Simone

Rowlands, Eliot; Masaccio; Tommaso Di Ser Giovanni Di SimoneBiblio.com

Masaccio : Saint Andrew and the Pisa Altarpiece

2003réf. 94376Museum Publications. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pages; 29 color and 47 b/w illustrations. Description: "Ranked by many scholars as the greatest master of early Italian Renaissance painting Masaccio 1401–1428 was the first artist to use effects of light to create three-dimensional images on a two-dimensional plane. This achievement revolutionary in Masaccio's day is one of the painter's significant contributions to art history. This book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which the Saint Andrew panel is thought to have once formed a part: the Pisa Altarpiece one of the truly great polyptychs in the history of Italian Renaissance art produced in 1426 for a chapel in the church of Santa Maria del Carmine Pisa. The text discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role that the church friars played in the actual commission. Finally after examining the polyptych's individual panels the book traces their subsequent history and recounts how art historians came to identify them." -- with a bonus offer--; Ranked by many scholars as the greatest master of early Italian Renaissance painting Masaccio 1401-1428 was the first artist to use effects of light to create three-dimensional images on a two-dimensional plane. This achievement revolutionary in Masaccio's day is one of the painter's significant contributions to art history. This book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which the Saint Andrew panel is thought to have once formed a part: the Pisa Altarpiece one of the truly great polyptychs in the history of Italian Renaissance art produced in 1426 for a chapel in the church of Santa Maria del Carmine Pisa. The text discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role that the church friars played in the actual commission. Finally after examining the polyptych's individual panels the book traces their subsequent history and recounts how art historians came to identify them. . 2003. 0892362863 . Museum Publications paperback

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