Wegner, Armin TAntiquariat.de
1910réf. 6193Berlin, Fleischel & Co. 1910. EA. 218 S., z. T. mit Titelvignetten u. 6 S. Verlagsanzeigen. . Selten! , Schrift: Fraktur gebundene Ausgabe, Halbleinen, Einband etwas verzogen, sonst gut
1901réf. C683Paris, Bibliothéque-Charpentier 1901. Ganzleder, 8°, 751 S., Goldschnitt oben, cent quatrieme mille, in französischer Sprache
réf. DADAX0521025605New unknown
2002réf. 345955Brooklyn: la maison Red 2002. Hardcover. 395p. profusely illus. remainder mark on bottom edge of textblock foxing on top edge of textblock else very good condition in an unclipped dj with a sunned spine panel and sunning along top edge of front panel. la maison Red hardcover
2002réf. 345955Brooklyn: la maison Red 2002. Hardcover. 395p. profusely illus. remainder mark on bottom edge of textblock foxing on top edge of textblock else very good condition in an unclipped dj with a sunned spine panel and sunning along top edge of front panel. la maison Red hardcover books
2005réf. 1008-8Harper Collins 2005 New York: Harper Collins 2005. First edition. First printing with full number line including the 1. Hardcover. Quarter black cloth over brown paper-covered boards with silver spine lettering. Very Fine in a very fine dust jacket. Publishers original price intact on jacket flap $24.95. Comes with archival-quality mylar dust jacket protector. A pristine unread copy. Octavo 423 pages. Proses satirical novel follows a former neo-Nazi who seeks redemption through a Jewish human rights foundation raising questions about identity forgiveness and the politics of change. This was her fourteenth novel published after "Blue Angel" which was a finalist for the National Book Award. Signed by author on title page her name only. Opened only for author to sign. Signed by Authors. 1st Edition. Hardcover. New/New. Harper Collins hardcover
1973réf. 2992First Edition First Printing. In fine condition clean and unmarked in a fine dust jacket. Signed by Francine Prose on title page. Atheneum hardcover
réf. 75-0849NY NY: Aperture Foundation 2005. First Edition. 4to. Hard Covers. 96 pp. Very Good. Color plates.Essay by Francine Prose.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. NY, NY: Aperture Foundation, 2005 hardcover
2007réf. 319592Contrasto 2007. FIRST EDITION. Hardcover. Like New/Like New. First Edition First Printing. Not price-clipped. Published by Contrasto 2007. Quarto. Hardcover. Book is like new with very light toning to the top page ends. Dust jacket is like new with very light shelf wear. A wonderful copy of this collection of photographs showing well known Italian photographer Mimmo Jodice's travels through a unique lens. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Contrasto hardcover
2014réf. 411216New York: Gagosian; Rizzoli 2014. First edition. New in shrinkwrap. 12.25 x 10.5 inches. 84 pages. Profusely illustrated in color. Original cloth; printed dust jacket. Mary Weatherford: The Flaying of Marsyas documents an exhibition of new paintings by Mary Weatherford which were presented in 2022 at the Museo di Palazzo Grimani Venice to coincide with the 59th Biennale di Venezia. "This catalog documents an exhibition of paintings from 2021-22 by Mary Weatherford a daring practitioner of American abstraction and a leading painter of her generation. The series takes its immediate inspiration from Titian's late painting The Flaying of Marsyas c. 1570-76 reflecting the artist's enduring fascination with this work. Alluding to the Renaissance painter's subdued palette while paying tribute to the distinctive light of Venice Weatherford uses Flashe paint and neon tubing to distill the earlier canvas's affect. She responds to Titian's composition by translating the violent character of its mythological theme into a format that while more improvisational also alludes to fate hubris and the relationship between the human and the divine. Francine Prose's essay traces the history of depictions of the myth of Apollo and Marsyas in paintings and places Weatherford's interpretation of the story in the context of contemporary life" the publisher. Gagosian; Rizzoli unknown
2014réf. 411216New York: Gagosian; Rizzoli 2014. First edition. New in shrinkwrap. 12.25 x 10.5 inches. 84 pages. Profusely illustrated in color. Original cloth; printed dust jacket. Mary Weatherford: The Flaying of Marsyas documents an exhibition of new paintings by Mary Weatherford which were presented in 2022 at the Museo di Palazzo Grimani Venice to coincide with the 59th Biennale di Venezia. "This catalog documents an exhibition of paintings from 2021-22 by Mary Weatherford a daring practitioner of American abstraction and a leading painter of her generation. The series takes its immediate inspiration from Titian's late painting The Flaying of Marsyas c. 1570-76 reflecting the artist's enduring fascination with this work. Alluding to the Renaissance painter's subdued palette while paying tribute to the distinctive light of Venice Weatherford uses Flashe paint and neon tubing to distill the earlier canvas's affect. She responds to Titian's composition by translating the violent character of its mythological theme into a format that while more improvisational also alludes to fate hubris and the relationship between the human and the divine. Francine Prose's essay traces the history of depictions of the myth of Apollo and Marsyas in paintings and places Weatherford's interpretation of the story in the context of contemporary life" the publisher. Gagosian; Rizzoli unknown books
réf. 71506E-388. Very Good. Hardcover. Hardcover. 8vo. Published by Southern Illinois University Press Carbondale Illinois 1968. 268 pgs. First thus. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The force and beauty of H. D. ´s prose brings the stories in Palimpsest brightly to life particularly in her sense of place: Rome about 75 B. C. post-World War I London and Egypt at the time of the Tutankhamon tomb excavations. The use of the palimpsest motif gives the reader the impression that one story has been superimposed on the other ad that the protagonist is always the same woman -in essence H. D. Herself. ; 8vo 8" - 9" tall . hardcover
1999réf. 490406Stockholm: PRISMA. 1999. 436 Seiten. 22cm. Zustand: Sehr Gut, ungelesen; Ppbd.
2002réf. BEL2343Hemmingen, Sponholtz, 2002. 155 Seiten, zahlr. Illustr., H 23 x 21 cm, OKart. - Widmung auf Titel, guter Zustand. broschiert/ Taschenbuch/ paperback
2009réf. 193858New York: Harper 2009. Book Club Edition. Hardcover. Near Fine in a Very Good dust jacket. Harper hardcover
2009réf. 126314New York: Harper 2009. First Edition; First Printing. Hardcover. Fine in a Fine dust jacket.; 8.4 X 5.9 X 1.2 inches; 336 pages. Harper hardcover
1950réf. 976074Stuttgart: DVA. 1950/1951 / 1967. 503 S. : Ill.: 503 S. : Ill.: 467 S. :. 22cm. Zustand: Gut bis Sehr Gut min. gebräunt-wellig (Innen); Schrifteinträge vor dem Titelblatt; Einband (Außen) hat geringe bis leichte Gebrauchsspuren; ROT-Komplettschnitt der Band 1 u. 2; Buchrücken etwas lichtrandig; Schutzumschlag fehlt; 1.-5. Tsd. Gewebe (Schwarzer Leinen)
1939réf. 15837Paris Editions nuvelles internationales, 1939. 432 S. Gr. 8° Groß-Oktav Brosch.
réf. 87617aafBulle, Les Hoirs de J. Perroud, s.d. (1934), in-8vo, 142 p., (Poèmes et prose en patois de la Gruyère de Biellmann, Genoud, Ruffieux, Gremion, Barras, Deillon, Plancherel, Brodard, Yerly, Murith, Castella, Vauthey) brochure originale. Exemplaire en bel état.
réf. 120675Zürich, Verena Stettler im eco-verlag 1994, 240x175mm, 222Seiten, Verlegereinband. Einband aus schwarzem Leinen, in einem Kartonetui. Erstausgabe. Exemplar wie neu.
1919réf. AUB-7303Georg & Cie éd., Genève 1919. Gd in-8 broché, couverture (usagée) ornée et rempliée d'éd., 68 pages avec table et illustrations.
réf. 66950Bruxelles, A l’Enseigne du Cheval Aile. 1943, 205x145mm, 62pages, broché. Tirage limité à 200 exemplaires sur papier Alfa numéroté 117/300. Bel exemplaire.
2012réf. 1-1937163040Creative Nonfiction 2012. Paperback. New. original edition. 288 pages. 9.00x6.25x1.00 inches. Creative Nonfiction paperback
réf. 8991Tome II. Juin-juillet-août 1905. Paul Claudel, Francis Vielé-Griffin, Maurice Barrès, Francis Jammes, Paul Adam, Albert Mockel, Stefan George, Stuart Merrill, Jean Moréas, Saint-Pol-Roux, Tornouël, Omar Khayyam, Mécislas Golberg, Albert Saint-Paul, André Salmon, Valère Gille, Tancrède de Visan, Tristan Klingsor, Henry Delormel, Henri Ghéon, William Morris, Ernest Dowson, Robert de Souza, Eugenio de Castro, André Salmon, Paul Fort Bon état.
réf. 8992Tome III. Sept.-oct.-nov. 1905. Jean Moréas, Stuart Merrill, Arthur Symons, Louis Le Cardonel, Charles Van Lerberghe, André Fontainas, Albert Mockel, Jules Laforgue, Albert Samain, Paul Fort, Eugène Demolder, Tancrède de Visan, Jaroslav, Verchlisky, Hugo von Hofmannsthal, Pierre M. Olin, Raymond de La Tailhède, Henry Delormel, Jean Schlumberger, Ary Prins, André Salmon, Frédéric Raisin Très bel exemplaire.
