2 750 résultats
2021réf. RHOKHOK00drpTaschen 2021. Fine. Hokusai. Hokusai: Thirty-Six Views of Mount Fuji. Cologne Germany: Taschen 2021. 224pp. Illustrated. Folio. Pictorial cloth covered boards. Book condition: Fine. Enclosed in shrinkwrapped box. Taschen hardcover
2021réf. RHOKHOK00drpTaschen 2021. Fine. Hokusai. Hokusai: Thirty-Six Views of Mount Fuji. Cologne Germany: Taschen 2021. 224pp. Illustrated. Folio. Pictorial cloth covered boards. Book condition: Fine. Enclosed in shrinkwrapped box. Taschen hardcover books
1989réf. 2110502150908054Hanmoto fumei 1989. Soft Cover. Fine. Volume: 1 Hanmoto fumei paperback
réf. SONG383659188XUsed: Good unknown
2024réf. 239888Cologne: Taschen 2024. First Printing Thus. Teal silk over illustrated rear board with illustrated cover label titled in black housed in publisher's illustrated cardboard box. Fine in fine publisher's box. 16" x 11.75 Taschen unknown
2016réf. 73741E-239: MFA Publications Museum of Fine Arts Boston. Very Good. 2016. Hardcover. Hardcover. 4to. Published by Museum of Fine Arts Boston MA. 2016. 248 pgs. Illustrated. First Edition/First Printing. Bound in 1/2 red cloth and paper covered boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Nearly 200 years after Hokusai finished the drawings for this charming illustrated book this intriguing early Japanese manga is finally being published for the first time thanks to a curator at the Museum of Fine Arts Boston. Rediscovered in an old box in the storage rooms of the museum these Hokusai drawings should have been used to create the woodblocks for printing a continuation of his Manga series. But although scholars have found an advertisement announcing the title there is no record of the book ever having been produced. ; 8.5 X 1.2 X 8 inches; 248 pages . MFA Publications, Museum of Fine Arts, Boston hardcover
1830réf. 1419383Tokyo: Nishimuraya Yohachi c. 1830-1832. Color woodbrick print. In Very Good condition. One small closed tear to upper right corner color slightly offset from margin. One long brown stain to left edge two stray small round stains in image. Tape to back of image protrudes over edge. In upper left of print series title and print title. Print is 10x15in. Stored in Portfolio in Room E. From the series Thirty-six views of Mount Fuji. 1419383. Special Collections - Upstairs. Nishimuraya Yohachi unknown
1830réf. 1419383Tokyo: Nishimuraya Yohachi c. 1830-1832. Color woodbrick print. In Very Good condition. One small closed tear to upper right corner color slightly offset from margin. One long brown stain to left edge two stray small round stains in image. Tape to back of image protrudes over edge. In upper left of print series title and print title. Print is 10x15in. Stored in Portfolio in Room E. From the series Thirty-six views of Mount Fuji. 1419383. Special Collections - Upstairs. Nishimuraya Yohachi unknown books
2021réf. 3889Taschen 2021. First Edition. Hardcover. Fine. Taschen 2021. Hardback. First Edition. Reprints Katsushika Hokusai's seminal 'ThirtySix Views of Mount Fuji' an artefact of art history and a masterpiece of woodblock practice. Gathering the finest impressions from institutions and collections worldwide in the complete set of 46 plates alongside 114 colour variations and carefully produced with Japanese binding this visual delight transports us to the heart of 19thCentury Japan. BOOK CONDITION: Fine; a solid tight clean copy showing light rubbing to covers includes original cardboard case - as issued by Taschen. Taschen hardcover
réf. DADAX383659188XNew unknown
1891réf. 2091502133700533Kyoto Kambei Murakami 1891. Soft Cover. Fine. The book is in fine condition. Kyoto Kambei Murakami paperback
réf. 2822Nagoya [Japon], Éditeur : Katano T shir , Janvier 1878 (Meiji 11). 23 x 16 cm. Broché cousu à la japonaise, couvertures remplacée (blanches), pièce de titre d'origine en caractères rouges collée sur le premier plat. 58 pages. Volume 11 seul, complet en lui-même. Il présente des dessins de personnages, animaux (coq, chats, chiens, etc), paysages, rizière, chasse, armes, etc. Estampes en deux tons (malheureusement, cela n'est pas très visible sur les photographies).
1990réf. 9032928Japan: Shueisha 1990. Hardcover. Fine/Near Fine. Four beautiful volumes from the Hokusai Museum in Obuse Japan documenting the work of painter and printmaker Katsushika Hokusai 1760-1849. Each book is stunningly designed and illustrated with hundreds of reproductions mostly in color and multiple fold-outs. Eye-popping dust jackets. English translations of plate titles are provided. Bound in publisher's original cloth with spines stamped in black and white covers stamped in black and illustrated color. A remarkable collection of books that visually leap off the shelf. Volumes one and three have belly band wrapped over dust jackets volume four has belly band tucked inside pages. Books are fine. Dust jackets are fine except for a quarter-inch closed tear to head of spine on volume one. 8 3/4 x 12 inches. Each volume has 163 pages. Shueisha hardcover
1990réf. 9032928Japan: Shueisha 1990. Hardcover. Fine/Near Fine. Four beautiful volumes from the Hokusai Museum in Obuse Japan documenting the work of painter and printmaker Katsushika Hokusai 1760-1849. Each book is stunningly designed and illustrated with hundreds of reproductions mostly in color and multiple fold-outs. Eye-popping dust jackets. English translations of plate titles are provided. Bound in publisher's original cloth with spines stamped in black and white covers stamped in black and illustrated color. A remarkable collection of books that visually leap off the shelf. Volumes one and three have belly band wrapped over dust jackets volume four has belly band tucked inside pages. Books are fine. Dust jackets are fine except for a quarter-inch closed tear to head of spine on volume one. 8 3/4 x 12 inches. Each volume has 163 pages. Shueisha hardcover books
1868réf. 1410438Meiji Era 1868 - 1912. Saddle-stitched. Octavo Two Volumes bound together. In Fair condition. Fukurotoji binding with orange paper wraps. Wraps show significant wear with prominent creasing. Binding cord is snapped in four places. CONTENTS: Volume I marked "UE top": Significant gray smudging to front wrap; moderate smudging to back wrap. Creasing along edges and spine. Significant fading to title paper.Toning and light smudging to page block and throughout pages. Significant water marking to some pages. -- Volume II marked "SHITA bottom": Moderate gray smudging to front wrap; moderate smudging to back wrap. "HTS" written in pencil beside title paper. Dark spot to back wrap. Creasing along edges and spine. Significant fading to title paper.Toning and light smudging to page block and throughout Shelved Room E. Cluster of four characters above titles says "Gojyuusanji" literally "53rd in an unplanned sequence". I am not sure whether this refers to edition printing or something else. 1410438. Special Collections. unknown
1868réf. 1410438Meiji Era 1868 - 1912. Saddle-stitched. Octavo Two Volumes bound together. In Fair condition. Fukurotoji binding with orange paper wraps. Wraps show significant wear with prominent creasing. Binding cord is snapped in four places. CONTENTS: Volume I marked "UE top": Significant gray smudging to front wrap; moderate smudging to back wrap. Creasing along edges and spine. Significant fading to title paper.Toning and light smudging to page block and throughout pages. Significant water marking to some pages. -- Volume II marked "SHITA bottom": Moderate gray smudging to front wrap; moderate smudging to back wrap. "HTS" written in pencil beside title paper. Dark spot to back wrap. Creasing along edges and spine. Significant fading to title paper.Toning and light smudging to page block and throughout Shelved Room E. Cluster of four characters above titles says "Gojyuusanji" literally "53rd in an unplanned sequence". I am not sure whether this refers to edition printing or something else. 1410438. Special Collections. unknown books
1912réf. 106Kyoto: Bijutsu Shoi 1912. Paperback. Near fine. Later edition fukurotoji 9.25 x 6.52 in. 3 vols.; color woodblock illustrations throughout tan paper wrappers; corners lightly bumped owner's chop on cover and first leaf of each volume near fine.Hokusai's collections of illustrations began with the Hokusai Manga in 1814 and were pheonominaly popular with many new titles published and reprinted in many editions. This book reproduces many of the images first published in the Hokusai Manga with a focus on pictures of nature. Bijutsu Shoi paperback
1868réf. 1410441Nagoya: Eirukuya Toushirou Meiji Era 1868-1912. Saddle-stitched. Octavo unpaginated. In Fair condition. Fukurotoji style binding in cream wrap. Binding cord broken to two places. Significant creasing and wear to covers. Prominent brown and water staining to both covers. Missing title paper. Worming to bottom corner of covers and pages. Large closed tear to back endpaper. Water staining and toning throughout. Shelved Room E. 1410441. Special Collections. Eirukuya Toushirou unknown
1868réf. 1410441Nagoya: Eirukuya Toushirou Meiji Era 1868-1912. Saddle-stitched. Octavo unpaginated. In Fair condition. Fukurotoji style binding in cream wrap. Binding cord broken to two places. Significant creasing and wear to covers. Prominent brown and water staining to both covers. Missing title paper. Worming to bottom corner of covers and pages. Large closed tear to back endpaper. Water staining and toning throughout. Shelved Room E. 1410441. Special Collections. Eirukuya Toushirou unknown books
1901réf. 2110502150900491Otsuka shu kichi-kan 1901. Soft Cover. Fine. Volume: 1 Otsuka shu kichi-kan paperback
1975réf. mon0003426164Tokyo: Shueisha 1975. Hardcover. Very Good. . Japanese language text. Profusely illustrated including large full-color plates. Tokyo: Shueisha hardcover
réf. 68115Privately Printed. 1904. Japanese Illustration SIGNED PRESENTATION COPY the only edition. Quarto 32 x 26cm pp.8. With six fine colour plates after Hokusai. SIGNED by the author in black ink to the preface and with his personal calling card pasted to the front pastedown inscribed 'with compliments' in pencil. Contemporary burgundy half crushed morocco with pink cloth over boards and gilt titles to upper. Internally crisp and clean with moderate general wear to binding especially spine. Very good. [Privately Printed]. 1904 unknown
réf. 44864ca. 19th century. Later printing. Loose leaf. near fine. Oblong chuban yoko-e-format. B/w woodblock print. 8 x 10.5". The print originates from the 2nd volume of the 3-volume set "One Hundred Views of Mount Fuji" originally published 1834-1835 and considered to be among the artist's greatest achievements. The image depicts the oarsmen of an 'oshiokuri-bune' row boat on a turbulent sea. As implied by the title of the print the faint distorted reflection of Mt. Fuji can be seen in the swell to the bottom left side of the boat. Unlike the the format of the image as it appears in the book as a 2-part diptych this print is in one part and thus appears to be a later printing. Many scholars consider this image to be the sequel or companion piece to the world-famous masterpiece "The Great Wave off Kanagawa" which the artist created not long before. It has been commented that if turned upside down the print can be seen as an alternate version of the "Great Wave" where the wave the sea and the mountain have merged. Text in Japanese printed in the upper left corner of the print. The print is in near fine condition and housed in modern protective mylar. Reference: National gallery of victoria Austrailia. unknown
réf. 44864ca. 19th century. Later printing. Loose leaf. near fine. Oblong chuban yoko-e-format. B/w woodblock print. 8 x 10.5". The print originates from the 2nd volume of the 3-volume set "One Hundred Views of Mount Fuji" originally published 1834-1835 and considered to be among the artist's greatest achievements. The image depicts the oarsmen of an 'oshiokuri-bune' row boat on a turbulent sea. As implied by the title of the print the faint distorted reflection of Mt. Fuji can be seen in the swell to the bottom left side of the boat. Unlike the the format of the image as it appears in the book as a 2-part diptych this print is in one part and thus appears to be a later printing. Many scholars consider this image to be the sequel or companion piece to the world-famous masterpiece "The Great Wave off Kanagawa" which the artist created not long before. It has been commented that if turned upside down the print can be seen as an alternate version of the "Great Wave" where the wave the sea and the mountain have merged. Text in Japanese printed in the upper left corner of the print. The print is in near fine condition and housed in modern protective mylar. Reference: National gallery of victoria Austrailia. unknown books
1908réf. 88550No Location: s. n. 1908. Fine. s. n. No Location 11 mai 1908 13.3 x 21.6 cm 7 pages sur deux doubles feuillets une enveloppe Fine autograph letter dated and signed addressed to his friend Pierre Louÿs; 7 pages in violet ink on two bifolia with the original envelope preserved.Folds from original mailing.Soon to be on leave from the Moroccan Expeditionary Corps Claude Farrère announces to his friend his imminent return to France following an Andalusian journey: ""je pendrai au plus tardle train du 4 juin à Algéciras ; lequel train après escales à Grenade Cordoue Séville et Tolède me déposera le 11 au matin à Toulon - Voilà !""He mentions a book that struck him and evokes two women: ""feuilletez vous comprendrez l'in térêt que j'attache au cas intérêt tout à fait analogue à celui que vous inspire une jeune personne à ui je vais dédier mon prochain conte au journal intitulé : 'sur le Boul' Mad'. La préface du bouquin en question est un chef d'oeuvre d' je ne sais pas de quoi ! Fichtre ! On va bien de nos jours. . voyez-vous qu'on publiât des histoires comme ça sur notre. dos- quatre ans après notre mort ""Claude Farrère ironically comments on his literary and epistolary activity shared with his friend: ""J'aurais tellement besoin de regarder vos Hok'saï avant d'écrire certaines pages de mon sale bouquin ! . Mon Maroc n'est pas du temps perdu. Je l'ai considéré comme dix mois de travail forcé. Et je vous en rapporte un manuscrit qui en est aujourd'hui à sa 392e pages - qui toutes ensemble ne valent pas une ligne de Psyché !""His rebellious and independent spirit draws suspicion from the military establishment: ""Votre lettre datée du 8 mai ne m'est arrivée qu'hier 18. J'ai lieu de croire que ma correspondance est très surveillée depuis quelque temps.""Â s. n. unknown