1959 risultati
rif. elala2215London: William Pickering Nattali And Combe & Oxford: Talboys And Wheeler 1825. First Pickering Edition with a life by George Robinson. 5 Volumes. 8vo. woodcut title vignettes. engraved frontis. portrait by W.H.Worthington. woodcut title vignettes. modern half calf by Henry Sotheran t.e.g. others untrimmed London: William Pickering, Nattali And Combe, & Oxford: Talboys And Wheeler, 1825 unknown
1882rif. 026962London: by the author Printed for Private Circulation Only. 1882. Book. Fine. Half Leather. Limited Edition. 8vo 14 x 22cm. 1882-4. A fine nine volume set of this edition limited to 100 copies - Printed for Private Circulation Only. The title pages state "in ten volumes" but in the event only 9 volumes were publised. Fine contemporary uniform bindings by Zaehnsdorf of restrained but elegant half brown morocco with marbled boards and 5 raised bands to the spines lettered in gilt; bindings very good with a little gentle wear only spines very slightly faded. All edges marbled to match boards and end-papers. Contents clean and tight; a little foxing more or less confined to the front and rear blanks otherwise unmarked. A superb set of this rare and desirable edition limited to just 100copies. Provenance: With the attractive bookplate of Claude Goldsmit-Montefiore to most front paste-downs. Claude Joseph Goldsmid Montefiore 1858 - 1938 was son of Nathaniel Montefiore and the great nephew of Sir Moses Montefiore. Some identify him as a significant figure in the contexts of modern Jewish religious thought Jewish-Christian relations and Anglo-Jewish socio-politics. Wikipedia. [by the author] Printed for Private Circulation Only. Hardcover
1758rif. 000012233London: Printed for J. and R. Tonson in the Strand 1758. Later edition. Hardcover. Very Good. 2 vol. 8vo. 5 vi-xxxviii 2 1-527 1; 2 3-496 pp. Contemporary full calf with the spines in six compartments compartments ruled in gold with recent green morocco labels lettered in gold on each spine; all edges sprinkled blue. Each volume illustrated with a frontispiece volume one with four plates volume two with three plates. The volumes also have one in-text illustration. With a glossary explaining the old and obscure words. Carpenter 116. Lowndes 2477. Oxford DNB "Spenser Edmund 1552-1599". According to Lowndes this is the first Tonson edition of Spenser's epic poem. Carpenter states this edition is based on that of Hughes. Includes a biography of Edmund Spenser. An attractive edition of Spenser's poem concerned with knights dragons queens noble ladies Greek gods and goddesses and warriors. The poem itself was dedicated to Queen Elisabeth I with whom Spenser had an audience before the publication of his poem in 1590 to Sir Walter Raleigh and to numerous other noble English people of the late sixteenth century. Spenser's poetic style was revolutionary to English literature: it combined classical and native English themes motifs and stories. Chaucer and Aristotle's Nichomachean Ethics were hugely influential to Spenser's work. The poem centers around six knights and their quests with each knight representative of a specific virtue. A work central to English literature. Each front joint discreetly strengthened the crown and foot of each spine worn away; a small contemporary name on each title page. Printed for J. and R. Tonson in the Strand hardcover
2008rif. 75531Norwalk Connecticut: Easton Press 2008. Full Leather. Fine. Three volume set. 28.5 x 22 cm. Quarto. Bound into full red leather with gilt design lettering and foredges. 3 raised bands to spine. The interior is a facsimile of the George Allen 1897 edition edited by Thomas J. Wise and illustrated by Walter Crane. Moire endpapers and ribbon. Easton Press unknown
1897rif. 45367London: J. M. Dent. Very Good with no dust jacket. 1897. Hardcover. Oversized two volume set. Half vellum with marbled boards morocco/gilt spine labels marbled endpages TEG ribbon marker. Limited to 100 copies on handmade paper and 1250 copies on ordinary paper. Fairfax-Muckley edition. Pp. Lii 1156 continuous pagination Inner hinges have been reinforced. Minimal foxing/soil/rubbing. ; quarto . J. M. Dent hardcover
1965rif. mon0000209845Oxford University Press 1965-01-01. Hardcover. Good. in x in x in. Ex-library book usual markings. Hardback with dust cover. Clean copy sound binding. Oxford University Press hardcover
1803rif. 54894London: Printed by and for C. and R. Baldwin 1803. Very good. First edition of this collection celebrating the revival of the sonnet tracing its history from Spenser to Shakespeare and Milton through contemporaries Charlotte Smith Mary Robinson and a young Leigh Hunt. The English sonnet fell out of fashion in the early 18th century only to come roaring back to popularity with the publication of Charlotte Smith's ELEGIAC SONNETS in 1784. But this volume provides a much wider and more nuanced picture of the development of the English sonnet including Smith's predecessor Thomas Edwards and her contemporaries Anna Seward whom Henderson especially likes William Lisle Bowles Helen Maria Williams and Mary Robinson. Henderson's introduction contextualizes the wide range of sonnets included from the amatory Robinson to the elegiac Smith. This compendium established the state of playing field for the form in the Romantic era and it was a favorite form of Coleridge Keats Shelley and Wordsworth. Coleridge wrote a pamphlet celebrating the form in 1796 and the first poem Wordsworth published was "Sonnet on Seeing Miss Helen Maria Williams Weep" in 1787 an homage to Williams and Charlotte Smith both. A notable Romantic-era collection unusual in so widely acknowledging the debts of English poetry to women writers. Contemporary half roan marbled paper boards gilt-ruled and -lettered spine. Red speckled edges. Illustrated with engraved frontispiece and two further full-page engravings by T.W. Tomkins after P. Henderson. xl 192 pages. Some pencil notes to endpapers. Binding rubbed at extremities some foxing largely marginal to first few gatherings. Printed by and for C. and R. Baldwin unknown
1803rif. 54894London: Printed by and for C. and R. Baldwin 1803. Very good. First edition of this collection celebrating the revival of the sonnet tracing its history from Spenser to Shakespeare and Milton through contemporaries Charlotte Smith Mary Robinson and a young Leigh Hunt. The English sonnet fell out of fashion in the early 18th century only to come roaring back to popularity with the publication of Charlotte Smith's ELEGIAC SONNETS in 1784. But this volume provides a much wider and more nuanced picture of the development of the English sonnet including Smith's predecessor Thomas Edwards and her contemporaries Anna Seward whom Henderson especially likes William Lisle Bowles Helen Maria Williams and Mary Robinson. Henderson's introduction contextualizes the wide range of sonnets included from the amatory Robinson to the elegiac Smith. This compendium established the state of playing field for the form in the Romantic era and it was a favorite form of Coleridge Keats Shelley and Wordsworth. Coleridge wrote a pamphlet celebrating the form in 1796 and the first poem Wordsworth published was "Sonnet on Seeing Miss Helen Maria Williams Weep" in 1787 an homage to Williams and Charlotte Smith both. A notable Romantic-era collection unusual in so widely acknowledging the debts of English poetry to women writers. Contemporary half roan marbled paper boards gilt-ruled and -lettered spine. Red speckled edges. Illustrated with engraved frontispiece and two further full-page engravings by T.W. Tomkins after P. Henderson. xl 192 pages. Some pencil notes to endpapers. Binding rubbed at extremities some foxing largely marginal to first few gatherings. Printed by and for C. and R. Baldwin unknown books
2008rif. 192831The Easton Press 2008. First Thus. Hardcover. Like New. First Edition Thus. Published by Easton Press 2008. 3 volumes. Folios. Bound in full red leather stamped in gold with gilt stained page ends. Gilt and color decoration to boards and spine. Three raised spine bands tan satin endpapers and sewn-in satin bookmarks. Books are like new; clean and crisp with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. A flawless set of this wonderful full facsimile reprint of the 1897 First Edition featuring the illustrations by Walter Crane. 1549 total pages. Set measures 6.5' across on the shelf. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. The Easton Press hardcover
1859rif. 320589Edinburgh: James Nichol 1859. hardcover. near fine. 5 volumes. slim 8vo 3/4 decorative green morocco evenly faded to brown top edges gilt light scattered foxing. Edinburgh: James Nichol 1859. A very handsome set. James Nichol unknown
1778rif. 153521778 Fairy Queen Edmund Spenser Poetry Faerie Queene Vellum 8v SET w/ Provenance "For there is nothing lost that may be found if sought." ― Edmund Spenser The Faerie Queene Edmund Spenser is one of the most well-known 16th-century English poets. His most-famous poem 'The Faerie Queene' is one of fantasy and allegory that celebrated the Tudors and Queen Elizabeth. Spenser explores human emotion consciousness and conflict and drew much of his influence from Italian greats Ariosto and Tasso. He embodied Elizabethan values and British history but he also wanted to have literary freedom balancing history and myth. Samuel Johnson was well-versed with 'The Faerie Queene' as it was a 'useful source for obsolete and archaic words' as he was organizing his 'Dictionary'. This 1787 edition of the poetical works of Spenser was published as part of John Bell's edition of 'The Poets of Great Britain.' This set featured 'The Faerie Queene' as well as a fine biographical sketch of Spenser himself. Item number: #15352 Price: $750 SPENSER Edmund The poetical works of Edmund Spenser . From the text of Mr. Upton &c. With the life of the author. London : Printed for J. Bell 1778. Details: · Collation: Complete with all pages; 8 volumes o 9 frontispiece engravings · References: Lowndes 2477; van Es Companion to Spenser Studies p.270; Wilkinson I p. 132 · Provenance: o Armorial Bookplate – Thomson Bonar Esqr. Camden Place § Thomas Bonar and his wife were the victims of an infamous drunken murder in Chislehurst Kent England in 1813 at the hands of one Philip Nicholson. Following the murder Nicholson was promptly convicted and sentenced to be publicly hanged. § Camden Place takes its name from the antiquary William Camden who lived in the former house on the site from c. 1609 until his death in 1623. The present house was built shortly before 1717 and it was given several additions in the late 18th and early 19th centuries by the architect George Dance the younger. o Bookplate / Handwritten – Joseph Bevan Braithwaite 1840 § Joseph Bevan Braithwaite 1818 – 1905 was a conservative evangelical English Quaker minister. § In 1887 he drafted the Quaker Richmond Declaration which stated among other things that the Bible was of greater authority than the Inner Light the presence of Christ in the heart. · Language: English · Binding: Vellum; tight & secure · Size: ~5in X 3.25in 13cm x 8.5cm Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! 15352 J. Bell hardcover
1859rif. 320589Edinburgh: James Nichol 1859. hardcover. near fine. 5 volumes. slim 8vo 3/4 decorative green morocco evenly faded to brown top edges gilt light scattered foxing. Edinburgh: James Nichol 1859. A very handsome set. James Nichol unknown books
rif. Discovery-9781806015719BRILLIANCE 2027. Hardcover. New. BRILLIANCE hardcover
rif. Discovery-9781806015719BRILLIANCE 2027. Hardcover. New. BRILLIANCE hardcover
rif. Discovery-9781806015733BRILLIANCE 2027. Hardcover. New. BRILLIANCE hardcover
rif. Discovery-9781806015733BRILLIANCE 2027. Hardcover. New. BRILLIANCE hardcover
1897rif. 0109650 Published by J.M. Dent & Co. London 1897. First Louis Fairfax-Muckley illustrated edition in Two volumes. Original cloth with intricate Gilt designs and Text. 25 Woodcut illustrations plus decorative detail on some pages. `10 x 8 x 2.5 inches thick per volume. Limited Edition of 1250 copies on ordinary paper. Top edges Gilt. Untrimmed page edges. Foxing to endpages. Owner's bookplate to pastedowns of both volumes. Scuffing to covers. Protected in archive covers. J.M. Dent & Co. hardcover
1839rif. 159411London: William Pickering 1839. An attractively bound set published for the Aldine Edition of the British Poets renowned for its elegant typography and for the diligence of its editors. Spenser's poetry influenced "virtually all major poets writing in English before the twentieth century" and his The Faerie Queene is one that "any aspiring English poet has felt obliged to read carefully and imitate" ODNB. The publisher Pickering's "achievements are now well acknowledged: the introduction of cloth binding leading to the wider availability of books at lower prices; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ODNB. 5 vols small octavo 158 x 199 mm. Engraved frontispiece to vol. 1 publisher's anchor device to title pages woodcut headpieces. Early 20th-century tan calf for Hatchards Piccadilly spines with gilt-dotted raised bands green morocco labels elaborate floral decoration in gilt to compartments covers bordered with a triple gilt fillet board edges and turn-ins tooled in gilt grey endpapers edges gilt green silk bookmarkers. Early 20th-century bookplate to front pastedowns of Margaret Elizabeth Holland Dewar 1873-1940 Lady Forteviot; a most attractive pseudo-Expressionist linocut design depicting Dupplin Castle - residence of the Barons Forteviot from 1911 - the fish-filled River Earn flowing beneath the banks decked with rose bushes the variety "Lady Forteviot" being named in her honour. A very good set bright and square some minor scuffs to covers light scratch to leather on front cover of vol. II book block of vol. I cracked before half-title remaining firm contents crisp and clean. hardcover
1839rif. 160090London: William Pickering 1839. An attractively bound set published for the Aldine Edition of the British Poets renowned for its elegant typography and for the diligence of its editors. Spenser's poetry influenced "virtually all major poets writing in English before the twentieth century" ODNB. The publisher Pickering's "achievements are now well acknowledged: the introduction of cloth binding leading to the wider availability of books at lower prices; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ibid. 5 vols small octavo 158 x 199 mm. Engraved frontispiece to vol. 1 publisher's anchor device to title pages woodcut headpieces. Contemporary red morocco spine with raised bands lettering and intricate gilt decoration in compartments covers elaborately framed in gilt and in blind floral gilt decoration to board edges and turn-ins yellow coated endpapers edges gilt. Spines uniformly faintly toned trivial rubbing to extremities sides bright minor loss to a few endbands headband of vol. I missing short superficial split to rear inner hinge of vol. I but firm foxing to endpapers and a couple of initial and final leaves in each volume short closed tear to rear free endpaper in vol. IV sporadic marks to contents otherwise clean. A very good set presenting handsomely in the binding. hardcover
1715rif. 71729London: Mr. Hughes 1715. 12mo. 6 volumes. Contemporary speckled calf with red title label gilt lettering and devices to spine; raised bands; thin gilt borders to boards; edges speckled red top edges darkened. Some wear and loss at spine ends and joints. Bumping to extremities. Bookplates to front pastedowns of Thomas Worrall Smith Grazebrook dated 1830 with his name dated 1830 to heads of title leaves otherwise internally clean. Small sticker to corner of rear pastedowns of Paul Breman stating they are collated complete. . Very Good. Speckled Calf. 1715. Mr. Hughes 1715 unknown
1839rif. 35090London: William Pickering 1839. 5 volumes. Early Printing published for the Aldine Edition of the English Poets. With an engraved frontispiece of Spenser by Fox. 8vo handsomely bound in three-quarter red morocco over marbled paper covered boards the joins gilt ruled the spine panels with raised bands gilt stopped the compartments richly gilt in fully tooled panels between the bands top edge gilt marbled endleaves. lxxiv 282; vi 295; vi 296; vi 305vi 317 1 pp. A handsomely bound set of this fine edition of Spenser's Poetical Works the bindings tight and strong the text-blocks in pleasing condition a clean set and excellent for the bindings for reading or study. A VERY PLEASING COLLECTION OF THE POETRY OF ONE OF ENGLAND’S GREATEST LITERARY MASTERS Edmund Spenser who stands with the likes of William Shakespeare and John Milton in the history of English poetry. Spenser was known to his contemporaries as "the prince of poets” and was said by them to be "as great in English as Virgil in Latin”. He was greatly preferred over Shakespeare by Queen Elizabeth and many others of the day. He left behind him masterful essays in every genre of poetry from pastoral and elegy to epithalamion and epic. A century later John Milton would call Spenser "a better teacher than Aquinas” and was greatly influenced by him. Since then generations of readers have admired his subtle use of language his imagination his immense classical and religious learning and "his unerring ability to synthesize and ultimately to delight”. This is the handsomely bound Pickering printing of Spenser’s great works. THE FAERIE QUEEN is Spenser’s best known work and arguably his best. It is especially notable for its form: it was the first work written in what is now called Spenserian stanza and is also one of the longest poems in the English language. An allegorical work written in praise of Queen Elizabeth I it is largely symbolic the poem follows several knights in an examination of several virtues. It found not surprisingly great political favour with Elizabeth I and was such a public success that it quickly became Spenser's defining work. The last six books of the twelve Spenser intended were never written though two cantos noted as the Seventh and Eighth Bookes appear here. William Pickering hardcover
2008rif. 10438Complete three-volume set. Facsimile collector's edition of Spencer's 1897 limited edition illustrated by Walter Crane with 88 full-page illustrations. Red leather with gilt particulars and three raised bands. All edges gilt. Moire endpapers and a satin-ribbon page marker. Housed in a moire-covered slipcase with Easton Press pastedowns to the sides. The slipcase has some staining and discoloration to the back panel see image; otherwise this is a clean set with no previous owmers' names affixed bookplates or other defacements. Please expect the possibility of additional postage as this set weighs circa 15 pounds. 8.75 x 11.25 in 22 x 28.5 cm Easton Press hardcover
1909rif. 202086Cambridge: Cambridge University Press 1909. Fine. Two volumes 4tos full vellum gilt t.e.g. A splendid edition limited to 350 copies printed by John Clay on handmade paper with impressive heavy vellum boards decorated in gilt with a large ornamental device of grapevines. According to the colophon only 300 numbered copies from the entire edition were for sale in England and the U.S. This copy is unnumbered. At least some of the numbered copies were bound in cloth and some in boards; vellum may have been reserved for the hors commerce copies. Scarce. [Cambridge] University Press unknown
1930rif. 21912London: The Cresset Press 1930. Limited to 350 copies on hand-made paper this no. 225 total edition 353. Printed by Geroge W. Jones at "The Sign of the Dolphin. Minor soil to the covers quite sound the interior excellent. Limited to 350 copies on hand-made paper this no. 225 total edition 353. Printed by Geroge W. Jones at "The Sign of the Dolphin". Folio. xxiii i 133p. colophon. Illustrated by John Nash with a full-page decorated title page and a large opening to each month. The illustrations were colored by stencil by the Curwen Press. Bound in gilt-titled vellum spine over silk covered boards t.e.g. deckle edges. The Cresset Press unknown
1715rif. 22176London: Printed for Jacob Tonson at Shakespear's Head 1715 1715. Six volumes complete. Small 8vos. 17.2 cm. Frontispiece engravings. cxl 184 pp.; 187-546 pp.; 547-854 pp.; 859-1168 pp.; 1171-1455 pp.; 1459-1758 pp. Contemporary gilt-stamped polished calf with five raised spinal bands and gilt-stamped morocco spinal labels. All edges stamped red. Some wear at spinal extremities and external hinges and occasionally at the tips contemporary bookplates front pastedowns else this is a very nice very good set gilt quite bright and uncommon thus. Hardcover. Very Good. London: Printed for Jacob Tonson at Shakespear's Head, 1715 hardcover