Editorial board, V&S PublishersBiblio.com
10.149 resultados
ref. B9789350571415Paperback / softback. New. paperback
ref. CBS-9780817638061Misclenious Publishers. New. Misclenious Publishers unknown
ref. CBS-9780817638061Misclenious Publishers. New. Misclenious Publishers unknown
1956ref. 89980New York: Folder 1956. First edition. Quarto. Printed card portfolio containing loose gatherings and a few single printed sheets plus one color serigraph on heavy stock collated complete. Mild toning to folder; a few trivial corner-creases to contents; a Near Fine copy. Printed linotype by Floriano Vecchi at Tiber Press. Fourth and final issue of this innovative short-lived periodical which appeared irregularly between 1953 and 1956. It was the first magazine associated with the New York School poets. This issue notably includes Aldan's full translation of Mallarmé's surrealist long poem "Un Coup de Des" "A Throw of the Dice" - the first translation of the poem into English. Other contributors include Frank O'Hara Richard Eberhart James Broughton Kenward Elmslie Peter Hanke Ned Rorem and Ben Weber; the original color screen-print is by Felix Pasilis signed in screen; cover illustration by Grace Hartigan. A complete very fresh copy. Folder unknown books
1956ref. 89980New York: Folder 1956. First edition. Quarto. Printed card portfolio containing loose gatherings and a few single printed sheets plus one color serigraph on heavy stock collated complete. Mild toning to folder; a few trivial corner-creases to contents; a Near Fine copy. Printed linotype by Floriano Vecchi at Tiber Press. Fourth and final issue of this innovative short-lived periodical which appeared irregularly between 1953 and 1956. It was the first magazine associated with the New York School poets. This issue notably includes Aldan's full translation of Mallarmé's surrealist long poem "Un Coup de Des" "A Throw of the Dice" - the first translation of the poem into English. Other contributors include Frank O'Hara Richard Eberhart James Broughton Kenward Elmslie Peter Hanke Ned Rorem and Ben Weber; the original color screen-print is by Felix Pasilis signed in screen; cover illustration by Grace Hartigan. A complete very fresh copy. Folder unknown
ref. 69263, Brepols, 2026 Hardback, Pages: lxxii + 410 p., 155 x 245 mm, Illustrations:1 col., Language(s):Latin, English. *New . ISBN 9782503609775.
1938ref. 345503Magazine Publishers Inc. 1938. FIRST EDITION. Paperback. Very Good/No Jacket. First Edition First Printing. Not price-clipped. Published by Magazine Publishers Inc. 1938. Quarto. Paperback. Book is very good with some light toning to the pages and a small tear to the bottom front right corner. A very good copy of this look at an aviation magazine featuring short stories and model building information. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Magazine Publishers Inc. paperback
ref. 1860581978.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2000ref. mon0000577266Wiley 2000-01-11. Hardcover. New. 0.6000 in x 9.3000 in x 6.1000 in. Wiley hardcover
1969ref. 2090502113701509Not Available 1969. Soft Cover. Fine. The book is in fine condition. Not Available paperback
ref. 0002200929.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992ref. 2090202120806501Japan Broadcasting Publishing Association 1992. Soft Cover. Fine. Volume: 1 Japan Broadcasting Publishing Association paperback
1989ref. 619801989 Lille, Université Charles de Gaulle, Centre d'Histoire de la Région Nord et de l'Europe du Nord-Ouest (Collection "Histoire et Littérature Régionales", Série "Bicentenaire de la Révolution"), 1989, in 8° broché, 285 pages ; illustrations ; glossaire, bibliographie et index des noms de lieux.
ref. 26483Format moyen, couverture souple. 280 pages. Très bon état. Une expédition par Mondial Relay vous sera proposée 1989 centre d'histoire de la région du Nord et de l'europe du nord ouest. Université de Lille
ref. 0153802049.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. BN98558Flore analytique du Togo. Phanérogames. = Englera - Volume 4. Flore analytique du Togo. Phanérogames. = Englera - Volume 4. unknown
ref. 68864, Brepols, 2015 3 vols, Hardback, 1328 p., 220 x 285 mm, Illustrations:869 col. *NEW . ISBN 9781905375783.
2002ref. Q-0153229500HARCOURT SCHOOL PUBLISHERS 2002-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! HARCOURT SCHOOL PUBLISHERS paperback
2006hardcover, 458 p., 316 b/w ill. 195 colour ill., 210 x 297 mm, English. ISBN 9782503517438. The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum?s archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium?s Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liege. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible.
2002hardcover, 392 p., 223 b/w ill. 140 colour ill., ills., 210 x 297 mm, English. ISBN 9782503512297. The third volume comprises investigations on seventeen paintings by a final group of preeminent, identified artists from the period of transition at the end of the fifteenth and the beginning of the sixteenth century, to which the authors adjust various attributions and interpretations. The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups. "Fur die weitere Forschung zu den betreffenden Kunstlern oder den fraglichen Werken wird der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in Sehepunkte, 3 (2003), nr. 1, 15.01.2003)
1996hardback 308 p., incl. 67 colour ill. and 174 halftones, 210 x 297 mm, English Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 1) . ISBN 9782503505015. This catalogue includes paintings by the Master of Flemalle and Rogier van der Weyden Groups, now in the Royal Museums of Fine Arts of Belgium in Brussels, as well as thourough analyses and colour reproductions. The publication of the first in a five-volume scholarly catalogue of the 15th-century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels is a long awaited event. The museums' rich collection of Flemish Primitives boasts paintings by Rogier van der Weyden, Gerard David, Petrus Christus, Dirk Bouts, Hans Memling and Hieronymus Bosch. It also includes several important works by artists with provisional names from the schools of Tournai, Bruges and Brussels, such as the Master of Flemalle, the Master of the St Lucy Legend and the Master of the Life of Joseph. This multi-volume English-language catalogue will include approximately 100 paintings. Each work is the subject of a thourough analysis covering technical, historical, iconographical and stylistic aspects. The catalogue contains colour reproductions of each painting as well as other visual documentation from laboratory investigations (infrared reflectograms, ultra-violet fluorescence photographs; X-radiographs, macro photographs), photographs of related works and diagrams of the original frames. The wealth of documentation presented in this volumes makes it an indispensable reference for both scholars and amateurs interested in 15th-century painting.
ref. 0153685700.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0153396857.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0153346027.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2024ref. DADAX1921580879New Holland Publishers 2024-10-07. board_book. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. New Holland Publishers unknown
