1 475 résultats
Tournai/Paris, H.Casterman, 1956, 207pp., 1°éd.
s.l., Merlijn-boeken 1979, 102pp., bib.ex., zeldzaam
Vaduz, De Bhaktivedanta Book Trust 1986, xlviii + 464pp. + 16pp.buitentekstill., gecart.band met stofwikkel, X19605
s.l., The Bhaktivedanta Book Trust 1981, xxii + 418pp. + 16pp.buitentekstill. in kleur, gecart.band, X19606
Jerusalem, Ministère des Affaires Etrangères Dec.1955, 68pp., cachet, G19715
1971298pp., 28cm., brochure originale, bon état, X98836
1979236pp., 28cm., brochure originale, non coupé, très bon état, X98837
1979pp.237 à 409, 28cm., brochure originale, non coupé, très bon état, X98838
1988229pp., 28cm., brochure originale, non coupé, bon état, X98839
2005208pp., 28cm., brochure originale, non coupé, très bon état, X98840
2006242pp., 28cm., brochure originale, non coupé, très bon état, X98841
2006pp.243 à 490, 28cm., brochure originale, non coupé, très bon état, X98842
1922viii + 720pp.avec 58 illustrations et 9 cartes, 20cm., 1e édition, reliure cart., dos en toile avec titre doré, 2 cachets, bon état, R99784
195497pp., brochure originale, 25cm., bon état, dans la collection "Irénikon", R31965
1984186pp., 28cm., brochure originale, bon état, X103210
1944P. Flammarion. In-IV broché, 1944, couverture rempliée et illustrée, 69 pp. 6 hors-textes miniatures persanes du XVI ème siècle tirées de divers manuscrits de la Bibliothèque Nationale. Bandeaux et gravures au trait. Edition originale sur Vélin n° 311 sur 4000.
1967In 8, tela, sovracc., pp. 309, numerose ill. in b.n. a tutta pagina.Lievi segni d'uso e del tempo alla sovracc., firma di app. in prima bianca, per il resto condizioni molto buone.Luogo di pubblicazione Bari Editore De Donato Anno pubblicazione 1967Collana Scrittori d'OrienteMateria/Argomento Orientalismo, Buddismo
1979In 8', br. ed. pp. XI+368, in inglese; pieghe al dorso, interno brunito, data scritta a penna all'occhiello, buon es.
2019New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm
2003New New English Original cloth bdg. Dust wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
2015New New Turkish Original bdg. Dust wrapper. 4to. (29 x 24 cm). In Turkish. 263 p., color and b/w ills. Osmanli'da harem ve cariyelik. 19. yüzyil. Odalisques and Harem in the Ottoman Empire in the 19th century.
2009New English Paperback. Demy 8vo. (22 x 15 cm). In English. 509 p. An Ottoman Saga is a passionate love story set against the background of the great Ottoman Empire in its years of decline and of Europe in turmoil - war, revolution, the birth pangs of nationalism and democracy, marked by the leaders and personalities who transformed the face of the nineteenth century and paved the way to the world wars of the twentieth century: Sultan Abdülmecid I, Emperor Napoléon III and Empress Eugénie, Cavour, Garibaldi, Emperor Franz-Joseph, Disraeli, the Rothschilds, Florence Nightingale, Kaiser Wilhelm II, Otto von Bismarck, Sultan Abdülhamid II, among others. Anchoring the multicultural city of Istanbul at the heart of her narrative, Lâtife Mardin transports the reader from the Crimean War to the magnificient capitals of Europe and intertwines East and West in a historical tale of romance and intrigue as Cynthia and Jonathan strive to be united against all odds.
2013New New Persian Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). Text in Persian wih bilingual title in German and Persian on the cover. 570 p., ills. and maps. [Partherreich und seine Zeugnisse].= Imparâtûri-yi Ashkânî va asnâd va manâbi'-i ân: Majû'ah-i maqâlât.
1993New English Original cloth bdg. by Legatoria Rigoldi SNC. Oblong folio. (36 x 47 cm). In English. 16, [1] p. text,1 full paged b/w map in text (Byzantivm nunc Constantinopolis), 8 folding color plts. of panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). 1100 copies were printed in Italy. Numbered copy. 357/1100. Printed on handmade paper by Cartiere Enrico Magnani S.p.A. Preface.; Historical setting.; Images of Istanbul, I: A wedding procession. II: Entertainment in a Harem (women dancing and playing dance music). III: Ladies going to a bathhouse. IV: An imperial residence. V: Arrival of the Crimean Embassy. VI: Sultan embarking on a hunt. VII: Sultan going to Friday prayer. VIII: Procession of the Queen Mother. Images of imperial Istanbul. Facsimile Edition of eight panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). Published by Ahmet Ertug. Photographic reproduction of originals by C. Hüttel. Translation of captions from German by Ali Özdamar.
2018New English Paperback. Demy 8vo. (21 x 14 cm). In English. 240 p. Rumi therapy: From age of knowledge to age of wisdom. Mankind is rediscovering Rumi. His universal teachings are just as relevant as they were when he wrote them... All of us have much to learn from 13th century poet and scholar. Doctor Nevzat Tarhan explains how the wisdom inherent in Rumi's work, the Masnavi, can be the cure we need for our souls and our psychological wellbeing. Tarhan explains that we must take living wisdom of Rumi as a guide as we navigate our daily lives. He read the Masnavi as a work that treats our hearts and pysches in a manner that is a work that is now accepted by modern psychology. Tarhan's interpretive methods enable us to raise our awareness and see the truth within ourselves. "Rumi will be the one who will show us the way as we transition from the information age to the age of wisdom. He affects the codes within our spiritual programming, activating tenderness within us.".
