NERUDA, PabloABAA
1.117 Ergebnisse
1998Best.-Nr. 013460New York: Limited Editions Club 1998. Hardcover. Fine in slipcase as issued. Edward Ranney. Oblong folio 15" x 12" bound in full dark green linen with a black leather spine label lettered in gilt. Translated by John Felstiner and illustrated with photogravures by Edward Ranney. This poem is the result of a visit by the Chilean winner of the Nobel Prize to the mysterious citadel in Peru built by the Incas. "The superb photographs of Macchu Picchu by Ranney that accompany Pablo Neruda's Heights of Macchu Picchu stand among the finest works of a photographer whom one critic calls 'a very modern visionary of the antique' embodying 'a gnomic monumentality an almost clinical sublimity.'" Copy #154 of 300 numbered copies SIGNED by the translator and by the illustrator. Monthly Letter laid in. Limited Editions Club hardcover books
1967Best.-Nr. 133314Cape Coliard Press 1967. Signed limited edition one of only 100 examples this is number 65. Octavo original cloth illustrated with a cut-out by Jim Dine. Boldly signed by Pablo Neruda and the translator Alistair Reid. Fine in a fine dust jacket. Translated by Alistair Reid. Photographs by Hans Ehrmann. In his philosophical poem We Are Many Neruda offers the reader a brooding introspective narrative about his comically confused sense of self-identity and conflict of self. It is an unrhymed and unmetered free-verse poem which is in keeping with its very modern subject-matter—namely Neruda's saddening lack of self-knowledge in contradiction to ancient Greece's Delphic maxim “Know thyself”. Throughout the poem Neruda expresses his rather comical inability to understand himself or even define himself in any meaningful way. This theme of a philosophical identity crisis and search for oneself is reinforced by the poem's broken architecture which is replete with seemingly self-contradictory assertions. This free-verse poem begins with two four-line stanzas but ends with a ten-line stanza—for a total of seven stanzas of varying and gradually increasing number of lines 4 4 6 6 7 8 10. It uses personifications metaphors hyperbole allegory self-parody and other similar poetic devices to communicate its philosophical theme and deeper meaning to Neruda's numerous readers. Cape Coliard Press hardcover
1954Best.-Nr. 535339Santiago Chile: Nascimento 1954. Softcover. First edition. Quarto. Illustrated from black and white photographs by Martin Chambi. Pictorial wrappers with yapped edges. Library stamp on front blank. Edges moderately worn worn lower wrap lightly stained top corner creased throughout spine lightly toned with a bit of loss at the crown and a tiny horizontal tear very good and sound lacking the insert. Copy 593 of 1000 numbered copies Signed by Neruda. Nascimento unknown
1967Best.-Nr. 023576Madison: The Sixties Press 1967 First printing of the first Sixties Press edition English/Spanish text. Association copy signed and inscribed by Robert Bly to his wife directly on the front endpage along with an original page size drawing by Bly: "For Carol / Self portrait of Poet in Lac Qui Parle County--where Bly was born and raised--in the Summer / Robert Bly." Book with light toning to spine ends and top edge of boards else in fine condition; dust jacket with toning to spine/cover extremities and shallow crimping to bottom spine edge else fine. The Sixties Press hardcover
1954Best.-Nr. 535339Santiago Chile: Nascimento 1954. Softcover. First edition. Quarto. Illustrated from black and white photographs by Martin Chambi. Pictorial wrappers with yapped edges. Library stamp on front blank. Edges moderately worn worn lower wrap lightly stained top corner creased throughout spine lightly toned with a bit of loss at the crown and a tiny horizontal tear very good and sound lacking the insert. Copy 593 of 1000 numbered copies Signed by Neruda. Nascimento unknown books
Best.-Nr. N - 2026 - 35San Francisco: Arion Press 2022. A finely printed letterpress edition of Neruda's celebrated cycle of one hundred love poems published by Arion Press in 2022. The text appears in the original Spanish with Stephen Tapscott's English translation with additional commissioned artwork and an introduction by Rigoberto González. Includes artworks by María Magdalena Campos-Pons Nicolás Guagnini Candida Alvarez and Enrique Chagoya. Copy No. 170 unopened and preserved in the publisher's original shrink wrap; contents and binding unexamined presumed as issued. A modern fine press edition from one of America's most respected private presses. Arion Press
Best.-Nr. N - 2026 - 35San Francisco: Arion Press 2022. A finely printed letterpress edition of Neruda's celebrated cycle of one hundred love poems published by Arion Press in 2022. The text appears in the original Spanish with Stephen Tapscott's English translation with additional commissioned artwork and an introduction by Rigoberto González. Includes artworks by María Magdalena Campos-Pons Nicolás Guagnini Candida Alvarez and Enrique Chagoya. Copy No. 170 unopened and preserved in the publisher's original shrink wrap; contents and binding unexamined presumed as issued. A modern fine press edition from one of America's most respected private presses. Arion Press books
Best.-Nr. 43893Octon France: Verdigris January 30 2013. Edition limited to 50 copies signed and numbered by Rothchild and the letterpress printer Mark Lintott; this is the issue of 10 copies "édition de tête" with an additional mezzotint not duplicated in the edition and in a clamshell box the paper printed in shades of brown with chestnut leaves; oblong 4to i.e. in leporello format approx. 5" x 13" 16 french-fold pages 3 original mezzotints and 3 blindstamped embossments by Judith Rothchild printed on Hahnemulhe paper original paper-covered boards with screenprints by Rothchild; absolutely fine throughout. Verdigris, January 30 unknown
Best.-Nr. 43893Octon France: Verdigris January 30 2013. Edition limited to 50 copies signed and numbered by Rothchild and the letterpress printer Mark Lintott; this is the issue of 10 copies "édition de tête" with an additional mezzotint not duplicated in the edition and in a clamshell box the paper printed in shades of brown with chestnut leaves; oblong 4to i.e. in leporello format approx. 5" x 13" 16 french-fold pages 3 original mezzotints and 3 blindstamped embossments by Judith Rothchild printed on Hahnemulhe paper original paper-covered boards with screenprints by Rothchild; absolutely fine throughout. Verdigris, January 30 unknown books
1998Best.-Nr. 013460New York: Limited Editions Club 1998. Hardcover. Fine in slipcase as issued. Edward Ranney. Oblong folio 15" x 12" bound in full dark green linen with a black leather spine label lettered in gilt. Translated by John Felstiner and illustrated with photogravures by Edward Ranney. This poem is the result of a visit by the Chilean winner of the Nobel Prize to the mysterious citadel in Peru built by the Incas. "The superb photographs of Macchu Picchu by Ranney that accompany Pablo Neruda's Heights of Macchu Picchu stand among the finest works of a photographer whom one critic calls 'a very modern visionary of the antique' embodying 'a gnomic monumentality an almost clinical sublimity.'" Copy #154 of 300 numbered copies SIGNED by the translator and by the illustrator. Monthly Letter laid in. Limited Editions Club hardcover
Best.-Nr. lec-0020Artists of both the eye and the soul here combine their genius to give us a magnificent picture of Macchu Picchu. The ancient and mysterious citadel built by the Incas has piqued human imagination since its discovery in the last century. The grandeur and mystery of the fortress resound in Pablo Neruda's poetry. The marvels of these wondrous heights echo in the fascinating detail that you can see in Edward Ranney's ten magnificent photogravures. The poem is presented here in the original Spanish with John Felstiner's English translation printed alongside. Ten photogravures by Edward Ranney. Edition limited to 300 numbered copies. Each book signed by Edward Ranney. The typography was designed set in Monotype Centaur and printed by Dan Carr and Julia Ferrari at Golgonooza Letter Foundry in Asheulot New Hampshire. Jon Goodman made the gravure plates and editioned the prints. The book is bound in a rough green linen that brings to mind the lush green of that mountainside. Black fabric covers its hinged and lined case. One volume 15 x 12 inches. As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. Limited Editions Club hardcover
2013Best.-Nr. 13380Octon France: Verdigris Press 2013. Limited Edition. Hardcover. Fine in Fine Drop-Spine Archival Box. Limited Edition. Hardcover. Three mezzotints by Judith Rothchild plus a bonus print. "Neruda's text is accompanied with three mezzotints by Judith Rothchild. While the text presentation is sparse and clean the images are velvety and dense. They capture the essence of Neruda's words - "from bristly foliage" to "only a seed". From bristly foliage you fell complete polished wood gleaming mahogany . You fell you struck the ground but nothing happened . Because you are only a seed chestnut tree autumn earth water heights silence prepared the germ the floury density the maternal eyelids that buried will again open toward the heights ." publisher's statement. Tight bright and unmarred. Accordion structure extending from back pastedown letterpress printed in Univers on an Adana by Mark Lintott using chestnut-colored ink and printed on Hahnemuhle paper bound in screenprinted paper shades of brown with chestnut leaves over boards; laid in matching clamshell box. Oblong narrow 4to. 17pp. Illus. Numbered limited edition of 50 copies 1-10 include an additional mezzotint and are in a clamshell box; 1-4 also include one of the original copper plates; copies 11-50 presented in slipcases. This copy 5. Signed by the artist and printer. Verdigris Press hardcover
2013Best.-Nr. 13380Octon France: Verdigris Press 2013. Limited Edition. Hardcover. Fine in Fine Drop-Spine Archival Box. Limited Edition. Hardcover. Three mezzotints by Judith Rothchild plus a bonus print. "Neruda's text is accompanied with three mezzotints by Judith Rothchild. While the text presentation is sparse and clean the images are velvety and dense. They capture the essence of Neruda's words - "from bristly foliage" to "only a seed". From bristly foliage you fell complete polished wood gleaming mahogany . You fell you struck the ground but nothing happened . Because you are only a seed chestnut tree autumn earth water heights silence prepared the germ the floury density the maternal eyelids that buried will again open toward the heights ." publisher's statement. Tight bright and unmarred. Accordion structure extending from back pastedown letterpress printed in Univers on an Adana by Mark Lintott using chestnut-colored ink and printed on Hahnemuhle paper bound in screenprinted paper shades of brown with chestnut leaves over boards; laid in matching clamshell box. Oblong narrow 4to. 17pp. Illus. Numbered limited edition of 50 copies 1-10 include an additional mezzotint and are in a clamshell box; 1-4 also include one of the original copper plates; copies 11-50 presented in slipcases. This copy 5. Signed by the artist and printer. Verdigris Press hardcover books
Best.-Nr. 10279Aurora Colorado: Ravenpress 2020. Each volume is part of a small limited and variable edition ranging in an edition size of only four to five copies per volume. Each volume is numbered and signed on the colophon by designer and printer Alicia Bailey. Text in English and Spanish. Beautifully bound in patterned leather over cloth boards with inlaid paper title label to front. Illustrated from woodblock and pochoir plates on Japanese paper. The central image in each volume is a gate-fold multi-run hand-pulled print. Fine. These are the first twelve volumes from an ongoing series combining various print techniques with selections from Pablo Neruda's The Book of Questions. From Bailey’s website she states “This series presents selections of both the Spanish and English translations from one of my favorite collections of poems by Pablo Neruda. Neruda’s The Book of Questions was completed only months before his death in 1973. The collection is a series of brief poems composed entirely of unanswerable questions; a culmination of Neruda’s lifelong commitment to revealing inner structures of thought and feeling that underlie all experience.” Alicia Bailey is a studio artist based in Colorado. She focuses on book arts and assemblage producing artists’ books sculptural books and limited edition books. Alicia’s work embraces a wide variety of methods and materials and has been featured in dozens of solo and group exhibits throughout the world and is held in numerous public private and special collections. An archive of her work in the book arts is under development at Penrose Special Collections University of Denver Denver Colorado. Ravenpress unknown
1960Best.-Nr. 81766Mexico City: Gráfica Horizonte 1960's. First Edition. 6 volumes. Octavo. 21cm volume 6 is slightly taller with a wider margin at the base of the cover. bound in original publisher's buff card wraps illustrated with an abstract design by Jorge Ballester the same illustration is utilised on all 6 covers with variations in color and composition. Ballester would have been 19 or 20 at the time of publication shortly before he went on to form 'Equipo Realidad' with Joan Cardells. 12-14pp per issue. Some sunning or fading to extremities light edgewear a very good clean and attractive collection. An ephemeral bit of book production utilising thin rough grain paper cheap card and some erratic trimming. Internally clean some pages unopened. Issues present include: #2 Miguel Hernandez: "Recoged Esta Voz" #3 Nicolas Guillén: "Buenos Dias Fidel" #4 Pablo Neruda: "No Tenian Mas Armas Que La Aurora." #5 Miguel Angel Asturias: "Bolivar" #6 Paul Eluard: "Libertad" #7 Patricio Lumumba: "Africa Será Libre" Absent from this assemblage is issue #1 "Dos Poemas" by Carlos Pellicer. The title "Ediciones Quinto Regimiento" is a loaded reference to the Madrid based publishing office of the fabled 5th Regiment a communist brigade fighting for the Republic during the Spanish Civil War to legendary effect and is clearly intended as both homage and statement of intent. The institutional footprint for this publication is tiny with a couple of issues having a slight presence on OCLC and an absence of significant holdings. Gráfica Horizonte unknown
1960Best.-Nr. 81766Mexico City: Gráfica Horizonte 1960's. First Edition. 6 volumes. Octavo. 21cm volume 6 is slightly taller with a wider margin at the base of the cover. bound in original publisher's buff card wraps illustrated with an abstract design by Jorge Ballester the same illustration is utilised on all 6 covers with variations in color and composition. Ballester would have been 19 or 20 at the time of publication shortly before he went on to form 'Equipo Realidad' with Joan Cardells. 12-14pp per issue. Some sunning or fading to extremities light edgewear a very good clean and attractive collection. An ephemeral bit of book production utilising thin rough grain paper cheap card and some erratic trimming. Internally clean some pages unopened. Issues present include: #2 Miguel Hernandez: "Recoged Esta Voz" #3 Nicolas Guillén: "Buenos Dias Fidel" #4 Pablo Neruda: "No Tenian Mas Armas Que La Aurora." #5 Miguel Angel Asturias: "Bolivar" #6 Paul Eluard: "Libertad" #7 Patricio Lumumba: "Africa Será Libre" Absent from this assemblage is issue #1 "Dos Poemas" by Carlos Pellicer. The title "Ediciones Quinto Regimiento" is a loaded reference to the Madrid based publishing office of the fabled 5th Regiment a communist brigade fighting for the Republic during the Spanish Civil War to legendary effect and is clearly intended as both homage and statement of intent. The institutional footprint for this publication is tiny with a couple of issues having a slight presence on OCLC and an absence of significant holdings. Gráfica Horizonte unknown books
1948Best.-Nr. 368808Santiago Chile: Ediciones de Libreria Neira 1948. First edition limited issue one of 500 numbered copies this is #34. Illustrated throughout with black-and-white line drawings by José Venturelli. 47 2 pp. 1 vols. Folio. Printed illustrated wrappers with French flaps. Light tanning at edges darker at top and on spine; minor edge wear; interior fine. Venturelli José. First edition limited issue one of 500 numbered copies this is #34. Illustrated throughout with black-and-white line drawings by José Venturelli. 47 2 pp. 1 vols. Folio. A lovely folio-sized limited first edition copy of Neruda's poetic ode to Macchu Picchu printed in two colors and illustrated throughout with Venturelli's surrealistic line drawings. Ediciones de Libreria Neira unknown
1948Best.-Nr. 28024Santiago de Chile: Ediciones de Libreria Neira 1948. First edition. The first edition of Neruda's masterpiece later incorporated into Canto General. One of 500 copies numbered in Arabic an additional 20 numbered in Roman were not for sale. Folio 25 x 38 cm. 48 pages 7 full page woodcuts by José Venturelli. Neruda first visited Machu Picchu in 1943 however he did not begin writing the poem until 1945. The French writer Roger Caillois visited him while he was composing it and began to publish his translations in January 1946 but the first partial publication in Spanish did not occur until July 1946. This first edition in book form was published by a Santiago bookstore a courageous effort at a time when Neruda was in hiding from the police in a friend's basement. Original wrappers a little tanned and with some small areas of paper restoration to the edges; a very good copy of a book scarce in commerce. Becco 84; Loyola 292 misdated as 1947. Ediciones de Libreria Neira unknown
1937Best.-Nr. 1057Santiago de Chile: Ediciones Ercilla 1937. First edition. Good. A worn but complete copy of this scarce publication by one of Latin America's most prominent poets. Original self wrappers printed in red gray and yellow spine cracked and professionally reattached lacking a small chip wrappers soiled and a dampstain affects the top edge of leaves throughout. Rare in the original wraps most first edition copies have been rebound. Just two thousand copies of this original edition were produced each containing 16 black and white photographic reproductions as here. Posted in Spain as a diplomat during the Spanish Civil War Neruda witnessed the destruction and transformation of Spain during these turbulent years. Neruda commemorates the republican fighters figures and values in Espana en el Corazon. Good. Ediciones Ercilla unknown
1948Best.-Nr. 368808Santiago Chile: Ediciones de Libreria Neira 1948. First edition limited issue one of 500 numbered copies this is #34. Illustrated throughout with black-and-white line drawings by José Venturelli. 47 2 pp. 1 vols. Folio. Printed illustrated wrappers with French flaps. Light tanning at edges darker at top and on spine; minor edge wear; interior fine. Venturelli José. First edition limited issue one of 500 numbered copies this is #34. Illustrated throughout with black-and-white line drawings by José Venturelli. 47 2 pp. 1 vols. Folio. A lovely folio-sized limited first edition copy of Neruda's poetic ode to Macchu Picchu printed in two colors and illustrated throughout with Venturelli's surrealistic line drawings. Ediciones de Libreria Neira unknown books
1948Best.-Nr. 28024Santiago de Chile: Ediciones de Libreria Neira 1948. First edition. The first edition of Neruda's masterpiece later incorporated into Canto General. One of 500 copies numbered in Arabic an additional 20 numbered in Roman were not for sale. Folio 25 x 38 cm. 48 pages 7 full page woodcuts by José Venturelli. Neruda first visited Machu Picchu in 1943 however he did not begin writing the poem until 1945. The French writer Roger Caillois visited him while he was composing it and began to publish his translations in January 1946 but the first partial publication in Spanish did not occur until July 1946. This first edition in book form was published by a Santiago bookstore a courageous effort at a time when Neruda was in hiding from the police in a friend's basement. Original wrappers a little tanned and with some small areas of paper restoration to the edges; a very good copy of a book scarce in commerce. Becco 84; Loyola 292 misdated as 1947. Ediciones de Libreria Neira unknown books
1937Best.-Nr. 1057Santiago de Chile: Ediciones Ercilla 1937. First edition. Good. A worn but complete copy of this scarce publication by one of Latin America's most prominent poets. Original self wrappers printed in red gray and yellow spine cracked and professionally reattached lacking a small chip wrappers soiled and a dampstain affects the top edge of leaves throughout. Rare in the original wraps most first edition copies have been rebound. Just two thousand copies of this original edition were produced each containing 16 black and white photographic reproductions as here. Posted in Spain as a diplomat during the Spanish Civil War Neruda witnessed the destruction and transformation of Spain during these turbulent years. Neruda commemorates the republican fighters figures and values in Espana en el Corazon. Good. Ediciones Ercilla unknown books
1948Best.-Nr. 194281Santiago de Chile: Ediciones de Libreria Neira 1948. Love! Love until the Night collapses! First edition of Neruda's masterpiece number 206 of 500 copies for sale from a total edition of 520 copies. The poem illustrates Neruda's ideology in a Pan-American consciousness as well as his belief in his responsibility as a poet. In a 1965 interview speaking about the poem Neruda stated "I use a vision of ancient men to understand the men of today. From the Inca to the India from the Aztec to the contemporary Mexican peasant our homeland America has magnificent mountains rivers deserts and mines rich in minerals. Yet the inhabitants of this generous land live in great poverty. What then should be the poet's duty" quoted in Eisner p. 316. The Heights of Macchu Picchu was first published in English in 1966. Folio. Printed in red and black 7 full-page line-drawings by José Venturelli. Original cream wrappers spine and front cover lettered in red and black front cover with line drawing by Venturelli in black. Wrappers a little toned and marked creases to spine a few nicks. A very good copy. Mark Eisner Neruda: the Poet's Calling 2018. unknown
1962Best.-Nr. elala180Buenos Aires: Editorial Losada S. A. 1962. 1962. folio. pp. 60 3. 9 full-page wood engravings 5 in colour. illus. paper over bds. extremities bit rubbed. First Edition Illustrated by Seoane Limited to 400 numbered copies plus 29 hors commerce. 1st Edition. Hardcover. Very Good. Buenos Aires: Editorial Losada, S. A., [1962]. Hardcover
1948Best.-Nr. 140937760Santiago de Chile: Ediciones de Libreria Neira 1948. First Edition. Very Good. First edition. One of just 500 copies printed with text in Spanish. Folio. Bound in publisher's tan wraps. Very Good with spine showing a neat repair and front cover joint about 1/3 split at bottom edge. Wraps show toning and light wear especially at yapped edges light rubbing. Pages toned. A lovely copy of this fragile production of one of Neruda's best-known longer poetic works. Ediciones de Libreria Neira unknown
