8.040 resultados
1975ref. 2083002116207062Japan Broadcasting Publishers Association Japan Broadcasting Corporation 1975. Soft Cover. Fine. Number of books: 2 Japan Broadcasting Publishers Association Japan Broadcasting Corporation paperback
1947ref. 2083002116203988Japan Broadcasting Publishers Association Japan Broadcasting Corporation 1947. Soft Cover. Fine. Number of books: 2 Japan Broadcasting Publishers Association Japan Broadcasting Corporation paperback
2004ref. 161115Nashville: Thomas Nelson Publishers 2004. XL, 301 Seiten. Gr. 8° (22,5-25 cm). Orig.-Kunstlederband mit goldgeprägtem Rückentitel sowie mit Orig.-Schutzumschlag / Original imitation leather with gold-embossed spine title and original dust jacket. [Hardcover / fest gebunden].
1964A clean, unmarked book with a tight binding. Edge wear and a bit of curl to cover. Peeling laminate on cover. 8 3/8"w x 11 1/4"h. 222 pages.
ref. 1453850554.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009ref. 7086060Antwerp: Booqs Publishers 2009. 619 Seiten. Überwiegend Illustrationen. 8° (17,5-22,5 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].
2003ref. SBBI-mon0000041832Collins 2003. map. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Collins unknown
ref. 6303165like new. unknown
ref. 6303165-nnew. unknown
ref. ria9780470561485_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
2012ref. SBBIH-HYW37MWY4DIFCollins 2012. spiral_bound. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Collins unknown
ref. 0785281185.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 61447431John Wiley & Sons . Hardback. New. pp. 314 John Wiley & Sons hardcover
ref. 05692London No. 39 Strand: M. Darly 1771. The Birth of the English Fashion Caricature Ninety-Six Superb Hand-Colored Etchings of Macaronis Fashionable Ladies and Georgian Eccentrics An Exceptionally Rare Complete Set of Mary and Matthew Darly's Celebrated Caricatures 1771-1773 From the Library of Prince Henry Duke of Gloucester in a Magnificent Rivière Binding DARLY Mary and Matthew. 24 Caricatures by Several Ladies Gentlemen Artists &c. 1771. And Vol. II of Caricatures Macaronies & Characters by Sundry Ladies Gentlemen Artists &c. London: M. Darly 1772. And Vol. III of Macaronies Characters Caricatures &c. Design'd by the Greatest Personages Artists &c. London: M. Darly 1772. And Vol. IV of Macaronies Characters Caricatures &c. By M. Darly. London: M. Darly 1773. First editions. Four octavo volumes bound in two 8 3/4 x 5 1/2 inches; 222 x 140 mm. Four finely hand-colored decorative engraved titles one leaf of engraved introductory text in Volume I and ninety-six superb contemporary hand-colored etched plates twenty-four in each volume. All plates mounted on stubs and interleaved. Some very occasional mainly marginal spotting; a light stain in the lower blank margin of plate 12 in Volume I; plates 2 and 3 in Volume II and plate 8 in Volume III with expertly repaired marginal tears. The plates generally exceptionally fresh with brilliant contemporary coloring. An extraordinarily fine and complete set certainly the finest example we have encountered. Early twentieth-century dark brown morocco by Rivière & Son. Covers elaborately paneled in gilt enclosing a richly gilt central lozenge; spines with five raised bands elaborately decorated and lettered in gilt in compartments; gilt-ruled board edges and richly gilt turn-ins; all edges gilt; marbled endpapers. The armorial bookplate of Prince Henry Duke of Gloucester on the front pastedown of each volume. A magnificent set. An exceptionally rare complete set of the four original volumes of caricatures published by Mary and Matthew Darly between 1771 and 1773 comprising ninety-six brilliantly hand-colored etchings that constitute one of the most important early collections of English social and fashion satire. The present collection represents a landmark in the development of British caricature. Published at the height of the extraordinary macaroni craze of the 1770s these spirited and frequently outrageous portraits ridicule the fashions affectations pretensions and eccentricities of Georgian society. Their subjects include extravagantly dressed young men fashionable ladies military officers clergymen lawyers tradesmen and a remarkable assortment of recognizable London characters. The figures are generally presented individually against deliberately minimal backgrounds their identities and personalities established through exaggerated physiognomy extravagant costume distinctive gestures and carefully selected accessories. This deceptively simple formula was ideally suited to the satirical portrayal of the fashionable world and helped establish a visual language that would be developed to extraordinary effect by the succeeding generation of British caricaturists. The term macaroni originally referred to a fashionable young Englishman who had returned from the Grand Tour with an excessive enthusiasm for Continental manners dress and sophistication. By the early 1770s however it had acquired a distinctly satirical meaning describing a man whose devotion to fashion and personal ornament had supposedly carried him beyond the bounds of conventional masculinity and good taste. Enormous powdered hairstyles miniature hats elaborately embroidered coats slender swords and affected postures became the identifying characteristics of the macaroni. The Darlys seized upon this phenomenon with remarkable commercial and artistic success. Their caricatures transformed the extravagances of contemporary dress into a form of popular entertainment appealing both to those who recognized the individuals portrayed and to a wider public delighted by the absurdities of fashionable society. Although many of the plates depict the familiar macaroni figure the scope of the collection extends considerably further. Among the numerous subjects represented are The City Tonsor The Turf-Macaroni The Oxford-Macaroni The Female Connoisseur The Macaroni Auctioneer The Macaroni Chimney Sweep and The Macaroni Preacher. Such images provide an extraordinary pictorial record of Georgian occupations social distinctions and public amusements filtered through the exuberant imagination of the eighteenth-century satirist. Particularly noteworthy is the prominent participation of women in the production of these prints. Mary Darly was not merely the wife of a successful print-seller but an artist engraver publisher and entrepreneur in her own right. Her work represents an important early contribution by a woman to the development of British graphic satire and the title of the first volume expressly acknowledges the participation of both ladies and gentlemen in the creation of its designs. Mary Darly fl. 1756-1779 sometimes described as the mother of English pictorial satire occupied a central position in the flourishing London print trade of the mid-eighteenth century. Working with her husband Matthew Darly fl. 1741-1778 a designer engraver and print-seller she helped establish caricature as a distinct and commercially successful branch of British printmaking. Matthew Darly had already acquired considerable prominence through his publications on ornament and decorative design including his association with Robert Manwaring's The Chair-Maker's Guide and George Edwards's A New Book of Chinese Designs. His involvement with satirical prints extended back at least to 1749 when he was questioned by the authorities concerning the distribution of caricatures directed against the Duke of Cumberland. By the 1760s Mary Darly had emerged as a publisher of satirical prints and the couple's establishment at 39 Strand became an important center for the production and sale of fashionable caricatures. The Darlys encouraged designs from both professional artists and talented amateurs including members of fashionable society itself an approach reflected in the deliberately inclusive wording of their engraved title-pages. Among artists associated with the Darly publications were Henry William Bunbury James Sayers Edward Topham Sir Edward Newenham Elizabeth Bridgetta Gulston and others. The contributions of aristocratic and amateur designers gave these caricatures a particularly intimate relationship with the fashionable society they mocked. The popularity of the Darly caricatures was such that the series was subsequently reissued including in 1776. Mary Darly's advertisements promoted the collection with characteristic confidence as "the most entertaining Work ever published in Europe." Despite their considerable contemporary popularity complete collections of these early Darly caricatures are now exceptionally scarce. The prints were intended to be enjoyed circulated and collected and individual examples have survived far more frequently than intact volumes. Their vulnerability to dispersal together with the frequent removal of particularly desirable images makes the survival of all ninety-six plates in their original four-volume sequence especially remarkable. The present set is further distinguished by its remarkably vivid contemporary hand-coloring the freshness of its impressions its handsome early twentieth-century Rivière binding and its distinguished royal provenance. Provenance: Prince Henry Duke of Gloucester 1900-1974 third son of King George V and Queen Mary and younger brother of Kings Edward VIII and George VI; his crowned armorial bookplate lettered "GLOUCESTER" on the front pastedown of each volume. Rarity: Exceptionally scarce particularly complete in all four volumes. Earlier bibliographical research located only three institutional examples of Volume I Yale University the Harry Ransom Center at the University of Texas and the University of Virginia and three of Volume II Los Angeles County Museum of Art Harvard University and Princeton University. These holdings should be reconfirmed against current institutional catalogues; they are not evidence of a complete census of surviving sets. [London] No. 39 Strand: M. Darly, 1771 unknown
ref. 05692London No. 39 Strand: M. Darly 1771. The Birth of the English Fashion Caricature Ninety-Six Superb Hand-Colored Etchings of Macaronis Fashionable Ladies and Georgian Eccentrics An Exceptionally Rare Complete Set of Mary and Matthew Darly's Celebrated Caricatures 1771-1773 From the Library of Prince Henry Duke of Gloucester in a Magnificent Rivière Binding DARLY Mary and Matthew. 24 Caricatures by Several Ladies Gentlemen Artists &c. 1771. And Vol. II of Caricatures Macaronies & Characters by Sundry Ladies Gentlemen Artists &c. London: M. Darly 1772. And Vol. III of Macaronies Characters Caricatures &c. Design'd by the Greatest Personages Artists &c. London: M. Darly 1772. And Vol. IV of Macaronies Characters Caricatures &c. By M. Darly. London: M. Darly 1773. First editions. Four octavo volumes bound in two 8 3/4 x 5 1/2 inches; 222 x 140 mm. Four finely hand-colored decorative engraved titles one leaf of engraved introductory text in Volume I and ninety-six superb contemporary hand-colored etched plates twenty-four in each volume. All plates mounted on stubs and interleaved. Some very occasional mainly marginal spotting; a light stain in the lower blank margin of plate 12 in Volume I; plates 2 and 3 in Volume II and plate 8 in Volume III with expertly repaired marginal tears. The plates generally exceptionally fresh with brilliant contemporary coloring. An extraordinarily fine and complete set certainly the finest example we have encountered. Early twentieth-century dark brown morocco by Rivière & Son. Covers elaborately paneled in gilt enclosing a richly gilt central lozenge; spines with five raised bands elaborately decorated and lettered in gilt in compartments; gilt-ruled board edges and richly gilt turn-ins; all edges gilt; marbled endpapers. The armorial bookplate of Prince Henry Duke of Gloucester on the front pastedown of each volume. A magnificent set. An exceptionally rare complete set of the four original volumes of caricatures published by Mary and Matthew Darly between 1771 and 1773 comprising ninety-six brilliantly hand-colored etchings that constitute one of the most important early collections of English social and fashion satire. The present collection represents a landmark in the development of British caricature. Published at the height of the extraordinary macaroni craze of the 1770s these spirited and frequently outrageous portraits ridicule the fashions affectations pretensions and eccentricities of Georgian society. Their subjects include extravagantly dressed young men fashionable ladies military officers clergymen lawyers tradesmen and a remarkable assortment of recognizable London characters. The figures are generally presented individually against deliberately minimal backgrounds their identities and personalities established through exaggerated physiognomy extravagant costume distinctive gestures and carefully selected accessories. This deceptively simple formula was ideally suited to the satirical portrayal of the fashionable world and helped establish a visual language that would be developed to extraordinary effect by the succeeding generation of British caricaturists. The term macaroni originally referred to a fashionable young Englishman who had returned from the Grand Tour with an excessive enthusiasm for Continental manners dress and sophistication. By the early 1770s however it had acquired a distinctly satirical meaning describing a man whose devotion to fashion and personal ornament had supposedly carried him beyond the bounds of conventional masculinity and good taste. Enormous powdered hairstyles miniature hats elaborately embroidered coats slender swords and affected postures became the identifying characteristics of the macaroni. The Darlys seized upon this phenomenon with remarkable commercial and artistic success. Their caricatures transformed the extravagances of contemporary dress into a form of popular entertainment appealing both to those who recognized the individuals portrayed and to a wider public delighted by the absurdities of fashionable society. Although many of the plates depict the familiar macaroni figure the scope of the collection extends considerably further. Among the numerous subjects represented are The City Tonsor The Turf-Macaroni The Oxford-Macaroni The Female Connoisseur The Macaroni Auctioneer The Macaroni Chimney Sweep and The Macaroni Preacher. Such images provide an extraordinary pictorial record of Georgian occupations social distinctions and public amusements filtered through the exuberant imagination of the eighteenth-century satirist. Particularly noteworthy is the prominent participation of women in the production of these prints. Mary Darly was not merely the wife of a successful print-seller but an artist engraver publisher and entrepreneur in her own right. Her work represents an important early contribution by a woman to the development of British graphic satire and the title of the first volume expressly acknowledges the participation of both ladies and gentlemen in the creation of its designs. Mary Darly fl. 1756-1779 sometimes described as the mother of English pictorial satire occupied a central position in the flourishing London print trade of the mid-eighteenth century. Working with her husband Matthew Darly fl. 1741-1778 a designer engraver and print-seller she helped establish caricature as a distinct and commercially successful branch of British printmaking. Matthew Darly had already acquired considerable prominence through his publications on ornament and decorative design including his association with Robert Manwaring's The Chair-Maker's Guide and George Edwards's A New Book of Chinese Designs. His involvement with satirical prints extended back at least to 1749 when he was questioned by the authorities concerning the distribution of caricatures directed against the Duke of Cumberland. By the 1760s Mary Darly had emerged as a publisher of satirical prints and the couple's establishment at 39 Strand became an important center for the production and sale of fashionable caricatures. The Darlys encouraged designs from both professional artists and talented amateurs including members of fashionable society itself an approach reflected in the deliberately inclusive wording of their engraved title-pages. Among artists associated with the Darly publications were Henry William Bunbury James Sayers Edward Topham Sir Edward Newenham Elizabeth Bridgetta Gulston and others. The contributions of aristocratic and amateur designers gave these caricatures a particularly intimate relationship with the fashionable society they mocked. The popularity of the Darly caricatures was such that the series was subsequently reissued including in 1776. Mary Darly's advertisements promoted the collection with characteristic confidence as "the most entertaining Work ever published in Europe." Despite their considerable contemporary popularity complete collections of these early Darly caricatures are now exceptionally scarce. The prints were intended to be enjoyed circulated and collected and individual examples have survived far more frequently than intact volumes. Their vulnerability to dispersal together with the frequent removal of particularly desirable images makes the survival of all ninety-six plates in their original four-volume sequence especially remarkable. The present set is further distinguished by its remarkably vivid contemporary hand-coloring the freshness of its impressions its handsome early twentieth-century Rivière binding and its distinguished royal provenance. Provenance: Prince Henry Duke of Gloucester 1900-1974 third son of King George V and Queen Mary and younger brother of Kings Edward VIII and George VI; his crowned armorial bookplate lettered "GLOUCESTER" on the front pastedown of each volume. Rarity: Exceptionally scarce particularly complete in all four volumes. Earlier bibliographical research located only three institutional examples of Volume I Yale University the Harry Ransom Center at the University of Texas and the University of Virginia and three of Volume II Los Angeles County Museum of Art Harvard University and Princeton University. These holdings should be reconfirmed against current institutional catalogues; they are not evidence of a complete census of surviving sets. [London] No. 39 Strand: M. Darly, 1771 unknown books
ref. 43752866-nnew. unknown
ref. 43752866like new. unknown
ref. ria9789887507017_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; A compilation of the winning entries from the 28th Asia Pacific Interior Design Awards 2020 featuring 61 projects across 12 space types judged by top designers such as Ho Chung Hin and Jurgen Bey. hardcover
1937ref. 2081502111702313Ryosa Ueki Publications 1937. Soft Cover. Fine. Size: 20cm Ryosa Ueki Publications paperback
1982ref. 176868Berlin, Volk & Welt, 1982. 359 S. OLwd.
ref. ria9789390278220_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Gurukul 36 Paper Bank CBSE Class XI Science StreamPCB Series provide in depth knowledge of different concept questions and their weightage to Excel in Final Exams. 36 Paper Bank Series Highlights: Includes 36 Sample Papers from Englis paperback
ref. ria9789390278213_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Gurukul 36 Paper Bank CBSE Class XI Science StreamPCM Series provide in depth knowledge of different concept questions and their weightage to Excel in Final Exams. 36 Paper Bank Series Highlights: Includes 36 Sample Papers from Englis paperback
ref. 42474691like new. unknown
1987ref. 1088512Berlin, Volk & Welt, 1987. 444 S., 2 Bl. OLwd.
1998ref. 60427Pittsburgh: International Masters Publishers 1998. Hardcover. Fine. 4to - over 9¾ - 12" tall. Fine; see scans and description. Pittsburgh: International Masters Publishers 1998. 41 folding four-page aircraft cards see sample scans from "Aircraft of the World - The Complete Guide" by IMP. The total number of individual aircraft cards in the volumes of that publication is 1199 from the decade just prior to World War II through to the publication date of 1998. Here are 41 of them all different in As New condition. Each aircraft is presented on a full-color four-fold card 12 3/16" x 8 15/16" when open printed on all sides - with graphics the aircraft's history and specs and an engrossing "Action Data" section in which it is compared with closely competing contemporaneous aircraft. The full set itself this is a small sub-set includes 16 categories of aircraft each of which is represented in this sub-set with at least one aircraft. The included cards are: Bell 206 JetRanger; Grumman F8F Bearcat Rare Bear; McDonnell Douglas DC-10; Airbus Industrie A320 Airbus; Westland Sea King; Aerospatiale Alouette III; Short SC.7 Skyvan; Grumman C-1 Trader / E-1 Tracer; Handley Page Victor Tanker; Lockheed C-140 JetStar; Beech T-34 Mentor / Turbo Mentor; Vought F6U Pirate; Grumman S-2E/F/G/UP Tracker; British Aerospace Sea Harrier FA.Mk 2; Israel Aircraft Industries Kfir; Rockwell B-1B Lancer; Chengdu F-7; McDonnell Douglas Helicopters MD Notar; Republic F-105 Thunderchief "Thud Ridge"; Air Tractor AT 400 Crop-Duster; Airbus Industrie Airbus A319; Sikorsky S-61 Rescue; Mil Mi-26 "Halo"; Ayres Turbo-Thrush; Canadair CL-215; Dornier Do 335 Pfeil; Bell Boeing V-22 Osprey; De Havilland DH.82 Tiger Moth; Short Sunderland; Bell P-39 Airacobra; Focke-Wulf Fw 190; Focke-Wulf Fw 200; Arado Ar 196; Lavochkin LaGG-3; Fiat CR.42; Focke-Wulf Condor Civil; Boeing F4B / P-12; Fairey Fox; Rutan VariEze; De Havilland DH.60 Moth Restoration; Douglas D-558 Skystreak / Skyrocket. All pristine. Please see sample scans. L8 International Masters Publishers hardcover
