9 444 résultats
1965réf. 106271NY:: Gordian Press. Good. 1965. Hardcover. Complete in ten volumes. Edited by Roger Ingpen and Walter E. Peck. First edition thus. Ex-library set with typical markings thus all volumes are only good in burgundy cloth. No dust jackets. . Gordian Press, hardcover books
1918réf. 71176London: At the Florence Press; Chatto & Windus 1918. Florence Press edition. Leather Bound. Very Good. 480pp. Octavo 20 cm Full blue-green leather with raised bands a gilt-tooled spine and ornamental gilt stamped designs on the boards. All edges gilt. Decorative pastedowns and endpapers. Spine sunned. Extremities moderately rubbed. Edges of the free endpapers prominently darkened. Previous owner's bookplate on front flyleaf. Pages toned. A collection of lyrical poems by one of the most influential poets of the Romantic era. At the Florence Press; Chatto & Windus unknown books
1893réf. 568734London / Boston: Stanley Lucas Weber Pitt & Hatzfeld / H.B. Stevens Company 1893. Hardcover. Very Good. Presumed first edition. Large octavo. 26pp. Contemporary quarter burgundy cloth black papercovered boards stamped in gilt with the original paper wrappers. Bookplate on the front paste down Boston Music Co. stamp on the title page pencil on the front free endpaper neat pencil notation on pages eight and nine light foxing throughout rubbing and edgewear to the boards very good. For voice and piano. Plate number S.L.W. & Co. 2217. The owner stamp is that of Martha Atwood an accomplished American singer and the founder of the Cape Cod Institute of Music we presume the notation found on pages eight and nine "Heart's Devotion" to be in her hand. Songs included are "To The Queen of My Heart" "Heart's Devotion" "On a Faded Violet" "As the Moon's Soft Splendour" "Good Night" and "A Bridal Song." OCLC locates four holdings but none dated as early as 1893. Stanley Lucas, Weber, Pitt & Hatzfeld / H.B. Stevens Company hardcover books
2001réf. 63276E-259: PPP Editions / Roth Horowitz LLC. Very Good. 2001. Hardcover. Hardcover. 4to. Published by PPP Editions / Roth Horowitz LLC New York. 2001. 305 pgs. Illustrated with numerous color and black and white photographs/reproductions. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text great design and typography bound together as books are numerous and make up an impressive artistic social and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create ultimately a thing of beauty a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form as opposed to the book being merely a repository of images this list includes many artists and titles that will be familiar to the collector but also not a few surprises. Chronologically the first book is Volume One of Edward Curtis's seminal 1907 The North American Indian the last is David LaChapelle's LaChapelle Land from 1996 and in between are books by Walker Evans and Berenice Abbott Atget and Brassai Robert Frank and Garry Winogrand and many other seminal photographers from all over the world. Each book in the catalogue receives a double page spread including publication information several image spreads and a short text about it. The Book of 101 Books however is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars critics and artists are included as well: here you will find Richard Benson on the history of printing techniques Shelley Rice on the societal significance of photography books May Castleberry on reprints exhibitions and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography Dear Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Princeis 1995 Adult Comedy Action Drama and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together the depth and beauty of these essays and images makes The Book of 101 Books both an essential reference and an aesthetically compelling object. EB; 12.0 X 9.9 X 1.6 inches; 305 pages . PPP Editions / Roth Horowitz, LLC hardcover
1866réf. 458077Boston: Little Brown and Company 1866. Hardcover. Very Good. Three volumes. Octavos. Vol. 1 only is a limited edition copy no. 41 of one hundred copies printed illustrated with an engraved frontispiece plate portrait of Dryden; Vol. 3 edited by "Mrs. Shelley". A handsome set uniformly bound in polished half calf and marbled paper overs boards gilt spines with two maroon and black leather titling labels marbled endpapers gilt tops. Owner’s name in ink on front fly leaf of each volume. Some darkening and light wear to the edges of the boards remnants of paper bookplate removed from front pastedowns light foxing and dust soiling very good overall. An attractive finely bound set. Little, Brown, and Company hardcover
1985réf. 208991985. No. 38 of 90 copies signed and dated in pencil by Hoyt. unknown
1957réf. 011860The Modern Library. Modern Library G-4 Spring 1957 379 Titles Listed on Inside of DJ. 1957. Clipped DJ in archival cover edge wear. . Fine. Hardcover. 1st Edition. 1957. The Modern Library. Modern Library G-4, Spring 1957, 379 Titles Listed on Inside of DJ. (1957) hardcover
1966réf. 159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown
1858réf. 054299London: Thomas Cautley Newby Publisher 1858. 1st Edition . Leather Bound. Very Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Octavos. 325; 358 pages. Hardcovers rebound in attractive 3/4 navy blue morocco leather with blue cloth--covered boards. Signed bindings by "Root & Son". Raised bands on the spines angilt stamping in the compartments. The foot of each spine has "1858" stamped in gilt. Light to moderate rubbing to the bindings but overall a quite attractive set. Each volume has a nice early 20th century bookplate of "Ethel Stiles Tefft" and beards the designer's initials and date at the bottom of the bookplates "19 -F.T.C.-07". The bookplates show a woman and child sitting on an outdoor bench with an open book and a lute and with the boarders of the bookplate image surrounded by leaves etc. The text blocks are sound and the text is clean. COMPLETE with the foldout facsimile engraving of Shelley's writing. On the reverse of this foldout is written "J. C. G. Thomas Wilkenson Handwriting / done this day 21 March 1863 / London". Thomas Cautley Newby, Publisher hardcover
1911réf. 001824London / Philadelphia: William Heinemann / J B Lippincott 1911. 1st Edition. Hardcover. Good/No Jacket. Charles Robinson. 20 x 27cm. This is a copy of the publishers' de luxe edition with vellum boards intricately decorated and lettered in gilt printed endpapers 128 pp of introduction and Shelley's poem illustrated throughout with b/w and colour vignettes as well as a tipped-in tissue-protected colour frontispiece and a further 18 pasted-down tissue-protected colour illustrations - all on heavy smooth stock - with top edge gilt. This copy is complete and without any indications of a previous owner or other marks. The upper board and spine remain very good. The lower board is rubbed and soiled. There is evidence of moisture staining at the bottom margin throughout with some rippling at the foot. Some of the leaves are also chipped at the foot. There are several between-section cracks and although the hinges are holding the binding has begun to loosen. The contents however are excellent with all the plates present with their tissue-guards and remaining as bright as new. William Heinemann / J B Lippincott hardcover
2007réf. 001140Fordham University Press 2007. Book. Near Fine. Soft cover. Signed by Authors. 1st Edition. 80pp. Pictorial French wraps tight copy clean and unmarked throughout. Signed and warmly inscribed by Seccombe on the half-title by Seccombe: "To Toby You have experienced the real thing. Now I give you some of my view." Seccombe's visual record of the changing face of the Hudson River Piers is a document of change in an ever-changing city that might otherwise have gone unmarked in such striking detail. Uncommon especially signed. . Fordham University Press Paperback
1974réf. 169566Beverly Hills CA: United Artists 1974. Vintage borderless reference photograph from the 1974 film showing Shelley Duvall holding a baby kitten. French release stamp and layout annotations in manuscript ink on the verso. Based on the 1937 novel by Edward Anderson previously adapted by Nicholas Ray as "They Live by Night" 1950. One of Altman's many high spots during the 1970s an early and unusual entry in the American neo-noir canon and one of the most artful gangster films made. Set and shot on location in various towns and cities in central and southern Mississippi including Jackson Hermanville Pickens and Canton. 8 x 10 inches. Near Fine. Spicer US Neo-Noir. United Artists unknown
1934réf. 51300New York NY : Harrison Smith & Robert Hass 1934. Harrison Smith and Robert Hass. Hardcover missing slipcase. Hardcover missing slipcase very good- with light soiling to the boards the spine is faded with chipping to the head and tail internally the pages are bright and unmarked the binding is tight deckled edges 29pp Illus. Lynd Ward. Harrison Smith & Robert Hass hardcover
1922réf. 322960San Francisco: Printed for Williams Andrews Clark Jr. by John Henry Nash 1922. No. 61 of 150 copies printed with compliments card from Clark laid in. In Commemoration of the Hundredth Anniversary of the Death of the Poet. 2 vols. 4to. Vellum-backed boards. In blue grey paper over boards slipcase. No. 61 of 150 copies printed with compliments card from Clark laid in. In Commemoration of the Hundredth Anniversary of the Death of the Poet. 2 vols. 4to. Beautiful Nash production and great homage to the poet. Issued with ADONAIS. Issue with a facsimile of the Pisa edition of 1821 in blue wrappers. The two in the original slipcase. Printed for Williams Andrews Clark, Jr., by John Henry Nash unknown
1922réf. 24413San Francisco: Printed for Williams Andrews Clark Jr. by John Henry Nash 1922. No. 64 of 150 copies printed. In Commemoration of the Hundredth Anniversary of the Death of the Poet. 1 vols. 4to. Vellum-backed boards. In slipcase. No. 64 of 150 copies printed. In Commemoration of the Hundredth Anniversary of the Death of the Poet. 1 vols. 4to. Beautiful Nash production and great homage to the poet. Issued with ADONAIS. Issue with a facsimile of the Pisa edition of 1821 in blue wrappers. The two in the original slipcase. Printed for Williams Andrews Clark, Jr., by John Henry Nash unknown
1880réf. 519549Boston: Chas. Pollock 2 Hamilton Place 1880. Unbound. Fine. Cabinet card photographic portrait. Albumen print of Percy Bysshe Shelley after a painting by Amelia Curran. Image measures 5 3/8 by 3 3/4 inches on photographer's printed cardstock mount measuring 6 1/2 by 4 1/4 inches. Photographer's imprint on recto. Owner's contemporary ink name on verso else the photograph and mount are in fine condition. The photograph depicts the young Shelley in partial profile wearing a dark jacket and broad-collared white shirt. Chas. Pollock, 2 Hamilton Place unknown
1911réf. 313406Boston: Printed for Members of the Bibliophile Society De Vinne Press 1911. One of 475 copies printed for the Members of the Bibliophile Society. 3 vols. 4to. Original parchment-backed gray boards. Fine fresh copy. One of 475 copies printed for the Members of the Bibliophile Society. 3 vols. 4to. This copy of the limited edition of 475 bears a presentation inscription on the front free endpaper: Miss Anne Woodin with best wishes of Mr & Mrs W.K. Bixby Nov. 1920. These notebooks had originally been given to Richard Garnett by Sir Percy and Lady Shelley in recognition for his long devoted service in assisting to sort out all the Shelley papers and manuscripts and then made their way into the possession of William Keeney Bixby. W K Bixby was born in 1857 and was a passionate collector of autographs manuscripts rare books and art. His work with the Union Pacific Railroad and American Car & Foundry Company allowed him to retire at the age of 48 and devote the rest of his life to travel and literature. These volumes contain the first printing of the stanza from "Love's Philosophy" that Shelley did not present to Miss Sophia Stacy when he gave her the rest. Granniss 91 Printed for Members of the Bibliophile Society [De Vinne Press] unknown
1465réf. 3182qslBoston: Printed for Members of The Bibliophile Society 1911. One of a Limited Edition of 465 printed at the De Vinne Press. Three volumes. Octavo 3/4 brown morocco & tan linen hardcover leather gilt-paneled spines top edges gilt uncut ribbon-markers xiv 209 pp vii 187 pp. vi 179 pp. Frontis. portrait facsimiles. Fine with the slightest wear. Printed for Members of The Bibliophile Society, 1911. One of a Limited Edition of 465 printed at the De Vinne Press. hardcover
1911réf. 226056Boston: Printed for Members of the Bibliophile Society De Vinne Press 1911. One of 475 copies printed for the Members of the Bibliophile Society. 3 vols. 4to. Original parchment-backed gray boards. Fine fresh copy. One of 475 copies printed for the Members of the Bibliophile Society. 3 vols. 4to. These notebooks had originally been given to Richard Garnett by Sir Percy and Lady Shelley in recognition for his long devoted service in assisting to sort out all the Shelley papers and manuscript They contain the first printing of the stanza from "Love's Philosophy" that Shelley did not present to Miss Sophia Stacy when he gave her the rest. Granniss 91 Printed for Members of the Bibliophile Society [De Vinne Press] unknown
1893réf. 568734London / Boston: Stanley Lucas Weber Pitt & Hatzfeld / H.B. Stevens Company 1893. Hardcover. Very Good. Presumed first edition. Large octavo. 26pp. Contemporary quarter burgundy cloth black papercovered boards stamped in gilt with the original paper wrappers. Bookplate on the front paste down Boston Music Co. stamp on the title page pencil on the front free endpaper neat pencil notation on pages eight and nine light foxing throughout rubbing and edgewear to the boards very good. For voice and piano. Plate number S.L.W. & Co. 2217. The owner stamp is that of Martha Atwood an accomplished American singer and the founder of the Cape Cod Institute of Music we presume the notation found on pages eight and nine "Heart's Devotion" to be in her hand. Songs included are "To The Queen of My Heart" "Heart's Devotion" "On a Faded Violet" "As the Moon's Soft Splendour" "Good Night" and "A Bridal Song." OCLC locates four holdings but none dated as early as 1893. Stanley Lucas, Weber, Pitt & Hatzfeld / H.B. Stevens Company hardcover
1965réf. 106271NY:: Gordian Press. Good. 1965. Hardcover. Complete in ten volumes. Edited by Roger Ingpen and Walter E. Peck. First edition thus. Ex-library set with typical markings thus all volumes are only good in burgundy cloth. No dust jackets. . Gordian Press, hardcover
2014réf. 1141972Oxford: Oxford at the Clarendon Press 2014. Edited by Frederick L. Jones. Hardcover. Near Fine/No Jackets. Thick Large Octavos. Book. Oxford at the Clarendon Press Hardcover
1918réf. 71176London: At the Florence Press; Chatto & Windus 1918. Florence Press edition. Leather Bound. Very Good. 480pp. Octavo 20 cm Full blue-green leather with raised bands a gilt-tooled spine and ornamental gilt stamped designs on the boards. All edges gilt. Decorative pastedowns and endpapers. Spine sunned. Extremities moderately rubbed. Edges of the free endpapers prominently darkened. Previous owner's bookplate on front flyleaf. Pages toned. A collection of lyrical poems by one of the most influential poets of the Romantic era. At the Florence Press; Chatto & Windus unknown
réf. SONG0691156727Princeton University Press 2015-01-25. hardcover. Used: Good. 8.75x1.75x11.00. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press hardcover
réf. 53308284like new. unknown