1 917 résultats
1897réf. 038763London: Archibald Constable 1897. 1st Edition. Hardcover. Near Fine/No Dust Jacket. small octavo. pp All complete. 1st printing. Books I and II published 1897. Book III 1898 Book IV 1899 Book V 1898 and Book VI 1900. All block embossed presented by Archibald Constable to title page except Vol III which stamped file copy Archibald Constable to reply. An excellent set. Archibald Constable hardcover
1898réf. 923Q17London: Harper & Brothers 1898 . Cloth. Very Good Indeed. 8" by 6.5". Walter Crane. A wonderfully illustrated copy of Edmund Spenser's first major work with adornments from Walter Crane. Bound in the publisher's decorative green cloth. A decorative edition of Edmund Spenser's first major work originally published in 1579. There is one full page illustration for each month and many further adornments surrounding the text of each page. Collated complete. Better known for his epic poem 'The Faerie Queene' here Spenser presents a series of bucolic pastorals depicting the life of a shepherd through the twelve months of the year. Curiously the term 'sarcasm' here has its first recorded use in English. All illustrations are the work of celebrated artist Walter Crane a notable figure of the Arts and Crafts movement and producer of paintings illustrations children's books ceramic tiles and wallpapers. Crane also contributed illustrations to an edition of Spenser's 'Faerie Queene'.Bookseller label for Andrew Baxendine Edinburgh. Bound in the publisher's decorative green cloth. Externally excellent with light rubbing to the extremities and joints. A little bumping to the spine and the odd mark to cloth. Hinges are a touch strained but holding firm. Bookseller label to front paste down. Internally firmly bound. Pages very bright and clean. Very Good Indeed Harper & Brothers hardcover
1825réf. spenserpoetical5 vols small octavo 165 x 105 mm. Engraved frontispiece to vol. 1 woodcut headpieces. Contemporary green calf spine with five raised bands compartments lettered and decorated in gilt triple gilt rule to covers pale yellow coated endpapers gilt edges. Bound White Pall Mall. Spines lightly sunned a very good set. William Pickering hardcover
1845réf. 73339lviii 1-371 pages portrait frontispiece; 1-450 pages; 1-430 pages; 1-399 pages; 1-430 pages Published by Henry G. Bohn hardcover
2025réf. x-303203311XSpringer Nature 2025. Hardcover. New. 497 pages. 9.26x6.11x9.49 inches. Springer Nature hardcover
réf. 216572F.C. and J. Rivington 1805. Hardcover. Good. Eight volumes 8vo full period calf gilt ruled raised bands with gilt titles. Perhaps Good: the front board of Vol. I is detached and the front fly leaf is present but entirely detached the rear board of Vol. VII is detached and the front board is nearly so. Rubbing and short splits at the joints corners and spine ends moderately rubbed five hinges starting shallow damage at the top of the spine of Volume VI. Overall not an unattractive set. Please request a quote for shipping. F.C. and J. Rivington hardcover
1882réf. 42715Lancashire England: Alexander B. Grosart 1882. Book. Good. Hardcover. Limited Edition. 9 Volume Set 8vo. "Edited with a new Life based on original researches and a glossary embracing notes and illustrations by the Rev. Alexander B. Grosart LL.D. Edin. F.S.A. St. George's Blackburn Lancashire." Nine volumes were printed between 1882-84. Limited to 150 copies only. "Printed for Private Circulation Only." Green cloth boards with gilt title along spines. Shelfwear to all nine volumes: moderate scuffing along edges and covers slightly heavier fraying at top and bottom spine edges light spine fading. Some light tanning and foxing along page edges. Volume One's front spine hinge has been reinforced with archival tape. Otherwise volumes are tightly bound with clean and crisp pages. No marks. Overall volumes are in Good condition. Alexander B. Grosart Hardcover
1758réf. 8579London: J and R Tonson 1758. Very good condition matched 2 volume set. Rebound in cloth covered boards with leather spine5 raised bands and embossed leather labels with gold gilt. The books are tighly bound and square. The corners are sharp the covers are clean. Volume 1 has a recent bookplate inside the front cover and older bookplate on the front end sheet. There is a name written in cursive at the top of the title page both volumes. There is a notation inside the cover of the first volume stating that volume 2 is lacking plate 8 it is followed by a question mark. I counted 7 plates in the 2 volumes and can see no evidence of a plate being removed. . The body of both of the books appear to be notation free with the exception listed. The book pages are age toned with light to moderate foxing. Please note the listed albeit minor defects listed. Priced reasonably given the printing and the minor defects. . Hard Cover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. J and R Tonson Hardcover
1839réf. 374600Boston: Charles C. Little and James Brown 1839. First American edition. 5 vols. 8vo. Original brown cloth spined titled in gilt boards tamped in blind. Some foxing overall a bright and fresh set. Very good plus. First American edition. 5 vols. 8vo. This edition anonymously edited by G. S. Hillard includes a lengthy introductory essay "An Essay on the Life and Writings of Edmund Spenser" anonymous but by George Robinson according to Lowndes republished from the five-volume Pickering edition of Spencer published in 1825 which according to Hillard "was taken as the basis of the present one . The Introductory Observations upon the 'Faerie Queene' the glossarial and explanatory notes have been added by the present editor" Uncommon set in nice condition. NCBEL I 1030; Lowndes p. 2477 Charles C. Little and James Brown unknown
1898réf. 75128London and New York:: Harper & Brothers 1898. First edition. publisher's olive cloth illustrated in colors by Walter Crane on the spine and both covers; top edge stained green. The extremities of the backstrip are a little creased with slight rubbing; an attractive copy. 8vo. Newly Adorned with Twelve Pictures and other Devices by Walter Crane. Harper & Brothers, hardcover
1839réf. 374600Boston: Charles C. Little and James Brown 1839. First American edition. 5 vols. 8vo. Original brown cloth spined titled in gilt boards tamped in blind. Some foxing overall a bright and fresh set. Very good plus. First American edition. 5 vols. 8vo. This edition anonymously edited by G. S. Hillard includes a lengthy introductory essay "An Essay on the Life and Writings of Edmund Spenser" anonymous but by George Robinson according to Lowndes republished from the five-volume Pickering edition of Spencer published in 1825 which according to Hillard "was taken as the basis of the present one . The Introductory Observations upon the 'Faerie Queene' the glossarial and explanatory notes have been added by the present editor" Uncommon set in nice condition. NCBEL I 1030; Lowndes p. 2477 Charles C. Little and James Brown unknown books
1884réf. 1132A SOURCE BOOK FOR JEZEBELL PETTYFER MACFALL Haldane. ST. JOHN Sir Spenser. Hayti or The Black Republic. 8vo nearly contemporary remainder cloth pp. xiv 2 343. London: Smith Elder 1884. First Edition. An important copy bound without the map. ODNB calls this a "savagely hostile" book. We have seen the book referred to as "racist." It was written by a British diplomat who spent several years in the country. This copy belonged to Haldane Macfall while he was writing his classic picaresque West Indian masterpiece set in Barbados The Wooings of Jezebel Pettyfer 1897. Ownership inscription inside front cover: "C. Haldane Macfall 60 Wynnstay Gardens Kensington SW '96." Macfall has made marginal scorings and underlinings on 82 pages in pencil the greatest number in the section on voodoo and also written 44 words. On free half of front end paper he cites three books on Haiti calling Moreau de St. Mery's "excellent & truthful." It is interesting that Macfall should focus on voodoo which St. John said involved cannibalism. Spine lettered in gold "St. John's/ Hayti." The covers are a little soiled and there is evidence of removal of a label from front cover. Cundall 507. Smith, Elder hardcover
1805réf. 011286London: Printed For F. C. and J. Rivington T. Payne Cadell and Davies and R. H. Evans 1805 Lacks Volume IV. Uniformly bound in full leather with decorative gilt covers front and back each with an armorial seal raised bands on gilt decorated spines inner dentelles all edges gilt ribbon markers with all covers still attached frontis-piece in Volume I is present foxed. There are two bookplates inside each volume each with a history attached to the owners. The first is E. Dennison being Eduardo Denison. There is a Latin inscription to him in Volume I "Egregio Juveni Eduardo Denison Coll: Oriel: Supt. Ord. Commensali Publica Examinatione In Litenis humaniovibus Primam Clafsem Adepts. D. D. Praepositus et Socii Osielenses. MDCCCXXII". It appears that this set was a gift for passing an exam of importance. In 1868 Argentina Eduardo Denison along with Octavia Hill created Labor Centers Worker's Clubs and Schools to help free those in poverty banishing the systems of handouts in favor of work. He also worked with UNESCO analyzing the influence of Education in the economic growth of a country. The second bookplate being armorial bears the name of W. Harry Rylands 1847-1922 a prolific author Secretary to the Society of Biblical Archaeology specializing in Oriental Archaeology and the Hittite Language. He also designed a fount of Hittite type with this just touching upon his extensive activities in the fields of literature and antiquities. Covers show edge/corner wear some upper spine weakness due to the books being improperly pulled from shelves interior shows occasional light foxing. Printed For F. C. and J. Rivington, T. Payne, Cadell and Davies, and R. H. Evans hardcover
18255 vols., sm. 8vo., on laid paper (dated 1824), with engraved portrait frontispiece, 'wreath' titles, some very light spotting and dust-soiling to text, fore-edges dusty, neat and uniform nineteenth century signature on front paste-downs; original brown [puce?] cloth, backstrips with original paper labels lettered in black, uncut and partially unopened, first volume expertly recased, third volume with small 'pull' at headband else a very good, firm set in minimally restored early cloth binding. THE SET IS COMPLETE WITH ALL HALF-TITLES. It includes Philip Masterman's 'Essay on the Life and Writings of Edmund Spenser' and an extensive glossary. The portrait is engraved by Worthington. The titles carry Pickering's distinctive 'wreath'. '[The books of Pickering's Wreath Series] possess in common an exceedingly pleasant format, and on their title-pages is his beautiful and individual wreath ornament usually [as here] with the motto 'Perennis et frgrans'. This ornament served to all intents and purposes as Pickering's 'device' in the books which he published in the years 1825 and 1826' (Keynes, pp.16-17). The work was an early product of his collaboration with co-publisher Talboys and Wheeler of Oxford. Pickering produced his first commercial cloth binding for his 'Diamond Classics' series of the early 1820s. 'He was afterwards imitated by other publishers, but the smooth red, magenta, puce or dark blue cloth used by Pickering remained for many years the distinguishing mark of his books. The innovation thus quietly made by Pickering in 1820 has had its effect on the whole subsequent history of the publishing trade in England, and but for him boards or paper covers for books might now be considered to be just as inevitable in this country as they still appear to be on the continent of Europe' (Keynes, pp.14-15). A MOST ATTRACTIVE COPY IN SPLENDID, MINIMALLY RESTORED BINDING FROM ONE OF THE FOUNDERS OF PUBLISHER'S CLOTH. This copy is bound in Pickering's characteristic dark brown 'puce' shade rather than the red cloth seen by Keynes. Keynes, p.90 (with asterisk denoting 'special merit').
2019réf. x-1138601268Taylor & Francis 2019. Hardcover. New. 152 pages. 9.25x6.25x0.75 inches. Taylor & Francis hardcover
1852réf. 008305London: William Pickering 1852. Book. Near Fine. Hardcover. Later Edition. 12mo - over 6¾" - 7¾" tall. Five volumes in contemporary pebbled brown morocco gilt lettering tooled in blind all edges gilt marbled end papers. Near Fine light rubibing light toning at end pages occasional scattered toning. A well-bound set. . William Pickering Hardcover
1852réf. 008305London: William Pickering 1852. Book. Near Fine. Hardcover. Later Edition. 12mo - over 6¾" - 7¾" tall. Five volumes in contemporary pebbled brown morocco gilt lettering tooled in blind all edges gilt marbled end papers. Near Fine light rubibing light toning at end pages occasional scattered toning. A well-bound set. . William Pickering Hardcover books
réf. 66124London: William Pickering 1839. 5 vols. Small 8vo. 16 x 10 cm. Near contemporary tan calf sides ruled with single gilt fillet spine with raised bands and gilt-decorated compartments two red morocco labels marbled endpapers and edges. Engraved frontispiece to first volume printers device to title-pages. Gilt faded from spine some spotting to boards contents generally clean and unmarked a very good set overall. An attractively bound set published for the Aldine Edition of the British Poets renowned for its elegant typography and for the diligence of its editors. Spenser's poetry influenced "virtually all major poets writing in English before the twentieth century" and his The Faerie Queene is one that "any aspiring English poet has felt obliged to read carefully and imitate" ODNB. The publisher Pickering's "achievements are now well acknowledged: the introduction of cloth binding leading to the wider availability of books at lower prices; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ODNB. London: William Pickering, 1839. hardcover
1825réf. 12196William Pickering 1825. 5 vols. sm. 8vo. on laid paper dated 1824 with engraved portrait frontispiece 'wreath' titles some very light spotting and dust-soiling to text fore-edges dusty neat and uniform nineteenth century signature on front paste-downs; original brown puce cloth backstrips with original paper labels lettered in black uncut and partially unopened first volume expertly recased third volume with small 'pull' at headband else a very good firm set in minimally restored early cloth binding. THE SET IS COMPLETE WITH ALL HALF-TITLES. It includes Philip Masterman's 'Essay on the Life and Writings of Edmund Spenser' and an extensive glossary. The portrait is engraved by Worthington. The titles carry Pickering's distinctive 'wreath'. 'The books of Pickering's Wreath Series possess in common an exceedingly pleasant format and on their title-pages is his beautiful and individual wreath ornament usually as here with the motto 'Perennis et frgrans'. This ornament served to all intents and purposes as Pickering's 'device' in the books which he published in the years 1825 and 1826' Keynes pp.16-17. The work was an early product of his collaboration with co-publisher Talboys and Wheeler of Oxford. Pickering produced his first commercial cloth binding for his 'Diamond Classics' series of the early 1820s. 'He was afterwards imitated by other publishers but the smooth red magenta puce or dark blue cloth used by Pickering remained for many years the distinguishing mark of his books. The innovation thus quietly made by Pickering in 1820 has had its effect on the whole subsequent history of the publishing trade in England and but for him boards or paper covers for books might now be considered to be just as inevitable in this country as they still appear to be on the continent of Europe' Keynes pp.14-15. A MOST ATTRACTIVE COPY IN SPLENDID MINIMALLY RESTORED BINDING FROM ONE OF THE FOUNDERS OF PUBLISHER'S CLOTH. This copy is bound in Pickering's characteristic dark brown 'puce' shade rather than the red cloth seen by Keynes. Keynes p.90 with asterisk denoting 'special merit'. William Pickering, hardcover
1895réf. DEMO013574INew York: Dodd Mead 1895. First edition thus. Hardcover. fine. George Wharton Edwards. Octavo full vellum extra gilt top cover marbled endpapers. Stopford Brooke called this "the most glorious love-song in the English language". One of only 450 copies. Illustrated in an art nouveau style. Parsons declared Spenser to be the third name in English literature. Dodd, Mead hardcover
1732réf. 012598London: Printed by Will. Bowyer; John Ball 1732. Book. Very good condition. Hardcover. First Edition. Octavo 8vo. xviii 254 pages of text including an index. Full leather binding; rebacked. Original boards are somewhat rubbed and worn but remain attractive. Illustrated by a frontisportrait of Spenser and twelve engraved plates by Fourdrinier. The plate for February is repeated and is in the place of January which is not present. The text is in English faced by Latin by Theodoro Bathurst. Previous owner's bookplate and notations on endpapers Sherlock Willis with dates 1746 and 1756. Also Sherlock V. Willis 1877. Willis was Rector of Wormley. The 18th Century engraved bookplate with coat of arms states "The Ungodly Borroweth & Payeth Not Again.". Printed by Will. Bowyer; John Ball Hardcover
1844réf. 864N58-: Printed for Private Circulation 1844-1884. First edition. Cloth. Good Only. 8" by 5". None. A privately printed set of the complete works of Edmund Spenser. With illustrations and a biographical introduction to the sixteenth century poet. A privately printed set of the complete works of Edmund Spenser with an autobiographical introduction by the literary editor Alexander Grossart. With four illustrations to volume I collated but Hamerton's Woodcuts and the facsimile called for. With three illustrations to volume III collated but lacking frontispiece. With two illustrations to volume V collated and complete. Only 150 copies of this set were printed for private circulation only. Complete in nine volumes. Whilst the title pages in the set state ten volumes the final book was not published. Grossart provides a detailed biographical introduction to the sixteenth century poet in the first volume which is followed by Spenser's first major work The Shepheardes Calendar. This is followed by Complaints his collection of poems that mournfully or mockingly express the poet's grievances and his narrative elegy for the heiress Douglas Howar Daphnaida. Spenser's celebrates the Tudor dynasty in allegorical poem The Faerie Queen which can be found in volumes five to seven followed by a collection of his letters. The prior owner's pencil inscription can be found to the half title or the recto of the front endpaper of the volumes 'S. B. M. In a full green cloth binding. Externally generally smart. Bumped to the head and the tail of the spines with some closed tears to each across the set. Lightly bumped to the extremities. The front hinge has failed to volumes I and IX and the rear hinge has failed to volume IV but the spines have been re-adhered to all three volumes. Both hinges are starting but firm to volume II the front hinge is starting to volume VII and the rear hinges is starting but firm to volumes V and IX. Internally the binding is strained to volumes I IV and IX with the front endpaper disbound to the latter volume. Otherwise the volumes are generally firmly bound. Pages are bright and clean across the set. Good Only Printed for Private Circulation hardcover
1912réf. 1011J6London: London County Council Central School of Arts and Crafts 1912-13. First edition. Leather. Very Good Indeed. 11.5 by 8.5. None. A pleasing first edition of this private press edition of Spenser"s Fwour Hymnes printed in an elegant early twentieth-century arts and crafts style. The first edition of this L. C. C. Central School of Arts and Crafts publication of Four Hymns by Edmund Spenser first published in 1596. The title page indicates 1912 as the publication date whilst the colophon states 1913. The colophon gives the following information: 'Sheet A printed by W. F. Northend sheets b c d e f g by the Day Technical School of Book Production. Initial L drawn and cut by W. F. Northend. Initials A and W by A. G. Pruden under Noel Rooke. Printing teacher J. H. Mason 1913'. Bound in quarter Morocco with marbled paper covered boards. Smartly printed on laid paper with wide margins and red initial letters with red and black lettered title page. With the original dedication by Spenser to The Ladie Margaret Countess of Cumberland and The Ladie Marie Countess of Warwicke reset and printed to the rear. Includes the following hymns: "An Hymne in Honour of Love" "An Hymne in Honour of Beautie" "An Hymne of Heavenly Love" and "An Hymne of Heavenly Beautie". Bound in quarter Morocco with marbled paper covered boards. Externally very smart. With only minor rubbing to extremities of paper and head and spine of Morocco. Minor chips to Morocco at rear joint. Internally firmly bound. Pages bright and clean with odd handling mark. A lovely copy. Very Good Indeed London County Council Central School of Arts and Crafts hardcover
1839réf. 244700London: William Pickering 1839. First edition and part of the Aldine Poets series. With Portrait Frontispiece. Printed by Charles Whittingham. 5 vols. 8vo. Bound in contemporary pebbled morocco and marbled boards edges marbled. Very good. First edition and part of the Aldine Poets series. With Portrait Frontispiece. Printed by Charles Whittingham. 5 vols. 8vo. Keynes p. 48 William Pickering unknown
1953réf. 014490Oxford: Limited Editions Club 1953. Hardcover. Spines of the dustwrappers are a bit darkened but with none of the foxing on the panels usually found with this title. The slipcase is near pristine. Fine in Near Fine dustwrappers and a Fine slipcase. Agnes Miller Parker. Two large quarto volumes 7-3/4" x 11-3/4" bound in gilt-decorated green cloth and illustrated with pen decorations by John Austen and wood engravings by Agnes Miller Parker. Copy #325 of 1500 SIGNED by Parker on the colophon page. A nicely printed set retaining Spenser's original English and beautifully illustrated. The uncommon dustwrappers are present as is the slipcase. A lovely set of this one of the underrated books of the press. Monthly Letter laid in. Limited Editions Club hardcover books