Shelley RiggerBiblio.com
9 441 résultats
réf. Bloomsbury-9781442219588Rowman & Littlefield. Hardback. New. 236 pages Rowman & Littlefield hardcover
réf. Bloomsbury-9781442219588Rowman & Littlefield. Hardback. New. 236 pages Rowman & Littlefield hardcover
1822réf. theliberalLondon: John Hunt 1822. First Edition. Hardcover. Clean pages with some small chip. The Liberal Verse and Prose from the South 1st edition printed by and for John Hunt in 1822. Rebound in contemporary softcover. The Liberal is a periodical founded by Byron Hunt and Shelley who with William Hazlitt were the principal contributors. Originally published in four serial numbers from October 1822 to July 1823. This is serial number 1.Clean pages with some small chipping to title page tight binding in contemporary softcover John Hunt hardcover
1923réf. mon000019164012/31/1923 4:00:00 P. unknown_binding. Very Good. in x in x in. 1924 first edition. Blue cloth boards with gilt lettering. The boards have some rubbing and edge wear with bumped corners. No significant white spots but a touch of discoloration. Internally some foxing with clean text and solid binding. No dust jacket present. Author published Columbus Mississippi 1924. Please inquire for photos. unknown
réf. 624438like new. unknown
1995réf. 31690INSEL 1995. 2. softcover. Frankenstein INSEL paperback
2024réf. SKU1714418Plural Publishing Inc 2024-11-25. hardcover. New. 10x8x10. New Book Ships with Tracking Plural Publishing, Inc hardcover
réf. 21410465like new. unknown
1993réf. 207284Norwalk Connecticut: Easton Press 1993. Eliot Edition; First Printing. Hardcover. Near Fine. Leather Bound. Printed on archival paper with gilded bottom and side edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; The Harvard Classics. Easton Press hardcover
2009réf. SKU0199670Allyn & Bacon 2009-02-06. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Allyn & Bacon paperback
réf. Z100-47805Harvard University Press 2061-01-01. bundle. Good. Vol 1 only 1961 no slipcase ex-library in great shape. No international orders. Harvard University Press unknown
réf. DADAX0691156727Princeton University Press 2015-01-25. hardcover. New. 8.75x1.75x11.00. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press hardcover
2001réf. 63276E-259: PPP Editions / Roth Horowitz LLC. Very Good. 2001. Hardcover. Hardcover. 4to. Published by PPP Editions / Roth Horowitz LLC New York. 2001. 305 pgs. Illustrated with numerous color and black and white photographs/reproductions. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text great design and typography bound together as books are numerous and make up an impressive artistic social and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create ultimately a thing of beauty a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form as opposed to the book being merely a repository of images this list includes many artists and titles that will be familiar to the collector but also not a few surprises. Chronologically the first book is Volume One of Edward Curtis's seminal 1907 The North American Indian the last is David LaChapelle's LaChapelle Land from 1996 and in between are books by Walker Evans and Berenice Abbott Atget and Brassai Robert Frank and Garry Winogrand and many other seminal photographers from all over the world. Each book in the catalogue receives a double page spread including publication information several image spreads and a short text about it. The Book of 101 Books however is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars critics and artists are included as well: here you will find Richard Benson on the history of printing techniques Shelley Rice on the societal significance of photography books May Castleberry on reprints exhibitions and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography Dear Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Princeis 1995 Adult Comedy Action Drama and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together the depth and beauty of these essays and images makes The Book of 101 Books both an essential reference and an aesthetically compelling object. EB; 12.0 X 9.9 X 1.6 inches; 305 pages . PPP Editions / Roth Horowitz, LLC hardcover
1866réf. 458077Boston: Little Brown and Company 1866. Hardcover. Very Good. Three volumes. Octavos. Vol. 1 only is a limited edition copy no. 41 of one hundred copies printed illustrated with an engraved frontispiece plate portrait of Dryden; Vol. 3 edited by "Mrs. Shelley". A handsome set uniformly bound in polished half calf and marbled paper overs boards gilt spines with two maroon and black leather titling labels marbled endpapers gilt tops. Owner’s name in ink on front fly leaf of each volume. Some darkening and light wear to the edges of the boards remnants of paper bookplate removed from front pastedowns light foxing and dust soiling very good overall. An attractive finely bound set. Little, Brown, and Company hardcover
1866réf. 458077Boston: Little Brown and Company 1866. Hardcover. Very Good. Three volumes. Octavos. Vol. 1 only is a limited edition copy no. 41 of one hundred copies printed illustrated with an engraved frontispiece plate portrait of Dryden; Vol. 3 edited by "Mrs. Shelley". A handsome set uniformly bound in polished half calf and marbled paper overs boards gilt spines with two maroon and black leather titling labels marbled endpapers gilt tops. Owner’s name in ink on front fly leaf of each volume. Some darkening and light wear to the edges of the boards remnants of paper bookplate removed from front pastedowns light foxing and dust soiling very good overall. An attractive finely bound set. Little, Brown, and Company hardcover books
1985réf. 208991985. No. 38 of 90 copies signed and dated in pencil by Hoyt. unknown
1985réf. 208991985. No. 38 of 90 copies signed and dated in pencil by Hoyt. unknown books
1957réf. 011860The Modern Library. Modern Library G-4 Spring 1957 379 Titles Listed on Inside of DJ. 1957. Clipped DJ in archival cover edge wear. . Fine. Hardcover. 1st Edition. 1957. The Modern Library. Modern Library G-4, Spring 1957, 379 Titles Listed on Inside of DJ. (1957) hardcover
1966réf. 159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown
1966réf. 159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown books
1858réf. 054299London: Thomas Cautley Newby Publisher 1858. 1st Edition . Leather Bound. Very Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Octavos. 325; 358 pages. Hardcovers rebound in attractive 3/4 navy blue morocco leather with blue cloth--covered boards. Signed bindings by "Root & Son". Raised bands on the spines angilt stamping in the compartments. The foot of each spine has "1858" stamped in gilt. Light to moderate rubbing to the bindings but overall a quite attractive set. Each volume has a nice early 20th century bookplate of "Ethel Stiles Tefft" and beards the designer's initials and date at the bottom of the bookplates "19 -F.T.C.-07". The bookplates show a woman and child sitting on an outdoor bench with an open book and a lute and with the boarders of the bookplate image surrounded by leaves etc. The text blocks are sound and the text is clean. COMPLETE with the foldout facsimile engraving of Shelley's writing. On the reverse of this foldout is written "J. C. G. Thomas Wilkenson Handwriting / done this day 21 March 1863 / London". Thomas Cautley Newby, Publisher hardcover
1911réf. 001824London / Philadelphia: William Heinemann / J B Lippincott 1911. 1st Edition. Hardcover. Good/No Jacket. Charles Robinson. 20 x 27cm. This is a copy of the publishers' de luxe edition with vellum boards intricately decorated and lettered in gilt printed endpapers 128 pp of introduction and Shelley's poem illustrated throughout with b/w and colour vignettes as well as a tipped-in tissue-protected colour frontispiece and a further 18 pasted-down tissue-protected colour illustrations - all on heavy smooth stock - with top edge gilt. This copy is complete and without any indications of a previous owner or other marks. The upper board and spine remain very good. The lower board is rubbed and soiled. There is evidence of moisture staining at the bottom margin throughout with some rippling at the foot. Some of the leaves are also chipped at the foot. There are several between-section cracks and although the hinges are holding the binding has begun to loosen. The contents however are excellent with all the plates present with their tissue-guards and remaining as bright as new. William Heinemann / J B Lippincott hardcover
2007réf. 001140Fordham University Press 2007. Book. Near Fine. Soft cover. Signed by Authors. 1st Edition. 80pp. Pictorial French wraps tight copy clean and unmarked throughout. Signed and warmly inscribed by Seccombe on the half-title by Seccombe: "To Toby You have experienced the real thing. Now I give you some of my view." Seccombe's visual record of the changing face of the Hudson River Piers is a document of change in an ever-changing city that might otherwise have gone unmarked in such striking detail. Uncommon especially signed. . Fordham University Press Paperback
1974réf. 169566Beverly Hills CA: United Artists 1974. Vintage borderless reference photograph from the 1974 film showing Shelley Duvall holding a baby kitten. French release stamp and layout annotations in manuscript ink on the verso. Based on the 1937 novel by Edward Anderson previously adapted by Nicholas Ray as "They Live by Night" 1950. One of Altman's many high spots during the 1970s an early and unusual entry in the American neo-noir canon and one of the most artful gangster films made. Set and shot on location in various towns and cities in central and southern Mississippi including Jackson Hermanville Pickens and Canton. 8 x 10 inches. Near Fine. Spicer US Neo-Noir. United Artists unknown
