1394 risultati
1975Rubbing and colour loss to spine. Else Minor shelfwear. ; Text in latin; Apparatus in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana; 1.2 x 8.3 x 5.6 Inches; 190 pages
1975Some minor rubbing to spine. ; Text in latin; Apparatus in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana; 1.2 x 8.3 x 5.6 Inches; 190 pages
1990Dustjacket has minor shelfwear and rubbing. Top corner lightly bumped. ; Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. ; 1.75 x 9.75 x 6.5 Inches; 414 pages
1990Faint foxing to textblock. Very minor shelfwear to DJ. Dustjacket is protected in plastic sleeve. ; Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. ; 1.75 x 9.75 x 6.5 Inches; 414 pages
1990Foxing/dustsoiling to top of textblock. Dustjacket has minor shelfwear and rubbing. Top corner lightly bumped. ; Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. ; 1.75 x 9.75 x 6.5 Inches; 414 pages
1945Corners are bumped. Endpapers tanned. Author's inscription in ink on ffep. ; Signed by Author on ffep to scholar E. T. Owen. ; Sather Classical Lectures; 302 pages; Full account of the quality and methods of the lyric poet. Norwood insists on studying Pindar as a poet and exhibits his poetical qualities with precision, fullness and lucidity, and makes any comparisons with other poets: Greek, Roman, English, German, French, and Italian. ; Signed by Author
rif. 1088002080.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0243979827.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2024rif. 1-1032820489Routledge 2024. Paperback. New. 141 pages. 11.68x8.25x11.65 inches. Routledge paperback
rif. 0259100455.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 9523305190.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0428031625.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 036577023X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1334628947.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390577880.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390515893.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980rif. KOS01300275TBD 1980. Soft Cover. Fine. KOS01300275 TBD paperback
rif. 22865The Lyric Theatre Hammersmith W.6. London 'This Thursday evening June 2nd 1927 at 8 o'clock Subsequent evenings at 8.30'. Wightman Mountain & Andrews Ltd Printers 31 & 33 Victoria Street S.W. Four-page programme on bifolium stapled into covers of shiny art paper. In fair condition worn and aged with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre' 'Reproduced by kind permission of Arthur Moreland.' The small signature 'Nigel Playfair' is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair. The production is based on the conceit that the audience are watching the Crummles Company performing George Lillo's 'George Barnwell or The London Merchant'. In his third note Playfair writes: 'I do not intend the audience to think that the Crummles Company were bad actors in their fashion for I do not suppose they were: nor that Lillo wrote a bad play for I am sure this is not the case. If they do my production will have failed. It is in the surprises created by the surroundings and the conventions of the period that there will be I hope much to laugh at though with sympathy rather than derision.' The fourth note includes the statement 'This entertainment is not intended for Archaeologists - as such - except in the Pickwickian sense.' The last three pages of the programme give the usual details of cast and crew performance songs credits. Towards end: 'Ladies are respectfully requested to remove their hats and so add to the comfort of all.' The production ends with a 'Harlequinade' and the fifth note concerns Grimaldi. The text of Playfair's production was published by Chapman & Hall in 1927 but no other copy of this programme is to be found on OCLC WorldCat. The Lyric Theatre, Hammersmith, W.6. [London] 'This (Thursday) evening, June 2nd, 1927, at 8 o'clock | Subsequent evenings at 8. unknown
rif. 22224'11th. 7bre. 11 September 1912. Lyric i.e. The Lyric Theatre Shaftesbury Avenue London. 2pp 16mo. Bifolium. In good condition lightly aged. At the time of writing Arnaud was delighting audiences at the Lyric in her first leading role that of 'Suzanne' in the musical 'The Girl in the Taxi'. Good firm signature. She writes: 'Cher Monsieur Thanks sic you very much for your nice letter. Certainly I will go to Mess. Foulsham and Banfield for a picture perhaps next week and then when they will be ready I give you one with great pleasure. Mes bien sincères salutations. Yvonne Arnaud.' The photographic studio of Frank Foulsham 1873-1930 and Arthur Clive Banfield 1875-1965 was active from the Edwardian period into the 1920s. '11th. 7bre. [11 September] 1912. Lyric [i.e. The Lyric Theatre, Shaftesbury Avenue, London]. unknown
rif. 0766086577.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
rif. 139043642X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0243974663.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1528503457.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1960rif. 28876ABFrankfurt a.M., Bauersche Giesserei, 1960. Kl.-4°. (38) S. Mit zahlr. Holzschnitten von G. Stiller. Orig.-Broschur in Blockbindung (vord. Gelenk über 18,5 cm., hint. Gelenk über 6,5 cm. geplatzt).
1943rif. 6212CBMilano, Stefano Pinelli, 1943. 8°. 32 S. und 2 lose, nachträglich eingeschobene Seiten. Illustr. Orig.-Broschur.
