And Mother Is Her Name" by Gene Buck and Dave Stamper. R.W. Lardner better known as Ring Lardner was a celebrated satirical author in his time and admired by the likes of F. Scott Fitzgerald Ernest Hemmingway and Virginia Woolf. OCLC locates five holdings of this piece. Jos. W. Stern & Co unknown books
1766rif. 13066Paris, Humblot (Imprimerie de Quillaux), 1766 ; 4 tomes, in-12 ; plein veau fauve marbré, dos à nerfs décoré et doré, pièces de titre et de tomaison grenat, filet sur les coupes, tranches rouges cirées (reliure de l'époque) ; XLIV, 408, IX, (3) ; XVI, 455 ; (4), II, 400 ; (4), 399 pp., frontispice allégorique de Ch. Eisen gravé par De Longueil et 4 vignettes de titre par Watelet.
rif. awd-107S. l., s. d., Rémy Maure éditeur. In-4 en feuilles, couverture rose à rabats, emboîtage toilé jaune et moutarde de l’éditeur (40 pp.). Tirage non spécifié. 12 pointes sèches signées de l’artiste. Bon état.
rif. GF252876 pages in4 + tapuscrit -
rif. 21396Montréal, Hibou éditeur, 1999-2004. 2 vol. in-folio, 461 pp. + 495 pp., cartonnage éditeur illustré, étui éditeur illustré pour le 1er vol., cartonnage et jaquette illustrés, étui illustré pour le 2nd (petits frottements et taches à l'étui du 2nd vol., 2 minuscules déchirures à la jaquette).
1920rif. 65336ABHannover. Leipzig. Wien. Zürich., Paul Stegemann Verlag., 1920. 23,3 x 15,5 cm. 44 S., 2 Blatt. Typographisch gestalteter OKarton., 65336AB Erstes bis fünftes Tausend. Umschlag etwas lichtrandig und an Kanten und Rücken etwas berieben. Papier teils leicht nachgedunkelt. Gutes Exemplar. Gedruckt als 50-51. Band der Sammlung Die Silbergäule.
rif. 18521Paris Lefèvre, libraire ( imprimerie de Crapelet ) 1820 in 8 (25x17) 5 volumes reliures demi maroquin rouge de l'époque, dos à nerfs richement ornés de beaux fleurons dorés romantiques, exemplaire imprimé sur beau papier vergé (grandes marges), quelques petites rousseurs. Reliures signées de Thouvenin. Tome I : poèsies lyriques, Odes. Portrait gravé en frontispice, LX et 413 pages; Tome II : Epîtres, allégories, épigrammes, poésies diverses. 430 pages; Tome III : Le Flatteur (Comédie en 5 actes), le capricieux, les aïeux chimériques, l'hypocondre, la dupe de soi même. 518 pages [1]; Tome IV : Mariamne (tragédie), le café, la ceinture magique, Jason ou la toison d'or, Vénus et Adonis, poésies en musique, la mandragore, lettres de J.B. Rousseau à l'Abbé d'Olivet. 473 pages; Tome V : Correspondance (1711-1741). IV et 578 pages. La meilleure édition collective des oeuvres de Jean-Baptiste Rousseau. Jean-Baptiste Rousseau, Paris 1671 - Bruxelles 1741, poète lyrique et dramaturge français. Très bel ensemble, reliures très décoratives ( Photographies sur demande / We can send pictures of this book on simple request )
1998rif. 69240ABBerlin., Galerie Michael Schultz., 1998. 41 x 30,6 cm. [10] unpaginierte Bütten-Doppelblätter. Illustrierter OHalbleinenband mit schwarzem OLeinenschuber., 69240A Erste Auflage. Winzige Kratzspur auf dem Buchdeckel recto, sonst sehr gutes Exemplar.
1955rif. 163666New York: Music Theatre 1955. Vintage script for the 1955 production of the play staged at New York City Center from April 20 to May 1 1955 and May 31 to June 12 1955. Bound in at the rear of the script are a five-page props list and an eight-page costuming list for the play. Based on "The Idyll of Miss Sarah Brown" and "Blood Pressure" two short stories by Damon Runyon. Originally staged on Broadway in 1950 at the 46th Street Theatre the play had several Broadway and London revivals as well as a 1955 film adaptation starring Marlon Brando Jean Simmons Frank Sinatra and Vivian Blaine. Lavender titled wrappers. Title page present undated with credits for Runyon composer Frank Loesser and writers Jo Swerling and Abe Burrows. 108 leaves with last page of text numbered 2-7-43. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Music Theatre unknown
1955rif. 163666New York: Music Theatre 1955. Vintage script for the 1955 production of the play staged at New York City Center from April 20 to May 1 1955 and May 31 to June 12 1955. Bound in at the rear of the script are a five-page props list and an eight-page costuming list for the play. Based on "The Idyll of Miss Sarah Brown" and "Blood Pressure" two short stories by Damon Runyon. Originally staged on Broadway in 1950 at the 46th Street Theatre the play had several Broadway and London revivals as well as a 1955 film adaptation starring Marlon Brando Jean Simmons Frank Sinatra and Vivian Blaine. Lavender titled wrappers. Title page present undated with credits for Runyon composer Frank Loesser and writers Jo Swerling and Abe Burrows. 108 leaves with last page of text numbered 2-7-43. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Music Theatre unknown books
1826rif. 1247121826 30 Volumes - A Paris, Ladvocat Libraires - 1826-1828 - Demi basane rouge du temps, 4 nerfs sautés, ornementation à froid mais bandeaux dorés sur les coiffes, titre et auteur sur fond rouge uni. 350 à 400 pages par volume - Très bel ex-libris sur chacun des volumes
rif. 20828752Methuen & Co with Ascherberg Hopwood & Crew London. 32.5 x 26.0cms 68pp b/w illusts very good hardback. 1/4 navy cloth spine over grey boards. No 62 of 100 numbered signed copies most of which are in public & institutional libraries. Signed by A A Milne H Fraser-Simon & Ernest Shepard This book has the lyrics and score of 17 songs which Pooh has sung along with extracts from Milne's writing. Methuen & Co with Ascherberg Hopwood & Crew London hardcover
18761st edition. Original printed paper wrappers bound into period outer wrappers. 12mo, 56 pages, 1 leaf ; 18 cm. Title page and all song lyrics are bilingual, German-English; Preface by Lob is in German. This is only the second Jewish hymnal published in Chicago (the first is 1861) . The Jewish Virtual Library cites this work, and includes an image, in its article on Judaic Treasures: From Haven to Home, Sacred Music: Otto Lob's German-English hymnal published in Chicago, which included simple, natural, and light rearrangements of traditional melodies, was also part of the effort to revitalize liturgical music. They include an image of the title page as well. (Jewishvirtuallibrary. Or) in Musik gesetzt von Otto Lob ; mit deutschem und englischem Text. Singerman 2570, listing 3 copies. SUBJECT(S) : Synagogue music. Hymns, OCLC: 77655959. OCLC lists 4 copies worldwide (JTS, HUC, Carnegie Libr, LBI) , none west or south of Cincinnati. Jewish institutional stamp on title page, previous owners name/adderss on inside later rear cover, corners a bit rounded, otherwise Very Good Condition. Scarce. (KH-8-64)
