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réf. 23335In 1979 Jon Friedman founded the annual Bisbee Poetry Festival in the historic mining town of Bisbee AZ a picturesque town on the Mexican border that had become a vibrant center of creative activity for musicians writers and artists. Every year for the next seven years Friedman invited six of the best contemporary poets to Bisbee during third week of August to read their poetry to audiences that usually exceeded 500 avid fans from around the country. The readings which might more accurately be described as performances varied from an hour to an hour and a half and these readings along with the interviews workshops press conferences and informal social events that surrounded the readings were all professionally videotaped thereby capturing some of the most riveting live poetry readings of the period. In all forty-four poets participated in the personalized week-long residences that the Bisbee Poetry Festival offered them including Kathy Acker Helen Adam Ai David Antin John Ashbery Amiri Baraka Ted Berrigan Gregory Corso Jayne Cortez Robert Creeley Ed Dorn Robert Duncan William Everson Lawrence Ferlinghetti Allen Ginsberg Susan Griffin Bobbie Louise Hawkins Juan Felipe Herrera Galway Kinnell Carolyn Kizer Joanne Kyger Phillip Lamantia Philip Levine Jackson MacLow Michael McClure Alice Notley Rochelle Owens Robert Pack Margaret Randall Jerome Rothenberg Ed Sanders May Swenson Diane Wakoski Anne Waldman Philip Whalen among others. The Bisbee Poetry Festival video archive comprises approximately 120 hours of broadcast quality footage consisting of the following tapes: 126 tapes recorded on Sony videocassette KCA60 Broadcast quality - 3/4 inch - usually one hour each some are 2 hours each; 20 tapes of Sony KCS20 Broadcast quality - 3/4 inch - 20 minutes each; 8 reel-to-reel audio tapes Crescendo Medallion Series Magnetic recording tape 2400 feet per reel 7 inch reels 1/4 inch silicone coated Mylar 1/2 mil 2 hours each; 9 compact audio cassettes 1 hour each. unknown
réf. 23335In 1979 Jon Friedman founded the annual Bisbee Poetry Festival in the historic mining town of Bisbee AZ a picturesque town on the Mexican border that had become a vibrant center of creative activity for musicians writers and artists. Every year for the next seven years Friedman invited six of the best contemporary poets to Bisbee during third week of August to read their poetry to audiences that usually exceeded 500 avid fans from around the country. The readings which might more accurately be described as performances varied from an hour to an hour and a half and these readings along with the interviews workshops press conferences and informal social events that surrounded the readings were all professionally videotaped thereby capturing some of the most riveting live poetry readings of the period. In all forty-four poets participated in the personalized week-long residences that the Bisbee Poetry Festival offered them including Kathy Acker Helen Adam Ai David Antin John Ashbery Amiri Baraka Ted Berrigan Gregory Corso Jayne Cortez Robert Creeley Ed Dorn Robert Duncan William Everson Lawrence Ferlinghetti Allen Ginsberg Susan Griffin Bobbie Louise Hawkins Juan Felipe Herrera Galway Kinnell Carolyn Kizer Joanne Kyger Phillip Lamantia Philip Levine Jackson MacLow Michael McClure Alice Notley Rochelle Owens Robert Pack Margaret Randall Jerome Rothenberg Ed Sanders May Swenson Diane Wakoski Anne Waldman Philip Whalen among others. The Bisbee Poetry Festival video archive comprises approximately 120 hours of broadcast quality footage consisting of the following tapes: 126 tapes recorded on Sony videocassette KCA60 Broadcast quality - 3/4 inch - usually one hour each some are 2 hours each; 20 tapes of Sony KCS20 Broadcast quality - 3/4 inch - 20 minutes each; 8 reel-to-reel audio tapes Crescendo Medallion Series Magnetic recording tape 2400 feet per reel 7 inch reels 1/4 inch silicone coated Mylar 1/2 mil 2 hours each; 9 compact audio cassettes 1 hour each. unknown books
1957réf. 500113"Ray" on light blue personal 6925 Neptune Place letterhead La Jolla June 3 1957. 4to. 2 pages on separate leaves stapled together. To Edgar N. Carter at N.H. Swanson Company in West Hollywood: "Would it make any difference to a TV deal if I agreed to write the dialogue not the story -- only I suppose what you could call a polish job. Of course the writer would loathe me. I must make it clear that any work I should do would on be done in any TV studio since it might be from Tahiti or Tasmania. I understand that changes might be made because some actor might say "This line just isn't me" or some director might like George Marshall have an itching pencil. I ought to have something to say about who is to play the part. I think the actor is more important than the summer radio shot. I think you have the job of convincing these lauatics that if a show is to last it must cost not too much and must have some sort of special quality. Marlowe is a character of some nobility of scorching wit sad but not defeated lonely but never really sure of himself. It is impossible to think that such a man would not have a sex life but so many writers of this sort of story have made it too blatant and too vulgar. Marlowe would get almost any woman into bed with him by a certain obscure technique which depends almost entirely on making a woman feel that you respect her. Some of this has to go into Philip Marlowe if his is to be any good. If it is not possible to achieve this I think we should forget the whole thing. After all a great many writers have been trying to steal him from me for 15 years and they have never done it yet". unknown
1957réf. 500113"Ray" on light blue personal 6925 Neptune Place letterhead La Jolla June 3 1957. 4to. 2 pages on separate leaves stapled together. To Edgar N. Carter at N.H. Swanson Company in West Hollywood: "Would it make any difference to a TV deal if I agreed to write the dialogue not the story -- only I suppose what you could call a polish job. Of course the writer would loathe me. I must make it clear that any work I should do would on be done in any TV studio since it might be from Tahiti or Tasmania. I understand that changes might be made because some actor might say "This line just isn't me" or some director might like George Marshall have an itching pencil. I ought to have something to say about who is to play the part. I think the actor is more important than the summer radio shot. I think you have the job of convincing these lauatics that if a show is to last it must cost not too much and must have some sort of special quality. Marlowe is a character of some nobility of scorching wit sad but not defeated lonely but never really sure of himself. It is impossible to think that such a man would not have a sex life but so many writers of this sort of story have made it too blatant and too vulgar. Marlowe would get almost any woman into bed with him by a certain obscure technique which depends almost entirely on making a woman feel that you respect her. Some of this has to go into Philip Marlowe if his is to be any good. If it is not possible to achieve this I think we should forget the whole thing. After all a great many writers have been trying to steal him from me for 15 years and they have never done it yet". unknown books
1927réf. 2221662WITH ORIGINAL BOREIN DRAWING First edition. 11" x 7 3/4". Illustrated with color frontispiece and 16 b/w full page drawings by Edward Borein and several vignettes. Two page introduction by Owen Wister. Original red stamped pictorial boards. No dust jacket. Very good. 76 pages. With a large signed original detailed ink drawing by Borein of two cowboys on horseback inscribed to Frank E. Bliss and dated 1927. Most original drawings by Borein in books tend to be much less detailed and smaller. Engraved bookplate of Francis E Bliss on front pastedown. Borein 1872-1945 was a noted Western illustrator and painter. His cowboy drawings appeared in "Land of Sunshine" with encouragement by Charles F. Lummis. Wallace Hebberd hardcover
1927réf. 2221662WITH ORIGINAL BOREIN DRAWING First edition. 11" x 7 3/4". Illustrated with color frontispiece and 16 b/w full page drawings by Edward Borein and several vignettes. Two page introduction by Owen Wister. Original red stamped pictorial boards. No dust jacket. Very good. 76 pages. With a large signed original detailed ink drawing by Borein of two cowboys on horseback inscribed to Frank E. Bliss and dated 1927. Most original drawings by Borein in books tend to be much less detailed and smaller. Engraved bookplate of Francis E Bliss on front pastedown. Borein 1872-1945 was a noted Western illustrator and painter. His cowboy drawings appeared in "Land of Sunshine" with encouragement by Charles F. Lummis. Wallace Hebberd hardcover books
Komplette Folge dieser monumentalen Veröffentlichung. Bd. 1: British Museum I. Bd. 2: British Museum II. Bd. 3: British Museum III. Bd. 4: Victoria and Albert Museum I. Bd. 5: Victoria and Albert Museum II. Bd. 6: Musée Guimet, Paris I. Bd. 7: Musée Guimet, Paris II. Bd. 8: Bibliotheque Nationale, Paris. Bd. 9: Musées Royaux d'Art et d'Histoire, Brussels. Bd. 10: Museo d'Arte Orientale, Genoa I. Bd. 11: Museo d'Arte Orientale, Genoa II. Bd. 12: Museum für Ostasiatische Kunst, Berlin. Bd. 13: The Chester Beatty Library, Museum für Ostasiatische Kunst, Köln, Rijksmuseum Amsterdam.
1904Bookplate of V.M. Turnbull inside front board suggests this copy may have belonged to the owner of the famous collection now held by the Fitzwilliam Museum at Cambridge. Bookplate of Hugh John McLean upon front free endpaper. [4], 443 pages. All six plates present. The entire catalogued Franks bequest contained 35,098 plates. Above-average wear to publisher's black cloth. Innumerable small light pencil marginal tick marks beside items of interest. Narrow opening in binding at page 259. Volume II only of this renowned three volume reference. Book
1904Bookplate of V.M. Turnbull inside front board suggests this copy may have belonged to the owner of the famous collection now held by the Fitzwilliam Museum at Cambridge. Bookplate of Hugh John McLean upon front free endpaper. [6], 387 pages. All six plates present. "Includes several minor and supplementary series, viz., one of about two hundred anonymous plates which it has not been found possible to identify; Royal plates; plates of Universities, Colleges and Schools; Premium or school-prize plates; plates of Ecclesiastical, Parochial, and Public Libraries; Naval and Military and Legal and Medical plates; with those of City Companies and Public Offices, Booksellers, and Circulating Libraries. The volume also furnishes notes of a few family plates supplementary to the main series: these have for the most part been discovered in and transferred from the Foreign portion of the testator's collection. Last comes a Heraldic Index to all those plates which, although anonymous, have been identified and inserted in their proper alphabetical places in the main collection." - from Preface. The entire catalogued Franks bequest contained 35,098 plates. Above-average wear to publisher's black cloth. Binding intact. Innumerable small light pencil marginal tick marks beside items of interest. Intriguing light pencil annotation beside item 32550A, a reproduction of a James Worsley plate, on page 319 reads "a copy of the original is in my collection", possibly adding further weight to the suggested provenance of this volume. Volume III only of this renowned three volume reference. Book
1861réf. 38800William Blackwood Edinburgh 1861. 8vo. First Edition some light spotting mainly marginal on half a dozen leaves; original cinnamon cloth boards elaborately framed and blocked in blind gilt back primrose endpapers uncut expertly recased a very good bright clean crisp copy. Complete with the following points: 4pp advertisements unnumbered facing front free endpaper sometimes found between front endpapers; 16pp publisher's catalogue undated at end; binder's ticket of Edmonds & Remnants mounted on rear paste-down. With the blind stamp of WH Smith Strand on front advertisement leaves and front free endpaper and 4pp Subscription Library leaflet mounted on first advertisement leaf. Carter binding variant B; see Jarndyce p.24; NCBEL III/902. Baker & Ross note that 4103 copies were printed. Baker & Ross A6.1.a.B William Blackwood, Edinburgh, hardcover
1858réf. 31664Richard Bentley 1858. 3 vols. 8vo. First Edition some mild spotting as usual; tastefully bound in contemporary blue half roan marbled boards ruled in gilt backs with five raised bands tooled in gilt second and third compartments ruled and lettered in gilt all other compartments framed in gilt gilt tops marbled endpapers joints very lightly rubbed a most attractive copy. MAURICE BARING'S COPY WITH HIS HOLOGRAPH SIGNATURE ON BLANK PRELIMINARY OF FIRST VOLUME AND BOOKPLATE ON FRONT FREE ENDPAPERS OF ALL THREE VOLUMES. The set also carries the fine nineteenth century engraved armorial bookplate of Sir Andrew Noble of Ardmore and Ardardan on front paste-downs. The Trollope Society records that the author's sixth novel was written 'mainly in railway carriages since his work for the Post Office entailed a good deal of travelling'. The story is drawn from his memories of his work as a clerk at the GPO in St Martin-le-Grand and Richard Mullen has called it the most autobiographical of Trollope's novels. The novel was not reprinted in its original three-volume form. A UNIQUE AND ATTRACTIVE COPY OF A SCARCE WORK. NCBEL III 882; Sadleir 6; Wolff 6796. Richard Bentley, hardcover
1900réf. 031880London: Grolier Society 1900. Book. Fine. Three-Quarter Leather. Limited Edition. Royal 8vo 23 x 15.5 cm. Complete 15 volume set; Edition De Luxe this set numbered 990 of 1000 copies. Collection of ten literary biographies see below beautifully bound in an elegant and refined "arts and crafts" style; contemporary three-quarter green morocco gilt-decorated spines including floral motifs highlighted in red. Top edges gilt other edges uncut; green and gold marbled end papers. Richly illustrated with hand-coloured frontispiece plates in each volume and throughout the set a further 75 b/w plates with captioned tissue-guards. In fine condition with minimal rubbing to extremities. Contents clean and tight unmarked no inscriptions. Following the Grolier Society's successful Beaux & Belles of England this collection of entertaining biographies was published including: Lawrence Sterne Horace Wallpole Beau Nash Fanny Burney Lady Montagu Peg Woffington Mrs Jordan Colley Ciber and Captain Gronow. A fine set beautifully bound. Grolier Society Hardcover
réf. 27377Paris 1912 grand in folio (62,5x45) 1 chemise toilée à rabats de l'éditeur (légèrement défraichie, petites traces d'humidité et petites usures), dos de percaline lie de vin, plat supérieur titré, renfermant: un faux-titre, une page de titre imprimée en rouge et noir, 4 pages de notice et index des planches, et 48 planches hors-texte tirée en héliotypie par Berthaud frères, 35 planches sont très finement rehaussées par J. Saudé, petite trace brun clair au centre du verso des planches 46 et 47, rousseurs sur le faux-titre, et quelques rousseurs éparses. Tirage limité à 500 exemplaires numérotés. Envoi autographe signé de l'auteur à Monsieur Léon Bérard, S. Secrétaire d'Etat aux Beaux-Arts, daté 1912. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1765réf. 41996Printed for C. Bathurst and many others 1765-1779. Together 27 vols. 18mo. on laid paper with 2 copper-engraved frontispieces and 13 copper-engraved plates neat twentieth-century signature on front free endpaper of first volume only; attractively bound in late eighteenth century calf backs with flat gilt bands second compartments with red leather label lettered and ruled in gilt third compartments with black lozenge numbered and tooled in gilt ALL MAIN LABELS PRESENT wanting all but two number-labels but numeration legible in blind a few volumes expertly rebacked in calf to style headbands frayed but all bindings wholly sound an unusually crisp clean set in sympathetically refurbished period binding. With fine early nineteenth-century engraved armorial bookplate on front paste-down of all volumes. The extended set comprises: The Works 18 vols. 1765; The Letters 6 vols. 1767-1775; Supplement 3 vols. 1779. The plates by I.S. Mueller ad idential with those of thr 12mo edition second issue 1751. NCBEL II 1054; Teerink & Scouten 92. See also Scott pp.179-184. EXTENDED SETS IN THIS CONDITION ARE VERY SCARCE. Printed for C. Bathurst [and many others], hardcover
1788réf. 21779Reading Printed for T. Cadell 1788. 8vo. First Edition on laid paper neat eighteenth-century signature on title some light age-staining mainly marginal; firmly bound in nineteenth-century faux-vellum BY MYERS OF READING sides with double frame border in gilt and red back with five flat bands ruled in gilt second compartment lettered in gilt marbled endpapers uncut last few leaves of Tables chipped and dog-eared but without material loss lower margins of same leaves lightly damp-marked in blank margins expertly rebacked to style with old backstrip laid down an unusually well-preserved crisp clean copy. With the errata leaf at end. With the nineteenth-century engraved armorial bookplate of Sir James R Andrew Clark and the binder's ticket on front paste-down. Since it was bound by Myers it may well have been sold in the town of publication. 'Lempriere's Classical Dictionary is the first of a new kind of manual: the rendering of a body of knowledge not easily accessible in any other form into a system of alphabetical articles for the use of those who lack the time or the learning to seek out the sources; the 'Oxford Companion' series is a distinguished descendant'. Printing & the Mind of Man. Lempriere c.1765-1824 was born in Jersey and remained a schoolmaster most of his life. QUITE APART FROM ITS INTRINSIC UTILITY HIS DICTIONARY ACHIEVED IMMORTALITY SINCE IT PROVED AN IMPORTANT SOURCE OF INSPIRATION TO KEATS. Extremely scarce. PMM 376. Reading, Printed for T. Cadell, hardcover
réf. 16-6341Holland: 17th Century . Sanguine drawing on old laid paper. 12.5 x 9.7cm. Tipped on a support sheet. Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Holland: 17th Century unknown
réf. 16-6334Late 19th-early 20th Century . Ink drawing. 23 x 30cm. He was educated in Moscow but settled in Paris where he gained great popularity as a contributor to several periodicals. He was an early exponent of the episodic strip cartoon technique and was also a well-known illustrator. The grandson of a Napoleonic officer he spent five years in the French army and often favoured military subjects in his illustrations. Essentially self-taught he was particularly influenced by the contemporary German caricaturists Wilhelm Busch and Adolf Oberländer.Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Late 19th-early 20th Century, unknown
réf. 19209BASILEAE. E. AND J. R. THURNISIORUM. 1740-43. CUI POST NOVISSIMAM LONDINENSEM EDITONEM COMPLURIEM ERUDITORUM VIRORUM COLLECTIS CURIS INSIGNITER AUCTAM ACCESSERUNT NUNC PRIMUM HENRICI STEPHANI. IN FOUR VOLUMES FOLIO TITLE PAGE IN RED AND BLACK LATIN TEXT FINE EARLY FULL VELLUM GILT DECORATION TO BOTH BOARDS RAISED BANDS DECORATED COMPARTMENTS BROWN AND TAN CALF LABELS. BOOKPLATE OF GEORGE CHETWYND LACKS TIE RIBBONS. BASILEAE. E. AND J. R. THURNISIORUM. 1740-43. hardcover
1735réf. 6927Printed for A. Bettesworth and C. Hitch at the Red-Lion in Pater-Noster-Row; T. Ryles in Hull; and T. Hammond in York 1735. 8vo. text in Latin and English throughout with woodcut head- and tail-pieces to each book neat eighteenth century signature and annotation on title neat eighteenth century signature on blank preliminary; contemporary full calf sides with double gilt frame border skilfully rebacked to style with five raised bands red leather label lettered in gilt compartments tooled in blind corners neatly reinforced with calf insets to style a firm crisp and remarkably clean copy with virtually no age-staining. Printed for A. Bettesworth and C. Hitch, at the Red-Lion in Pater-Noster-Row; T. Ryles, in Hull; and T. Hammond, in York, hardcover
1838réf. 25813Richard Bentley 1838. 2 vols. 8vo. First Edition First Issue with 2 engraved frontispieces one a portrait; original tissue guards present and 11 engraved plates all original tissue guards present some occasional light and wholly inoffensive age-staining; handsomely bound in contemporary full light tan calf sides with triple frame border enclosing at four corners a floral spray back with five raised bands second and third compartments with red and green leather labels framed and lettered in gilt all other compartments elaborately tooled in gilt gilt tops marbled endpapers uncut very neatly rebacked with old backstrips laid down a fresh crisp and most attractive copy. THIS COPY WAS FORMERLY IN THE LIBRARY OF LORD ROSEBERY AND BEARS HIS RED 'DURDANS' BOOKPLATE ON FRONT PASTE-DOWNS. ALSO PRESENT ARE CHARLES DICKENS CENTENARY TESTIMONIAL BOOKPLATES ON FRONT PASTE-DOWNS. With half-titles misprint '128' for '182' Embellishments vol. I; plate 5 last plate without grotesque border and undated 36pp publisher's catalogue bound in at end. Archibald Primrose 1847-1929 5th Earl of Rosebery and 1st Earl of Midlothian Prime Minister of Great Britain 1894-5. AN OUTSTANDING AND MOST DESIRABLE COPY COMPLETE IN EVERY RESPECT AND WITH NOTABLE PROVENANCE. Eckel p.152. Richard Bentley, hardcover
1558réf. 001067Basilae: Per Ioanem Oporinum 1558 1558. Hardcover. See Description. 8vo. pp. 499 13. Bound in later full red morocco with gilt border fillets on front and rear covers. All edges of the book block are gilt. The binding contains areas of rubbing and wear; minor careful restoration is present to the head cap of the spine and to the corner tips of the boards. The upper corner tip of the front blank fly leaf is restored. Interior pages show some light age-toning and scattered mild foxing but are generally clean. This is a Latin translation from the Greek of the seven tragedies of Sophocles - Ajax Flagellifer Electra Oedipus Tyrannus Antigone Oedipus Coloneus Trachiniae Philoctetes. The translation and notes are by Thomas Kirchmeyer Naogeorgus 1508-1563 was an influential dramatist humanist and Lutheran theologian. The preliminaries include a dedication to Johannes Jacob Fugger and also contain short verses by the educator Johannes Sturm the Latin poet and theologian Johann Seckervitz Seccervitus and the humanities scholar and alchemist Michael Toxites among others. Scarce edition - not in Schweiger or Moss. Adams S-1453; VD16 S-7040; Hoffmann III p. 424. Per Ioanem Oporinum [ 1558 ] hardcover
réf. Z1-E-034-02170Springer. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Springer unknown
réf. 16-6339Mid-late 19th Century. . Watercolor and gouache. 31 x 22cm. Annotated with artist's name verso and collection number. .Compare to Morgan Library Dept. of Drawings and Prints. Record ID:109832.Notes:The artist's fame stems from his sketches of Parisian society for which Baudelaire dubbed him “the Painter of Modern Life” in the pages of Le Figaro 1863. Widely traveled and a regular contributor to the growing corpus of illustrated journals such as Illustrated London News and Punch he worked swiftly and captured the sense of movement synonymous with modern urban life.This group of figures appears to be gathered in the foyer of a theater or cabaret judging from the row of gas lamps along the upper margin. The women wear small bonnets one a cape the other a jacket over voluminous crinolines a stiff underskirt introduced in 1855 and unfashionable by 1867. They speak to two men in top hats while a third seems indifferent to their presence; other similarly attired men mill about and walk through the background.Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Mid-late 19th Century. unknown
réf. 500590"Harriet Beecher Stowe" in black ink on 1/2 length vignette portrait of Stowe. Photograph is by George H. Hastings 147 Tremont St. Boston with his imprint on the verso of the gilt edged mount. 4 1/4" x 6 5/8"; very good fresh; ca 1880. Signed in full on the lower mount: "Harriet Beecher Stowe". unknown
réf. 500590"Harriet Beecher Stowe" in black ink on 1/2 length vignette portrait of Stowe. Photograph is by George H. Hastings 147 Tremont St. Boston with his imprint on the verso of the gilt edged mount. 4 1/4" x 6 5/8"; very good fresh; ca 1880. Signed in full on the lower mount: "Harriet Beecher Stowe". unknown books
