Pablo NerudaBiblio.com
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Best.-Nr. 0374511810-7-1Farrar Straus & Giroux. First Edition. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Farrar, Straus & Giroux unknown
1969Best.-Nr. 72042Alpignano: Tallone 1969. Cm. 28 pp. 94 8. Bross. originale entro camicia e custodia. Perfetto stato di conservazione. Edizione a tiratura limitata di 507 esemplari numerati e stampati su carta distinta. Il presente esemplare fa parte delle 470 copie su "papel Miliani de Fabriano". Edizione originale assoluta di questi versi di Neruda. Tallone unknown
1963Best.-Nr. 14450Alpignano: Stamperia di Alberto Tallone 30 aprile 1963. Ottimo stato il volume minimi segni del tempo la custodia. Legatura editoriale in brossura con sovraccoperta a stampa ripiegata velina protettiva custodia e camicia editoriale in quarto cm 29.5 x 18.5 pp 112 14. Ottimo stato minimi segni del tempo sulla custodia. Edizione originale di questa raccolta di 20 poesie autobiografiche che il poeta cileno che aveva visitato la tipografia di Tallone nel 1962 volle espressamente veder pubblicate dallo stampatore piemontese: «Ahora este ramo de sombra antártica debe ordenarse en la bella tipografía y entregar su aspereza a Tallone rector de la suprema claridad la del entendimiento». Con l'aiuto di Giuseppe Bellini traduttore di fiducia cui aveva inviato questi versi totalmente inediti Neruda affidò la silloge a Tallone lasciandogli completa libertà tipografica; la stampa fu ultimata il 30 aprile 1963 utilizzando il carattere disegnato da Tallone e inciso a Parigi dal punzonista Charles Malin alla fine degli anni '40. In tutto furono tirati 300 esemplari del volume questo uno dei 235 su carta Magnani di Pescia. Sempre per Tallone a settembre dello stesso anno uscì curata da Bellini l'edizione italiana della raccolta: Sommario. Libro dove nasce la pioggia. Stamperia di Alberto Tallone 30 aprile unknown
1956Best.-Nr. 009042Santiago de Chile: Nascimento 1956. Book. Near Fine. Pictorial Printed Wrappers. Limited and Numbered First Edition. 4to - over 9¾" - 12" tall. #169 of an edition of 1000 copies printed on Alfa Loeber paper. Neruda's brilliant tribute to typography and typographers. Near Fine small bit of wear at base of spine in a Very Good original glassine jacket 1'"x 2" hole front cover light wear at bottom edge glassine browned. There were an additional 154 copies printed 4 on Whatman paper and 150 on Fabriano paper. Uncommon. Nascimento Paperback
1956Best.-Nr. 009042Santiago de Chile: Nascimento 1956. Book. Near Fine. Pictorial Printed Wrappers. Limited and Numbered First Edition. 4to - over 9¾" - 12" tall. #169 of an edition of 1000 copies printed on Alfa Loeber paper. Neruda's brilliant tribute to typography and typographers. Near Fine small bit of wear at base of spine in a Very Good original glassine jacket 1'"x 2" hole front cover light wear at bottom edge glassine browned. There were an additional 154 copies printed 4 on Whatman paper and 150 on Fabriano paper. Uncommon. Nascimento Paperback books
1979Best.-Nr. 3685Surrey: Circle Press 1979. Hardcover. Fine. Christie John. Illustrated by John Christie. One of 300 numbered copies signed by the author and the artist. Folio-sized. 11 folded sheets i.e. 22 fol. un-sewn in a wrapper all contained in a cloth chemise with a lettered spine. Slipcase. The work is illustrated with ten color screenprints each initialed by Christie and a color print entitled "Notes 1" one of 300 numbered and signed by the artist. Minor wear to the slipcase cloth otherwise fine condition. Signed by Author and Artist. Signed by author and artist. Circle Press hardcover
1979Best.-Nr. 3685Surrey: Circle Press 1979. Hardcover. Fine. Christie John. Illustrated by John Christie. One of 300 numbered copies signed by the author and the artist. Folio-sized. 11 folded sheets i.e. 22 fol. un-sewn in a wrapper all contained in a cloth chemise with a lettered spine. Slipcase. The work is illustrated with ten color screenprints each initialed by Christie and a color print entitled "Notes 1" one of 300 numbered and signed by the artist. Minor wear to the slipcase cloth otherwise fine condition. Signed by Author and Artist. Signed by author and artist. Circle Press hardcover books
1963Best.-Nr. mon0000217771Losada. 1963-01-01. Paperback. Acceptable. in x in x in. Ex-library book usual markings. Well read copy with some spine wear - still very useable. Losada. paperback
Best.-Nr. 16-3539Guildford England: Circle Press 1979. Ten initialled screen prints and one fully signed print for love poems by Logue based on verse of Pablo Neruda with text printed letter-press in 18 pt Baskerville. 300 copies 45 proofs – eleven unbound 4 pp sections – 40 x 32 cm on Somerset Book mould-made paper laid into canvas chemise folder and brown cloth slip-case. Small tear on spine of slipcase; chemise fine. Guildford, England: Circle Press, 1979 hardcover
Best.-Nr. 10219L'USAGE DE LA PAROLE. Collection complète, du n° 1 (décembre 1939) au n° 3 (avril 1940). Ensemble en parfait état. /// Textes de : Jean Arp, Jacqueline Allan, Gaston Bachelard, Pierre Balascheff, Jacques Baron, Lucien Becker, Pétrus Borel, Joë Bousquet, Leonora Carrington, Lewis Carroll, Lucien Coutaud, Salvador Dalí, Luc Decaunes, Lise Deharme, Yanette Delétang-Tardif, Marcel Duchamp, Fernand Dumont, Paul Eluard, Armel Guerne, Georges Hugnet, Pierre Jean Jouve, Thomas Lovell Beddoes, Sherry Mangan, Michel Manoll, Jeanne Megnen, Pablo Neruda, Louis Parrot, Francis Picabia, Pierre Reverdy, Jean Rostand, Alberto Savinio, Jean [i.e. Louis] Scutenaire, Tristan Tzara, Jacob van Hoddis, Robert Valançay, Jean Wahl. /// Bandeaux, vignettes et dessins de : Jean Arp, Serge Brignoni, Leonora Carrington, Marc Chagall, Lucien Coutaud, Max Ernst, Leonor Fini, Erwin Graumann, Valentine Hugo, René Magritte, Marie Martinez, Joan Miró, Man Ray, Sophie Taeuber-Arp.
1963Best.-Nr. 71862Alpignano: Tallone 1963. Cm. 29 pp. 112 8. Bross. orig. entro camicia e custodia. Perfetto stato di conservazione. Edizione a tiratura limitata di soli 300 esemplari stampati su carta distinta. Edizione originale rara della prima edizione di 20 poesie inedite di Neruda che l'autore volle espressamente che fossero stampata da Tallone. Cfr. Pellizzari. Tallone unknown
1970Best.-Nr. 325434Santiago Chile: Lord Cochrane 1970. hardcover. very good/chipped and torn. folio. Mario Toral. pp.149. unnumbered copy one of 4782 in print run. Dust jacket chipped torn and worn with signs of some damping. Previous owner's name and stamp on FFEP. Heavy oversized book; additional postage will apply. Lord Cochrane hardcover
2001Best.-Nr. 55508BBBern, 2001. 31,5x22 cm. 20 ungebundene Foliobogen mit eingelegten mehrfarbigen, signierten und numerierten Originalholzschnitten. In Pappschachtel.
2001Best.-Nr. 55509BBBern, 2001. 31,5x22 cm. 20 ungebundene Foliobogen mit eingelegten mehrfarbigen, signierten und numerierten Originalholzschnitten. In Pappschachtel.
1948Best.-Nr. 4773Paris GLM 1948 in-8 broché Paris, GLM, 1948-1952. 22,5 x 14,5 cm, 6 volumes in-8 brochés, 53 (1), 53 (1), 57 (1), 57 (1), 57 (1), 74 (4) pp., élégant étui-boîte signé et daté de 1993.
1949Best.-Nr. 22.1439Santander: Taller de Artes Gráficas de los Hermanos Bedia 1949 - 1952. 1ª ed. Once volúmenes encuadernados en plena piel verde. 17.5x25. Taller de Artes Gráficas de los Hermanos Bedia unknown
1991Best.-Nr. 97828452232211991, Editions Hazan, in-8 broché, couverture grise, Valparaison, photographies de Sergio Larrain, texte de Pablo Neruda traduit par R. Solis, ouvrage édité à l'occasion de l'exposition Sergio Larrain présentée dans le cadre des rencontres internationales de la photographies d'Arles en 1991 | Etat : Très bon état (Ref.: ref96036)
1972Best.-Nr. 470263Montevideo Uruguay: Edición de la Embajada de Chile en Uruguay 1972. Softcover. Near Fine. First edition. 12mo. 12pp. Text in Spanish. Stapled printed wrappers. Wrappers lightly soiled small blank label laid down inside lower wrap near fine. A speech given by Neruda at that time the Chilean Ambassador to France and a recent Nobel laureate at the P.E.N. Club of New York on the occasion of the organization's 50th anniversary. This pamphlet was published by the Chilean embassy in Uruguay from a copy of the speech provided to them by the Central Bank of Chile. According to The New York Times Neruda who was introduced by Arthur Miller and received a standing ovation after his speech spoke at the "generous and fraternal association" to pay the debt he felt Latin American writers owed to Americans such as Walt Whitman Theodore Dreiser and a more recent generation of "great and noble writers faced with the conflicts involved in the vertiginous growth of your capitalist structure." The article was titled "Neruda Opens Visit Here With a Plea for Chile's Revolution." The short introduction states in part: "La Embajada de Chile cree que las palabras de Neruda deben ser conocidas con la mayor amplitud. Conesa intención las difunde en este país hermano" "The Chilean Embassy believes that Neruda's words should be known with the greatest amplitude. With that intention it spreads them in this brother country". Juan María Bordaberry was sworn in as president of Uruguay in 1972; the following year he would dissolve the Uruguayan General Assembly and rule as a military-sponsored dictator until 1976. Uncommon. OCLC locates only two copies one in the United States Nebraska. Edición de la Embajada de Chile en Uruguay unknown
1972Best.-Nr. 3114738New York: New Directions. Fine in Near Fine dust jacket. 1972. First Edition; First Printing. Hardcover. First edition. Fine in fine dust jacket. Presented in facing bilingual text. Splendid copy. ; 5 1/2" X 8 1/4"; 151 pages . New Directions. hardcover
1972Best.-Nr. 470263Montevideo Uruguay: Edición de la Embajada de Chile en Uruguay 1972. Softcover. Near Fine. First edition. 12mo. 12pp. Text in Spanish. Stapled printed wrappers. Wrappers lightly soiled small blank label laid down inside lower wrap near fine. A speech given by Neruda at that time the Chilean Ambassador to France and a recent Nobel laureate at the P.E.N. Club of New York on the occasion of the organization's 50th anniversary. This pamphlet was published by the Chilean embassy in Uruguay from a copy of the speech provided to them by the Central Bank of Chile. According to The New York Times Neruda who was introduced by Arthur Miller and received a standing ovation after his speech spoke at the "generous and fraternal association" to pay the debt he felt Latin American writers owed to Americans such as Walt Whitman Theodore Dreiser and a more recent generation of "great and noble writers faced with the conflicts involved in the vertiginous growth of your capitalist structure." The article was titled "Neruda Opens Visit Here With a Plea for Chile's Revolution." The short introduction states in part: "La Embajada de Chile cree que las palabras de Neruda deben ser conocidas con la mayor amplitud. Conesa intención las difunde en este país hermano" "The Chilean Embassy believes that Neruda's words should be known with the greatest amplitude. With that intention it spreads them in this brother country". Juan María Bordaberry was sworn in as president of Uruguay in 1972; the following year he would dissolve the Uruguayan General Assembly and rule as a military-sponsored dictator until 1976. Uncommon. OCLC locates only two copies one in the United States Nebraska. Edición de la Embajada de Chile en Uruguay unknown books
1971Best.-Nr. 577075Iowa City: Seamark Press 1971. Softcover. Very Good. First edition. Translated and printed by Howard Zimmon. Slim quarto. Papercovered boards with printed paper spine label. Facing Spanish and English text. Shoulders with splitting that has been neatly strengthened but still visible slight loss at the spine ends boards with light soil and some bumping about very good; the interior is bright and fine. A very nicely printed volume one of an unspecified number of copies but OCLC states an edition of only 50 copies. Seamark Press unknown
1982Best.-Nr. LL 547# 7 of 30 copies all on buff Okawara hand-made paper printed in purple ink. Bound: loose in original buff wrappers housed in blue and black paper over boards clamshell box fine. Page size: 24 leaves; 10-1/2 inches x 8-5/8 inches. Handset in Garamond 20pt. by Claudio R. Lopolla and printed letterpress under the supervision of Cesar Palui. An elegant edition of this poem of love and sadness from TWENTY POEMS OF LOVE AND A DESPERATE SONG originally published in 1924. # WorldCat US Libraries: no copies. Ediciones Dos Amigos
1971Best.-Nr. 577075Iowa City: Seamark Press 1971. Softcover. Very Good. First edition. Translated and printed by Howard Zimmon. Slim quarto. Papercovered boards with printed paper spine label. Facing Spanish and English text. Shoulders with splitting that has been neatly strengthened but still visible slight loss at the spine ends boards with light soil and some bumping about very good; the interior is bright and fine. A very nicely printed volume one of an unspecified number of copies but OCLC states an edition of only 50 copies. Seamark Press unknown books
1961Best.-Nr. 537001Lima Peru: Libreria-Editorial Juan Mecia Baca 1961. Softcover. Near Fine/Good. First edition. Introduction by Juan Mejia Baca. Slim octavo. 29pp. Illustrated from photographs. French-folded wrappers with unprinted glassine dust jacket that appears to be attached at the flaps. Top corner of cover bumped tiny stain on lower wrap near fine in good only glassine dust jacket torn vertically at the upper shoulder along with some edgewear and a tiny chip. Copy 264 of only 300 copies printed. Contains portions of poems by Neruda Hidalgo and Adan. Scarce. Libreria-Editorial Juan Mecia Baca unknown books
1977Best.-Nr. 594033Torrance California: Labyrinth Editions 1977. Softcover. Fine. First edition. Translated with an afterword by Enrique Sacerio-Garí. Folio. Measuring 8½" by 15¼". Text in English. Japanese-sewn accordian-folded leaves with illustrated wrappers. A trifle creased at he crown still a fine copy in a fine cloth-covered and string-tied chemise. A very handsome publication designed and produced by Richard Bigus printed on Japanese Masa and Ragston papers in an edition of only 100. This is copy 80 Inscribed by Bigus to a noted collector of books and art on the limitation page: "To J.M. "Mel" Edelstein / Richard Bigus / Aptos CA. 1979. Labyrinth Editions unknown
