Grey, ZaneBiblio.com
19.096 risultati
1921rif. 2221716First edition so stated. Octavo. Nine page introduction by Gelett Burgess. Grey's article appears at pages 80-83. Original gilt blue cloth. Dust jacket unclipped. Fine. 288 pages. No signatures or bookplates. Other contributors include Mary Austin Rex Beach Robert W. Chambers Edna Ferber Hamlin Garland Rupert Hughes Sinclair Lewis Opie Read Ernest Thompson Seton Booth Tarkington Owen Wister Harold Bell Wright et.al. Russo & Sullivan page 169 - Tarkington's poem "Tree." The Authors' League of America by Doubleday, Page & Company hardcover
1999rif. 027263Mexico D. F.: Noriega Editores / Fotofactory Press 1999. 1st Edition 1st Printing. Hardcover. Fine/Near Fine. Color Plates Throughout. 221 Pp. One Of 2000 Copies Only With Text In English Spanish And German. First Edition Stated. A Fine Book In A Dj With Light Wear At Corners 1/4" Closed Tear At Upper Right Corner Of Front Panel. Inscribed 'For ---- May Color And Form Always Bring You Joy! Best Wishes Brad" Dated May 2000. Per Wikipedia Brad Howe Born 1959 Is An American Sculptor From California. His Work Has Been Exhibited Domestically And Internationally.He Started His Career As A Sculptor In Brazil First Using Pieces Of Scrap Metal And Wire To Assemble Kinetic Mobiles Following What He Had Seen In A Book Of Work By Alexander Calder. After Successfully Selling His First Sculptures To An Architect In Rio De Janeiro And Receiving Subsequent Commissions He Committed To A Career As An Artist. Since Then Howe Has Exhibited In Over Eighteen Countries Worldwide. His Work Can Be Found In Numerous Private Collections And He Has Completed Dozens Of Large-Scale Public Projects Including Commissions By The City Of Beverly Hills The Massachusetts Institute Of Technology Mit In Boston Temple University In Philadelphia And Ucla. Working Primarily With Stainless Steel Aluminum Bronze And Polyurethane Howe Continues To Produce Work In A Number Of Formats From The Kinetic Sculptures For Which He First Became Known To Painting-Like Wall Works Monumental Bronzes And Experimental Maquettes. Howe Describes His Work As "Mirrors With Triggers" - Forms That Reflect The Viewer's Perspective And Reward Careful Observation With Suggestive Possibilities That Fire Off Imagination. Noriega Editores / Fotofactory Press hardcover
1998rif. 027257New York: The Museum of Modern Art / Harry N Abrams 1998. First American Edition 2nd Printing. Cloth. Fine/Fine. 12 1/4 " Tall. B/W and Color Throughout. 224 Pp. Cloth. Fine In Fine Dust Jacket Signed By Chuck Close Without Inscription And Dated 1998. The Museum of Modern Art / Harry N Abrams hardcover
1960rif. 001866Riga: Latvijas Valsts Izdevnieciba 1960. First Editon . Yellow Cloth. Near Fine/Good. Color and Black and White Illustrations Throughout. 287 Pp. Yellow Cloth Lettered In Red And Gilt. An Important Work On The Contemporary Graphics Of Latvia Includes Many Full-Color Full-Page Reproductions Of Posters Etc. 42 Pp Illustrated Text Rest Is Plates With 213 Illustrations Followed By A Biographical Listing. Near Fine In Good Dust Jacket No Marks Latvijas Valsts Izdevnieciba hardcover
1977rif. 018947Los Angeles: Art Catalogues 1977. First Edition . Green Printed Wrappers. Fine/No Dust Jacket. 5 3/4" x 4 1/4. Frontispiece Portrait; 20 Color Plates. 62 Pp. One Of A Stated Printing Of 3000 Copies Printed For The Showing At The James Corcoran Gallery In 1977. Author Chronology And Bibliographyy At End. This Example Warmly Inscribed By Bengston To An Art Professor And His Wife An Art Teacher "For . And . / Con Amour/ B. A. B. / J.L. E. ______________________ Ac / 5 22 77" The Whole Laid Out As A Constructed Design In Four Lines Across The Top Of The First Blank Page. A Particularly Special Inscription For An Item Which Is Scarce Perhaps Becaue Of Its Small Size And Seldom Found Signed. Art Catalogues unknown
1983rif. 025266La Jolla California: Russell Forester 1983. First Edition . Sheets in Chemise. Fine/Fine Chemise. 10 Thermographs. #78 of a limited edition of 500. Signed by the author and dated in 1984. Title page three bio sheets and 10 thermographs on glossy card tissue guards in paper chemise with blindstamped raised title/auithor on cover as issued. Russell Forester unknown
1994rif. 020306Albuquerque: Tamarind Institute / The University of New Mexico Press 1994. First Edition First Printing . Black Cloth. Fine/Fine DJ. B/W Reproductions and One Original Print. 139 Pp. Black Cloth Spine Lettered In Red. First Edition Stated. With The Original Print By Eric Avery And The Original Wrap-Around Band Advertising That Print. All As New. Tamarind Institute / The University of New Mexico Press hardcover
1946rif. 019036Chicago: The University of Chicago Press 1946. First Edition . Hardcover. Near Fine/No Dust Jacket. 13" Tall. Color and B/W Plates. 1342 Pp 126 Plates In Color And B/W. Cloth. First Edition. Light Signs Of Use No Fraying Hinges Tight No Damage. Nicely Inscribed "Signed With Pleasure For My Old Friend And Pupil Ted Little Boardman Robinson / Colorado Springs '46." Boardman Michael Robinson 1876-1952 Was A Canadian-American Painter Illustrator And Cartoonist. Robinson First Studied Art At The Massachusetts College Of Art In Boston. He Would Later Go On To Study At The Académie Colarossi And The École Des Beaux-Arts Both In Paris Where He Was Influenced By The Political Cartooning Of Honoré Daumier As Well As Forain And Steinlen. Upon Returning To The United States Robinson Worked As An Illustrator Drawing Cartoons And Theater Illustrations For The New York Morning Telegraph. He Freelanced For A Wide Range Of Other Popular Publications Including Pearson's Magazine Scribner's Magazine Collier's Harper's Weekly And Others. In 1910 Robinson Took A Job On The Staff Of The New York Tribune Drawing Editorial Cartoons A Position Which He Retained For Four Years. With The Eruption Of World War I In 1914 Robinson's Increasingly Radical Anti-Militarist Political Views Brought Him Into Conflict With His Employer And He Quit The Publication. In 1915 Robinson Travelled To Eastern Europe On Behalf Of Metropolitan Magazine Along With Journalist John Reed. The Pair Saw First Hand The Effects Of The European War In Russia Serbia Macedonia And Greece. In 1916 Reed's Account Of The Journey Was Collected In A Book Called The War In Eastern Europe To Which Robinson Contributed Illustrations. On His Return From Europe Robinson Worked At The Socialist Monthly The Masses. His Highly Political Cartoons As Well As The General Anti-War Stance Of The Masses Was Deemed To Have Violated The Recently Passed Espionage Act Of 1917 And The Masses Had To Cease Publication. Robinson Along With The Other Defendants Were Acquitted On October 5 1918. Following The Masses Robinson Became A Contributing Editor To The Liberator And The New Masses Working With Former Masses Editor Max Eastman. Robinson Would Later Go On To Teach Art At The Art Students League In New York City 1919-30 And Head The Colorado Springs Fine Arts Center 1936-47. Some Of His Students Include Duard Marshall James Brooks Bill Tytla Edmund Duffy Jacob Burck Russel Wright Eric Bransby Rifka Angel Mary Anne Bransby Gerhard Bakker And Esther Shemitz Who Married Whittaker Chambers: Both Burck And Shemitz Contributed Illustrations To The New Masses As Did Their Mentor. Robinson Is Also Known As A Muralist. Some Of His Mural Commissions Include Works At Rockefeller Center And The Department Of Justice Building In Washington D.C. And A Nine-Panel Mural On The History Of Trade For Kaufmann's Flagship Department Store In Pittsburgh Completed In 1929. Robinson Also Illustrated Several Books Among Them Editions Of Walt Whitman's Leaves Of Grass 1921 Dostoyevsky's The Brothers Karamazov 1933 Edgar Lee Masters' Spoon River Anthology 1941 And Herman Melville's Moby Dick 1942. The University of Chicago Press hardcover
1940rif. 021324Circa 1938-1950 1940. Original Comic Illustration . Single Sheet. Very Good. One Sheet One Sheet 24" X 18" 4 Illustrations In Black Ink Last Panel "Damn You Madoc. We'll Be Killed!". Not Signed. Ex-Forrest Ackerman Collection. unknown
1980rif. 007126Kiev: Albom / Mistetstvo 1980. First Edition . Illustrated Boards. Near Fine. 13" Tall. Color Plates Throughout. A large well-designed book with information on many contemporary glass artists. Albom / Mistetstvo hardcover
1978rif. 020522Washington: Danger Press 1978. First Edition . Stapled Printed Wrappers. Very Good . 8 1/2" X 11. 32 pp. Artist's book. Color cover rest is black and white photo-reproductions. Danger Press unknown
1973rif. 021759Taipei: National Museum of History 1973. First Edition . Paperback. Near Fine. Chuang Che; Chen Cheng-Hsiung Robert Yang Hsing-Shen Koo Chung-Kuang in. Exhibition Catalog With Color And B/W Reproductions. Inscribed "To My Dear Friend Mr. ----- H. S. Yang 1973.8.6". Near Fine. National Museum of History paperback
1985rif. 020353Taipei 1985. First Edition . Soft cover. Near Fine. Color Plates Throughout. 58 Pp Catalog All Text In Chinese. 11" Tall. Signed And Dated By The Artist. He Devoted Himself To Traditional And Contemporary Ink Painting Inherited The Essence Of Chinese Millennium Painting And Calligraphy And Opened Up Opportunities For The Reform Of Contemporary Ink Painting Which Set A Paradigm For New Ink Painting In The World Of Chinese Art For This Century. He Taught In Taiwan For Half A Century And Cultivated Countless Art Students. His Influence Is Profound. paperback
2004rif. 021985Los Angeles: Mooradian Fine Art Inc` 2004. First Edition . Cloth. Fine/Near Fine DJ. 13" Tall. Color Plates Throughout. 338 Pp. Illustrated Cloth We Have Also Seen An Unillustrated Blue Cloth Binding Perhaps A Remainder. Massive Profusely Illustrated With Appendices Including Chronology And Bibliography At End. Ex-Libris Nicolas Cage Although Not Marked As Such. Mooradian Fine Art Inc` hardcover
1956rif. 006362NY: Universe Books. First edition. Hard cover in dust jacket. Published NY: Universe Books 1956 first printing. 4to. 8 3/4" x 10 3/4" unpaginated. Text by Han Suyin. Edited by Robert Delpire. From the dust jacket flap: "This book is the picture diary of one of today's most brilliant roving photographers. Henri Cartier-Bresson lived in China from December 1948 to September 1949. In those eventful and dangerous months he watched from close at hand the withdrawal of the Nationalist government and the inrush of the Communist armies. He caught these events on the fly and came back from China with an unbiased graphic document of enduring historical interest." Beige cloth with white stamped titles. Minor toning to the cloth along the top and bottom edge light occasional age spotting to the covers flyleafs/pastedowns and top edge of page block else near fine clean crisp bright unworn in very good dust jacket frayed along the edges surface scuff line on front panel few small chips with a couple of old internal tape repairs near top edge. Very scarce in dust jacket. . Very Good Plus. Hard. 1st. 1956. Universe Books unknown
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1970rif. 125328New York: Alfred A. Knopf 1970. First U.S. edition. Hardcover. First printing. Translated by Edgar H. Miller Jr. His first book to be published in the United States. A fine copy in a very near fine price clipped dust jacket with a crease to the front flap. A very nice copy of a seemingly uncommon book. Alfred A. Knopf unknown
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