TÜLAY DURAN.MareMagnum
1 475 résultats
1999Fine English Original bdg. HC. 4to. (28 x 20 cm). In English and Turkish. 315, [4] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri.
2007New English Original cloth bdg. In publisher's special box. 4to. Oblong 4to. (25 x 34 cm). In Turkish. 357 p., color and b/w photos. "'Yadigar-i Istanbul', has been selected among 35.535 photographs from 911 photograph albums in the library of Yildiz Palace. The oldest of these albums date back to the year 1857. The photograph albums of Yildiz Palace entirely given to Istanbul University in 1924 at the behest of Ataturk are among the world's most remarkable photography collections. Perspectives of the photographers of that period have been reflected while in the selection of photographs for "Yadigar-i Istanbul". Those who see the "Yadigar-i Istanbul photos will realize the early beauties of Istanbul as well as the great changes it has undergone. As a result of the study made on 911 albums containing 35.535 photographs and on the photographers of the albums, almost 370 photographer names emerged. In "Yadigar-i Istanbul, the names of these photographers and their photograph albums are also available. It is a great contribution not only to the history of Ottoman photography but also to that of world photography. It will lead to new research in world's photography history and probably rewriting of the history of photography.".
2000New English Original bdg. HC. Small 4to. (24 x 20 cm). In Turkish and abstract in English. 123 p. Color ills. Lale Devri ressami Jean Baptiste Van Mour.= A Dutch painter of the Tulip Era in Istanbul: Jean Baptiste Van Mour. HISTORY OF ART Orientalism Art of painting Istanbul Constantinople Ottoman culture.
2002Fine English Paperback. Pbo. Roy. 8vo. In Turkish. 139, [7] p. Color and b/w ills. Librairie de Pera. Paintings, drawings, ceramics and art prints from Turkish and Orientalist artists.= Türk ve Oryantalist sanatçilardan resimler, desenler, seramikler ve özgün baskilar. [Auction catalogue].
2003Fine English Paperback. Pbo. Roy. 8vo. (23 x 116 cm). In Turkish. 313, [7] p. Color and b/w ills. Librairie de Pera. Old people and places.= Eski yerler, eski insanlar. [Auction catalogue].
2014New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 360 p., color and b/w ills. The exhibition highlights the orientalist trend in Polish painting, as well as drawings and graphic arts. The works in the exhibition cover a wide period from the 17th to the early 19th centuries. Among others, the exhibition includes drawings by Christian Kamsetzer of his Turkish travels, as well as oriental scenes by artists like Zmurko and Brandt. The artworks exemplify topics related to the Ottoman world, and to a lesser extent, the Near East and North African regions. One section of the exhibition is dedicated to Stanislaw Chlebowski, the court artist of Sultan Abdülaziz. Works by other artists who had visited Turkey, among them Jan Matejko, Waclaw Pawliszak, Jan Ciaglinski, and Jacek Malczewski, are also included. Selected from the collections of Polish institutions ranging from the National Museums in Warsaw, Kraków, Poznan, and Wroclaw, the University Library in Warsaw, to Lazienki Palace Museum, the exhibition brings together approximately 190 works. The apogee of Orientalism, which refers to a cultural current in Europe centred on an interest in the cultures of the East manifesting itself in art, architecture, music, literature, and the theatre, arrived in the 19th century, when a distinct Orientalist current sprang forth from academic painting, inspired first and foremost by the cultures of the Islamic countries of the Middle East and North Africa, as well as of Moorish Spain. In the specific case of Poland, interest in the Orient goes back to medieval times; a natural result of her geographic location, which rendered Poland particularly susceptible to influences from the East. To a large extent, this period in Polish history was defined by successive wars with the Ottomans, and it left an indelible trace in culture. A variety of equestrian types, generic skirmishes and great historic battles were depicted many times by various skilled artists, as well as Oriental characters, landscapes, and genre scenes -first and foremost of the harem. The latter subject matter, popular among audiences, was often taken up by painters who had never been to the East themselves. Exhibition catalogue presents works by the artists among them Jan Matejko, Waclaw Pawliszak, Jan Ciaglinski, Jacek Malczewski, and especially Stanislaw Chlebowski, the court artist of Sultan Abdülaziz, are included, and also sheds light on the artistic influences of Poland's cultural interaction with the East, different from the Western Orientalist approach, through history, diplomacy, battles and travellers.
2001New New English Original bdg. Dust wrapper. 4to. (31 x 22 cm). In Turkish. 3 volumes set: (1543 p.), color and b/w ills. Yüzyillar boyunca Üsküdar. 3 volumes set. A very heavy set. Extra shipping cost will be requested. History of Scutari from Byzantium to modern times.
2016New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In Turkish. [xv], [4], 342, [1] p., color and b/w ills. Istanbul karsilasmalari: Osmanlilar, oryantalistler ve 19. yüzyil görsel kültürü. [= Istanbul exchanges: Ottomans, orientalists, and Ninteenth-century visual culture]. Translated by Zeynep Rona.
2016New English Original bdg. HC. / Original brown leather bound. In special huge box. Oblong folio. (30 x 50 cm). 2 books: (28 x 23 cm) / (29 x 37 cm). Youssouf: Types et charges, 1884 (reprint of Yusuf Franko Bey's original caricature album): 56 p., fully color ills.; Youssouf Bey: The charged portraits of fin-de-siecle Pera.: 119, [1] p., color ills. 500 copies were printed. All copies is numbered. Contents: It includes the following articles: Ömer M. Koc "Preface"; Bahattin Öztuncay "Editor's Foreword"; Sinan Kuneralp, "Yusuf Franko Kusa Pasa and His Kinsmen: A Melkite Family in The Service of The Ottoman Empire"; Guillaume Doizy, "Yusuf Bey: The Dificult Experience of Caricature"; K. Mehmet Kentel, "Drawing cosmopolitan Pera, Drawing on Yusuf Bey's Caricatures"; Sinan Kuneralp, "Appendix: Who is who in Yusuf Franko Pasa's Album an annotated list". The caricature album of Yusuf Franko Kusa Bey, the late 19th century Ottoman bureaucrat, Minister of Foreign Affairs, governor general, man of society who was also a playful caricaturist, is exhibited for the first time. "The Characters of Yusuf Franko: An Ottoman Bureaucrat's Caricatures" displays for the first time the caricatures that Yusuf Franko compiled in an album between 1884-1896, that interact with the European caricature tradition. Through the exhibited caricatures, the visitors meet satirically charged portraits of wealthy capitalists, members of high society, Ottoman soldiers, Levantines, artists and diplomats of the late 19th century. The caricatures offer the spectators the opportunity to observe the colorful social networks, especially those of the Beyoglu / Pera quarter, which Yusuf Franko himself belonged to, and the global locales of Istanbul. By following the characters in their caricatures and the places they belong, the exhibition emphasizes how the Galata¿Beyoglu axis became a financial and diplomatic center as well as a frequent destination of international culture and arts. The exhibition, which mainly tries to evaluate the works of Yusuf Franko from the perspective of space and social networks, also touches on the significant places of the period such as the Naum Theater and it also serves as a reminder of those locales, which no longer exist and hence which have not found their way onto the album. Focusing on Yusuf Franko, the innovative caricaturist of his time and on his works, the exhibition "The Characters of Yusuf Franko: An Ottoman Bureaucrat¿s Caricatures" deals with the prominence of the Franko Kusa family within the Ottoman Empire, and with the history of the caricature in Europe. The exhibition also narrates the long trek of the album through various countries and the tale of its return to Beyoglu. In addition to the album and caricatures of Yusuf Franko Kusa, relevant photographs, documents and publications from various collections and especially from Ömer M. Koç Collection are featured in the exhibition.
2009New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 64 p., color ills. [Painter's Istanbul].= Ressamlarin Istanbul'u. 18 Mart - 11 Nisan 2009. [Exhibition catalogue]. 1000 copies were printed.
2012New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). Sealed. In English. 319, [5] p., color and b/w ills. Four centuries of diplomatic and economic relations between Turkey & the Netherlands, (1612-2012). In memory of Cornelius Haga. [With a CD]. This book (as well as the attached Istanbul Memoirs of the First Dutch Ambassador Cornelius Haga and the Ottoman Empire¿s official records and his Register Book about his activites in Istanbul) is a very timely contribution to the field, which once again illustrates the importance of studying the Ottoman history as world history. Halil Inalcik, Bilkent University. This book provides a fresh interpretation of the historical relations between these two important powers and also Turkey-Europe relations. In the foreword, Halil INALCIK, a prominent global historian, underlines the joint Ottoman-Dutch role in shaping the European and the World history. In the following chapter, Levent KIRVAL focuses on the history of the economic and political relations between Turkey and the European powers, and he particularly focuses on the economic and cultural interactions between the Turks and the Europeans. Subsequently, Bülent ARI, first gives brief information about the phases of Dutch revolt which started in 1567 against the Spanish oppression and then evaluates the political atmosphere of the period and the conflicts between the European states. Next, Mustafa GÜLEC evaluates the interpretations of various scholars concerning the early Ottoman-Dutch relations and gives an overall atmosphere of the commercial relations of individual entrepreneurs before the grant of Dutch capitulations. Followingly, Mehmet BULUT focuses on the commercial activities in the Mediterranean in the 17th and 18th century. Consequently, Mehmet TÜTÜNCÜ has an interesting chapter under the title "Grand Dutch Admiral Michiel Adriaenszoon de Ruyter¿s Mediterranean Expedition and the Peace Treaties He Concluded in 1662 with Ottoman Algeria". With CD entitled "Memoir and Register Book of Cornelis Haga First Dutch Ambassador in Istanbul".
2006Fine Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 181 p. A study on Islamisc mysticism and sufism in the early Islamic period. Louis Massignon was a Catholic scholar of Islam and a pioneer of Catholic-Muslim mutual understanding. He was an influential figure in the twentieth century with regard to the Catholic church's relationship with Islam.
2017New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 401 p., b/w ills. The Port-city in the Ottoman Middle East at the age of Imperialism. Acknowledgments Abbreviations Introduction SECTION I Economy: Trends & Developments 1. "ReImagining the World Economy: Market Connectivity and the Ottoman City in the Early Modern and Modern Era". Initially published as "Congruence of Economic Trends and Practices in the Creation of Izmir's Social Space: the City, the Market and the Individual during Mercantile Capitalism", in Alp Yücel Kaya, Ayse Sabuktay & Dilek Akyalçin Kaya, eds., Culture and Politics in the Mediterranean (Izmir Mediterranean Academy: Izmir, 2016), pp. 53-73. 2. "Market Networks and Ottoman-European Commerce, c. 1700-1825", in Ebru Boyar & Kate Fleet, eds., The Ottomans and Trade, special issue of Oriente Moderno, Vol. LXXXVI/1 (Rome, 2006), pp. 109-128. 3. "Commerce in the eastern Mediterranean from the Eighteenth to the Early Twentieth Centuries: the City-Port of Izmir and its Hinterland", International Journal of Maritime History, Vol. X, No. 2 (December 1998), pp. 125-154. 4. "Le développement d'un port méditerranéen d'importance interna-tionale: Smyrne (1700-1914)" Marie-Carmen Smyrnelis, ed., Smyrne, la ville oubliée? Mémoires d'un grand port ottoman (Éditions Autre-ment: Paris, 2006), pp. 21-49. 5. "The Port of Smyrna in the Nine-teenth Century," in Apostolos Vakalopoulos, Constantine Svolopoulos & Bela Kiraly, eds., War and Society in East Central Europe, Vol. XXIII (Institute for Balkan Studies: Thessaloniki, 1988), pp. 261 272. 6. "The Making of a Nineteenth-Century Ottoman Port: the Quay of Izmir", The Journal of Transport History, 3rd Series, Vol. 22/1 (March 2001), pp. 23-46. SECTION II Western Anatolia & The Aegean Islands 7. "The Western Anatolian Coast and the Aegean Islands in the Late Nineteenth and Early Twentieth Centuries: An Economic Survey," Proceedings of the First International Con-gress on the Hellenic Diaspora from Antiquity to Modern Times (Amsterdam, 1991), Vol. II, pp. 251-266. 8. "L'économie de l'Anatolie occidentale, 1908-1914", in Marcel Bazin, Salgur Kan-çal, Roland Perez & Jacques Thobie, eds., La Turquie entre trois mondes (Institut Français d'Études Anatoliennes: Istanbul & Paris, 1998), pp. 239-248. 9. "The Dynamics of Economic Development: Izmir and Western Anatolia, Late 19th/Early 20th Centuries", Kolokyum 19. Yüzyilda Mersin ve Akdeniz Dünaysi (T.C. Mersin Universitesi Yayinlari: Mersin, Turkey, 2002), pp. 65-72. SECTION III The Wider Region 10. "The Mediterranean Commercial World of the Eighteenth Century: Ottoman and Italian Ports", in Michela D'Angelo, Gelina Harlaftis & Carmel Vassalo, eds., Making Waves in the Mediterranean, (Instituto di Studi Storici: Messina, 2010), pp. 467-482. 11. "Greek Commercial practices and long-distance trade: Russia and the Ottoman Mediterranean in the 18th and early 19th cen-turies", in Olga Katsiardi-Hering, Athina Kolia-Demirtzaki & Kater-ina Gardica, eds., Russia and the Mediterranean (Herodotos Press: Athens, 2011), Vol. I, pp. 439-456. 12. "Patras", Review, Vol. XVI (Fall 1993), pp. 387-410. 13. "Monoculture in Nineteenth-Century Greece and the Port-City of Patras", Journal of the Hellenic Diaspora, Vol. 20/2 (1994), pp. 9-34. SECTION IV The Economic Actors 14. "The Greek Mercantile Community of Izmir in the First Half of the Nineteenth Century" in Daniel Panzac, ed., Les Villes dans l' Empire ottoman: Activités et Sociétés, Vol. I (CNRS: Paris, 1991), pp. 391-416. 15. "Ottoman-European Trade, Tax-Farming and the Implemen-tation of the 1838 Anglo-Turkish Convention". Initially published as "The Implementation of the 1838 Anglo-Turkish Convention on Iz-mir's Trade: European and Minority Merchants", New Perspectives on Turkey, Vol. 7 (Spring, 1992), pp. 91-112. 16. "Concurrence commer-ciale et financière entre les pays occidentaux à Izmir pendant le XIXe et début XXe siècles," in Jacques Thobie, Roland Perez & Salgur Kan-çal, eds., Enjeux et Ra
2017New German Original cloth bdg. In publisher's special box. 4to. (29 x 25 cm). In German. 176 p., ills. Yildiz Sarayi fotograf koleksiyonu üzerinden Osmanli-Almanya iliskileri. Ottoman-German relations with photographs from the Yildiz Palace Photography Collection. Die osmanisch-deutschen Beziehungen im Lichte der Yildiz palast Fotografie-Kollektion.
2000Fine Fine Turkish Original bdg. Dust wrapper. 4to. (31 x 23 cm). In Turkish. 319 p., color and b/w ills. Oryantalizmden çagdas Türk resmine. A comprehensive study on history of Turkish painting and its orientalist origin.
2000New New English Original bdg. Dust wrapper. 4to. (31 x 23 cm). Edition in English. 307, [1] p., color ills. From Orientalism to contemporary Turkish painting. Translated into English by Valerie Needham. Preface by Ara Altun.
1995New French Paperback. Pbo. 4to. (29 x 24 cm). In French and Turkish. 103, [3] p., color and b/w ills. Le palais de France a Istanbul: Un demi-millenaire d'alliance entre la Turquie et la France.= Istanbul'da bir Fransiz Sarayi: Fransa ile Türkiye arasinda 500 yillik ittifak. Preface: François Dopffer. Traduction: Yigit Bener.
1999Fine English Original creme bdg. 4to. (32 x 23 cm). In English and Turkish. 317, [1] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri. OTTOMANIA Ottoman Sultans Turkish art of painting History of art Portrait Orientalism.
2010New New English Original bdg. Dust wrapper. Large 4to. (31 x 31 cm). In French and Turkish. 301, [3] p., color and b/w ills. Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek. Le romancier à succès Pierre Loti (1850-1923) a occulté le dessinateur. Sous son véritable nom de Julien Viaud, comme reporter et pour le plaisir, il avait pourtant composé, au fil de ses campagnes de jeune officier de marine, une remarquable ¿uvre graphique, ethnographique aussi. La voici pour la première fois réunie. Plus de cinq cents dessins, accompagnés des gravures qui en furent tirées et de textes de l¿écrivain, forment un singulier carnet de voyages autour du monde, vers les lointains de cet artiste polymorphe et raffiné : Terre de Feu, île de Pâques, Tahiti, Brésil, Amérique du Nord, Sénégal, Maghreb, Adriatique, Indochine, Japon, mais aussi Bretagne et Saintonge natale, sans oublier son cher « Stamboul ». Du simple croquis à l¿aquarelle aboutie, le trait, sûr et inspiré, fait surgir un foisonnement de portraits et d¿événements, d¿étonnements et de fantaisies, de visions. Le monde de l¿un des derniers romantiques. Alain Quella-Villéger et Bruno Vercier sont les deux spécialistes de Pierre Loti et de son oeuvre, auxquels ils ont consacré de nombreux ouvrages, ensemble ou séparément (voir la bibliographie, p. 291). Ils ont notamment entrepris de conserve la publication au long cours du Journal de Loti (t. 1, 2006 ; t. 2, 2008, Paris, Les Indes savantes). Alain Quella-Villéger, natif de Rochefort, comme Pierre Loti, agrégé d¿histoire et docteur ès-lettres en histoire contemporaine, est le biographe de Pierre Loti, de Claude Farrère et de René Caillié. Il est, en outre, co-auteur d¿une dizaine d¿anthologies aux éditions Omnibus (dont Istanbul, Rêves de Bosphore, 2001), directeur et fondateur de la revue Les Carnets de l¿exotisme (1990-2006), à la suite de la Revue Pierre Loti (1980-1988), et auteur de plusieurs autres ouvrages, dont deux romans. Aux éditions Bleu autour, il a préfacé la réédition de Suprêmes visions d¿Orient (2006, 2010), le dernier ouvrage de Pierre Loti. Bruno Vercier, docteur ès-lettres et universitaire, spécialiste de l¿autobiographie et du journal intime, est co-auteur de plusieurs ouvrages sur la littérature française contemporaine (aux éditions Bordas). Il a signé l¿appareil critique de nombreuses rééditions de textes de Pierre Loti, ainsi que de Raymond Radiguet et Charles-Louis Philippe (aux éditions Flammarion et Gallimard). Il préside l¿Association pour laMaison de Pierre Loti. Enis Batur, qui vit à Istanbul et séjourne régulièrement à Paris, est l¿une des figures centrales de la littérature turque depuis vingt-cinq ans. Romancier, essayiste et poète, il est l¿auteur d¿une centaine d¿ouvrages, souvent traduits dans de nombreuses langues étrangères. En France, ses ouvrages paraissent chez Actes Sud (La Pomme, roman, 2004 ; Amer savoir, récit, 2002 ; D¿autres chemins, récit, 2008) et chez Bleu autour (D¿une bibliothèque l¿autre, 2008 ; Ottomanes, Autochromes de Jules Gervais-Courtellemont, en collaboration, 2006), où il a également préfacé trois recueils, deux de poèmes (Va jusqu¿où tu pourras, OrhanVeli, 2009 ; J¿ai vu la mer, anthologie, 2010), l¿autre de nouvelles (Le Samovar, Sait Faik Abasiyanik, 2010).
2016New English Paperback. Pbo. Large 8vo. (23 x 22 cm). In English, Turkish and Russian. 216 p., color and b/w ills. A passion for the sea: The secret diary of Ivan Konstantinovich Aivazovsky.= Ask-i derya: Ayvazovski'nin gizli Istanbul güncesi.
2005New English Paperback. Pbo. 4to. (27 x 24 cm). In English. 311 p., color ills. Museum, and showed how the Ottoman-European relationships and political events has reflected in Arts, a theme common with the previously held exhibition entitled From the Medicis to the Savoias, Ottoman Splendour in Florentine Collections. Along with being a rich art collection for the museums, the large number of portraits where the foreigners pose in Turkish costumes in their homeland after fighting with the Turks, showing how "Fear from the Turks" converted into a fascination, and the goods from the Ottomans that are either gained from wars, received as presents or bought, and the important role that they played in the European social life have always been interesting subjects for historians and other social researchers. In the exhibition, 92 oil paintings, landscapes and engravings, coming from different Museums in Central Europe (especially Slovenia) and private collections from England and Turkey, were displayed. The exhibition was made possible with the contributions of Credit Suisse. Contents: Vasko Simoniti, On the 'Turqueries'; Ales Arih, Foreword; Nazan Ölçer, Foreword; Hans-Ulrich Doering, Foreword; Christoph K. Neumann - Petr Stepanek, Ottoman-Habsburg relations in the 17th century; Stefan Yerasimos, Styrian dragomans in Istanbul; Gunsel Renda, The Ottoman Empire and Europe in the 17th century: Changing images; EdvilijoGardina, Alla Turca': The Tarsia Family of Koper in service for la Serenissima; Maximilian Grothaus "At the crossing of Orient and Occident: The Turquerie of Ptuj"; Polana Vidmar, Courage, power, beauty and luxury: The Vurberk gallery of 17th century paintings; Catalogue; Bibliography.
2007New English Paperback. 4to. (26 x 20 cm). In English. 275, [1] p., fully color and b/ ills. Consuming the orient. From travel posters to cigarette packs, from postcards to ornaments, from advertisements to comic strips, the Orient has often been turned by the West into yet another commodity for mass consumption. A closer look at the way in which the Orient was represented in Western consumer societies reveals a number of images and stereotypes revolving around four major themes: exoticism, ethnography, eroticism, and history. From the late nineteenth century to our times, these images have greatly evolved, from rough clichés to more neutral visions. Nevertheless, the attraction exerted by the Orient on the greater public continues unabated, even in Turkey, where almost two centuries of Westernization has ended up creating the very particular phenomenon of "Oriental Orientalism". OTTOMANIA Social history Travel Voyage Orient Collection Objects History of the art Eastern culture Levant Graphic arts Orientalism Constantinople - Istanbul - Konstantinopel.
2015New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 254 p., b/w and color ills. Images of Üsküdar from the past. The five star book.= Geçmisten Üsküdar suretleri. Besibiryerde. Compiling the visual odyssey of our beloved borough of Üsküdar, spanning 500 years from the 1420s up until the 1950s, "The golden city" album aims at presenting the pertinent documents of the historical heritage that Üsküdar possesses. The paintings, etchings, photographs, postcards, and maps incorporated into the book all function to adequately and efficiently reflect and convety a semblance of the likeness of the past times pertaining to the "Eternal city" Üsküdar (Scutari) the our present day, and carry them forward to to posterity. Each page of this book-album ensures the remembrance of an exalted glory and an enduring magnificence of the bygone epochs, and, in a sense, successfully attempts to recreate the memory of a living metropolis. Each visual element and image featuring in the album attests to a diverse and rich accumulation, amassed over hundreds of years, as this impressive and exhilarating pictoral feast defines the magical and enchanted atmosphere of Üsküdar, standing out prominently as a "Dreamland" or the "City of fairy-tales and fantasies. (From introduction).
1985Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish; Ottoman script, and Japanese. [xiv], 595, 196 p. (Toyo Bunko) Sarkiyat Kütüphanesi Türkçe ve Osmanlica kitaplar katalogu. Ilaveli ve düzeltilmis baski. Catalogue of books in Ottoman and modern Turkish in the Toyo Bunko Library.
2002Fine English Paperback. Pbo. Fine. Roy. 8vo. (24 x 17 cm). In Turkish. [xvi], 1015 p. Very heavy volume. Effects of oral culture in printed literature in 19th century. XIX. yüzyil yazili anlatimlarinda sözlü kültür etkileri.